David R. Walker

Kiss of the Spider Woman

Director: Bill Condon

Cast: Diego Luna, Jennifer Lopez, Tonatiuh, Bruno Bechir, Josefina Scaglione, Driton Dovolani, Aline Mayagoitia

Running Time: 2 hours and 9 minutes

Film Rating: 7 out of 10

Thank you to United International Pictures for organizing the press preview at Suncoast Cinemas in Durban on Tuesday 9th December 2025.

Forty years after the original Oscar winning film Kiss of the Spider Woman (1985) by Argentinian director Hector Babenco which won William Hurt an Oscar for Best Actor back in 1986, Dreamgirls and Beauty and the Beast director Bill Condon reimagines the novel by Manuel Puig as a musical with Diego Luna as political prisoner Valentin Arregui and Tonatiuh as his homosexual cellmate Luis Molina in a Buenos Aires prison in the last brutal days of a military junta in 1983 which terrorized Argentina in the late 1970’s and early 1980’s.

Kiss of the Spider Woman is all about the relationship between the two men, Valentin is all machismo and brute strength while Molina possesses a vivid and flamboyant imagination passing the lonely cell hours telling Valentin about his love of cinema particularly the film Kiss of the Spider Woman and all while trying to extract information about Valentin to tell the authorities.

While the original film was dark and serious touching on the taboo subject of homosexuality at the heights of the AIDS crisis in America, this version is lighter and more vibrant helped immensely by the brilliant casting of pop music icon and actress Jennifer Lopez (Hustlers, Maid in Manhattan, Out of Sight) as Aurora the fabulous heroine of our story who Molina aspires to be like. He imagines a transgender version of himself dressed as Aurora with pearls, furs and gorgeous gowns.

Aurora is also the Spider Woman, a role played by Sonia Braga in the original film. Golden Globe nominee Jennifer Lopez (Selena) is radiant as Aurora in Bill Condon’s Kiss of the Spider Woman effortlessly singing fantastic songs from the stage musical by Terrence McNally.

As the film flicks between fantasy and what is really happening in that dank and sweaty prison cell between Valentin and Molina, a relationship based on desire and repression, Kiss of the Spiderwoman brilliantly creates a contrast between the bright and glamourous world of imaginary cinema which Molina conjures up and that of the two men’s sinister political situation under repression, whereby despite the circumstances queer love triumphs.

The 2025 Kiss of the Spider Woman is vibrant and beautifully done with fabulous singing by Jennifer Lopez, a refreshingly different role for an actress who has been type cast in romantic comedies coupled with a sizzling gay relationship between Valentin and his fatally beautiful and vivid lover Molina.

The tone of this film radiates hope and accepts for the LGBTIQ+ community in an era when sexual orientation is not frowned upon or prohibited like it was back in the early 1980’s.

Mexican actor Diego Luna is no stranger to queer roles, expertly playing Harvey Milk’s hysterical lover Jack Lira in Gus van Sant’s Oscar winning film Milk in 2008.  Diego Luna and Jennifer Lopez are brilliant in this musical version of Kiss of the Spiderwoman while Tonatiuh’s portrayal of Molina is suitably camp and tragic.

Bill Condon effortlessly breathes new life into Kiss of the Spider Woman for a new generation of queer cinema lovers and does justice to the vivid imagination of the author Manuel Puig on whose novel this film is based.

Kiss of the Spider Woman gets a film rating of 7 out of 10 and is recommended viewing for lovers of queer musicals featuring exotic Argentinian dance numbers and a story that will dazzle viewers and give hope to anyone that is living under authoritarian repression because human desire always triumphs over political control.

Eternity

Director: David Freyne

Cast: Miles Teller, Elizabeth Olsen, Callum Turner, Da’Vine Joy Randolph, John Early

Running Time: 1 hour and 53 minutes

Film Rating: 7.5 out of 10

In director David Freyne’s romantic comedy Eternity, purgatory is a plush place, a destination reminiscent of a resort.

Eternity stars Elizabeth Olsen and Miles Teller as a married couple, Larry and Joan who both pass away within months of each other and land up in this Pleasantville type holding resort whereby the recently deceased have a chance to recover from their journey into the afterlife and await their arrival of an afterlife consultant.

The only problem that Joan has is that she bumps into her first dead husband, a Korean war soldier Luke wonderfully played with debonair swagger by British star Callum Turner in his first big film role since starring in Autumn de Wilde’s lush cinematic reinvention of Jane Austen’s classic Emma back in 2020.

The trick with this version of a love triangle with a woman and two men is that both men look very similar and that’s down to the casting of Miles Teller (Whiplash, Top Gun: Maverick) and Callum Turner that physically look the same but act very differently. Joan’s choice between her first husband which she couldn’t make a life with and her second husband Larry in which she made a beautiful life with is hard. She needs help.

The afterlife assistants come in the form of comic back up with Anna and Ryan. Anna is the larger than life character played by Oscar winner DaVine Joy Randolph (The Holdovers) and Ryan played with a hint of campiness by John Early.

While the men typically fight with each other when they both realize that Joan has to choose between them for eternity, Joan is awash with emotion about the bizarre and surreal experience of having two dead husbands to choose from.

Fortunately both of them look gorgeous and Joan herself, expertly played by Elizabeth Olsen (Wind River, Avengers: Age of Ultron) is weighing up the choice based on bitter memories and chance encounters. Luke represents cold Blue Mountains, rugged and appealing while Larry represents sunshine and beach wear, relaxed and comfortably American.

As a romantic comedy, Eternity is well paced, brilliantly painted with vibrant production design by Zazu Meyers allowing the actors to inhabit a world somewhere between a busy train station and a multitude of different locations. Fortunately this film works because of the fantastic on screen chemistry between the three main leads, Elizabeth Olsen, Callum Turner and Miles Teller each displaying their comic timing and exuberance.

As a young director David Freyne’s comedy Eternity is fun, frenetic and thought-provoking, a wonderfully light film about some heavy duty topics skilfully dealing with love, death and the afterlife. Like Challengers, Eternity works because of the superb casting.  

Eternity gets a film rating of 7.5 out of 10 and is highly recommended viewing for those that enjoy weird romantic comedy’s not set on this earth. A perfect film for date night.

Wicked: For Good

Director: Jon M. Chu

Cast: Cynthia Erivo, Jeff Goldblum, Ariana Grande, Jonathan Bailey, Michelle Yeoh, Ethan Slater, Colman Domingo, Michelle Yeoh, Bowen Yang, Bronwyn James

Running Time: 2 hours and 17 minutes

Film Rating: 8 out of 10  

Crazy, Rich Asians and In The Heights director Jon M. Chu directs an elegant sequel to Wicked in Wicked: For Good set again in Oz. This time Ariana Grande steals the limelight in her sparkling pink bubble as the ultimate fairy Glinda. Although she is a witch, she is the Good witch and her opposite Elphaba expertly played again by Cynthia Erivo is being demonised in the land of Oz by Madame Morible, master manipulator played by Oscar winner Michelle Yeoh (Everything Everywhere All at Once) who is convincing the general vibrant population that Elphaba is indeed the wicked witch of the west.

As the dynamic between Glinda and Elphaba is heightened by the announcement of the wedding between Glinda and the extremely handsome and buff Fiyero played by Jonathan Bailey, the Wizard of Oz wonderfully played by Jeff Goldblum is hiding a dark secret in which Elphaba is determined to uncover.

Wicked: For Good is an excellent musical film with exceptionally high production values, gorgeous costumes by Oscar winning costume designer Paul Tazewell (Wicked) and extravagant production design by Nathan Crowley yet it is a far different film to Wicked.

Firstly, Wicked was all about Elphaba while Wicked: For Good is all about Glinda and Ariana Grande deserves another Oscar nomination for her brilliant portrayal of that brittle and demanding princess that is Glinda whose pink bubble gets rightly pricked when Fiyero leaves her at the altar for her nemesis.

In the midst of all the chaos at Oz, Madame Morible creates a hurricane which naturally brings in Dorothy fresh from Kansas along with the Tin Man and Scarecrow who all proceed down the yellow brick road to pander to the wishes of the Wizard of Oz. Dorothy unknowingly stole Elphaba’s dead sister’s sparkling ruby slippers.

Interestingly the arrival of Dorothy is not the focal point of Wicked: For Good it is more of a side story. We catch glimpses of Dorothy in a closet, running along the yellow brick road and hell bent on destroying Elphaba. Remember this is the back story of The Wizard of Oz. Jon M. Chu pays cinematic homage to the infamous 1939 Oscar winning film The Wizard of Oz but he doesn’t remake that story. That’s a classic best left untouched.

Wicked: For Good focuses on the bizarre love triangle between Glinda, Elphaba and Fiyero but of the three it is by far Glinda that steals this gorgeous show.  

The musical numbers in Wicked: For Good are well-executed, definitely appealing to those that love big Hollywood musicals. This film sequel should do well at the 2026 Oscar nominations.

Wicked: For Good is a truly magical film which is high value entertainment best seen on the biggest screen possible. Ariana Grande is absolutely superb in this film upstaging Dorothy and coming to terms with Elphaba’s unrelenting power.

Highly recommended viewing for those that loved the first film, Wicked: For Good gets a film rating of 8 out of 10. Magical, enchanting and definitely entertaining.

Now You See Me: Now You Don’t

Director: Ruben Fleischer

Cast: Jesse Eisenberg, Woody Harrelson, Dave Franco, Rosamund Pike, Isla Fisher, Dominic Sessa, Justice Smith, Morgan Freeman, Mark Ruffalo, Thabang Molaba, Ariana Goldblatt, Lizzy Caplan

Running Time: 1 hour 53 minutes

Film Rating: 7 out of 10

Nine years after the sequel, Now You See Me 2 in 2016, Gangster Squad director Ruben Fleischer reunites the four horseman of magic in the third instalment aptly titled Now You See Me: Now You Don’t starring Jesse Eisenberg, Woody Harrelson, Isla Fisher and Dave Franco.

In the new film some bright young characters emerge, ambitious magicians that are trying to emulate the four horseman. These are June played by Ariana Goldblatt, Bosco brilliantly played by Dominic Sessa (The Holdovers) and Charlie played by Justice Smith.

J. Daniel Atlas eloquently played with enough charisma by Eisenberg recruits the young magicians to help him pull off a daring diamond heist in Antwerp, Belgium. Enter the villain.

Rosamund Pike is no stranger to playing the villain, after she played Miranda Frost in 2002’s James Bond film Die Another Day. This time the British Oscar nominee effortlessly takes on a strong South African accent to play diamond heiress Veronica Vanderberg who inherited her father’s South African diamond empire.

She has a sparkling very expensive diamond in which the magicians want to steal at a diamond auction in Antwerp. Many disappearing acts occur in which the diamond is snatched by the four horsemen and their young accomplices. They flee Belgium for a mysterious Chateau in France where they meet chief magician and illusionist Thaddeus Bradley played by Oscar winner Morgan Freeman (Million Dollar Baby).

Things go south at the Chateau and soon Merritt McKinney played by Oscar nominee Woody Harrelson (The People vs Larry Flynt, The Messenger, Three Billboards outside Ebbing, Missouri) is kidnapped by the ruthless but vivacious Vanderberg.

Swiftly a fifth magician appears, Lizzy Caplan reprising her role as Luna and the entire gang head to Abu Dhabi to the Yas Marina Grand Prix circuit whereby Vanderberg Enterprises will be showcasing their new racing car. The magicians land up getting caught in a sandbox quickly filling with sand while Vanderberg seems to escape into the Arabian night.

Now You See Me: Now You Don’t has great entertainment value judging by how fill the cinema was when I saw it. It is a sleek and visually impressive film with a great ensemble cast and sufficient tricky to wow the viewers into being captivated by every sleight of hand and misdirection.

With multiple screenwriters contributing to the screenplay, the narrative is outlandish and pure escapism but that is what magic is all about.

Now You See Me: Now You Don’t gets a film rating of 7 out of 10 and is pure entertainment with no violence, lots of action and loads of magic helped by a truly talented ensemble cast. Recommended viewing.

After the Hunt

Director: Luca Guadagnino

Cast: Julia Roberts, Ayo Edebiri, Michael Stuhlbarg, Andrew Garfield, Chloe Sevigny

Running Time: 2 hours and 18 minutes

Film Rating: 6 out of 10

THIS FILM IS ONLY AVAILABLE ON AMAZON PRIME

Sicilian director Luca Gudagnino follows on from the success of his previous film Challengers which was lavishly shot with a strange psychological thriller in which he attempts unsuccessfully to capture the zeitgeist of the early 2020’s in his new film After the Hunt.

Fortunately Oscar winner Julia Roberts (Erin Brockovich) centres this uneven and ultimately disappointing film which unravels from the middle onwards.

Roberts plays an ambitious philosophy lecturer Alma at the prestigious Yale University where by her and her fellow lecturer Hank superbly played with hyper masculinity by Oscar nominee Andrew Garfield (Hacksaw Ridge, Tick Tick, Boom) are embroiled in a dangerous and toxic game of accusations and counter accusations when an arch manipulator and troubled student Maggie brilliantly played by The Bear star Ayo Edebiri disrupts their comfortable and privileged lives.

After a particularly boozy party at Alma’s house hosted by herself and her husband, clinical psychologist Frederik expertly played by Michael Stuhlbarg, Hank accompanies Maggie home.

The next day Maggie, Alma’s star philosophy graduate student comes to her professor with a shocking accusation that Hank tried to touch her inappropriately. There is no proof, only insinuation and hearsay.

Simultaneously Hank tells Alma that Maggie has plagiarised her philosophy dissertation and then when he gets accused and fired by the University faculty he explodes and tells Alma that he is a victim of this shallow cultural moment.

After the Hunt unfortunately doesn’t dwell on specifics in a meandering narrative which will leave the viewer slightly confused. Director Luca Guadagnino was keen to make a film that captured the zeitgeist of the MeToo movement in an academic setting but he doesn’t capitalize on a narrative which could have been explosive and challenging. After the Hunt suffers from a poor script and an overlong narrative which makes the film economically unviable.

Despite some great scenes between Julia Roberts, Ayo Edebiri and Andrew Garfield, the entire film seems to virtue signal about a cultural moment which hasn’t finished running its course, so it’s true impact is impossible to quantify. After the Hunt will challenge viewers perceptions but will not entertain them.

After the Hunt has great potential, but sags in the middle causing the morally questionable characters to unsuccessfully sustain a narrative which lacks resolution.

Luca Guadagnino should go back to the formula which made his hit films so brilliant. After The Hunt fails to equal the brilliance of Call Me By Your Name or even Challengers.

After the Hunt gets a film rating of 6 out of 10.

The Running Man

Director: Edgar Wright

Cast: Glen Powell, Lee Pace, Sean Hayes, Colman Domingo, Josh Brolin, Jayme Lawson, William H. Macy, Michael Cera, Emilia Jones

Running time: 2 hours and 13 minutes.

Film Rating: 7 out of 10

Baby Driver director Edgar Wright tackles with freneticism a remake of the 1987 action film The Running Man which starred Arnold Schwarzenegger, Maria Conchita Alonso and Yaphet Kotto.

This time Top Gun Maverick and Twisters star Glen Powell takes the lead role as a poor man Ben Richards with anger issues that has to enter a reality TV show about how to survive without getting murdered in a Dystopian America set in a hyper contemporary future which strangely reflects the 2020’s.

The production design by Marcus Rowland is amazing in The Running Man as the story, with a screenplay by Edgar Wright and Michael Bacall based on the novel by horror writer Steven King, tracks the bizarre adventure of Richards as he enters The Running Man reality TV show in a vibrant and often violent game of hide and seek. As Richards travels from Co-op city to New York then Boston and onto Maine, he meets an assortment of fascinating characters. The most notable is forger Molie played by Oscar nominee William H. Macy (Sideways) and Elton Perrakis as the conspiracy theory weird dude who lives in a rambling house in Maine with his mother, brilliantly played by Michael Cera (Juno, Barbie).

The reality TV show is a dystopian colosseum as hordes of viewers eagerly watch the hunt of Ben Richards with bloodlust as the host of the show Bobby T whips up the crowd in a frenzy. Bobby T is flamboyantly played by Oscar nominee Colman Domingo (Rustin, Sing Sing) as he answers to the shady corporate TV network producer Dan Killian played by Oscar nominee Josh Brolin (Milk).

The Running Man is absolutely crazy and frenetic. Unfortunately Edgar Wright over directs this dystopian thriller but what saves this film is the charisma of Glen Powell whose good looks and gusto will make the film audience want Ben Richards to stay alive and save his wife and child and beat the show at its own murderous game all skilfully orchestrated by TV ratings and audience participation.

Some superb scenes in the film include a fight scene between Ben Richards and ruthless hunter Evan McCone played by Lee Pace (Captain Marvel) on a jetliner while a horrified captive Amelia Williams played by rising British star Emilia Jones looks on.

The Running Man is The Hunger Games on steroids, a fantastically crazy action film which is loud, brash and over directed by Edgar Wright who often gets the pacing of the film wrong. It is thoroughly entertaining especially watching the hunk Glen Powell outwit the crazy hunters and take revenge on the evil TV producer Killian.

Despite bad editing and a lack of pacing, The Running Man gets a film rating of 7 out of 10 and is an entertaining action film with outlandish characters and a leading man in which everyone will be cheering for as he goes up against an oppressive social system in which the rich willingly crush the poor purely for entertainment value.

The Running Man is certainly dystopian but very familiar in the current media climate. Recommended viewing for those that love high adrenalin action films set in a bizarre futuristic world.

Roofman

Director: Derek Cianfrance

Cast: Channing Tatum, Kirsten Dunst, Peter Dinklage, LaKeith Stanfield, Ben Mendelsohn, Uzo Aduba, Juno Temple, Tony Revolori

Running Time: 2 hours and 6 minutes

Film Rating: 7.5 out of 10

Derek Cianfrance returns to the director’s chair after a nine year absence in his new film Roofman starring Channing Tatum and Oscar nominee Kirsten Dunst (The Power of the Dog).

Unlike his previous films The Place beyond the Pines and Blue Valentine which both starred Ryan Gosling, Roofman is much lighter in tone and focuses on the bizarre escapades of an unmanageable father Jeffrey Manchester superbly played by Channing Tatum (Foxcatcher) in an Oscar worthy performance who robs a McDonalds in North Carolina, gets arrested for that crime then escapes out of jail.

The escaped convicted then hides in plain sight in a massive Toys R Us store in Pineville, North Carolina on the outskirts of Charlotte, the state’s biggest city.

Roofman follows the captivating but ultimately heart breaking story of Jeffrey who falls in love with single mother Leigh Wainscott brilliantly played by Dunst in a role which is so opposite to her previous film roles. Kirsten Dunst was once the art house darling of such directors as Lars von Trier and Sofia Coppola. Think Melancholia or Marie Antoinette.

She is now playing a regular mother and employee at a toy store which ironically is managed by the evil boss Mitch superbly played by Peter Dinklage (Game of Thrones). When Leigh asks her boss for toys for a local toy drive for her church, he abruptly tells her that Toys R Us are in the business of selling toys and not giving them away.

Leigh belongs to a North Carolina church in which she finds comfort and community. The congregation is run by Pastor Ron and his wife Eileen, played by Ben Mendelsohn and Uzo Aduba. Leigh introduces Jeffrey to this church and integrates him into her life, not knowing that he is a wanted criminal.

Jeffrey’s contact in the criminal underworld is a forger Steve played by Oscar nominee LaKeith Stanfield (Judas and the Black Messiah) and his girlfriend Michelle played by Juno Temple (Atonement).

Roofman is a character driven film about a charismatic thief who falls in love with a divorcee who is desperately looking for Mr Right. Channing Tatum is excellent in a role which requires him to bare all both physically and emotionally. There is a hilarious scene with him naked in the Toys R Us store being discovered by Mitch, the store manager.

The slow pacing of Roofman is a trademark of Derek Cianfrance’s films, yet the crime comedy delivers a fascinating tale of a criminal falling in love with a regular citizen whose love affair is ultimately doomed. As Steve, the forger, advises Jeffrey that once you get a new forged passport and plan on leaving the country don’t go back and say goodbye to anybody that you have become attached to.

With great performances by Channing Tatum and Kirsten Dunst, Roofman gets a film rating of 7.5 out of 10 and is a true American story of love, escape and destiny set in Charlotte, North Carolina. Bizarre but worth seeing.

Tron: Ares

Director: Joachim Ronning

Cast: Greta Lee, Jared Leto, Evan Peters, Jodie Turner-Smith, Jeff Bridges, Arturo Castro, Gillian Anderson

Running Time: 1 hour 59 minutes

Film Rating: 7.5 out of 10

It’s been 15 years since Tron was released in 2010 and 43 years since the original Tron was released back in 1982. The good news is that Jeff Bridges stars in all of them.

2025’s Tron: Ares directed by Norwegian director Joachim Ronning who also did Maleficent: Mistress of Evil and Pirates of the Caribbean: Salazar’s Revenge.

Tron: Ares is not a bad film and the visual effects are amazing. The cast is sufficiently varied including Greta Lee (Past Lives) as video game founder Eve Kim and her nemesis, Julian Dillinger played with villainous mischief by Emmy winner Evan Peters (Mare of Easttown). Then there are the programs that Dillinger creates, Ares played by Oscar winner Jared Leto (Dallas Buyers Club) who is a digital being who wants to escape being disintegrated every 30 minutes and Athena played by the fabulous British actress Jodie Turner-Smith (Queen & Slim)  rocking a particularly retro Grace Jones look.

As Eve and her sidekick Seth Flores played by the Guatemalan star Arturo Castro discover the permanence code which allows advanced AI programs like Ares and Athena to exist forever. Dillinger’s corporation which he is trying to wrestle control away from his overbearing mother, pursue Eve and in a flashy motorbike chase through a nameless city, Eve discovers that she is weirdly attracted to Ares, even though he is a computer program.

Ares realizes that he is a disposable program in which Dillinger can reconstitute at any moment, so he teams up with Eve who sends him back into the original 1980’s video game where in this retro computer world reminiscent of 1980’s arcade games, Ares meets Kevin Flynn played with reverence by Oscar winner Jeff Bridges (Crazy Heart), video game creator of the original Tron grid.

Tron: Ares has lavish production values with cutting edge visuals assisted by a catchy soundtrack by Nine Inch Nails and Depeche Mode. Of course Trent Reznor and Atticus Ross, Oscar winners for best original score for David Fincher’s The Social Network also assist with making this Tron soundtrack edgy and slick.

The best scene is when Ares meets Kevin Flynn in the original 1980’s computer grid of Tron, the first film which captured my imagination as a 10 year boy back in 1982.

If you enjoy the Tron world and the sleek visual aesthetics, then catch Tron: Ares now in cinemas. The acting is not brilliant but the storyline keeps the characters afloat in a treacherous digital world in which artificial intelligence is fighting raw human emotion.

Tron: Ares gets a film rating of 7.5 out of 10 and is worth seeing purely for the entertainment value and this time Disney managed to capture a futuristic world which is hyper contemporary and surprisingly relevant. Recommended viewing for those that love cool science fiction and watch it in the biggest screen possible.

A Big Bold Beautiful Journey

Director: Kogonada

Cast: Colin Farrell, Margot Robbie, Phoebe Waller-Bridge, Jodie Turner-Smith, Kevin Kline, Billy Magnussen, Sarah Gadon

Running Time: 1 hour and 49 minutes

Film Rating: 5 out of 10

To understand what a brilliant film is, you also have to watch a terrible film. A Big Bold Beautiful Journey is possibly one of the worst films I have ever seen and to think that Oscar nominees Colin Farrell (The Banshees of Inisherin) and Margot Robbie (I,Tonya) signed on to star in this film has a lot to be said for their agents.

One the major problems with A Big Bold Beautiful Journey is that the Korean director Kogonada while displaying some odd visual flourishes just delivered possibly one of the most boring cinematic experiences ever made about two singletons, David and Sarah who meet at a wedding and are two of the most uninteresting characters ever created.

There is no conflict at all in an episodic and bizarre storyline by screenwriter Seth Reiss focussing on the surreal journey of David and Sarah as they revisit key moments of their past lives both painful and memorable. With the exception of a brief musical number in which Colin Farrell proves that he is no match for Ryan Gosling in Greta Gerwig’s Barbie, the rest of the story is darkly lit and involves the odd couple driving in a car at night in some stylistic version of America which is somnambulistic and tiresome.

There is one other brief scene involving the two main stars along with their ex-lovers played by Billy Magnussen and Canadian actress Sarah Gadon in a crowded restaurant which is vaguely entertaining, otherwise the rest of this film is obscure, lagging any direction and zero conflict. Conflict drives narrative and lifts the characters off the screenplay into sentient beings filled with strong emotions which cause action. Unfortunately David and Sarah are cardboard cut-out characters which frankly Colin Farrell and Margot Robbie should have known better than to even agree to such a terrible script.

After watching brilliant cinema like Paul Thomas Anderson’s One Battle After Another, A Big Bold Beautiful Journey is slow and bizarre, with a convoluted script and direction so bad that I am surprised Sony released this film.

If audiences enjoy boring love stories, then catch this film online or just skip it completely.

Unfortunately A Big Bold Beautiful Journey gets a film rating of 5 out of 10 and goes nowhere except through a series of doors. An unmitigated disaster of a film.

Under the Volcano

Director: Damian Kocur

Cast: Roman Lutskyi, Anastasiya Karpenko, Sofia Berezovka

Running time: 1 hour 45 minutes

Film Rating: 6.5 out of 10

Film Festival: European Film Festival

Language: Ukrainian with English Subtitles.

Polish director Damian Kocur’s film Under the Volcano explores the effect of the 2022 Russian Invasion of the Ukraine has on a blended Ukrainian family on holiday in the Canary Islands in Tenerife at the time of the invasion.

Kocur’s family drama focuses on a father Roma played by Ukrainian actor Roman Lutskyi and his new wife Nastia played by Anastassiya Karpenko, and their son Fedir aged 6 and Roma’s daughter from another marriage Sofia played by Sofia Berezovka.

The happy go lucky Ukrainian family are enjoying the sites of Tenerife and when their plan to return to Kyiv in the Ukraine is thwarted as they discover that Russia has invaded. Their flights are cancelled and the Spanish hotel manager says they can stay in Tenerife for as long as is required.

Their stranded situation in Tenerife is amplified when Sofia, the teenage girl meets an African immigrant who came to Tenerife by boat. Their stilted relationship reflects two people stranded in a geographic location in which they had no choice to be there and seemingly cannot escape from.

The main tension in this family drama comes from the strained relationship between husband and wife as Roma realizes that when he returns to the Ukraine he will have to join his friends in the military front lines. Nastia will have to remain in Warsaw as a refugee with her young son Fedir and her mother.

Unfortunately, Under the Volcano does not have a good script and many scenes are drawn out and just involve fighting. The pace of this film is very slow and there is no dimensionality to an otherwise fascinating topic – what do families do when they are away from their own country when it has been invaded?

Besides the beautiful settings of Tenerife, Under the Volcano could have been a much better film, but its narrative meanders pointlessly so that one crucial scene of the family getting lost on a mountainous hike sums up the efforts of a mediocre scriptwriter.

Director Damian Kocur’s film about refugees and war’s effect on the family needs to be sharpened in terms of pace and tone. While Under the Volcano is not a bad film, it could have been so much better. There was so much more to unpack on this subject and the director seem to hold back.

Under the Volcano gets a film rating of 6.5 out of 10 and is a slow paced family drama about the effects of an ongoing European war which has reshaped that continent security concerns.