David R. Walker

Reminders of Him

Director: Vanessa Caswill

Cast: Maika Monroe, Tyriq Withers, Nicholas Duvernay, Lauren Graham, Bradley Whitford, Rudy Pankow, Zoe Kosovic

Running Time: 1 hour and 54 minutes

Film Rating: 6.5 out of 10

Director Vanessa Caswill’s transition from TV director to big screen director does not come off effortlessly in the lacklustre film adaptation of New York Times bestselling author Colleen Hoover’s novel Reminders of Him starring a low key cast including Maika Monroe as Kenna Rowen and Tyriq Withers as Ledger Ward.

Reminders of Him revolves around the redemption story of Kenna Rowen who moves back to Laramie, Wyoming after serving prison time for vehicular manslaughter when her boyfriend, Scotty Landry played by Rudy Pankow is killed in a freak car accident when she was driving them towards a diner.

Fast forward 6 years and Kenna is an ex-convict out on parole and dead broke and trying to find a job. She moves into a motel complex called Paradise and then she begins to pick up the shattered mess that is her life. Her beautiful daughter is being looked after by her dead boyfriend’s affluent parents Grace and Patrick Landry expertly played by Lauren Graham (Because I said So, Sweet November) and Bradley Whitford (Get Out, Saving Mr Banks). Scotty’s best friend Ledger Ward is playing foster dad to the precocious 5 year old, brilliantly played by Zoe Kosovic.

Unfortunately unlike director Justin Baldoni’s glossy adaptation of another Colleen Hoover novel It Ends with Us, this film version does not lift off the page and the characters with the exception of Ledger appear to be dull.

This film lacks a good casting director, since now there is an Oscar category for that profession and Reminders of Him needed a prolific actor or two to rejuvenate this film despite its autumnal cinematography by Tim Ives and breath taking mountainous scenery.

Reminders of Him begins with conflict and despair and as the narrative winds along a slow road to a more redemptive conclusion, the story leaves the audience with more questions than answers.

Romantic dramas always find an audience judging by how fill the cinema was on a Sunday afternoon, however this film could have been so much better yet it is saved by a great performance by Tyriq Withers (Him, I Know What You Did Last Summer) as the hunky bar owner Ledger Ward whose charismatic screen presence makes up for all that is missing with Maika Monroe as Kenna.

Maika Monroe (Independence Day: Resurgence) does lacks some screen presence, which is something she can work on as an actress and draw inspiration from the exceptional female talent on screen this decade.

Rudy Pankow’s onscreen moments as the pivotal Scotty Landry are too few to make the flashbacks scenes resonate emotionally.

Reminders of Him gets a film rating of 6.5 out of 10 and is a romantic drama without the fireworks or flair, a middle of the road story about tragedy, loss and redemption.

Recommended for those that enjoy light hearted stories stripped of glamour or substance.

98th Academy Awards took place on Sunday 15th March 2026 at the Dolby Theatre in Hollywood, Los Angeles.

Oscar winners 2026: Full List of Winners

Best Picture: One Battle After Another

Best Director: Paul Thomas Anderson – One Battle After Another

Best Actor: Michael B. Jordan – Sinners

Best Actress: Jessie Buckley – Hamnet

Best Supporting Actor: Sean Penn – One Battle After Another

Best Supporting Actress: Amy Madigan – Weapons

Best Original Screenplay: Ryan Coogler – Sinners

Best Adapted Screenplay: Paul Thomas Anderson – One Battle After Another adapted from the novel Vineland by Thomas Pynchon.

Best Cinematography: Autumn Durald Arkapaw – Sinners

Best Costume Design: Kate Hawley – Frankenstein

Best Make up & Hairstyling: Frankenstein

Best Visual Effects: Avatar: Fire and Ash

Best Film Editing: Andy Jurgensen – One Battle After Another

Best Sound: F1

Best Production Design: Frankenstein

Best Documentary Feature:  Mr Nobody Against Putin

Best Documentary Short Subject: All the Empty Rooms

Best Original Score: Ludwig Goransson – Sinners

Best Original Song: K-Pop Demon Hunters

Best Animated Feature Film: K-Pop Demon Hunters

Best Animated Short: The Girl Who Cried Pearls.

Best Live Action Short Film: The Singers & People Exchanging Saliva -Tied Winner

Best International Feature Film:  Sentimental Value directed by Joachim Trier (Norway)

The Bride!

Director: Maggie Gyllenhaal

Cast: Jessie Buckley, Christian Bale, Annette Bening, Peter Sarsgaard, Penelope Cruz, Jake Gyllenhaal, John Maguro, Jeannie Berlin

Running Time: 2 hours and 6 minutes

Film Rating: 7 out of 10

After the success of The Lost Daughter, actor turned director Maggie Gyllenhaal presents her new audacious and avant-garde film The Bride! starring an amazing cast including Jessie Buckley, Christian Bale, Penelope Cruz, Peter Sarsgaard and her own brother Jake Gyllenhaal.

Writing and directing The Bride! for Maggie Gyllenhaal was a huge risk as she attempts to recreate a famous Gothic Horror novel and set it in Prohibition era Chicago in 1926, exactly 100 years ago.

Unfortunately the risk does not always pay off. Despite some unnecessary directorial embellishments, Gyllenhaal is strong on style and aesthetics but her narrative is weak and structurally confusing, much like the composition of Frankenstein himself.

This is a strange pastiche of gothic mixed with gangster as Oscar winner Christian Bale (The Fighter) expertly plays the lonely Frankenstein as he approaches Dr Euphronious played by five time Oscar nominee Annette Bening (The Grifters, American Beauty, Being Julia, Nyad, The Kids are Alright) to find him a companion, a physical relief from his lonely movie watching of the dancing film star Ronnie Reed played by Oscar nominee Jake Gyllenhaal (Brokeback Mountain).

Enter The Bride, fantastically played with a manic relish and craziness by Oscar nominee Jessie Buckley (The Lost Daughter, Hamnet) who is excellent as the mad Ida, a prostitute who is trying to trap a vicious mob boss. Buckley also plays a cynical version of Mary Shelley the author of Frankenstein in a series of weird flashback scenes which were totally unnecessary and detracted from the narrative.

As in the opening line of the film, Mary Shelley says “Darling, something has cracked” as she reimagines a companion for the monster Frankenstein.

It is refreshing to see Christian Bale back on the big screen in a solid performance as the socially awkward but aggressive Frankenstein, a complete antithesis to Jacob Elordi’s performance in Guillermo del Toro’s excellent Frankenstein.

Oscar winner Penelope Cruz (Vicky Cristina Barcelona) is superb as the feminist detective Myrna Malloy who outwits her male counterpart, Jakes Wiles played without effort by the director’s husband Peter Sarsgaard. Myrna and Jake are chasing after Frankenstein and his Bride, Ida or Penelope as they embark on a vicious killing spree from Chicago to New York.

The Bride! is very arthouse and strange. There are some quirky moments followed by some extremely violent scenes which detract from Gyllenhaal’s clear thematic homage to the cinema going experience. The narrative of this film is disorientating much like the doomed duo who are trying to outwit the police.

Thankfully three time Oscar winning costume designer Sandy Powell (The Aviator, The Young Victoria, Shakespeare in Love) does a fabulous job with the 1920’s costumes and the production design by Karen Murphy is perfect, linking the Gothic horror style with the shadowy world of gangsters.

The Bride! will find an audience but it is not a commercial film, but at least director Maggie Gyllenhaal delivered a film which was inventive, feminist and ferocious. Her cinema aesthetic is distinctive and bold.

The Bride! gets a film rating of 7 out of 10 and is worth seeing if you enjoy bizarre films like Siesta, Orlando and Stoker. Unfortunately having a great cast does not always guarantee an excellent film.

The 32nd Actor Awards (Screen Actors Guild Awards), honouring the best achievements in film and television performances for the year 2025, were presented on Sunday March 1^st 2026, at the Shrine Auditorium and Expo Hall in Los Angeles, California.

Actors Awards in the Film Category:

Best Cast: Sinners – Michael B. Jordan, Jack O’Connell, Hailee Steinfeld, Miles Caton, Delroy Lindo, Wunmi Mosaku, Lola Kirke, Saul Williams  

Best Actor: Michael B. Jordan – Sinners

Best Actress: Jessie Buckley – Hamnet

Best Supporting Actress: Amy Madigan – Weapons

Best Supporting Actor: Sean Penn – One Battle After Another

The British Academy Film Awards –

The 78th British Academy Film Awards, also known as the BAFTAs, were held on 22nd February 2026 at the Royal Festival Hall in London, honouring the best national and foreign films of 2025.

Best Film: One Battle After Another          

Best Director: Paul Thomas Anderson – One Battle After Another

Best Actor: Robert Aramayo – I Swear

Best Actress: Jessie Buckley – Hamnet

Best Supporting Actor: Sean Penn – One Battle After Another

Best Supporting Actress: Wunmi Mosaku – Sinners

Best British Film: Hamnet

Best Original Screenplay: Ryan Coogler – Sinners

Best Adapted Screenplay: Paul Thomas Anderson – One Battle After Another

Best Costume Design: Frankenstein

Best Foreign Language Film: Sentimental Value directed by Joachim Trier

Rising Star Award: Robert Aramayo

Crime 101

Director: Bart Layton

Cast: Mark Ruffalo, Chris Hemsworth, Barry Keoghan, Halle Berry, Monica Barbaro, Nick Nolte, Jennifer Jason Leigh, Corey Hawkins, Tate Donovan

Running time: 2 hours and 20 minutes

Film Rating: 7.5 out of 10

American Animals director Bart Layton reunites with Oscar nominee Barry Keoghan (The Banshees of Inisherin) along with Oscar nominee Mark Ruffalo (Foxcatcher, Spotlight, Poor Things) and Oscar winner Halle Berry (Monsters Ball) in the twisty crime thriller Crime 101 set entirely in Los Angeles.

Layton makes the Los Angeles urban landscape with its infinite freeways, it’s glittering skyscrapers, it’s homeless and its fascinating characters almost another character in Crime 101.

Chris Hemsworth stars as the elusive jewel thief Mike who is trying to score a big heist and grab some walk away money as he reluctantly takes orders from his boss Money played by Oscar nominee Nick Nolte (The Prince of Tides, Affliction, Warrior).

Mike soon has competition in the form of the crazy bike riding violent criminal Omon who rips off a high end jewellery store in Santa Barbara. While Mike is trying to figure out his next move, he targets the 53 year old insurance executive Sharon brilliantly played with bitterness and grit by Halle Berry.

The reluctant hero Mike also falls in love with the down to earth Maya, a radiant performance by Oscar nominee Monica Barbaro (A Complete Unknown) whose presence lights up the screen in contrast to the surliness of Mike’s character.

Mark Ruffalo is excellent as the well weathered LAPD detective Lou who is trying to identify the perpetrator behind the crime capers along the extensive 101 freeway.

With flashy film noir overtones, Crime 101 is a story about greed, desperation and redemption as writer and director Bart Layton creates a tapestry of morally dubious characters that all converge in a thrilling scene on the 10^th floor penthouse suite of the plush Beverly Wilshire Hotel in L. A.

The best scenes are between Halle Berry and Mark Ruffalo whose experience and skill as screen actors shine through.

Crime 101 is a clever and gripping crime drama set along the 101 freeway about thieves, dodgy policeman, ruthless billionaires and an insurance executive desperate to escape corporate misogyny while having access to valuable diamonds.

Director Bart Layton creates an adult thriller, stylish, sexy and intriguing expertly using a cast of multi-generational characters that are multifaceted, malicious and malleable.

Crime 101 gets a film rating of 7.5 out of 10 and is recommended viewing for those that enjoy a film noir contemporary thriller set in Los Angeles. Worth watching for the incredible cast.

Wuthering Heights

Director: Emerald Fennell

Cast: Margot Robbie, Jacob Elordi, Hong Chau, Shazad Latif, Alison Oliver, Martin Clunes, Ewan Mitchell, Charlotte Mellington, Owen Cooper, Amy Morgan

Running Time: 2 hours and 16 minutes

Film Rating: 7 out of 10

They say you have to be cruel to be kind. Let’s start with the cruelty.

Did director Emerald Fennell read Emily Bronte’s Wuthering Heights that was a sensation when published in 1847?

Actress Emerald Fennell turned director with her Oscar winning film Promising Young Woman and then followed that up with the shockingly bizarre and strange Saltburn which was actually terrible. So it was with trepidation I learnt that Emerald Fennell would be doing a film version of Wuthering Heights, a mid-Victorian romantic novel which has been turned into a film countless times from the famous Oscar winning 1939 version starring Sir Laurence Olivier, Merle Oberon and David Niven to more recent versions with Tom Hardy and Charlotte Riley.

Wuthering Heights was always about a tragic love triangle but at its emotional core is the fiery and unpredictable love between the wilful Catherine Earnshaw and the orphan boy Heathcliff.

In the 2026 version, Oscar nominee Margot Robbie (I,Tonya; Bombshell) stars as Catherine and then the best casting choice ever was to have the hunk of the moment, the towering Oscar nominee Jacob Elordi (Frankenstein) cast as the dashing and brutal Heathcliff.  

While Margot Robbie did her best as the doomed heroine Catherine Earnshaw, I kept seeing Barbie on the Yorkshire Moors and not Catherine. Catherine, despite all warnings from everyone, does indeed ruin her prospects. Robbie seemed to be crying in every scene of the film.

Jacob Elordi on the other hand was brilliant as Heathcliff, looming and hulking, chopping wood with his hairy torso displayed while Catherine succumbs to indecision and repressed desire. Although that desire does not remain that repressed for director Emerald Fennell then decides to turn this version of Wuthering Heights into a vaguely 1970’s soft porn video.

There is a bizarre scene of Catherine masturbating on the moors while Heathcliff sneaks up on her in disbelief. Then there is the equally strange scene of Catherine spying on the kinky servants having a bondage love scene, with the servants played by Ewan Mitchell and Amy Morgan.

Then there is the dubious casting choices in this contemporary version of Wuthering Heights. While Oscar nominee Hong Chau (The Whale) who is superb as the downtrodden servant Nelly, it is the weird choice of British actor Shazad Latif (The Second Best Exotic Marigold Hotel) as Edgar Linton. There was zero chemistry between Latif and Robbie while obviously this is counterpointed by the onscreen chemistry between Robbie and Elordi.

Veteran British TV and film actor Martin Clunes (Shakespeare in Love) is excellent as Catherine’s alcoholic gambling father Mr Earnshaw and another notable exception is Irish actress Alison Oliver as the repressed and gorgeous Isabella, Mr Linton’s ward, filled with Shakespearean notions of love.

Now for the kindness. To be fair to the production designer Suzie Davies who beautifully captures the Moors and the rambling dilapidation of the country estate Wuthering Heights and the fabulous costumes by Oscar winner Jacqueline Durran (Anna Karenina, Little Woman), this film does manage to elevate itself out of the mundane and look like an amazing Vogue cover shoot, drawing on inspiration from Sofia Coppola’s Marie Antoinette.

Besides the costumes and sets, the dialogue manages to maintain the correct Victorian diction reflective of the times, however there were some completely unnecessary scenes in this version, which Emerald Fennell included to be provocative without respecting the provenance of the original Gothic romantic novel.

Wuthering Heights will do well at the box office as it has enough stunning cinematic moments that the two main stars help generate and will appeal to 21^st century audience. However, I do urge the 21^st century audience to read the far better novel by Emily Bronte who would turn in her grave if she saw this outlandish version.

The statuesque and smouldering Jacob Elordi saves this version from being trashy and he proves that he is a leading man of this age.

Wuthering Heights expertly marketed to be released on the Valentine’s Day weekend gets a film rating of 7 out of 10. Recommended viewing for the production design and the costumes but not for its disrespect to the original novel.

Frankenstein

Director: Guillermo del Toro

Cast: Oscar Isaac, Jacob Elordi, Mia Goth, Christoph Waltz, Felix Kammerer, Charles Dance, David Bradley, Christian Convery

Running Time: 2 hours and 20 minutes

Film Rating: 8 out of 10

Please note this film is only available on Netflix

Ever since Mexican director Guillermo del Toro burst onto the cinema world stage with his extraordinary Oscar winning Spanish language film Pan’s Labyrinth twenty years ago in 2006, del Toro has been a director to watch. He helmed such brilliant films as The Shape of Water and Nightmare Alley.  Now del Toro takes on with relish the Victorian Gothic re-imagining of Mary Shelley’s Gothic horror novel Frankenstein.

With Guillermo del Toro’s Frankenstein we get the perspective of both the inventor and the creature which has been invented. The monster in this case is expertly played by rising star, the tall and handsome Australian actor Jacob Elordi (Saltburn). Elordi’s performance is brilliant as the naïve, immortal but super-strong monster who only understands that men are cruel and violent.

Frankenstein is set in mid 19^th century Europe and all praise has to go the superb costume designs by Kate Hawley and the stunning production design by Tamara Deverell. Frankenstein is a dark and contemplative film about the nature of creation and the ethics of Dr Frankenstein brilliantly played by Oscar Isaac (A Most Violent Year) who should have also received an Oscar nomination.

Frankenstein is supported by an array of talented character actors expertly chosen for their menace and their beauty. Charles Dance (White Mischief, Gosforth Park, The Imitation Game) plays Victor Frankenstein’s cruel father Baron Frankenstein and Oscar winner Christoph Waltz (Inglourious Basterds, Django Unchained) plays the scheming and wealthy arms manufacturer Harlander and Felix Kamerer (All Quiet on the Western Front) plays Frankenstein’s unsuspecting younger brother William.

Then there is radiance of Mia Goth as Elizabeth resplendent in dazzling Victorian outfits which sets her quite apart from the vicious and egotistical men. Goth’s character is the only one that feels true compassion for the Creature and he reciprocates his feelings for the gorgeous Elizabeth without realizing his own desire.

Frankenstein is superbly told from two opposing perspectives, but at the heart of such a lavish and spectacular film which beautifully captures the Victorian Gothic obsession with creatures and the afterlife, death and destruction, is a captivating performance by Jacob Elordi who physically embodies the awkwardness of the creature, it’s vulnerability and strength. The fact that Elordi is very tall made him the perfect actor to play the creature so savagely reassembled.

Frankenstein is beautifully done, violent and extraordinary, cruel and dazzling.

Director Guillermo del Toro’s Frankenstein is a cinematic feast to behold and is highly recommended viewing. Frankenstein gets a film rating of 8 out of 10.

Hamnet

Director: Chloe Zhao

Cast: Jessie Buckley, Paul Mescal, Joe Alwyn, Emily Watson, David Wilmot, Jacobi Jupe, Noah Jupe, Olivia Lynes, Bodhi Rae Breathnach

Running Time: 2 hours and 5 minutes

Film Rating: 9.5 out of 10

Oscar winning director Chloe Zhao weaves her cinematic magic in a beautiful yet gut wrenching masterpiece of a film, Hamnet based upon the acclaimed novel by Maggie O’Farrell and produced by Steven Spielberg, Pippa Harris and Sam Mendes amongst others.

Set in Stratford upon Avon and London, Hamnet traces the early life of William Shakespeare, his courting of the headstrong and pastoral Agnes through their wedding and subsequent birth of their three children. While Will is away in London quietly becoming one of England’s greatest playwrights that ever lived, Agnes is dealing with her three children – Susanna played by Bodhi Rae Breathnach and twins Hamnet, the only boy played by Jacobi Jupe and his sister Judith played by Olivia Lynes.

With an absent father, Agnes in a breath taking performance by Jessie Buckley who deserves every acting accolade under the sun, discovers that Judith the weaker of the twins contracts the pestilence brought to England from Europe in 1596. Her twin brother Hamnet is distraught that his sister is sick but also that his mysteriously brooding and famous father is continually absent. But Shakespeare told Hamnet to be brave.

In an effort to cure his sister of her devastating illness, Hamnet shares a bed with his sick sister.  

There is no greater strain on a marriage than the loss of a child and director Chloe Zhao paints a beautiful portrait of a young couple trying to survive a terrible tragedy. When Agnes is paralyzed by grief, her brother Bartholomew played by Joe Alwyn (The Brutalist) urges his sister to go to London to see what accomplishments young Shakespeare has created. Agnes’s stepmother tells her that Shakespeare has written a new play and it’s not a comedy but a tragedy, a monumental meditation on mortality, betrayal and grief. Hamlet, one of the greatest and most complex plays ever written.

Oscar nominee Paul Mescal (Aftersun) is brilliant as the ambitious and frustrated playwright William Shakespeare who has to sacrifice being with his family in order to achieve literary fame. At the emotional centre of Hamnet is Agnes, a heart wrenching performance by Oscar nominee Jessie Buckley (The Lost Daughter) who is so angry at what the fates have given her, even though her destiny of only having two surviving children is chillingly fulfilled.

On every level Hamnet is a masterpiece from superb performances by the two main leads, to the remarkable young actors including brothers Jacobi Jupe playing young Hamnet and Noah Jupe playing the fictional character of Hamlet to the recreation of the Globe Theatre.

A masterful adaptation of a beautiful novel, Hamnet is an authentic and classic film portraying how grief can tear families apart but how literary success and fame can serve as a method of dealing with such untimely tragedy.

The last half of Hamnet is captivating, from its production design by Fiona Crombie who also did The Favourite to the musical score by Max Richter to the excellent Elizabethan costumes by Malgosia Turzanska.

Hamnet will appeal to lovers of Shakespeare and literary films which are skilfully told. In this case it is the sacrifice of a child that is the origin of a famous tragedy. Hamnet is immersive viewing, extremely sad but absolutely brilliant. Director Chloe Zhao is a master of her craft.

Hamnet gets a film rating of 9.5 out of 10 and is highly recommended for anyone that loves film and theatre. A masterpiece that Shakespeare would be proud of.

Song Sung Blue

Director: Craig Brewer

Cast: Hugh Jackman, Kate Hudson, Ella Anderson, Hudson Henley, Michael Imperioli, Fisher Stevens, Jim Belushi, Mustafa Shakir

Running Time: 2 hours and 12 minutes

Film Rating: 7 out of 10

Twenty six years after her first Oscar nomination for Almost Famous back in 2000 for director Cameron Crowe’s musical drama, Oscar nominee Kate Hudson, daughter of Oscar winner and Hollywood veteran Goldie Hawn, stars in a new musical drama Song Sung Blue directed by Craig Brewer for which Hudson has just been nominated again for Best Actress in the 2026 Oscars.

Kate Hudson is extraordinary as a divorcee Claire in 1990’s Minnesota who teams up with a fellow singer impersonator the troubled Mike well played with gusto by Oscar nominee Hugh Jackman (Les Miserables) in Song Sung Blue, not the catchiest title for a film.

However despite the extraordinarily long running time, Song Sung Blue is an enjoyable musical drama about average Americans trying to survive by doing Neil Diamond and Patsy Cline impersonations on stage.

Claire and Mike form the Lightning and Thunder duo as they tour around the mid-West with the help of their hilarious manager Tony D’Amato superbly played by Jim Belushi (Wonder Wheel, The Whole Truth) and supported by Mike’s friends Dr Dave Watson played by Fisher Stevens recently seen in Ripley and Succession TV series and Mike Shurilla played by Michael Imperioli (Goodfellas).  

Complications arise in Claire and Mike’s marriage and performing partnership as Claire is hit by a car in a bad accident outside their house and she has rehabilitate herself and emotionally train herself to appear back on stage.

The rest of the supporting cast include Claire’s children Rachel played by Ella Anderson who is excellent and her son Dana played by Hudson Henley.

Despite the setbacks Claire and Mike have as a performing duo, Song Sung Blue as a film was not edited properly and is saved by an extraordinarily vulnerable performance by Kate Hudson who carries the entire film.

While Song Sung Blue has great commercial appeal and there is an undeniable spark between Hudson and Jackman, the film itself meandered from one family drama to another while touching on issues of addiction, survival and ambition. A musical story about a couple that are almost famous but whose love triumphs through tenacity and tragedy.

See Song Sung Blue for the Neil Diamond music and the great family story, however as film it doesn’t stand as a monumental piece of cinema and is saved only by a brilliant performance by Kate Hudson. Director Craig Brewer who delivered the hilarious comedy Coming 2 America needs to employ a better editor.

This film has done extremely well at the box office which and has a warm compassionate appeal, however it pales in comparison to films like Marty Supreme and One Battle After Another.

Song Sung Blue gets a film rating of 7 out of 10 and is worth seeing purely for Kate Hudson’s competent performance. Recommended viewing for an enjoyable family drama.