Archive for February 6th, 2011

The Green Hornet

Masked Heroes in a Sleek Ride

The Green Hornet a subversive and explosive tale of a Media Mogul’s son Britt Reid who becomes a crime fighter in contemporary Los Angeles twists the usual superhero and sidekick relationship in a script treatment by comedian Seth Rogen, who also shed 18 kilos to play the titular role.

With a pastiche of car gadgets inspired by all the James Bond films from Goldfinger to Goldeneye, Rogen’s portrayal of an anti-superhero does not quite live up to the success of Robert Downey Jnr’s Iron Man franchise, which featured a terrific plot, superb casting and the right balance of action and anticipation.

The Green Hornet is too brash, badly paced and filled with unnecessary explosions, car chases and destruction overshadowing a storyline which if the cameo appearances by stronger actors  like James Franco and Tom Wilkinson had been given more screen time, allowing a counterpoint to Rogen’s obsession with his new found superhero status as The Green Hornet and his perplexing relationship with his sidekick, a Chinese martial arts motor mechanic Kato played by Jay Chao.

Whilst The Green Hornet, based on a radio series pokes fun at pop culture and the American obsession with superheroes, the media business and the increasing fascination with wealth and consumerism, the film fails to rise above its popcorn matinee status.

The international cast makes for a confusing motley crue of characters from Chinese star Jay Chou and Austrian Oscar Winner Christoph Waltz, fresh from his Nazi hunting role in Inglourious Basterds, playing the villian Bloodnofsky to Cameron Diaz who clearly portrays the anguish of an actress caught in the wrong film, with a crazy leading man.

The Green Hornet is saved by some clever dialogue by Rogen who also serves as scriptwriter but lacks the solidly plausible storyline of more impressive superhero films from Batman Begins to the Spiderman films. Then who ever said plausibility was required in any tale of a superhero?

As brilliant superhero films go, The Green Hornet dazzles with explosive action scenes but remains a rowdy, comical romp well below par of similar films in this saturated genre.

The Next Three Days

Paul Haggis’s directorial debut The Next Three Days makes for an absorbing thriller about a family torn apart by the conviction and imprisonment of the mother for murdering her boss. Haggis uses his trademark non-linear structure first seen in his Oscar winning film Crash, by setting up a scene of John Brennan played with surprising coolness by Russell Crowe driving through the darkened Pittsburgh streets with a dying man in his backseat.

Elizabeth Banks plays Lara Brennan incarcerated in the County Jail in Pittsburgh without hope of an appeal for her life sentence.

Not having much faith in the Pennsylvania criminal justice system, Brennan plans a daring jailbreak for his wife and an eventual escape of them and their young son from America.

In a brief scene, Liam Neeson makes a cameo guiding Brennan in the time constraints involved in breaking his wife out of a city jail. Pittsburgh is the perfect setting for this thriller with the city’s central business district consisting of a  triangular tract carved by the confluence of the Allegheny and Monongahela rivers. Pittsburgh ‘s urban county jail where Lara Brennen is situated, makes for a more difficult escape. Neeson sketches out that in 15 minutes the inner city will be cordoned off and in 30 minutes all the major airports, and transport nodes will be shut down as the authorities search for the Brennan’s who become fugitives on the run.

The Next 3 Days is divided up into 3 sections and the pace of the film increases as the daring escape plan unfolds and takes on fruition. Whilst Banks, seen in Zach and Miri Make a Porno is essentially a comic actress does a great turn as a convicted mother, but a more accomplished actress like Naomi Watts or Nicole Kidman would have added more severity to the psychological trauma of a mother, being incarcerated and kept away from her husband and son. Haggis makes John Brennan the pivotal character, a quiet and self-absorbed Literature professor beautifully played by Russell Crowe with the story focusing more on the escape plan, than the lingering question of Lara Brennan’s innocence only to be answered in the final scenes of the film. Haggis deftly opens up a universe of questionable morality and raises the issue of how far a person would go to free their loved one in a justice system which automatically assumes guilt over innocence.

In this morality, The Next Three Days is similar to the 1996 film, Before and After directed by Barbet Shroeder, who followed on from his success of the Oscar winning film Reversal of Fortune, featuring Glenn Close and Jeremy Irons.

Claus von Bulow, I presume?

All films deal with families who are torn apart by a mother, son or father who has been accused of murder and the consequent questions of guilt and innocence which naturally surround such crimes. Crime and Punishment remain an enviable topic for any filmmaker especially in the context of the modern nuclear family. Paul Haggis does not leave any loose ends plot wise making his commercial directorial debut a thrill to watch.