Archive for January, 2013

ARGO

This is a fake film about a real escape

Ben Affleck suitably impressed the Hollywood Foreign Press with the brilliant socio-political thriller Argo which he deservedly  won the 2013 Golden Globe for best director but it was a travesty that he was not nominated for an Oscar for the 85th Academy Awards in the best director category for this tightly woven docu-drama about the Iranian hostage crisis spanning from 1979 to 1980.

Argo starts off with an almost picture book history of Iran up to the overthrow of Shah Mohammad Reza Pahlavi in 1979 and the rise to power of the Ayatollah Khomeini which turned Iran from a Kingdom into an Islamic Republic. Amidst this cultural and fundamental Islamic revolution is a diplomatic crisis which stems from the Iranian revolutionaries storming the American Embassy in Tehran in November 1979 in reaction to the Shah seeking political asylum in the USA. Whilst the majority of the US citizens remain hostage, six escape and seek refuge in the Canadian ambassador’s house in suburban Tehran at the height of the Iranian Revolution

Back at CIA headquarters in Langley Virginia, Brian Cranston as Jack O’Donnell pulls in Tony Mendez played with a subtle strength by Affleck as an extraction specialist who comes up with a hair-brained scheme to rescue the six hostages in Tehran using the cover of a Canadian crew shooting a fake science fiction film in Iran. Enter Hollywood, where Mendez soon flies to L.A. and in a surprisingly limited time enlists the help of prosthetics expert John Chambers played by John Goodman and disgruntled and cynical veteran film director Lester Siegel superbly played by Alan Arkin to set up and promote the non-existent film Argo, taken from a trashy Sci-Fi script with a faintly Middle Eastern setting, almost like the planet Tattoine in Star Wars.

Where Affleck as director excels so powerfully is his skilful cinematic combination of the ludicrous wealth and theatricality of Hollywood, especially presented in the wonderful Comicon press launch scene at the Beverley Hills Hilton  intercut with the real brutality and turmoil of the Islamic revolution where Tehran and Iran as a country in 1979 were experiencing a major political and socioeconomic coup aided by a vengeful revolutionary guard.

Escape from Tehran

It’s really the second half of Argo which is terrific entertainment and is a tense escape tale whereby Affleck’s character Mendez not willing to show the real strain he is under flies first to Istanbul and then into Tehran and with the assistance of the Canadian Ambassador skilfully extricates the six American hostages out of Tehran through a terrifying airport passport control sequence which for any international traveler is sure to bring back vivid memories. Along with a classified CIA mission, a bizarre ploy about shooting a sci-fi film in and around Tehran, Argo is a thought-provoking portrait of two vastly different societies connected only through a shared mesmerizing interest in a fake narrative in which they don’t fully grasp the realities yet, but recognize the antagonism associated with conflicting cultural ideologies. Much like earthlings sent to a distant planet!

Affleck’s triumph as director is that he never vilifies the Iranians and also does not succumb to much American glossy patriotism but accurately presents a bizarre tale of courage, tenacity and duplicity of international proportions and of the extraordinary lengths governments will go to protecting their own citizens in foreign diplomatic missions. Argo is helped by an excellent script by Chris Terrio and a suitably nerve-wracking original score by Alexandre Desplat who makes sure the pace of the film is maintained somewhere between terror and absurdity.

Argo is an engaging declassified tale of one man’s courage to protect his fellow countrymen in a hostile environment whilst maintaining an almost definitive sense of calm and fortitude. Kyle Chandler, Tate Donovan and Philip Baker Hall also star rounding off this highly recommended slice of late 1970’s historical drama in a similar and less violent vein than the German film The Baader Meinhof Complex.

Les Miserables

Watching Tom Hooper’s sumptuous film version of Les Miserables, I felt like I was back in a Theatre in London’s West End witnessing the spectacular musical which has been a hit in both the West End and Broadway for decades. Director Hooper’s insistence that all the actors sing every song and not do any lip-syncing pays off making Les Miserables a magnificent emotionally charged film never straying far from the theatrical version. See Les Miserables on the biggest cinema screen available and with all the brilliant Dolby surround sound and viewers will experience the true beauty of such  ambitious musical theatricality.

From the Oscar-winning director of the King’s Speech, this film version of Les Miserables was in brilliant hands and he has chosen a superb cast to star in the musical adaptation of Victor Hugo’s early 19^th century novel about the perils and poverty brought on in France as a result of the Napoleonic Wars.  Not since Rob Marshall’s stunning cinematic version of Chicago, have I enjoyed a film version of a West End musical so much.

Valjean

Hugh Jackman who is no stranger to Broadway is perfectly cast as the embittered reformed thief Jean Valjean and Anne Hathaway is superb as the tragic Fantine, a seamstress who turns to prostitution to survive and protect her daughter Cosette from impoverishment. Both Hathaway and  Jackman have deservedly won 2013 Golden Globe Awards for Best Supporting Actress and Actor in a musical or comedy. Hooper shoots all the great songs of Les Miserables close up capturing the raw emotion of the actors turned singers as they perform I Dreamed a Dream, Master of the House and Suddenly.

Fantine

Les Miserables is big on emotion, epic in scale especially the production design and the faithful early 19^th century costumes and director Hooper has skilfully managed to create the perfect blend of romance, sorrow, heroism and injustice, painting a distinctly French cinematic canvas enough to make Victor Hugo proud. Rising British star Eddie Redmayne last seen opposite Michelle Williams in My Week with Marilyn and Amanda Seyfried are gorgeous as the young lovers:  the revolutionary Marius and the demure yet mature Cosette.

Helena Bonham Carter and Sacha Baron Cohen provide some comic relief amidst all this sumptuous misery as the scheming tavern owners out to deceive Valjean. Oscar Winner Russell Crowe plays Javert the treacherous constable out to finally catch up with the ever illusive Valjean.

Javert

With a brilliant score by Claude-Michel Schonberg and expert direction by Tom Hooper, Les Miserables is a must see for any musical lover and is breathtaking in its scope, brutality and visual imagery especially the rousing depiction of the 1832 Paris uprisings. All the cast are perfect and it’s no wonder that the film has received such critical acclaim so far.

For those that are unsure of seeing a two and a half hour film of Les Miserables, I never looked at my watch once, being completely enthralled in this gorgeous, emotional and spectacular cinematic masterpiece, successfully bringing the theatricality of a West End musical to the Big Screen. Highly Recommended!

84th Academy Awards

26th February 2012

Oscar Winners at the 84th Annual Academy Awards

Best Film: The Artist

Best Director: Michel Hazanavicius – The Artist

Best Actor: Jean Dujardin – The Artist

Best Actress: Meryl Streep – The Iron Lady

Best Supporting Actor: Christopher Plummer – Beginners

Best Supporting Actress: Octavia Spencer – The Help

Best Original Screenplay: Woody Allen – Midnight in Paris

Best Adapted Screenplay: Alexander Payne, Nat Faxon and Jim Rash for The Descendants based upon the novel by Kaui Hart Hemmings

Best Foreign Language Film: A Separation directed by Asghar Fahadi (Iran)

Best Documentary Feature: Undefeated by T. J. Martin, Dan Lindsay &  Richard Middlemas

Best Cinematography – Robert Robertson – Hugo

Best Make Up – Mark Coulier and J. Roy Helland – The Iron Lady

Best Costume Design – Mark Bridges – The Artist

Best Film Editing – Angus Wall and Kirk Baxter – The Girl with the Dragon Tattoo

Best Visual Effects – Hugo

Source:

http://en.wikipedia.org/wiki/84th_Academy_Awards

Silver Linings Playbook

A parlay is money won on a bet to increase the stakes. David O. Russell’s brilliant and feisty family drama Silver Linings Playbook won People’s Choice Award at the 2012 Toronto International Film Festival and teams up Hunger Games star Jennifer Lawrence with Bradley Cooper as Patrick (The Hangover, Limitless) along with Jacki Weaver (Animal Kingdom) and Oscar winner Robert de Niro (Raging Bull, Taxi Driver, Goodfellas) as Patrick’s doting parents. Russell directed the Oscar winning 2010 film The Fighter and delivers another quirky brilliant scripted and at times frenetic portrait of a dysfunctional American family set in suburban Philadelphia.

Cooper plays Patrick who is released by his determined mother Dolores from a court-ordered stay in a Baltimore Psychiatric Institution after serving eight months for a violent episode where he beat up his wife’s lover after walking in on them in the shower. Patrick at 37 has to go back and live with his parents which in these economic times are far from unusual. Patrick has a severe bi-polar disorder and needs to be on chronic medication to prevent any further violent outbursts. His estranged wife has a restraining order against him.

de Niro is superb as Patrick, senior the OCD father who besides dealing with his bi-polar son has problems of his own as a bookie, with no pension and is desperately trying regain the dwindled family fortune through betting on the local football matches, but is banned from the stadium. Weaver is Dolores, the doting mother who tries to maintain stability in a disorderly household coping simultaneously with a son with mental health problems and a husband with obsessive compulsive behaviour.

Patrick first plan besides getting fit is to read his estranged wife who is an English teacher’s high school syllabus starting with Hemingway’s A Farewell to Arms, but unlike Hemingway, Patrick is always searching for the silver lining something enforced while he was in rehabilitation and is determined to reunite with his wife.

Into this dysfunctional family enters Tiffany, beautifully portrayed by Jennifer Lawrence, a promiscuous young woman who is traumatized by the sudden death of her husband.  Tiffany persuades Patrick to enter a Dancing with the Stars type competition in exchange for assisting him in delivering letters in an attempt to win back his wife. Silver Linings Playbook has a tightly woven script written by David O. Russell adapted from the novel by Matthew Quick and gives Cooper an opportunity to display his acting range as the frenetic obsessive and maladjusted man trying to put his life back together amidst the sometimes claustrophobic environment of his family home.

Jennifer Lawrence steals the show as the socially inept Tiffany who despite the psychological setbacks of both her and Patrick’s characters is determined to use dancing as a means of constructive therapy.

Silver Linings Playbook is more drama than comedy but Russell’s direction is imbued with a sensitivity and pace that allows the audience to sympathize with the dysfunctional characters Tiffany and Patrick amidst a community that does not quite grasp the complexities of people suffering from mental health problems such as post traumatic stress syndrome and bi polar.

The dance contest towards the end really is brilliant and offers a stage to resolve all domestic conflicts along with bringing a silver lining to this unique cinematic drama where the stakes are doubled (a parlay) and the characters are far from conventional. Chris Tucker, Shea Whigham, John Ortiz and Julia Stiles round off the quirky cast. Silver Linings Playbook is highly recommended for first rate acting a sure reason why there is such an Awards buzz. Jennifer Lawrence won a 2013 Golden Globe Award for Best Actress in a Comedy or Musical and walked away with the Oscar for Best Actress at the Academy Awards in February 2013.

Jack Reacher

Get Jack Reacher!

Tom Cruise returns to the big screen as Jack Reacher in the title role, a less glamorous version of  Ethan Hunt in the Mission Impossible Franchise a untraceable drifter who gets called to Pittsburgh following a multiple sniper shooting incident leaving four people dead. Jack Reacher is directed by the screenwriter of Valkyrie Christopher McQuarrie and based upon the book by Lee Child who turns out an evenly paced suspense thriller with Reacher teaming up with the District Attorney’s daughter Helen Rodin played by Rosamund Pike to help solve a seemingly senseless crime leaving five innocent people dead expertly shot in broad daylight in Pittsburgh.

Jack Reacher uses military training and a quirky way to get to solve the crime and find out who really is behind the seemingly sense killings. Unlike the horrific real-life massacre at Newtown, Connecticut in December 2012, there does appear to be a motive behind the senseless act of violence in downtown Pittsburgh which occurs in Jack Reacher as the film not only looks at the alleged perpetrator but also at the victims. Soon the real criminals are exposed along with a dodgy Georgian (ex-Soviet Union) corporation taking over the American construction industry.

Whilst Jack Reacher is a well-timed suspense thriller, one gets a feeling that Tom Cruise’s days playing an action hero are numbered. Although that said Bruce Willis is still churning out Die Hard sequels. Despite the random violence explored, there is underlying sense in the film that America is never going to allow its citizens to forfeit their right to bear arms, as outlined in the second amendment.

Jack Reacher is an engaging action film especially as a crime reconstruction thriller, with Cruise naturally holding his own as the unconventional recession-hit action hero, using other people’s cars and catching buses. Watch out for a brief appearance by German film director, actor and screenwriter Werner Herzog as the arch villain. Interesting casting to say the least and unfortunately the talented Richard Jenkins is underutilized in Jack Reacher, but remains necessary as does Robert Duvall to create a strong supporting cast.