Archive for May, 2014

2014 Cannes Film Festival Winners

Winners of the five main prizes at the 2014 Cannes Film Festival were as follows: –

Palm d’Or: Winter Sleep directed by Nuri Bilge Ceylan

Best Director: Bennett Miller for Foxcatcher starring Channing Tatum, Steve Carell, Mark Ruffalo, Sienna Miller and Vanessa Redgrave

Best Actor: Timothy Spall for Mr Turner

Best Actress: Julianne Moore for Maps to the Stars

Best Screenplay: Andrey Zvyagintsev and Oleg Negin for Leviathan (film poster not yet released)

Source –

http://en.wikipedia.org/wiki/Cannes_Film_Festival

http://www.festival-cannes.com/en.html

Godzilla

Director: Gareth Edwards

Cast: Aaron Taylor-Johnson, Elizabeth Olsen, Bryan Cranston, Sally Hawkins, Ken Watanabe, Juliette Binoche, David Strathairn

At the heart of any disaster film, is the struggle of a nuclear family to survive the impending devastation. The brilliant film The Impossible directed by J. A. Bayona about the 2005 Boxing Day Tsunami which wrecked Thailand and beyond proves that.

The Original 1956 Godzilla film

In the 2014 remake of the Japanese director Ishiro Honda’s http://en.wikipedia.org/wiki/Ishir%C5%8D_Honda original 1956 classic Godzilla, King of Monsters, director Gareth Edwards retains the Japanese mythology of Godzilla setting the 21st century Godzilla in a range of Asian Pacific rim cities from San Francisco to Honolulu to Tokyo. Assembling an all star and eclectic cast similar to Guillero del Toro’s Pacific Rim, director Edwards adds a global flavour to this ultimate retro Asian inspired disaster movie.

With an international mix of supporting stars like Bryan Cranston (Argo), Sally Hawkins (Blue Jasmine, Great Expectations), little seen Oscar winner Juliette Binoche (The English Patient), Ken Watanabe (The Last Samurai) and David Strathairn (Good Night and Good Luck), Godzilla boasts an impressive cast to support the rising stars Elizabeth Olsen and Aaron Taylor-Johnson (Anna Karenina, Savages) who star as Elle and Ford Brody who have a young son Sam, played by Carson Bolde.

As the looming threat of nuclear transformed monsters emerging from the depths of the Pacific Ocean looms, it is this nuclear family that Godzilla focuses its narrative on, not that there is much deep characterization necessary or acting to make Godzilla credible. Serving as a historic metaphor for the nuclear bombings of Hiroshima and Nagasaki ending World War II and permanently etched in the Japanese psyche, Godzilla become a symbol of all that was wrong with nuclear energy and its transformative effects on the natural world, creating gigantic monsters as a horrific by product of nuclear testing in the South Pacific.

Director Gareth Edwards as a former visual effects artist for a range of scientific TV series (Perfect Disasters, Space Race), naturally in this version of Godzilla, the monsters and special effects take precedence over the acting, leaving the talented cast literally dwarfed by the sheer scale of Godzilla and its two malignant monsters the Moto. Visually this is where Godzilla excels especially in 3D maybe not to the imaginative scale of Guillermo del Toro’s Pacific Rim, but definitely in the set design and the sheer scope of this disaster film, as the action moves swiftly from the Philippines to Japan to the Californian Coastline and beyond. Even sin city, Vegas is not spared by the wrath of these  destructive creatures.

Godzilla will surely impress audiences with all the mayhem, dazzling visual effects and sheer destruction on screen, however the second half of the film is literally overshadowed by utter devastation to such an extent that it does not make the action seem plausible. Whole cities from Honolulu to San Francisco and parts of Tokyo are destroyed inconsequentially as these monsters play havoc with nature and humanity.

Unfortunately the action erases any attempts at credible acting but then again this is a fantasy disaster movie of nuclear proportions. Cranston and Binoche are underutilized and Taylor-Johnson and Olsen are left struggling to survive this horrific assault on themselves and their city, whilst protecting their only son. The action sequences are incredible especially the Hawaii and Honoulu devastation which is like a combination of Jurassic Park and The Impossible on acid.

For viewers that enjoy big budget disaster movies like Pacific Rim, then Godzilla is not to be missed. What is noteworthy is the allusion in Godzilla to the many natural disasters that Japan has suffered recently from the Fukushima nuclear leak in 2011 following the devastating earthquake which destroyed Sendai.

Director Gareth Edwards does his best to maintain a balance between the characters survival narrative, and a visually impressive disaster film which pays homage to its unique Japanese heritage. Its Godzilla which ultimately triumphs leaving the cast a little underutilized and at times superfluous to the incredible spectacle of the King of Monsters battling its alien nuclear usurpers against an obliterated urban landscape.

Lone Survivor

Director: Peter Berg

Cast: Mark Wahlberg, Emile Hirsch, Taylor Kitsch, Ben Foster, Eric Bana, Alexander Ludwig, Jerry Ferrara

Battleship and Hancock director Peter Berg tackles more informative and ferocious subject matter in the excellent adaptation of the non-fiction war story Lone Survivor by Marcus Luttrell and Patrick Robinson, which details the failed mission of the US Navy Seals counter-insurgency attack in the Hindu Kush, Afghanistan against the Taliban. With superb sound editing and sound mixing, Lone Survivor follows in the spirit of Ridley Scott’s Black Hawk Down and features a tightly knit muscular group of actors playing soldiers led by Mark Wahlberg (Two Guns), Taylor Kitsch (Savages, Battleship), Emile Hirsch (Into the Wild, Milk) Ben Foster (3:10 to Yuma, The Mechanic), Eric Bana and newcomer Canadian actor Alexander Ludwig last seen in The Hunger Games.

The bravado and savagery of war is brilliantly recreated in this tightly directed account of a four man Navy Seals reconnaissance team led by Marcus Luttrell played by Wahlberg and his fraternal band of bearded soldiers which includes Michael Murphy played by Kitsch, Danny Dietz played by Emile Hirsch and Matthew Axelson played by Ben Foster. The harrowing gun battle which follows when the team are ambushed by a Taliban army who clearly know the terrain better than themselves is vividly recreated and the ordeal that Luttrell goes through makes for an outstanding war and survival movie.

Lone Survivor, like Platoon, Saving Private Ryan and Black Hawk Down, does not stint on the violence and fear involved in mortal combat between two enemy forces and emphasizes the bravery and courage that these men faced in battling another American war on foreign territory against a hostile anti-American enemy.

Incidentally Lone Survivor was filmed in New Mexico at the Santa Fe National Forest standing in for the rugged and alien terrain of the Hindu Kush http://en.wikipedia.org/wiki/Hindu_Kush, the rugged mountain range which connects central Afghanistan and  northern Pakistan.

What makes Lone Survivor so watchable and riveting is the excellent sound quality of the mountainside battle which makes up the bulk of the film. This film received two Oscar nominations in 2014 for Best Sound Editing and Sound Mixing and rightly so. With a top notch cast especially Foster and Hirsch playing against type, Lone Survivor is highly recommended viewing for fans of great war films. Supremely entertaining, action-packed and technically unrivaled, Lone Survivor is definitely one of Peter Berg’s best films so far.

Parkland

Director: Peter Landesman

Cast: Zac Efron, Tom Welling, Billy Bob Thornton, James Badge Dale, Marcia Gay Harden, Paul Giametti, Jacki Weaver, Ron Livingston, Colin Hanks, Jackie Earle Haley, Gil Bellows

Investigative journalist and screenwriter Peter Landesman makes his feature film debut with the harrowing reenactment of the assassination of President John F. Kennedy on that fateful day on the 22nd November 2963 and how this pivotal event affected not only the lives of those working at Parkland Hospital in Dallas, Texas but also of those that were caught up in the trauma of the event from the FBI that almost had the assassin in their grasp, to the Oswald family who were shunned by society as relatives of the man who shot JFK.

Parkland, based upon the book Four Days in November by Vincent Bugliosi is an absorbing and graphic retelling of this assassination and features an all star ensemble cast including Billy Bob Thornton (Fargo TV Series), Zac Efron (The Paperboy), James Badge Dale (The Lone Ranger) who is particularly good as Lee Harvey Oswald’s brother Robert, Jacki Weaver (Animal Kingdom) as Oswald’s mother Marguerite Marcia Gay Harden as the trauma nurse Doris Nelson along with Paul Giametti as Abraham Zupreder the man who unwillingly films the horrific assassination and then sells the footage to Life magazine. James Badge Dale and Jacki Weaver are particularly good as brother and mother of Lee Harvey Oswald, the suspected assassin of President John F. Kennedy who subsequently gets shot on live television two days after the assassination by Dallas nightclub owner Jack Ruby pointing to a much larger possible conspiracy which was elaborately explored in Oliver Stone’s film J. F. K. – http://en.wikipedia.org/wiki/Lee_Harvey_Oswald

Viewers can be forgiven for thinking that this film is a segment from the History channel, but with all the great character actors at hand, they do their best to make Parkland an absorbing and graphic, almost shocking retelling of one the 20th centuries most famous assassinations in Dallas, Texas in 1963. An assassination which awoke America out of a cathartic state and catapulted contemporary Western society further into a culture of violent paranoia and media speculation, something which audiences watching it fifty years later are more accustomed to especially since witnessing the destruction of the New York twin towers on live television on 9/11.

Parkland is recommended viewing and perhaps too short for a 90 minute film as aspects about this historical day could have been fleshed out further beyond the initial shock and trauma of a bloody assassination in the heat of a Texan day. A riveting and engaging film which was possibly made to coincide with the 50th anniversary of this tragic event. Watch out for a cameo by Tom Hank’s son Colin Hanks as the Chief of Surgery at Parkland Memorial Hospital Dr Malcolm Perry.

3 Days to Kill

Director: McG

Cast: Kevin Costner, Connie Nielsen, Hailee Steinfeld, Amber Heard, Tomas Lemarquis, Richard Sammel

French screenwriter and director Luc Besson (The Fifth Element) teams up with This Means War, Charlies Angels and action TV series director McG in an uneven tale of a professional CIA hitman, Ethan Renner, expertly played by an aged Kevin Costner who after a botched operation in Belgrade returns to Paris to reunite with his estranged wife and daughter, Christine and Zooey Renner, played by Connie Nielsen (Gladiator) and a brilliant Hailee Steinfeld (True Grit). Renner learns that he has a rare form of brain cancer which prompts his sudden and awkward reunion with his Parisian family while discovering that he has really been an absent father to the now teenage and rebellious daughter Zooey.

In the scenes between Costner and Steinfeld, the narrative works beautifully but in between all this familial reunion is a spy plot involving a femme fatale CIA agent Vivi Delay seductively played by Amber Heard (The Rum Diaries) who coerces Renner back into operations as a professional assassin in a bid to discover the whereabouts of The Wolf played by German actor Richard Sammel (Casino Royale, Inglourious Basterds) who is viciously protected by a henchman The Albino, played by crystal clear blue-eyed rogue Icelandic actor Tomas Lemarquis.

In between the vicious action sequences and Renner’s constant attempts to reconnect with his teenage daughter is an elliptical narrative which will often confuse and confound audiences, but nevertheless entertain them. Overall impression of 3 Days to Kill was that is was a typically European action film in the vein of Taken or Unknown, directed by the wrong director. If Luc Besson himself had directed 3 Days to Kill, the uniformity of vision in the films narrative would help bolster the general credibility of the story, that of an aged assassin who wants to reconnect with his family before his dying days commence. As screenwriter Besson as displayed in the Taken franchise definitely has a penchant for setting his stories about tough old fathers reconnecting with their vulnerable daughters.

3 Days to Kill is slick, flashy and generally entertaining especially with such stars as Costner and Steinfeld playing father and daughter in a rather tender scene on the steps of Le Sacre Coquer, but generally the Parisian locations do little to bolster the overall vision of this Nikitaesque type film. Naturally Amber Heard makes the best of her roles as the lethal CIA operative Vivi, complete with dazzling outfits and sleek sportscars. 3 Days to Kill is not a terrible film, but it could have been so much tighter, better plotted and conceptually driven if Besson (The Lady, Leon, The Professional) had taken the reigns as director.

American action director McG (also known as Joseph McGinty Nichol) should stick to the type of comic action films like This Means War and The Charlie Angels franchise and avoid delving into a far more European aesthetic. It simply does not suit his episodic style which he naturally got as TV director for the popular action series Chuck and Nikita. 3 Days to Kill is a fun, but not a provocative or gripping thriller.