Archive for October 6th, 2014
Vlad the Impaler
Dracula Untold
Director: Gary Shore
Cast: Luke Evans, Dominic Cooper, Sarah Gadon, Charles Dance, Diarmaid Murtagh, Art Parkinson, Noah Huntley
15th Century Transylvanian Prince Vlad is forced to protect his kingdom from the onslaught of the expanding Ottoman Empire as the Turks threaten to invade his lands enslaving teenage boys for forced conscription to the Turkish army. Through many bloody battles, Prince Vlad, suitably played by Luke Evans (The Fast and the Furious 6) gets the nickname of the Impaler who impales invading armies and unfriendly villagers on gruesome stakes.
Dracula Untold starts in 1442, the height of the middle ages, with Prince Vlad and a group of men entering broken tooth mountain, whereby hidden in a dark cave an evil force looms. That force is an immortal vampire who made a pact with a demon for his eternal bloodsucking powers.
As the Turkish forces advance on Transylvania headed by Sultan Mekmet downplayed by the swarthy Dominic Cooper (The Duchess, The Devil’s Double) threatening to enslave the male population of Vlad’s precarious kingdom and also his precious son Prince Ingeras played by Art Parkinson.
Craving supernatural powers, Vlad rushes off into the evil liar and confronts his fears by sipping from the blood of this manipulative master vampire, wonderfully played by Charles Dance (last seen in HBO’s Game of Thrones) in exchange for extraordinary strength and acute nocturnal abilities.
However like all pacts with the devil there is always a catch. If after three days Vlad drinks human blood again then he will be immortalized as a vampire forever and as per his order of the Dragon, will eternally take the title of the infamous Dracula. However Vlad the Vampire in the course of three days shies away from shining silver, sunlight and wooden crosses, revealing his true form to his disconcerted legions.
With all the mythologies and movie histories surrounding Dracula and vampire, director Gary Shore refreshingly decided not to go the gory or sexually explicit route and in turn creates a tame if not entertaining historical version of Dracula in Dracula Untold, assisted by some great visual effects especially the fight sequence between Vlad and Mekmet amongst bags of glittering silver.
Canadian star Sarah Gadon (Cosmopolis, Belle) plays Vlad’s voluptuous luckless wife, Mirena who unfortunately has to become the bride of Dracula…
Whilst this film is not Twilight or the elegant Neil Jordan film, Interview with a Vampire, Dracula Untold is a mild yet enjoyable middle of the road historical epic about the origins of this mythical bloodsucker giving more credibility to his alter ego as a merciless Transylvanian Prince Vlad, who was willing to sell his soul to the devil to save his mountainous kingdom.
Unlike Francis Ford Coppola’s 1990’s film Bram Stoker’s Dracula, this film is a less ambitious version of the iconic bloodsucker helped by good performances by Evans and Gadon with more seasoned actors like Charles Dance and Dominic Cooper adding some credibility whilst the film focuses more on the historical origins of Dracula than any of the contemporary post-Victorian Gothic reincarnations.
Dracula Untold is recommended viewing for vampire fans and those that like their blood sucking a little light on the veins, moving the film swiftly out of violent epic mode and more into the historical fantasy genre.
Chechen Revenge
November Man
Director: Roger Donaldson
Cast: Pierce Brosnan, Luke Bracey, Olga Kurylenko, Bill Smitrovich, Lazar Ritovski, Eliza Taylor, Will Patton, Patrick Kennedy, Caterina Scorsone
Former Bond actor Pierce Brosnan (Die Another Day, Goldeneye) resuscitates the spy genre with former Bond girl Olga Kurylenko (Quantum of Solace) in the convoluted yet sophisticated thriller November Man directed by Australian Roger Donaldson (The Recruit).
As the action moves from a botched assassination in Montenegro by CIA rookie David Mason, played by Australian actor Luke Bracey to Switzerland where retired CIA operative Devereaux is languishing in a café in Lake Lausanne who is soon thrust back into the murky world of Eastern European counter espionage as he has to investigate a rising Russian politician who has been accused of Chechen war crimes.
As the plot unfolds for November Man based upon the novel There are No Spies by Bill Granger Devereaux finds himself in Belgrade, Serbia protecting Alice Fournier played by Kurylenko who was a social worker to a Chechen refugee Mira who witnessed this Russian beaurocrat Arkady Federov played by Lazar Ritovski start a war in Chechnya http://en.wikipedia.org/wiki/Chechnya to extract oil for Russian interests. Except like in most spy novels and never as elegantly told as a John le Carre story, there are numerous twists in this espionage tale.
With November Man, Brosnan still has that muscular gritty edge which got him the part of James Bond back in the mid 1990’s and the dynamic between him and his young CIA protégé Mason played by Bracey (G.I. Joe: Retaliation) makes for interesting and intense viewing, coupled with loads of actions sequences, an unexpectedly high body count and sufficient plot twists which involves a crooked CIA agent and a deadly Russian assassin.
Whilst there are aspects of November Man which are stylistically and logistically questionable, director Donaldson keeps the gritty realist spy genre grounded and evenly paced, similar to the hugely successful Bourne movies. This is Spy Games without the megalomaniacs and lavish liars seen in such films as Moonraker and Tomorrow Never Dies.
This is Brosnan in the autumn of his career in a sort of retired Jack Reacher mode seen in several dubious locations. Let’s face it Belgrade isn’t exactly Venice or Paris, yet Donaldson does make use of the locations in one of Europe’s oldest capital’s especially tapping into Serbia’s bloody and controversial history as part of the former Yugoslavia which plays well into the Balkan backstory of dodgy Russian politicians committing atrocities in the Caucuses.
Not as slick as the Bourne movies or as glamourous and inventive as the Bond films, but November Man still proves that there is longevity in the spy genre, one in which Hollywood seems to have relinquished.
November Man is recommended viewing for those that like compelling action, lots of violence and an unscrupulous spy game whereby no one appears innocent. Ukrainian beauty Olga Kurylenko is suitably fabulous in her home territory especially in the seduction sequence at a swanky Belgrade hotel.