Archive for December, 2014

The 58th Golden Globe Awards

Took place on Sunday 21st January 2001 by the Hollywood Foreign Press Association

Golden Globe Winners in The Film Categories:

Best Film Drama: Gladiator

Best Actor Drama: Tom Hanks – Cast Away

Best Actress Drama: Julia Roberts – Erin Brockovich

Best Director: Ang Lee – Crouching Tiger, Hidden Dragon

Best Supporting Actor – Benicio del Toro – Traffic

Best Supporting Actress – Kate Hudson – Almost Famous

Best Film Musical/Comedy: Almost Famous

Best Actor Musical/ Comedy: George Clooney – O Brother, Where Art Thou?

Best Actress Musical / Comedy – Renee Zellweger – Nurse Betty

Best Foreign Language Film – Crouching Tiger, Hidden Dragon (Taiwan)

The 57th Golden Globe Awards

Took place on Sunday 23rd January 2000 by the Hollywood Foreign Press Association

Golden Globe Winners in The Film Categories:

Best Film Drama – American Beauty

Best Actor Drama – Denzel Washington – The Hurricane

Best Actress Drama – Hilary Swank – Boys Don’t Cry

Best Actor Musical/Comedy – Jim Carrey – Man on the Moon

Best Actress Musical/Comedy – Janet McTeer – Tumbleweeds

Best Film Musical/Comedy – Toy Story 2

Best Supporting Actor – Tom Cruise – Magnolia

Best Supporting Actress – Angelina Jolie – Girl, Interrupted

Best Director – Sam Mendes – American Beauty

Best Foreign Language Film – All About My Mother (Spain)

The Hobbit:

The Battle of the Five Armies

Director: Peter Jackson

Cast: Martin Freeman, Benedict Cumberbatch, Lee Pace, Evangeline Lilly, Richard Armitage, Luke Evans, Orlando Bloom, Christopher Lee, Cate Blanchett, Ian McKellan, Hugo Weaving, Aidan Turner, James Nesbitt, Dean O’Gorman

After the massive success of The Lord of the Rings Trilogy, New Zealand director Peter Jackson (Heavenly Creatures) creates another trilogy out of J. R. R. Tolkien’s first novel The Hobbit with An Unexpected Journey, The Desolation of Smaug and the final film, The Battle of the Five Armies, each film being internationally released sequentially from 2012 to 2014 in time for the Christmas Holidays.

Bilbo Baggins and his gang of dwarves go on a quest to defeat the dreadful dragon Smaug and reclaim the gold hidden in the Dwarf Kingdom of Erebor. The Battle of The Five Armies is naturally pure fantasy and really has to be seen in conjunction with the first two Hobbit films. With hideous orcs and elves fighting each other along with dwarves and humans, lead by Bard the Dragon Slayer (Luke Evans), this is wonderful CGI action and moments of humour thrown in. Whilst the Lord of the Rings Trilogy was a tad darker in tone, the Hobbit is lighter and aiming for a younger audience, but just as enjoyable.

Ably assisted by a great supporting cast including Sir Ian McKellan as Gandolf the Grey, Cate Blanchett as Galadriel, Luke Evans as Bard, Orlando Bloom as the Elf fighter Legolas, Martin Freeman’s portrayal of the beloved Bilbo Baggins caught up in a war far greater than what his pretty shire existence is used to, is perfect. Freeman’s status as an actor has risen considerably after this franchise and his wonderful portrayal as Lester Nygaard in the hit TV series Fargo.

The Hobbit Trilogy is a precursor to the Lord of the Rings Trilogy yet naturally all six films should ideally be seen on the big screen in 3D and digital sound. I watched the first two Hobbit films on DVD, and saw The Battle of the Five Armies in a Cinema and the visual effects were spell bounding especially the scenes with the Dragon Smaug obliterating the human’s village and also the fantastic war sequence which takes up pretty much most of the second half of this film.

There has been criticism that Peter Jackson was milking the Hobbit Story into a multi-million dollar film franchise as the Tolkien’s book is so short, however its quite clear that with the success of the Lord of the Rings Trilogy, the studios gave him free reign, so yes that is precisely what he did, knowing full well that The Hobbit brand marketability would be huge.

Fans of both The Lord of the Rings and The Hobbit Trilogy will certainly not be complaining. Many battles and legends alluded to in the Hobbit novel are superbly expanded upon and given their full cinematic exploration. Middle Earth never looked this glamorous, spectacular and daunting.

Mexican director Guillermo del Toro (Pan’s Labyrinth, Pacific Rim) assists Fran Walsh and Philippa Boyens with screenwriting on the Hobbit movies, so director Peter Jackson can do what he does best – recreating the world of Middle Earth and exploring fantasy in its supreme entirety.

For continuity purposes it also helps having the wonderful Sir Ian McKellan, Oscar winner Cate Blanchett and even veteran screen actor Christopher Lee return to the Hobbit films in supporting roles, making this trilogy just as fun and exciting as the brilliant Lord of the Rings franchise which dazzled audiences in the first decade of the 21^st century. Benedict Cumberbatch voices the evil dragon Smaug which guards a horde of gold belonging to the Dwarf King.

Now the question remains will Peter Jackson tackle the other J. R. R. Tolkien novel The Silmarillion ?

The Skeleton Twins

Director: Craig Johnson

Cast: Kristen Wiig, Bill Hader, Luke Wilson, Ty Burrell, Boyd Holbrook, Joanna Gleason

Milo decides that life is too much for him and writes a rather lame suicide note, then switching the music up, intends on slitting his wrists in a hot bath. Very melodramatic!

So begins director Craig Johnson poignant and brilliantly acted film, The Skeleton Twins, which whilst dealing with serious issues such as teenage trauma, abuse, suicide and adultery, transforms into a polished film with a sparkling on screen chemistry between twins Milo, a gay slightly hysterical but very witty guy and his confused and equally emotionally messed up sibling Maggie, wonderfully played by Kristen Wiig (Anchorman 2: The Legend Continues).

It is this pure onscreen energy between Wiig and the hilarious Bill Hader who both make The Skeleton Twins so watchable, their angst so believable and the narrative arc of their characters so credible. With a superb script by Craig Johnson and Mark Heyman of Black Swan fame, The Skeleton Twins delves into a serious messed up and slightly kooky sibling relationship, not to mention rivalry based on emotional blackmail and a prickly sense of childhood abandonment which haunts the twins.

Milo after his unsuccessful suicide attempt has to be looked after by his twin sister Marg, (Kristen Wiig) and so he enters into a seemingly stable dynamic of middle class suburbia and discrupts all relationship surrounding him both intentionally and in that sort of bitchy way, which only a failed gay actor could do. Mainly the relationship between Maggie and her husband, Lance, a real macho man played by Luke Wilson is certainly dicey as they are trying to get pregnant. Except that Maggie has fallen for her Australian scuba diving instructor Billy played by Boyd Holbrook (Milk, Gone Girl).

Even the entrance of their mother, a Colorado spiritualist, played by Joanna Gleeson (Last Vegas) does little to disperse the shimmering tensions and anxiety between the twins.

All the drama and so called skeletons come out on Halloween as Maggie discovers the real reason why Milo is happily ensconced with her and Lance in middle class suburbia, while Milo, in full drag, forces his sister to confront the childhood trauma of their father’s suicide which is alluded to by shots of skeleton key rings falling to the bottom of a swimming pool.

The Skeleton Twins is a witty, sassy and cleverly plotted film, expertly directed by Johnson and superbly acted by Wiig and Hader, whose previous professional comic collaboration on Saturday Night Live clearly shines through. Highly recommended viewing as an intelligent comedy drama in the vein of Juno, Little Miss Sunshine and The Perks of Being a Wallflower.

Spud 3: Learning to Fly

Director: John Barker

Cast: Troye Sivan, John Cleese, Casper Lee, Aaron McIlroy, Sven Ruygrok, Grant Swanby, Ben Voss, , Blessing Xaba, Luke Tyler, Alex McGregor

31 Million Reasons director John Barker takes over the helm of the third Spud film, Spud 3: Learning to Fly as the story, based upon a series of hugely successful novels is written for the screen by its author John van de Ruit, follows John Milton aka Spud as he enters Grade 11 or what was known as Standard Nine the year prior to Matric.

The crucial year is 1992 the year of the South African referendum in which white South Africans could vote on whether the then Nationalist Party’s current steps to dismantle apartheid was endorsed by the minority electorate, obliquely referred to in the film by a Sunday Times headline. This is a South Africa pre the 20 years of democracy scenario, and the setting is a wealthy all boys’ boarding school in the KwaZulu-Natal midlands – many of which still exist today.

John Milton, wonderfully played by South African expat, Troye Sivan, escapes the turmoil of his domestic life as his crazy parents seem intent on splitting for divorce after his mother catches his father (played by Durban comedian Aaron McIlroy) flirting with the voluptuous Portuguese neighbour. Back at school, there is trouble with the Crazy Eight (the group of friends who forged their ties in silly antics involving a secret tree house in Spud 2) led by the arrogant Rambo played by Sven Ruygrok, as some of the members aim to be confirmed and become a school prefect.

To make matters worse a new boy arrives from Malawi, Garth Garlic played by teen Youtube sensation Casper Lee, who desperately wants to be accepted into the Crazy Eight. Milton also has the threat of his school scholarship being revoked should he not prove himself both academically, theatrically and on oddly enough on the sports field.

Milton often seeks advice from the caustic and brilliant Guv, wonderfully played by veteran British comedian John Cleese from the Monty Python movies not to mention Faulty Towers. This really was a monumental casting coup for the Spud Trilogy to get someone as prolific as John Cleese to star in a South African film and really improved the marketability of the Spud franchise abroad especially in the UK and Australia where there are large South African expat communities residing.

To make matters worse a new boy arrives from Malawi, Garth Garlic played by teen Youtube sensation Casper Lee, who desperately wants to be accepted into the Crazy Eight. Milton also has the threat of his school scholarship being revoked should he not prove himself both academically, theatrically and on oddly enough on the sports field.

Milton often seeks advice from the caustic and brilliant Guv, wonderfully played by veteran British comedian John Cleese from the Monty Python movies not to mention Faulty Towers. This really was a monumental casting coup for the Spud Trilogy to get someone as prolific as John Cleese to star in a South African film and really improved the marketability of the Spud franchise abroad especially in the UK and Australia where there are large South African expat communities living.

Whilst Spud 2: The Madness Continues was meant to be humorous and silly in parts, Spud 3: Learning to Fly has a stronger script giving more flesh to some of the supporting characters especially the rest of the Crazy Eight gang including Fatty played by Blessings Xaba. The female characters are also better written and Van de Ruit cleverly frames the action of Spud 3 firmly within the third term antics of a disastrous production of Midsummer Night’s Dream at St Catherine’s all girls’ boarding school.

Spud 3: Learning to Fly is a more coherent and less juvenile production showing not only that the characters have matured more as they should have, but the cast has become naturally more familiar with the Spud Phenomenon. This is a humorous family film, with all the recognizable trials and tribulations of teenage boys navigating puberty, peer pressure and that urge to survive high school with their male pride intact. Think a more diluted Dead Poets Society, specifically South African yet unfortunately not filmed in KwaZulu-Natal.

If there is going to be a fourth installment of the Spud franchise let’s hope that it is actually filmed in KZN, showing off Durban and the Midlands for their unique beauty. Director Barker has done this before in the heist thriller 31 Million Reasons in which he really showed Durban off as a superb cinematic location. Spud 3: Learning to Fly is highly recommended viewing, proudly South African, poignant, nostalgic and appealing adding to the huge success of the first two movies.

Horrible Bosses 2

 Director: Sean Anders

Cast: Jason Bateman, Jason Sudeikis, Charlie Day, Jennifer Aniston, Chris Pine, Christoph Waltz, Kevin Spacey, Jamie Foxx

The original comedy Horrible Bosses was hugely hilarious, so the question begs why spoil it with a sequel?

Especially in light of the 2008 economic recession, Hollywood has increasingly fallen prey to the sequel syndrome as a way of generating additional work for actors and more profits for the main film studios. Not every successful original comedy or action film needs to be made into a sequel. Horrible Bosses 2 and Red 2 are example of this money making cinematic phenomenon which started in the 1980’s. Think The Lethal Weapon, Rambo and Die Hard franchises.

Director Sean Anders’s Horrible Bosses 2 has very little to do with Bosses and a lot to do with three losers Dale, Kurt and Nick played with great glee by Jason Sudeikis, Charlie Day and Jason Bateman who after appearing on Good Morning Los Angeles TV show get conned into selling their shower buddy product to a wealthy but unscrupulous industrialist Bert Hanson played by Oscar Winner Christoph Waltz (Django Unchained) and his spoiled playboy son, Rex wonderfully portrayed by Chris Pine (Jack Ryan: Shadow Recruit, Star Trek).

So begins a rather lame ploy on the classic Stockholm syndrome plot as the gang of three attempt to kidnap Pine and in a rather strange twist of events gets manipulated by him into extorting a huge ransom sum for his so called release. The dialogue is not that funny, the script lazy, not to mention the appearance of highly talented Oscar Winner Kevin Spacey (The Usual Suspects), who was one of the original Horrible Bosses, is completely underutilized.

Even Jennifer Aniston (We are the Millers, The Bounty Hunter) reprisal of her role as a nymphomaniac dentist Dr Julia Harris, also one of the original Horrible Bosses does not save the blighted plot. The best scenes in the film are actually provided by Oscar Winner Jamie Foxx (Ray) as MotherF*cker Jones and of course Pine who has a field day as the manipulative kidnap victim.

This sequel is really cashing in on the success of the first film and let’s hope that Hollywood does not make a third without there being a more credible and inventive storyline. Audiences who loved the first film, might be disappointed, so save Horrible Bosses 2 for some lazy Saturday afternoon viewing.