Archive for May, 2015

A Most Violent Year

Director: J. C. Chandor

Cast: Jessica Chastain, Oscar Isaac, Albert Brooks, Alessandro Nivola, Elizabeth Marvel, David Oyelowo, Christopher Abbott, Ben Rosenfeld, Elyes Gabel

Margin Call director J. C. Chandor directs Oscar nominee Jessica Chastain (Zero Dark Thirty) and Golden Globe nominee Oscar Isaac (Inside Llewyn Davis) in the atmospheric thriller A Most Violent Year about the corruption and double dealings in the trucking industry circa New York City 1981.

Chastain and Isaac play a hard core 80’s couple, Abel and Anna Morales who have mysteriously made a substantial sum of money through their transport business Standard Oil which Anna’s father helped set up. Abel is trying desperately to remain an honourable man in his business dealings despite the fact that his trucks seem to be constantly being hijacked on the New York freeways. At first Abel suspects a rival trucking billionaire who has links to the Mafia, Peter Forente beautifully played with a lithe sinister style by Alessandro Nivola (Coco Avant Chanel).

The title of the film refers to the statistics that 1981 was New York’s most violent year in the city’s history, with crime, corruption, hijacking as well as shootings and murders. Despite this, the film itself is not as violent as one would assume, but director J. C. Chandor maintains the pace and at times even leaves visual signifier that the film alludes to violence as opposed to showing actual violence.

This is especially evident in the scene when the Morales, driving on the way back from a late night dinner hit a deer and Anna, wonderfully played with a hardness by Chastain promptly gets out the car and shoots the animal dead, when her husband hesitates.

Oscar Isaac also reunites with Drive co-star Albert Brooks who plays the couples shady attorney Andrew Walsh. With a running time of 125 minutes, the second half of A Most Violent Year could have picked up the pace, the 1980’s crime thriller is held together tightly by the performances of Oscar Isaac and Jessica Chastain, especially the latter who is superb as the hard edged wife who continually persuades her husband to fight violence with violence. Naturally this eventually occurs when Julian, an immigrant truck driver, played by Elyes Gabel goes missing and also another truck belonging to Standard Oil is stolen.

Audiences that like a sophisticated thriller with a more contextual character study will enjoy A Most Violent Year, but those expecting an action film should give it a miss.

The cast also includes David Oyelowo (The Paper Boy and Jack Reacher) as assistant DA Lawrence who is constantly threatening the Morales livelihood. A Most Violent Year is a fascinating film, layered with each textured shot  paying homage to film noir aimed at viewers that enjoy a more intricate narrative despite its nefarious title.

Pitch Perfect 2

Director: Elizabeth Banks

Cast: Anna Kendrick, Hailee Steinfeld, Rebel Wilson, Elizabeth Banks, Brittany Snow, Anna Camp, Skylar Astin, Adam Levine, Christina Aguilera, Esther Dean, Hana Mae Lee, John Michael Higgins

As an actress I first noticed Elizabeth Banks in the hilarious and very risqué comedy Zach and Mary Make a Porno and then she went onto make a string of films including The Next 3 Days before being cast as the zany Effie Trinket in the Hunger Games Trilogy. Then Banks was cast as the hilarious announcer in Pitch Perfect so is perfectly suitable that she should take over as director for the highly anticipated and hilarious sequel.

It is wonderful to see so many female directors becoming prominent recently in Hollywood especially in an international film business which is predominantly populated by men. Cinema traditionally was accustomed to seeing film through the eyes of men. But recently all that is changing.

So it’s perfect that Elizabeth Banks become director of Pitch Perfect 2 which in essence is a film about girls, aimed at girls and directed by a woman.

The girls in question are the Beautiful Barden Bella’s, a high school a cappella singing group which affords an opportunity for a variety of talented young actresses to be seen together on screen including Anna Kendrick Oscar nominee for Up in the Air, Australian comedian Rebel Wilson and newcomer to the Barden Bella’s, Oscar nominee Hailee Steinfeld who was so extraordinarily impressive in the Coen brothers version of True Grit.

Pitch Perfect 2 basically picks up where the first film left off and after a hilariously funny wardrobe malfunction curtsey of Fat Amy, played by Rebel Wilson occurs  unexpectedly at the Lincoln Centre in front of a distinguished audience including the US President and the First Lady, the Barden Bella’s are naturally banned from performing nationally or entering competitions as they have quite literally fallen into ill repute.

This film does not dwell on their misfortunes and soon the Barden Bella’s have to regroup and practice as they plan on entering the international a cappella championships in Copenhagen, Denmark.

So Banks as director, takes the audience on a self-parodying and satisfying journey of the Barden Bella’s as they attempt to reclaim their title and most importantly their dignity as well as highlighting many of the insecurities that young female school leavers face as they have to contend with choices about College, chauvinistic male bosses and a competitive workplace which is essentially still ruled by men. This is particularly highlighted in Beca experiences, (played by Anna Kendrick), as she attempts to secretly forge her own career as a music producer in a big Atlanta studio.

Hailee Steinfeld is superb and brings a certain vivaciousness to the Barden Bella’s but admittedly I could not help wondering what such a talented actress is doing in a film like Pitch Perfect 2 after seeing her in True Grit and Romeo and Juliet. Then it was her casting which is a stroke of genius as with Banks as director, she adeptly uses Steinfeld to showcase the rest of the Bella’s cast including Brittany Snow, Rebel Wilson and Alexis Knapp.

The fact that Pitch Perfect 2 did so phenomenally well at the Box Office during its opening weekend is testament to the growing realization that the young teenage female cinema going audience is not a demographic to be overlooked for Box Office success.

Let’s face it most summer blockbuster films like the upcoming Jurassic World and Terminator reboots are aimed at a purely male audience.

Elizabeth Banks does an admirable job of directing Pitch Perfect 2 making a reasonably light and often hilarious comedy sequel about a group of girls aiming for international fame. Watch out for some brilliant scenes with Rebel Wilson besides the infamous opening number and also for guest appearances by various celebrities including Rosie O’Donnell, Rosie Perez, Christina Aguilera and Adam Levine.

Pitch Perfect 2 is highly recommended viewing for a fun filled two hours in the cinema, not to be taken too seriously but to be enjoyed just enough so that Girl power in all its forms is a formidable force to be reckoned with. The songs are fabulous and I am sure even some of the guys will enjoy this hilarious and brilliant sequel. Hats off to Elizabeth Banks, as she scored a hit with the Beautiful Barden Bella’s.

Far From the Madding Crowd

Director: Thomas Vinterberg

Cast: Carey Mulligan, Michael Sheen, Tom Sturridge, Juno Temple, Matthias Schoenaerts, Bradley Hall, Jessica Barden

Danish director Thomas Vinterberg who gained international attention with his Oscar Nominated film The Hunt, takes on a cinematic adaptation of the 19^th century classic Thomas Hardy novel Far From the Madding Crowd and what a superb piece of cinema it is.

The high production values and the crackling onscreen energy between Carey Mulligan who plays the headstrong heroine Bathsheba Everdene and the handsome yet rugged farm manager Gabriel Oak is played by Belgian rising star Matthais Schoenaerts who both make this film captivating.

At the centre of Thomas Hardy’s novel was a rather unconventional idea for its time that of a female heroine taking charge of a large farm in rural Dorset in the 1870’s. Far From the Madding Crowd published in 1874 at the height of the Victorian era become an instant classic and since the twentieth century has been turned into many cinematic adaptations most notably the 1967 classic film of the same name with Julie Christie, Peter Finch, Alan Bates and Terence Stamp as well as a modern day variation Tamara Drewe (2010) with Gemma Arterton, Luke Evans and Dominic Cooper.

Vinterberg’s version of Far From the Madding Crowd is a handsomely produced, exceptionally acted and beautifully shot in which he extracts genuine performances out of Mulligan and Schoenaerts along with the rest of the supporting cast including Michael Sheen (The Queen), as the prosperous bachelor William Boldwood and the audacious and reckless Sergeant Troy, played with a sort of hint of danger by Tom Sturridge (Being Julia and On the Road). Even Juno Temple as the befallen young damsel, Fanny Robbin is equally good.

What elevates Vinterberg’s film is an intelligent screenplay by David Nicholls and sumptuous cinematography by Charlotte Bruus Christensen together with wonderful costumes by Janet Paterson. Shot mainly in Buckinghamshire, Far From The Madding Crowd will be sure to illicit a renewed interest in Hardy’s novels and especially in the many film adaptations of his work including the 1979 film Tess directed by Roman Polanski featuring Nastassja Kinski.

Bathsheba has to deal with the business of running a farm, which was naturally male dominated as well as warding off possible suitors from the likes of Boldwood and the arrogant Sergeant Troy, whilst her sturdy farm manager, Gabriel Oak, remains loyal to her even when she makes mistakes. The ending of Far From the Madding Crowd is truly sublime and each character is perfectly cast in their roles.

Thomas Vinterberg’s ravishing and gripping rural drama should surely garner some awards at least for the handsome production design and for expertly recreating such a literary treasure on the big screen, making the film just as relevant in an age filled with multimillion dollar CGI laden blockbusters.

Far From the Madding Crowd is an exceptional film and highly recommended for those that enjoyed Jane Campion’s The Piano, Joe Wright’s 2005 film Pride and Prejudice and more recently Cary Fukunaga’s superb film Jane Eyre featuring Mia Wasikowska and Michael Fassbender.

The Avengers: Age of Ultron

Director: Joss Whedon

Cast: Chris Evans, Chris Hemsworth, Robert Downey Jr, Don Cheadle, Paul Bettany, Mark Ruffalo, Jeremy Renner, Scarlett, Johansson, Samuel L. Jackson, Elizabeth Olsen, Aaron Taylor-Johnson, James Spader, Cobie Smulders, Hayley Atwell, Stellan Skarsgard, Thomas Kretschmann, Julie Delpy, Andy Serkis, Anthony Mackie.

The Avengers are back in director and writer Joss Whedon’s much anticipated sequel The Avengers: Age of Ultron featuring all the Marvel superheroes and some new ones in a CGI laden special effects extravaganza, which is at times confusing and other times absolutely fascinating. At a running time of two hours and twenty minutes, director Whedon has sufficient screen time to flesh out all the characters individually as well as give nuance to some of their more complicated relationships.

Like the relationship between The Hulk, aka Bruce Banner wonderfully played by Oscar nominee Mark Ruffalo (Foxcatcher) and the Black Widow played by Scarlett Johansson who seems to be the only avenger that can calm the Hulk’s penchant for destructive anger.

The relationship between goodie two shoes Steve Rogers aka Captain America, played by Chris Evans and Nordic God Thor played by the hunky Chris Hemsworth is also subtly explored considering that the former is a World War two hero and the latter from another dimension.

Robert Downey Jr reprises his role as egotistical Billionaire Tony Stark, aka Iron Man and his irrepressible desire to mould any technological discovery, in this case the power artificial intelligence to his own advantage.

The Age of Ultron refers to the ubiquitous Altron a powerful A.I. force which is hell bent on human destruction and vain enough to realize that he can survive the aftermath, beautifully voiced with an underlying menace by James Spader (Bad Influence, more recently in the hit TV show The Black List).

The sexy Jeremy Renner as Clint Barton aka Hawkeye ‘s character is fleshed out as a devoting family man which is entirely incongruous with his status as a member of the Avengers, but hey who cares?

Elizabeth Olsen and Aaron Taylor-Johnson play evil orphaned Eastern European twins Pietro and Maximoff who soon turn on Ultron when they realize his megalomaniac tendencies. Even Lord of the Rings’ Andy Serkis makes an appearance as a South African mercenary Ulysses Klaue and the Johannesburg downtown sequence is truly phenomenal to watch as is the action scene in Seoul, South Korea.

If audiences get confused with who all the avengers are, there are ample filmic references to each of their own background stories from Thor: The Dark World, including a brief appearance by Idris Elba and also Captain America’s Agent Carter, played by Hayley Atwell. Marvel is indeed expanding their universe exponentially and if The Avengers: Age of Ultron’s audience figures are anything to go by, this will prove to be another superhero box office smash hit.

The Avengers: Age of Ultron is fun entertainment and definitely aimed at Iron Man, Thor and Captain America cinema fans especially all the witty references and innuendo’s involving lifting Thor’s hammer which are neatly laced into a script which may seem convoluted but then again when it comes to Artificial Intelligence its more an infinite mess which at some point needs to be reined in.

Audiences should look out for brief cameos by Anthony Mackie, Stellan Skarsgard, Julie Delpy, Don Cheadle and Thomas Kretschmann. If The Avengers: Age of Ultron appears to be a pastiche of all the previous Marvel films, then director Joss Whedon has certainly achieved the impossible, not to mention making a narrative out of the dangers of artificial intelligence plausible and entertaining.

It’s best for audiences to suspend their disbelief and enjoy The Avengers: The Age of Ultron for what it is: a comic book orgy with a giant budget and loud, awe-inspiring special effects which will be sure to nurture any young adult’s imagination for awhile.