Archive for December 2nd, 2016

Magical Manhattan

Fantastic Beasts and Where to Find Them

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Director: David Yates

Cast: Eddie Redmayne, Katherine Waterston, Colin Farrell, Samantha Morton, Dan Fogler, Ezra Miller, Jon Voight, Carmen Ejogo, Faith Wood-Blagrove, Zoe Kravitz,

J.K. Rowling made an absolute fortune out of the Harry Potter novels and now to capitalize on her continued success she attempts to write the screenplay for a spinoff series Fantastic Beasts and Where to Find Them.

The Legend of Tarzan director David Yates is pulled in to coerce all the elements of an ultimately bland screenplay into a presentable and visually impressive fantasy film.

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Yates who helmed the last three Harry Potter films, does an impressive job with Fantastic Beasts even though Oscar winner Eddie Redmayne (The Theory of Everything) maintains a continued perplexed expression on his face throughout this film as he plays the British wizard Newt Scamander who arrives in New York with a suitcase brimming with diabolically strange creatures.

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Redmayne is joined by British actresses Katherine Waterston (Steve Jobs, Inherent Vice) as Tina Goldstein and Oscar nominee Samantha Morton (Minority Report, In America) as the cruel Mary Lou along with Colin Farrell as an American wizard Graves who is chief enforcer of Macusa or the Magical Congress of the United States of America.

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Dan Fogler plays the hapless wannabe baker Jacob Kowalski who effectively serves as a sidekick character to the infinitely cooler Newt Scamander.

Whilst Fantastic Beasts and Where to Find Them is visually impressive and for once the filmmakers make effective use of the 3-D format and all the Beasts are both alluring and comical, the film itself suffers from a badly written script and an overdose of visual effects and a lack of critical editing.

Redmayne is far better in brilliant period films like My Week with Marilyn and The Theory of Everything and comes across throughout Fantastic Beasts with the impression of how the hell did I land up in a Harry Potter spin off franchise set in New York?

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Unfortunately the rest of the characters do not get sufficient back story including the talented Samantha Morton’s portrayal of a cruel orphanage mistress Mary Lou who constantly punishes the repressive Credence Barebone played by Ezra Miller (The Perks of Being a Wallflower, Suicide Squad).

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Colin Farrell (Total Recall, Crazy Heart) is suitably bland as Percival Graves but that is perhaps due to Rowling’s script not giving him much to work with.

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Whilst there is an inherent fan base, Fantastic Beasts and Where to Find Them is not as dazzling as one expects although the visual effects are superb. Let’s hope the Fantastic Beasts sequels which Warner Bros intends making employs a better scriptwriter. No offense to Rowling but she does not possess a talent for snappy dialogue. Then again who needs brilliant dialogue when the audience is constantly overwhelmed by magical creatures roaming 1920’s Manhattan?

 

 

 

 

Spiritual Sacrifice

Indignation

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Director: James Schamus

Cast: Logan Lerman, Sarah Gadon, Tracey Letts, Linda Emond, Ben Rosenfield, Noah Robbins, Danny Burstein

Logan Lerman (Noah) has come a long way from portraying a teenage hero in the Percy Jackson and the Olympians franchise. He proved his acting abilities in the David Ayer war film Fury and now takes a central role in director James Schamus’s film Indignation based upon the novel by the Pulitzer Prize winning author Phillip Roth. Roth’s novels are notoriously difficult to be adapted to the big screen.

One of Philip Roth’s novel’s The Human Stain was adapted into a provocative 2003 Robert Benson film starring Anthony Hopkins, Nicole Kidman and Wentworth Miller. Roth’s outstanding novel American Pastoral has recently been made into a film starring Ewan McGregor, Jennifer Connelly and Dakota Fanning.

Schamus does a sterling job of bringing Indignation to the big screen and Loman is nuanced and brilliant as the seriously conflicted young Jewish freshman Marcus who has a crisis of faith while attending a conservative Ohio college which forces the students to attend mass every Sunday.

Religious disaffection, sexual repression and social pressure are all perfectly framed within the 1950’s Korean War where young American serviceman were being conscripted to fight in the first of many US led foreign wars against the Communists.

At college Marcus while working in the library is attracted to the gorgeous Olivia Hutton who is not only sexually provocative but also slightly mentally unstable. On their first date Olivia performs a then unspeakable sexual act on Marcus, which releases years of pent up repression and rage.

Marcus fights with his roommates and soon requests a transfer which comes to the attention of Dean Caudwell wonderfully played by Tracy Letts (The Big Short). The religious conflict is evident when Marcus tells Caudwell that he is happily atheist, even though he was brought up in a Jewish home and worked for his overbearing father in a kosher butchery back in suburban New Jersey.

When Marcus falls ill, his sympathetic mother Esther Messner wonderfully played by Linda Emond (Julie and Julia, Oldboy) comes to visit and soon meets the illustrious Olivia. In the emotional crux of the film, Marcus makes a deal with his mother to stop seeing the clearly damaged Olivia superbly played by Canadian actress Sarah Gadon (Cosmopolis, A Royal Night Out).

This arrangement along with Marcus’s continued conflict with Dean Caudwell on religious grounds has disastrous effects. Much to Caudwell’s horror, Marcus even quotes from the philosopher Bertrand Russell in his defence of atheism and his anti-establishment viewpoints.

Indignation is an intelligent exploration of one young man’s coming of age and his ultimate spiritual sacrifice on the cusp of what could have been an illustrious future. Logan Lerman and Sarah Gadon hold their own in Schamus’s tightly controlled script based on Roth’s novel.

This atmospheric period drama is recommended viewing for those viewers that like their cinema thought-provoking, but ultimately Indignation does justice to Roth’s complex literary aesthetic.

 

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