Archive for December 13th, 2016

Inferno

Director: Ron Howard

Cast: Tom Hanks, Felicity Jones, Ben Foster, Omar Sy, Irrfan Khan, Sidse Babett Knudsen, Ana Ularu

Screenwriter David Koepp intentionally disorientates the viewer in a disrupted narrative through a series of flashbacks and blurred images in the first half of director Ron Howard’s historical thriller Inferno as Professor Robert Langdon played again by Tom Hanks wakes up bewildered like Jason Bourne in a hospital in Florence. There Langdon is initially tended to by Dr Sienna Brooks played by Oscar nominee Felicity Jones (The Theory of Everything).

Soon the couple are shot at by a vicious but gorgeous female carabinieri Vayentha played by Romanian beauty Ana Ularu. As Langdon and Brooks seek shelter in her Florence apartment they soon discover that crazed Billionaire Bertrand Zobrist played by Ben Foster (Warcraft, Hell or High Water), seen only through a series of mediated images like a televised lecture and numerous flashbacks has decried the world’s overpopulation and plans on letting off a deadly virus killing more than half the world’s population as a form of human culling.

Langdon and Brooks travel to the Hall of the Five Hundred within the Palazzo Vecchio https://en.wikipedia.org/wiki/Palazzo_Vecchio to discover that Dante’s death mask has been stolen. Hot on their heels is Brouchard played by French actor Omar Sy as well as a tactical team from the World Health Organisation headed by the beautiful Dr Elizabeth Sinskey played by Danish actress Sidse Babett Knudsen last seen as the doomed corporate executive in the thrilling HBO Sci-Fi series Westworld.

As the action moves from Florence to San Marks Square in Venice, Koepp’s script strips away the confusion and reveals an enlightening moment as a significant plot twist occurs in the Venetian Piazza reminiscent of Casino Royale and Professor Langdon soon realizes who he can really trust.

With high production values and lots of flashing images of blood soaked streets and corpses writing in hell, the cinematic depiction of Dante’s Inferno adds to the already suspenseful narrative as Langdon races against time taking in some of the ancient world’s most iconic tourist attractions including Florence’s Duomo and Istanbul’s Hagia Sophia.

The second half of Inferno is captivating as the denouement is revealed and the true danger identified in a thrilling finale in Istanbul’s Sunken Palace where a Solstice concerto is taking place amidst the possibilities of a dangerous virus being released into the ancient city’s water supply.

It is a pity that Ben Foster and Tom Hanks did not have any screen time although like with Angels and Demon’s and The Da Vinci Code, Inferno does not faithfully follow the thriller genre. Instead using a combination of visual clues heavily reliant on art history and a sense of urgency, the hero Professor Langdon in Inferno covers a touristic journey through some of the most cultural cities in Europe and Asia Minor.

Whilst Hanks and Jones are suitably impressive in their roles it is the supporting roles particularly played by Knudsen and Indian actor Irrfan Khan (Slumdog Millionaire, Life of Pi) which add a sense of diversity to this extraordinary tale. Inferno is a fast paced historical thriller boosted by contemporary fanaticism which makes the story all the more relevant within the global context of terrorism and unsuspecting horrors.

Inferno is a captivating thriller which by far is one of the best in the Dan Brown inspired cinematic franchise, transforming into a fitting third act to The Da Vinci Code and Angels and Demons.

A United Kingdom

Director: Amma Asante

Cast: David Oyelowo, Rosamund Pike, Jack Davenport, Tom Felton, Laura Carmichael, Terry Pheto, Vusi Kunene, Theo Landey, Jack Lowden

Oscar nominee Rosamund Pike (Gone Girl) reunites with Jack Reacher co-star David Oyelowo (The Paperboy, Queen of Katwe) in the Amma Asante directed biographical drama A United Kingdom focusing on the interracial love story between a working class British girl Ruth Williams and Prince Seretse Khama of Botswana. The year was 1947.

Whilst Belle director Amma Asante does not possess a gift for providing a truly compelling biographical story, A United Kingdom is saved by solid performances by Pike and Oyelowo along with a host of supporting actors including Jack Davenport (The Talented Mr Ripley) as a stuffy British High Commissioner Alistair Canning and a nasty cameo by Tom Felton (Belle, Rise of the Planet of the Apes) as a colonial upstart Rufus Lancaster.

A United Kingdom begins just after World War II in the fog ridden streets of London, as Britain is recovering from one of the worst wars in human history while battling to maintain its grip on its colonial territories. Furthermore, geographically significant South Africa is about to be plunged into one of the darkest periods of its history, as the segregationist policies of Apartheid would be put into law in 1948.

Against this historical backdrop, Ruth Williams accompanies her sister Muriel played by Downton Abbey’s Laura Carmichael (Tinker, Tailor, Soldier, Spy) to a dance organised by the London missionary society. There she meets the intelligent and charismatic law student Seretse Khama wonderfully played by the highly underrated British actor David Oyelowo.

After a brief romance Khama and Williams decide to marry causing a diplomatic row both in London and in Khama’s homeland of Bechuanaland which at the time was a British protectorate. The British authorities not wishing to upset their most powerful former colony on the tip of Africa, the mineral rich yet increasingly segregated South Africa, instruct Seretse Khama to go into exile.

Khama on the other hand also has to face the suspicion of his own people, the Bamangwato People of Bechuanaland of which his uncle Tshekedi was regent, played by South African actor Vusi Kunene. Even as Seretse brings an English woman back to the hot and dry plains of Botswana, Williams is initially greeted with contempt by his own sister Naledi, wonderfully played by Terry Pheto (Tsotsi, Mandela: Long Walk to Freedom).

As the narrative progresses, director Asante chooses to focus on the passionate love story between Khama and Williams instead of all the diplomatic intrigue so A United Kingdom is strong on images of reconciliation and fortitude but weak on a clear historic timeline. What saves A United Kingdom are brilliant performances by Oyelowo and Pike although the romance will not have a broader appeal beyond those that have a historical knowledge of Britain’s relationship with the former protectorate of Bechuanaland now known as Botswana.

Incidentally, Botswana due to the discovery of diamonds, is now one of the wealthiest and peaceful democracies in Africa despite its sparse population. Ruth Williams also eventually become the first Lady of Botswana when her husband Seretse whose political party the Bechuanaland Democratic Party won the 1965 Democratic elections as Botswana gained their independence from Britain on the 30th September 1966.

A United Kingdom is a fascinating and cleverly titled film. A well-acted and beautifully portrayed love story historically tying Britain with one of the lesser known regions of Southern Africa.

Source: https://en.wikipedia.org/wiki/Ruth_Williams_Khama

https://en.wikipedia.org/wiki/Seretse_Khama