Archive for February, 2017

Moonlight

Director: Barry Jenkins

Cast: Mahershala Ali, Naomie Harris, Trevante Rhodes, Janelle Monae, Andre Holland, Alex Hibbert, Ashton Sanders

Director Barry Jenkins breaks new visual ground in his evocative film Moonlight based upon the unproduced play “In the Moonlight Black Boys look Blue” written by Tarell Alvin McCraney.

Premiering at the Telluride film festival in Colorado, Moonlight has attracted huge critical acclaim and awards buzz anchored by two superb performances by Mahershala Ali, last scene in the brilliant series House of Cards, as a African-American Cuban drug dealer Juan and British actress Naomie Harris (Skyfall) in a breath taking role as the crack addicted mother Paula.

Moonlight deconstructs masculinity, sexuality and race in an incisive portrayal of one man’s growth from childhood into adulthood. Set in a poverty stricken Miami neighbourhood, Chiron played in three life stages by Alex Hibbert as a young boy nicknamed Little, Ashton Sanders as a teenager named Chiron and Trevante Rhodes as a muscle bound young man nicknamed Black.

Throughout this study of maturity and evolving masculinity, Chiron has to contend with his drug addicted mother Paula, who incidentally is being supplied crack cocaine by Juan who initially takes Little under his wing as a foster father and teaches him to swim in one of the film’s most effective scenes. The ethical conflict of these two parental figures adds to Chiron’s inability to express his emotions except to ask direct questions like: What is a faggot?

Moonlight is a stunning film, a visual masterpiece superbly directed by Barry Jenkins which gets under the viewers skin and inhabits their perceptions, changing every misconception there is about socially constructed identities – what it means to be black, what it means to be an addict and what it means to be gay.

Chiron’s sexual awakening on a moonlit beach in Miami as he kisses school friend Kevin played by Andre Holland sets the stage for a provocative and important film.

Moonlight is sure to be discussed and analyzed in terms of visual identity and perception but more poignantly it’s a superb portrayal of one man’s emotional journey from bullied child and teenager to a muscle bound man who manages to escape the confines of his conflicted childhood and reconcile with his real identity and find love in the process. The scene between Chiron and a much older Paula is truly phenomenal.

Moonlight is highly recommended viewing, a visually impressive film already generating critical acclaim and incisive film analysis.

Live By Night

Director: Ben Affleck

Cast: Ben Affleck, Sienna Miller, Chris Messina, Chris Cooper, Zoe Saldana, Elle Fanning, Brendan Gleeson, Remo Girone, Titus Welliver, Max Casella, Clark Gregg, Anthony Michael Hall

Oscar winner Ben Affleck (Argo, Good Will Hunting) approaches another passion project with the cinematic adaptation of Dennis Lehane’s riveting gangster novel Live By Night about the rise of Irish mobster Joe Coughlin.

Set in Prohibition era America in the mid 1920’s, Live By Night features Affleck as the main character as well as him adapting the screenplay and directing the film version. To his credit, Affleck assembles a fine cast including an unrecognizable Sienna Miller as the gangster’s moll with a strong Irish accent, Emma Gould who Coughlin first meets in Boston.

Also in the cast are Brendan Gleeson (In Bruges) as Coughlin’s father Thomas who happens to be Boston police chief, Oscar winner Chris Cooper (Adaptation) as Tampa police chief Figgis, Elle Fanning (Trumbo, Maleficent) in a stand out role as a recovering heroin addict Loretta Figgis and Zoe Saldana as Cuban beauty Graciela whom Coughlin eventually falls in love with after he moves to Tampa, Florida after fleeing Boston.

If viewers have not read Lehane’s book they might find the film version of Live By Night drawn out with a screenplay which delivers but doesn’t elevate the film to such genre classics as The Untouchables, Casino or even Goodfella’s.

Whilst the gorgeous period production design of Live By Night can be applauded as well as some stunning sequences in Florida, where after the initial gloom of Boston, the film definitely brightens to show a much more diverse and fascinating world in the deep South, the overall effect of Live By Night is laboured but not exhilarating.

Personally I loved the film, but I had read the novel so knew ahead what was install.

Ben Affleck’s ambitious plans to write, direct and star in a big screen adaptation of the novel might fall short, although his effort in doing so is admirable. What does elevate Live By Night are the superb supporting cast including Sienna Miller who after Burnt and Foxcatcher has an ability to disappear into any screen role and certainly is one of the most underrated actresses in Hollywood. Fanning as a bible preaching morally conflicted young woman comes across as sacrificial, yet her performance is brilliant despite the minimal screen time.

The best scenes in the film are between Affleck and Chris Messina who is wonderful as Coughlin’s best friend and crime partner, the wise cracking Dion Bartolo, a role which he played against type. It is refreshing to watch Zoe Saldana (Guardians of the Galaxy) play in a period film as the gorgeous Cuban business woman Graciela although her role in the film is not as detailed as it is in the novel.

What Affleck does successfully is portraying America as a Fallen World, where as prohibition ends, there is nothing left except repression, bigotry and violence. Live By Night is a gritty, stylish and violent gangster film similar to Gangster Squad but not as brilliant as Bugsy or Public Enemies.

Audiences should only see Live By Night if they are ardent fans of gangster films, a genre which is difficult to get right at the best of times. Despite Affleck’s talent as a director, he is no Martin Scorsese or Brian de Palma. Although his evocative visual efforts should be commended.

Recommended viewing for those that enjoyed Gangster Squad.

XXX: The Return of Xander Cage

Director: D. J. Caruso

Cast: Vin Diesel, Toni Collette, Samuel L. Jackson, Donnie Yen, Ruby Rose, Deepika Padukone, Nina Dobrev, Rory McCann, Ice Cube, Hermione Corfield, Michael Bisping, Tony Jaa, Kris Wu

Franchise star Vin Diesel returns in the third instalment of the XXX series, unimaginatively named XXX: The Return of Xander Cage directed by D. J. Caruso (Disturbia, Eagle Eye and I am Number Four).

Assembling a diverse multinational cast ensures its broader international box office appeal especially in Asia. Joining the cast of XXX: The Return of Xander Cage are Ruby Rose, Danish Bollywood star Deepika Padukone, Kris Wu, Scottish actor from HBO’s Game of Thrones, Rory McCann (Clash of the Titans), Donnie Yen (Rogue One: A Star Wars Story) and Thai actor Tony Jaa (Furious 7).

As the action moves swiftly from The Dominican Republic to a jungle rave in the Philippines, then onto the final showdown in Detroit, this popcorn film delivers for sheer enjoyment ably assisted by a great supporting cast including Australian actress Toni Collette (Muriel’s Wedding, Hitchcock) and veteran star Samuel L. Jackson (Kingsman: The Secret Service, Avengers: The Age of Ultron) reprising his role of Augustus Gibbons founder of the covert extreme sports unit XXX.

Whilst there is not enough of the mind blowing stunts that made the original XXX film in 2002 so captivating, there are a fair share including skiing in a jungle (I kid you not), jet skiing off the Philippine coastline and the usual array of car chases, satellites crashing down on major cities to keep audiences thoroughly entertained.

The plot involves a device known as Pandora’s Box which can bring down orbital satellites and hold superpowers to ransom. Naturally, Xander Cage and his team of rebels are asked to retrieve and deliver Pandora’s Box to supposedly safe hands by a blonde haired Jane Marke played by Toni Collette.

The gorgeous Hermoine Corfield (Mission Impossible: Rogue Nation, Mr Holmes) pops up as a sexy hacker in London, making the British capital more sexy than it really is as her opening sequence involves her swimming in a rooftop heated pool.

To make the plot more interesting there is a couple of twists where the real villain is not clearly identified until half way through, but director Caruso approaches the XXX film like a comic book pastiche heavily reliant on CGI and giving audiences exactly what they want: fantastic thrills in exotic locations and enough action to satisfy any adrenaline junkie.

XXX: The Return of Xander Cage is a fun filled action film, which thankfully doesn’t take itself too seriously and delivers an enjoyable popcorn thrill ride made all the more amusing by Vin Diesel’s continued smirk on his face and a surprise addition to the cast to link up the franchise into a XXX trilogy. Similar to the hugely successful Fast and Furious franchise, there is bound to be a fourth film in the XXX series now that the producers have received funding from the Shanghai Media Group.

Audiences will enjoy XXX: The Return of Xander Cage for action and laughs but it doesn’t deliver anything more than it’s expected to.