Archive for June, 2017

The Whole Truth

Director: Courtney Hunt

Cast: Keanu Reeves, Renee Zellweger, Gugu Mbatha-Raw, James Belushi, Gabriel Basso, Jim Klock, Christopher Berry, Ritchie Montgomery

The technique of a voice over in a film normally endears the audience to that particular person or characters point of view.

The voice over is effectively used in director Courtney Hunt Louisiana Legal thriller The Whole Truth starring Keanu Reeves (John Wick, The Devil’s Advocate and Dangerous Liaisons) as hotshot defence attorney Richard Ramsey who is called upon to defend the son of a murder victim, Mike Lassiter played by Gabriel Basso (Super 8). The murder victim is the misogynistic Louisiana lawyer Boone Lassiter played with relish by James Belushi who audiences glimpse in a series of carefully timed flashbacks.

The voice and the character’s viewpoint belongs to Ramsey so immediately audience’s perceptions of guilt and innocence are framed through his skewed and cynical viewpoint.

To add some diversity to an otherwise bland white middle class legal drama is British star Gugu Mbatha-Raw (Belle, Concussion) appearance as Ramsay’s second chair Janelle Brady who is suspicious of the entire legal process, not least of all Ramsay’s close relationship with the defendant’s mother the sultry yet seemingly innocent Loretta Lassiter played with sufficient mystery by Oscar winner Renee Zellweger (Cold Mountain) who is back on the big screen after a hiatus.

Zellweger who has undergone a significant transformation as an actress since her performances in Chicago, Nurse Betty and her recent hits with the Bridget Jones trilogy, plays the battered Southern belle to perfection. While the screen chemistry between Reeves and Zellweger is questionable, The Whole Truth is hardly Body Heat or Basic Instinct, then the film’s startling narrative was never intended to be sexually provocative.

Frozen River director Courtney Hunt is determined to explore all the legal technicalities of a murder trial including undercutting the testimony of eye witnesses and shifting the validity of a clear timeline of events which lead to the horrible Boone Lassiter being stabbed in the heart in the marital bedroom, indicative of a serious crime of passion. It is refreshing to see so many female directors making interesting films these days and The Whole Truth is certainly entertaining with its complex portrayal of Louisiana legalities.

The Whole Truth is a fascinating courtroom drama, with sufficient amounts of twists and allegations to keep fans of legal thrillers guessing right up to the last frame. However, the film does not elevate itself into the realm of a truly remarkable thriller such as Richard Marquand’s The Jagged Edge with Glenn Close and Jeff Bridges or Primal Fear featuring an Oscar worthy turn by Edward Norton as the accused altar boy Aaron.

In the case of Louisiana versus Mike Lassiter, Keanu Reeves’s voice over as the slimy lawyer Richard Ramsey lulls audiences into a false sense of justice.

The Whole Truth gets a film rating of 7 out of 10 elevated by a notable performance by Gabriel Basso as the illustrative accused Mike Lassiter. Fans of courtroom dramas will certainly enjoy this American thriller set in St Bernard’s Parish near New Orleans.

Their Finest

Director: Lone Scherfig

Cast: Gemma Arterton, Sam Claflin, Bill Nighy, Jack Huston, Richard E. Grant, Jeremy Irons, Jake Lacy, Eddie Marsan, Helen McCrory, Rachael Stirling

Danish director Lone Scherfig delivers another nuanced and unexpectedly unsettling film, Their Finest featuring a superb performance by Gemma Arterton (The Prince of Persia, Quantum of Solace) in one of her best roles yet. Director of The Riot Club, One Day and An Education, Scherfig is brilliant at capturing the peculiarities of the British social system, exemplified in The Riot Club and perfected in her latest film, Their Finest.

Set in 1940 during the Blitz, while London was being mercilessly bombed by the Germans at the beginning of World War II, Their Finest focuses on the art of propaganda about Arterton who is asked to become a scriptwriter on a film aimed to boosted the morale of the British public particularly from a woman’s perspective when most of the men were being conscripted to fight the war.

Arterton plays the feisty Welsh woman Caitrin Cole whose relationship with a struggling artist Ellis Cole played by Jack Huston (Ben-Hur, The Riot Club) is precarious at best. Caitrin’s co-writer is the cynical Tom Buckley wonderfully played by Sam Claflin (Me Before You) who keeps on advising her to trim the fat on any story which appears too verbose.

The story in question is how twin sisters managed to save some Allied soldiers off the French coast during the Dunkirk evacuation aboard their father’s fishing vessel The Nancy Starling.

The embellishment of the story and its natural progression to a morale boosting piece of cinema, aptly named The Nancy Starling is the task of Caitlyn and Tom who has to contend not only with the vested interests of the Ministry of Information represented by Roger Swain wonderfully played by Richard E. Grant but also the War Ministry represented by the Secretary of War played by Oscar winner Jeremy Irons (The Reversal of Fortune).

What elevates the grim narrative of Their Finest, a city under siege with Londoners being randomly killed off during incessant bombings is the appearance of fading film star Ambrose Hilliard acidly played with dark humour by character actor Bill Nighy (Love Actually, The Second Best Exotic Marigold Hotel, Pride).

There are some precious moments between Nighy and his new agent Sophie Smith played by Helen McCrory who takes over Hilliard’s career after her brother Sammy Smith, a brief cameo by Eddie Marsan, is unexpectedly killed in the bombings.

Based upon the novel by Lissa Evans entitled “Their Finest Hour and a Half”, Their Finest is a remarkably interesting war film about the art of propaganda, the process of scripting a film and a precarious love triangle, particularly noticeable when thwarted affections develop between Tom Buckley and Caitrin Cole.

The only criticism is that Their Finest could have been edited more efficiently as the dramatic pace of the film lags at times and this efficiency in getting the story across would have prevented the narrative from becoming slightly repetitive and drawn out.

Yet despite its imperfections, Gemma Arterton and Sam Claflin are brilliant as the young creative screenwriters trying to negotiate a budding romance amidst their own artistic differences.

Audiences should look out for a particularly tart performance by Diana Rigg’s daughter Rachael Stirling as the propaganda film’s sharp tongued production secretary Phyl Moore.

Their Finest as a wartime dramatic comedy gets a film rating of 7.5 out of 10. This witty and poignant British film will be enjoyed by those that share the English sentiment of stoically soldiering on in the face of burdening hardships without resorting to emotional melodrama. Which is what the British did during the Blitz.

Wonder Woman

Director: Patty Jenkins

Cast: Gal Gadot, Chris Pine, Robin Wright, Connie Nielsen, Danny Huston, David Thewlis, Said Taghmaoui, Ewen Bremner, Eugene Brave Rock, Elena Anaya

Monster director Patty Jenkins delivers a feminine superhero film with DC’s Wonder Woman featuring the beautiful Israeli actress Gal Gadot as Wonder Woman, Princess of the Amazons.

Gal Gadot first appeared as Wonder Woman in the male-orientated film Batman v Superman and she certainly was no femme fatale, proving a viable counterpoint to Ben Affleck’s Batman.

The first fifteen minutes of Woman Woman, there is no man in sight as the tribe of Amazonian female warriors live blissfully unaware of external strife on an island Themyscira.

As a headstrong young woman, Diana (Wonder Woman) is heavily watched by her protective mother Hippolyta played by Danish beauty Connie Nielsen (Gladiator) while being influenced to train as a Amazonian warrior by her aunt Antiope played by Robin Wright soon to be seen in Blade Runner 2049.

The idyllic exclusion of Themyscira is shattered when the young Diana sees a plane crash into the distant sea and jumps into the ocean saving the bewildered WWI pilot Steve Trevor wonderfully played with bashful humour by Chris Pine (Hell or High Water, Into the Woods).

In an ironic female gaze, director Jenkins turns the camera on a naked Steve as he emerges refreshed from a luxurious infinity pool under the lustful eye of Diana who asks pointedly “Do all men look like that?”

The action moves swiftly to the gritty battle lines of World War 1 as Britain and the allies are about to sign a shaky armistice with Germany. There Diana sees the brutality of man first hand and director Jenkins does not shy away from a valid point that men are the cause of all the wars and the subsequent destruction in the world.

At this point, the audience assumes that the villain of Wonder Woman is the evil German officer Ludendorff played by Danny Huston (Hitchcock, Wrath of the Titans) who is developing chemical weapons with the help of poison specialist Dr Maru played by Elena Anaya.

Diana and Steve form a band of mercenaries set on destroying Ludendorff made up of smooth talking Sameer played by French Moroccan star Said Taghmaoui, Scotsman Charlie played by Trainspotting’s Ewen Bremner and Red Indian chief played by Eugene Brave Rock.

Serving as an origins story and since Wonder Woman is immortal, this is a snapshot of bravery at time when the World was fighting the War to end all wars, circa 1918. What Jenkins manages to do so brilliantly is defy the conventional roles woman play in superhero and adventure films by making the heroine the woman that boldly saves the day, instead of just portraying her as a helpless damsel in distress, leaving the men bewildered, confused and looking like idiots.

As a superhero film, Wonder Woman delivers on all fronts, including lots of humour, copious amounts of action, sufficient visual effects and a surprising plot denouement to keep audiences engaged.

The strikingly gorgeous Gal Gadot holds her own in a big budget franchise film opposite a brilliant blue-eyed Chris Pine, while the period costumes by Lindy Hemming add to the effect of a superheroine stuck in the middle of an antiquated man-made war, which only leaves death and devastation in its wake.

Wonder Woman gets a rating of 8 out of 10. Soon audiences will see more of Wonder Woman as Diana, Princess of the Amazons will next be seen in the highly anticipated Justice League opposite Batman and newcomer Aquaman.

Pirates of the Caribbean: Salazar’s Revenge

Directors: Joachim Ronning and Espen Sandberg

Cast: Johnny Depp, Javier Bardem, Geoffrey Rush, Brenton Thwaites, Kaya Scodelario, Kevin McNally, David Wenham, Orlando Bloom, Keira Knightley, Stephen Graham

Viewers can be forgiven for thinking that they are on a spectacular Disney theme park ride, when watching the highly entertaining opening sequence of Pirates of the Caribbean: Salazar’s Revenge co-directed by Joachim Ronning and Espen Sandberg.

Pirates of the Caribbean: Salazar’s Revenge was released in South Africa, Europe and the UK under this title but is also known as Pirates of the Caribbean: Dead Men Tell No Tales in America possibly for trademark reasons.

This fifth installment of the hugely successful Pirates franchise which made stars out of Orlando Bloom and Keira Knightley, not to mention cementing Johnny Depp’s status as a massive box office drawcard, is maximum entertainment. Depp’s performance as the wayward pirate Captain Jack Sparrow was Oscar nominated back in 2003 for Pirates of the Caribbean: The Curse of the Black Pearl.

As the film opens we see Australian actor Brenton Thwaites (Maleficent, Gods of Egypt) as Henry Turner conversing miraculously underwater with his trapped father Will Turner played again by Orlando Bloom (Pirates of the Caribbean: At World’s End).

Henry makes a pact to find Poseidon’s Trident which will undo all the curses which have befallen pirates and sailors alike in the turbulent waters of the Caribbean, thus freeing his father from his watery confinement.

Under another such curse is Salazar, the archetypal villain wonderfully played with a Spanish accent by Oscar winner Javier Bardem (No Country for Old Men) who is a ghostly pirate trapped for eternity in an unholy state keen on exacting revenge on every pirate and sailor he encounters, more specifically Captain Jack Sparrow who he blames for tricking him into sailing into the Devil’s Triangle, cursing his Spanish crew forever.

After an attention grabbing opening sequence involving a chaotic bank robbery on the British controlled island of Saint Martin, Captain Sparrow reluctantly gathers his crew again including Henry Turner and newcomer Carina Smyth played by Kaya Scodelario as they escape the island and set sail in search of the elusive Poseidon’s trident. The bloodthirsty Salazar has made an unlikely pact with another of Sparrow’s enemies Hector Barbossa wonderfully played by Oscar winner Geoffrey Rush (Shine).

While Pirates of the Caribbean: Salazar’s Revenge is fantastic entertainment with alluring special effects, the plot and direction is occasionally ambivalent lacking a unity of vision in certain sequences.

Besides the swashbuckling, the cameo appearances and a relentlessly fast narrative which taps into a pervasive Pirates mythology which subscribes to the notion that they are outlaws, reckless and merciless, this version of Pirates of the Caribbean is worth seeing especially since it deftly introduces the franchise to a younger audience with the love affair between Carina and Henry, promising of more sequels to come.

Perhaps the action might seem implausible or downright fantastical, but Pirates delivers on its franchise promise and gets a rating of 7.5 out of 10.

Fans of the previous films, will enjoy this version especially the welcome re-appearance of its most notable anti-hero, the rum-sipping, wise-cracking and perverse Jack Sparrow played with suitable delinquency by Johnny Depp.