Archive for August, 2021

Project Starfish

The Suicide Squad

Director: James Gunn

Cast: Viola Davis, Idris Elba, Margot Robbie, Sylvester Stallone, John Cena, Joel Kinnaman, Pete Davidson, Flula Borg, Jai Courtney, Nathan Fillion, Michael Rooker, Alice Braga, Peter Capaldi, Juan Diego Botto, Taika Waititi, David Dastmalchian

Film Rating: 5.5 out of 10

How did Warner Brothers go from the brilliant Oscar winning Joker in the DC superhero universe to this bizarre concoction of the 2021 reboot of Suicide Squad, unimaginably entitled The Suicide Squad?

Guardians of the Galaxy director James Gunn clearly drew on a lot of inspiration from the films of Mexican director Guillermo del Toro specifically the Oscar winning Pan’s Labyrinth and more recently 2018’s The Shape of Water. Clearly, del Toro’s brilliance as a film maker did not shine off on director James Gunn as he delivers a bloated hot mess of a superhero film The Suicide Squad, featuring too many characters, glorified violence and a plot as bizarre as a Kafka novel with drug induced input from William S. Boroughs author of The Naked Lunch.

2021’s The Suicide Squad is so crazy, so unbelievably off the wall, that even the brilliant moments are overshadowed by some truly ridiculous moments which involved a whole new gang of The Suicide Squad attacking a fictional crackpot Hispanic island in which a crazed glorified dictator is harbouring an alien lifeform in the shape of a giant starfish.

Not even Oscar winner Viola Davis (Fences) could steady this crazy ship of fools, nor could Oscar nominee Margot Robbie (I, Tonya, Bombshell) as she dutifully reprises her role of the psychotic Harley Quinn, alongside Joel Kinnaman as Rick Flag, newcomer Idris Elba as Bloodsport and John Cena, seen frequently in white underpants as Peacemaker.

There are an abundance of sidekicks including David Dastmalchian as the mother obsessed Polka Dot Man, Sylvester Stallone as the talking shark King Shark, beautiful German actor Flula Borg as the gorgeous Javelin and a briefly seen Jai Courtenay as Captain Boomerang.

The scriptwriters killed their darlings in the opening credits of The Suicide Squad, making way for a convoluted plot involving alien life forms, a vain Hispanic dictator on a remote Caribbean island and a giant starfish which eventually attacks a city the size of Haiti. With such a confluence of confusing characters not one of them stood out as remarkably noticeable, although both Idris Elba and Margot Robbie tried their best to steady this sinking ship of wrecked and psychotic superheroes.

The only bright moment in The Suicide Squad, was the brief cameo appearance of Oscar winning screen writer of Jojo Rabbit Taika Waititi on a rooftop in Lisbon, Portugal, appearing as Ratcatcher. 

Despite the creative production design, The Suicide Squad is deeply disturbing, a film that glorifies death and violence without ever being responsible about its moral implications for the viewers who watch it. Where Joker was intricate and careful about its psychological makeup, The Suicide Squad is unbelievable careless about their characterizations.

The Suicide Squad gets a film rating of 5.5 out of 10, outlandish and cluttered with dazzling images, psychotic superheroes and zombies. Do not watch this film if you are stressed or taking hallucinogenic drugs.

Daughters of the Red Guardian

Black Widow

Director: Cate Shortland

Cast: Oscar nominee Scarlett Johansson (Marriage Story; Jojo Rabbit), Oscar nominee Florence Pugh (Little Women), Oscar winner Rachel Weisz (The Constant Gardener), BAFTA Nominee Ray Winstone (Nil By Mouth; That Summer!) Oscar winner William Hurt (Kiss of the Spider Woman), David Harbour, O-T Fagbenle, Olga Kurylenko

Film Rating: 8 out of 10 – and this film is currently showing in cinemas

Marvel’s phase four of  blockbuster Superhero films was meant to kick off in 2020 with the highly anticipated release of the spinoff film Black Widow, focusing on the origin story of the more elusive Avenger, Black Widow aka Natasha Romanoff and her extended espionage family.

Unfortunately, the Coronavirus Pandemic wreaked havoc in 2020 with theatrical release dates, forcing parent company Disney to push back the date to mid-2021 and also allowing Disney sufficient time to develop their online streaming service Disney Plus.

The Disney owned Marvel studio’s big female driven film of 2020 Black Widow, finally did get released in mid-2021 and simultaneously went onto streaming on Disney Plus prompting the main star Oscar nominee Scarlett Johansson (Marriage Story; Jojo Rabbit) to sue Disney for contractual misconduct as she was hoping to reap some of the benefits of Black Widow, like she presumably did in the biggest Box office success of 2019, the theatrically released Avengers: Infinity War, which grossed billions of dollars worldwide in cinema ticket sales in the pre-pandemic era of packed cinemas.

Despite all the impending litigation, Black Widow is a superb spy film, directed by Australian director Cate Shortland with a fantastically talented cast besides Scarlett Johansson.

Completely upstaging Johansson is 2019’s Oscar nominated breakout star of Little Women, Florence Pugh as the feisty “younger sister” Yelena Belevoa. Florence Pugh steals every scene in Black widow as the wisecracking Yelena along with the equally talented Oscar winner Rachel Weisz (The Constant Gardener) who plays Black Widow and Yelena’s mysterious “mother” Melina.

There is the Red Guardian himself, the “father” of Natasha and Yelena, wonderfully played with a humorous bravado bordering on the crazy by character actor David Harbour (Black Mass, Suicide Squad, Quantum of Solace).

Black Widow’s entire plot of Russian sleeper agents living in mid-Western America is carefully lifted from the hit TV series The Americans and director Cate Shortland pays homage to the 007 film Moonraker as she steers an entirely female lead Jason Bourne style action film.

Taking place in several global locations including Morocco, Norway and Budapest, Black Widow, which for all its narrative inconsistencies is absolutely saved by superb acting on the part of Scarlett Johansson, Florence Pugh and the really evil Russian villain, Dreykov superbly played by highly talented BAFTA Nominee Ray Winstone (Nil By Mouth; That Summer!) who is a sinister megalomaniac, who is paranoid about losing control of the sleeper international Black Widow program.

Winston mirrors French actor Michael Lonsdale’s performance as Hugo Drax in Moonraker.

For all the drama, both on and off screen, Black Widow is fantastic to watch, with some memorable female lead action sequences and gets a film rating of 8 out of 10.

See it now on the Big Screen and support Scarlett Johansson’s bid to recover her take of the Box Office earnings. Highly recommended viewing and way above standard for a Marvel film especially considering the talent involved.

Lily of the Amazon

Jungle Cruise

Director: Jaume Collet-Serra

Cast: Dwayne Johnson, Emily Blunt, Edgar Ramirez, Jack Whitehall, Jesse Plemons, Paul Giamatti, Veronica Falcon, Dani Rovira, Quim Gutierrez

Film Rating: 6.5 out of 10

If viewers are looking for a fun-filled action adventure film then look no further than Jungle Cruise, a film by Disney based upon a ride at Disney World.

Jungle Cruise has the unique mixture of Pirates of the Caribbean tinged with a dash of Raiders of the Lost Ark, with undertones of Maurice and The Lost City of Z.

Essentially, Jungle Cruise is about headstrong British explorer Lily Houghton brilliantly played by a blonde haired and gorgeous looking Emily Blunt who teams up with alpha male Frank Wolff played again by Dwayne Johnson, who is lovable in this part but entirely miscast, as they journey down the Amazon river in search of a rare petal, called tears of the moon which promises immortality and a range of exotic cures for Western ailments.

Jack Whitehall plays the prissy younger brother MacGregor Houghton, channelling a younger Hugh Grant, but eventually just emerging as a gay caricature. Nevertheless, Whitehall makes the most of his role as MacGregor who is largely superfluous to the action, but who acts as a foil for his older sister Lily, who is all strong and adventurous.

Unfortunately for Jungle Cruise, there is no clear villain, so the plot gets as entangled as the thickest vines of the Amazon, as two actors Edgar Ramirez (Resistance, Zero Dark Thirty, Domino) and Jesse Plemons (The Irishman, Battleship) both vie for the roles of the main villain.

Venezuelan actor Edgar Ramirez should have been the quintessential villain, but his role is upstaged by character actor Jesse Plemons playing the young son of Kaiser Wilhelm II, Prince Joachim who is after the mysterious petal in a German submarine so that he can obtain the rare flower to help Germany win the First World War.

The plot is outlandish, the action is at times messy but fortunately Emily Blunt is a skilled enough actress to make her role as the dynamic Lily Houghton believable and recognizable.

Suspend your disbelief at the door as Jungle Cruise is that crazy adventure film set in Brazil in 1916 during the First World War about British explorers, conquistadores, jaguars and disgruntled German princes.

Oscar nominee Paul Giamatti (Cinderella Man) and Mexican actress Veronica Falcon are wasted in extremely small roles. Jungle Cruise is all about a satisfying adventure film and in this respect it achieves its goal and delivers.

Spanish director Jaume Collet-Serra steers a solid action packed adventure film which should please the entire family. Jungle Cruise might be as bumpy as a Disney ride, but it is enjoyable and light entertainment disregarding many of its classic film inspirations.

Jungle Cruise gets a film rating of 6.5 out of 10 but it could have been so much better.

It is surprising that Collet-Serra did not fight for more representation from the vastly talented pool of Latino actors that he had at his disposal namely Edgar Ramirez and Veronica Falcon. Fortunately for all its faults, Emily Blunt shines as Lily of the Amazon.

The Pink Whale

The Rain Falls Where it Will

Director: Majid Barzegar

Cast: Nazanin Ahmadi, Mazdak Mirebedini Alireza Sani Far, Arshia Nikbin, Hamidreza Maleki, Kaveh Hadi-Moghaddam

This film is in Farsi with English Subtitles

Film Rating: 7 out of 10

The 2020 film The Rain Falls Where it Will is Iranian director Majid Barzegar’s contemplative multi-generational character study of a family in crisis.

Majid Barzegar has not achieved the international status of his fellow Iranian director Asghar Farhadi who walked away with the Best Foreign Language film Oscar in 2016 for his superb film The Salesman, however Barzegar does explore the intricate relationships of a family as his nuanced story with the somewhat lackluster title of The Rain Falls Where it Will which follows a middle aged nurse Sara expertly played by Nazanin Ahmadi who is sent away from Tehran up north to look after a wealthy patriarch who has had a stroke.

Sara arrives at a remote and somewhat palatial mansion near the ocean and has to deal with a Grandfather whose three children, a son and two daughters are all pessimistic that their father won’t recover as he lies bedridden with a stoke.

As a nurse, Sara intuitively feels that her patient has a chance of recovery and that the family should not make the critical decision to switch off the life support machines which are keeping the patriarch alive.

The emotional crux of this nuanced Iranian film are the scenes between Sara the hired nurse and the grandson Aria who explains that he thinks his grandfather has a chance of recovery. Upon further discussion, Sara discovers that the cheeky and petulant grandson had given his grandfather weed which possibly made his grandfather see a Pink Whale on the shoreline near their family estate.

The Rain Falls Where it Will is a slight and fascinating film about a family who are contemplating the impending death of their patriarch while the nurses discovers that sometimes questions of life and death are sometimes more intuitive than medical.

This nuanced family drama is a melancholic contemplation of life, death and family from an entirely different perspective. Iranian cinema is rarely seen in the Western World so it is always a treat to watch some brilliant cinema even if it is that brief glimpse into a nation which is exiled from the media and labelled a pariah state.

Cinema transcends geographic boundaries so viewers take a chance on The Rain Falls Where it Will, which gets a film rating of 7 out of 10, which is recommended viewing.

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