David R. Walker

Archive for December, 2022

I Wanna Dance With Somebody

Director: Kasi Lemmons

Cast: Naomi Ackie, Stanley Tucci, Ashton Sanders (Moonlight), Tamara Tunie, Clarke Peters, Daniel Washington

Running time: 2 hours and 26 minutes

Film Rating: 7 out of 10

In an effort to paint the celebrated musician Whitney Houston in a constantly positive light, Harriet director Kasi Lemmons choses to focus on all the high points of Whitney’s celebrated and controversial life in the new musical biopic I Wanna Dance with Somebody starring British breakout star Naomi Ackie as Whitney Houston and Oscar nominee Stanley Tucci (The Lovely Bones) as her smart and efficient manager Clive Davis.

The Multi-Grammy winning American singer, was the first woman of colour to attract a completely multiracial American audience in the late 1980’s and in the 1990’s and was often accused that her music was not black enough. Whitney Houston’s brief excursion into acting landed her the lead role in the iconic 1992 film The Bodyguard opposite the hot young star of the 1990’s Kevin Costner.

I Wanna Dance Somebody covers all the tumultuous years of Whitney’s career from her incredible highs including the singing of the Star Spangled Banner at the 1991 Super Bowl in Tampa, Florida at the outbreak of the Gulf War to her passionate commitment to the anti-apartheid movement including her concerts in Cape Town, Johannesburg and Durban, South Africa in November 1994 after the first democratic elections were held.

However, the Bohemian Rhapsody screenwriter Anthony McCarten fails to contextualize certain key moments of Whitney Houston’s life and director Kasi Lemmons handles Whitney’s drug addiction and her terrible relation with R & B singer husband Bobby Brown played by Moonlight’s Ashton Sanders with kid gloves, without really giving the audience enough subtext and specific details.

Which means by the time the two and a half hour biopic ends, the death of Whitney Houston in a plush bathtub at the Beverly Hilton during Clive Davis’s pre-Grammy party in Los Angeles on the 11^th February 2012 is completely glossed over and hardly mentioned. This was one of the most dramatic deaths of a famous celebrity since River Phoenix and Marilyn Monroe. The media frenzy and consequent fallout of Whitney Houston’s death in 2012 should have been in this film 10 years later.

British new comer Naomi Ackie (Star Wars: The Rise of Skywalker) does a relatively good job of playing Whitney Houston however she does struggle to keep the emotional pace of a playing a music legend for two and a half hours. Maybe Austin Butler and Rami Malek need to give her some advice.

Stanley Tucci is entertaining as Clive Davis, but again Tucci does not get enough screen time and McCarten does not give the talented star enough interesting dialogue.

The best part about I Wanna Dance with Somebody is the fantastic music of Whitney Houston in which Naomi Ackie does a good job of delivering the voice of the late 1980’s.

Unfortunately as a musical biopic, there is a lot of excellent content out there already and I Wanna Dance with Somebody just falls short of becoming a brilliant film although it is entertaining and will satisfy the fans of Whitney Houston.

I Wanna Dance with Somebody gets a film rating of 7 out of 10 and is recommended viewing for the music but less for the incoherent storyline.

Glass Onion: a Knives Out Mystery

Director: Rian Johnson

Cast: Daniel Craig, Kate Hudson, Edward Norton, Dave Bautista, Janelle Monae, Kathryn Hahn, Leslie Odon Jr, Ethan Hawke, Hugh Grant, Jessica Henwick

Running Time: 2 hours and 20 minutes

Film Rating: 7.5 out of 10

Please note this film is only available on Netflix

Former Bond star Daniel Craig reprises his role as the flamboyant Southern detective Benoit Blanc in the extravagant and complex sequel to the 2019 hit Knives Out this time featuring an entirely new cast and the location moving to a secluded island in Greece.

Writer and director Rian Johnson who garnered an Oscar nomination for the original Knives Out in 2019, has written an even more fascinating sequel surrounding the mysterious tech billionaire Miles Bron wonderfully played with a panache bordering on narcissism by triple Oscar nominee Edward Norton (Primal Fear, American History X, Birdman)  who organizes a murder mystery weekend and jets in a couple of his closest friends from America following a complex invitation which he sends to all of them in midst of the Covid19 Pandemic in May 2020.

Glass Onion, a Knives Out Mystery is a contemporary who dunnit featuring a stellar cast of 40 and 50 year old stars, a sort of revamped Agatha Christie with all the modern 21^st century twists. Bron’s group of his closest friends include fashion model Birdie Jay played by Oscar nominee Kate Hudson (Almost Famous), muscle man Duke Cody played by Dave Bautista, Tech company co-founder Andi Brand superbly played by Janelle Monae who deserves an Oscar nomination for Best Supporting actress and Oscar nominee Leslie Odom Jr (One Night in Miami).

All the friends gather on Bron’s private island in Greece where an elaborate and hi tech mansion rests complete with an array of interesting alcoves including a Glass Onion and a sports car on the roof. Bron announces to the guests that there is a murder mystery game in which he is the murder victim and they are all suspects. As the first night progresses amidst lots of drinks in fancy glasses, things go curiously awry when one of the guests is killed and Benoit Blanc has his hands full trying to solve the complex murder while assisting an associate who hired him earlier to solve a previous murder.

The Glass Onion is a delicious conundrum, a problem to be solved, a puzzle to be figured out, an onion to be peeled back layer by layer as audiences need to figure out who the real killer is.

Director Rian Johnson throws lots of glittering clues at the audience in the first half of the film, but Glass Onion: A Knives Out Mystery is an extravagant and lavish murder mystery set in 2020 featuring a superb ensemble cast and an immaculate performance by Daniel Craig as the fashionable Southern detective who eventually solves the riddle.

For those that enjoy a fabulous murder mystery, catch the entertaining Glass Onion: A Knives Out Mystery which gets a film rating of 7.5 out of 10.

Avatar: The Way of Water

Director: James Cameron

Cast: Sam Worthington, Zoe Saldana, Sigourney Weaver, Kate Winslet, Stephen Lang, Jack Champion, Cliff Curtis, Edie Falco, CCH Pounder

Running Time: 3 hours and 12 minutes

Film Rating: 8 out of 10

This film is only available in cinemas – please support cinemas

After a 13 year absence, director James Cameron returns with the highly anticipated sequel to the 2009 smash hit Avatar which is a mix up of the first film, with directorial flourishes from his earlier films including the Oscar winning Titanic and 1989’s The Abyss. Avatar: The Way of Water follows the Na’vi race to protect Pandora from the Sky People commonly known as humanity who have come to colonize Pandora as earth is becoming increasingly uninhabitable.

This epic fantasy adventure is over 3 hours long and can be viewed as a family orientated cinematic opera with a clear 3 act partition. The narrative focuses on Jake Sully and his family as they leave the rainforests and escape to the water people, Metkayina reef people headed up by TonoWari played by New Zealand actor Cliff Curtis (Once Were Warriors) and his wife Ronal played by Oscar winner Kate Winslet (The Reader) who reteams with James Cameron after the critical success of Titanic.

Act 1 of Avatar: The Way of the Water is establishing the family dynamics of Jake Sully and his wife Neytiri played by Zoe Saldana and their four children: two boys and two girls as they live blissfully in the lush rain forests of Pandora. Act 2 follows the family’s departure to the water people following an imminent threat by Quaritch played by Stephen Lang, a human space commando that has become an Avatar to track down Jake Sully and then Act 3 is the most spectacular as there are the Aqua Wars.

It is really in the critical scenes of Act 3 that director James Cameron excels as the gorgeous water scenes are extraordinary. However soon the water people and the ocean species are threatened by the arrival of Quaritch with humans, ammunition and extremely advanced technology which destabilizes the delicate balance of life that the Water people, wisely governed by TonoWari has fought so hard to maintain. The water sequences in Act 2 and 3 are truly phenomenal: dazzling and visually beautiful. For that reason alone it is worth seeing Avatar: The Way of Water. The second reason, besides the cutting edge visual effects, is the extraordinary production design, not only in scale but in imagination and interpretation.

The story of Avatar: The Way of Water could be an allegory for conservation, the climate crisis and rapid urbanisation. It could also be an allegorical tale about the colonizer trying to conquer the colonised to the point of extinction. Both allegorical reference points remain relevant and contemporary.

Visually lavish, Avatar: The Way of Water is truly amazing to behold, a vast and glimmering spectacle of oceanic wars, threatened species and unbelievable technology.

Avatar: The Way of Water gets a film rating of 8 out of 10 and should win an Oscar for Best Visual effects. It is a very long film, but highly recommended viewing, not so much for the storyline but for the cinematic spectacle.

Lady Chatterley’s Lover

Director: Laure de Clermont-Tonnerre

Cast: Emma Corrin, Jack O’Donnell, Matthew Duckett, Joely Richardson, Faye Marsay, Ella Hunt

Running Time: 2 hours and 6 minutes

Please note this film is only available on Netflix

When celebrated British novelist D. H. Lawrence first published his controversial novel Lady Chatterley’s Lover in 1928, almost 100 years ago, it was immediately banned for indecency and immorality. The novel was only unbanned in 1960.

This new steamy film adaptation of the infamous novel is directed by French director Laure de Clermont-Tonnerre and stars The Crown actress Emma Corrin as Lady Chatterley and Jack O’Connell (Unbroken, Tulip Fever) as the rough and toned gamekeeper Oliver Mellors, a typical Derbyshire working class man.

Set in England between the World Wars, Lady Chatterley’s Lover tells the story of a young woman who marries into Landed gentry her husband Clifford Chatterley wonderfully played by Matthew Duckett. After the First World War, Lord Chatterley returns to his country estate, wealthy but crippled, left a paraplegic from being severely injured in the war. Obviously his injuries include him not being able to produce an heir to his estate, which is always vital for the continuance of the estate.

As this young and wealthy couple navigate their new situation, Clifford basically gives Connie permission to have an affair with another man, although he did not expect her to fall so passionately in love with the groundsman Mellors played with a brutish physicality by O’Connell who delivers his best onscreen work yet.

From the way the affair begins, The Mustang director Laure de Clermont-Tonnerre already hints to the audience that this is going to be steamy and explicit, as the sexually frustrated Lady Chatterley expertly played by Emma Corrin first glimpses Mellors stark naked in an outdoor shower. Voyeurism and desire make for an enticing mix.

Lady Chatterley breaks all the social laws that govern strict separation between the classes in 1920’s Britain, particularly between the Landed gentry and the working class and finds an unlikely ally in Clifford Chatterley’s carer Mrs Bolton superbly played by Joely Richardson (The Patriot, Event Horizon, Red Sparrow).

As Clifford Chatterley becomes increasingly frustrated, his wife Lady Chatterley becomes increasingly fulfilled as she embarks on a passionate affair with Mellors often having trysts in the open or in his shed, close to where the other estate workers live. Naturally gossip amongst the servants ensue and soon Clifford is humiliated while Lady Chatterley departs for Venice realizing that she has to make a critical choice.

What makes Lady Chatterley’s Lover so significant is that as a romantic story it charts the sexual awakening of a young woman in which she makes the pivotal decisions, whether to stay with her husband or leave, whether to forgo her reputation and find independent love or to conform in a vicious upper class social world in which married woman have little room for manoeuvre.

Lady Chatterley’s Lover is beautifully filmed and extremely well-acted and brilliantly charts a forbidden love affair of a woman that would become the Gamekeeper’s Girl. Sexually explicit and gloriously elegant, Lady Chatterley’s Lover gets a film rating of 8 out of 10 and is highly recommended viewing.