Prometheus

Ridley Scott’s much anticipated prequel to Alien, Prometheus contains astounding visuals and superb special effects and thematically centres on the anthropological term of first contact whereby mankind goes into deep space in search of their mysterious origins and discovers species bent on annihilation. Featuring an all star international cast including Noomi Rapace from the Swedish version of The Girl with the Dragon Tattoo, as the pivotal role of Shaw, Michael Fassbender from Xmen: First Class and Inglorious Basterds as David and South African Hollywood superstar Charlize Theron as Meredith Vickers, Prometheus follows the terrifying journey of the Prometheus spaceship into an unchartered planet to discover the origins of mankind.

Whilst the origin of species  remains questionable this film theorises that it is all down to a gradual mutation of DNA and naturally instinctive survival is paramount, in this case one species dominating the others through treachery and deceit. In Greek Mythology Prometheus is a titan who is credited with the creation of man but is also punished by Zeus for the theft of fire for human use – http://en.wikipedia.org/wiki/Prometheus. In the sci-fi universe of Prometheus man’s creation and the discovery of something infinitely more powerful than fire is all consuming.

Man’s insatiable quest for knowledge about their origins and his desire for answers that leads the motley crue of the ship to discover not one, but two alien races, one whose DNA feeds off the originator like a parasite and transforms into something purely evil and instantly recognizable. The only answer to creation provided in this film is to the question that the dubious David asks about his maker to Shaw’s love interest the doomed Dr Holloway played by Logan Marshall-Green last seen in 2009’s Brooklyn’s Finest.

As in the visually spectacular Blade Runner, Ridley Scott’s iconic dreamlike vision of the future set in Los Angeles in 2019, which now as it happens is not that far off, Prometheus is set in 2095 and predicts humans quest to discover other life forms, a journey, which like most space travel in the 21st century is predominantly sponsored by large commercial corporations represented in this film by the icy crew manager Vickers played by Theron. Prometheus like Blade Runner and Alien is pure sci-fi thriller with some astounding visuals but leaves the audience  slightly lost in space as the elusive narrative drifts towards a rather sudden and unpredictable climax.

Where the plotlines rupture with some fascinating twists, it is the technical superiority of this film which triumphs making Prometheus eclipse Avatar on so many levels and is worth watching on a cinematic widescreen with digitally enhanced surround sound.

Like Alien, Thelma and Louise and GI Jane, Ridley Scott has often relied on strong female leads to carry his films, and Noomi Rapace is brilliantly cast as the gritty Dr Elizabeth Shaw and carries the intensity of such a murky monochromatic  movie. Best scene is Shaw’s speedy self diagnosis and instant electronic caesarian. Prometheus is brilliant as a Sci-Fi film and an enigmatic prequel, but is not Ridley Scott’s best work, yet still thoroughly entertaining but not quite as terrifying as the original Alien movies or the horrific Event Horizon and like Avatar could have been enhanced by a Sigourney Weaver cameo.

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