Archive for the ‘Greta Gerwig’ Category
Valley of the Dolls
Barbie
Director: Greta Gerwig
Cast: Margot Robbie, Ryan Gosling, America Ferrera, Emma Mackey, Issa Rae, Kate McKinnon, Michael Cera, Will Ferrell, Helen Mirren, Rhea Pearlman, Simu Liu, Kingsley Ben-Adir
Running Time: 1 hour 54 minutes
Film Rating: 7.5 out of 10
Toys as a consumer product are self reflexively explored with wit and sarcasm by Ladybird and Little Women director Greta Gerwig in the highly anticipated fantasy film Barbie starring Margot Robbie and Ryan Gosling as the dolls Barbie and Ken, who combined have multiple blonde moments.
It all starts off beautifully in the valley of the dolls aka Barbieland where like Pleasantville everything is perfect until Ken tries to reach the end of the wave and hits a dead-end and when Barbie’s doll like features start diminishing quickly including her high heel step and thoughts of death start seeping into her consciousness.
On consultation with weird Barbie wonderfully portrayed by Kate McKinnon, Barbie ventures off Barbieland through a portal which connects her to Los Angeles specifically the headquarters of Mattel, the manufacturers of Barbie where she confronts corporate doublespeak and patriarchy masquerading as profit.
Once in Los Angeles, Barbie is lost and confused whereas Ken, on the other hand revels in the patriarchy and rushes back to Barbieland to plot a revolution with the other Ken dolls, notably starring a range of male actors from Kingsley Ben-Adir to Simu Liu. Ken even discovers a liking for trucks and horses while Barbie discovers a fearless corporate secretary Gloria superbly played by Ugly Betty star America Ferrara, who unlocks the secret of Barbie’s beautiful transformation.
Ryan Gosling is superb as Ken, carefully crafting a narrative arc for his character from naivety to tyranny and then back to nostalgia. Gosling deserves an Oscar nomination for his role as Ken, from the jiving dance numbers to the villainous revenge he plots against the Barbies played by numerous actresses including Emma Mackey (Eiffel, Emily, Death on the Nile) and Issa Rae.
Despite all the hype and publicity, Barbie is not a sweet children’s film for small little girls, but a scathing allegorical tale on the nature of capitalism and how the gender roles have been structured to suit profit over flexibility, often pushing women out of the workplace in favour of men. Writer and director Greta Gerwig does the full range of jibes against her male counterparts from toxic masculinity to man explaining and from suffrage to male preening, questioning specifically assigned gender roles. In this respect her casting of the hottest star in the world Ryan Gosling is spot on as Ken and his performance elevates Barbie from a vivacious almost perfect land to a treacherous battle of the sexes whereby both Barbie and Ken have to discover their own identities.
Barbie is a candy coloured condemnation of the social roles assigned to men and women and how little children are socialized into specific gender roles through toys manufactured by shady multi-million dollar corporations. While Margot Robbie looks like Barbie, it is really her supporting cast that does the heavy lifting particularly America Ferrera as a contemporary woman juggling a career and raising a difficult daughter.
Where Gerwig falters in Barbie is that a toy is a difficult subject matter to adapt into a big screen unlike a novel such as Louisa May Alcott’s Little Women. Her directorial faults include crass excess and some really silly scenes especially those with Will Ferrell.
Barbie is a fun enjoyable fantasy but it is a film that takes itself too seriously in parts and not seriously enough as a sustainable narrative. Fortunately Ryan Gosling is talented enough to make Barbie’s counterpart, vain and idiotic. However, Kenough is not sufficient to stop the Barbie force.
Barbie gets a film rating of 7.5 out of 10 and is elevated by excellent supporting performances and fabulous kaleidoscopic costumes by double Oscar winning costume designer Jacqueline Durran (Little Women, Anna Karenina).
See it for the costumes, the dance moves and the music particularly the retro disco scene at the Barbie house party.
Marching Forward
Little Women
Director: Greta Gerwig
Cast: Saoirse Ronan, Florence Pugh, Emma Watson, Laura Dern, Timothee Chalamet, Meryl Streep, Chris Cooper, Louis Garrel, James Norton, Bob Odenkirk
Ladybird director Greta Gerwig skilfully adapts Louisa May Alcott’s bestselling 19th century American novel Little Women for 21st century audiences although her non-linear approach to storytelling could confuse viewers that are not familiar with the original story of the trials and tribulations of the March sisters in Concord, Massachusetts during and after the American Civil War.
Fortunately for Gerwig she manages to assemble an exceptional cast in her gorgeous cinematic remake of Little Women including Oscar nominee Saoirse Ronan (Atonement, Ladybird) as the headstrong writer Jo, Emma Watson (The Bling Ring) as the more grounded older sister Meg and the dazzling Florence Pugh as the younger sister Amy.
Oscar winner Laura Dern (Marriage Story) plays the four sisters mother Mamie and Bob Odenkirk briefly appears as the girls’ wayward father. Eliza Scanlen plays the youngest sister Beth who is excellent at piano playing.
What is most impressive about Little Women is the brilliant casting of the male parts in this version, particularly Oscar nominee Timothee Chalamet (Call Me By Your Name) as Theodore “Laurie” Laurence, Oscar winner Chris Cooper (Adaptation) as Laurie’s grandfather Mr Laurence and French actor Louis Garrel (The Dreamers, Saint Laurent) as Jo March’s love interest Professor Friedrich Bhaer.
There is also British actor James Norton who was dazzling as Stephen Ward in the BBC series The Trial of Christine Keeler who is cast as Meg’s love interest John Brooke, a penniless tutor.
Little Women is gorgeously shot and the costumes are beautifully designed by Jacqueline Durran who deservedly won her second Oscar for Costume Design for this film.
Equally invigorating is the absolutely brilliant performances of both Saoirse Ronan as the headstrong writer Jo March and that of Florence Pugh as the gorgeous but spoilt younger sister Amy, who received her first Oscar nomination for Best Supporting Actress for Little Women.
Florence Pugh is really a young star to look out for as her performance is formidable especially opposite screen legend and multiple Oscar winner Meryl Streep (Kramer vs Kramer, Sophie’s Choice, The Iron Lady) as the wealthy and righteous Aunt March as she accompanies the affluent relative to Paris.
Little Women is a gorgeous film, beautifully directed and should be applauded for giving so many young actresses a chance to shine in an exceptionally well-cast and directed film.
Little Women gets a film rating of 8 out of 10 and is highly recommended viewing for everyone. A sparkling triumph set in 19th century America where men had every opportunity and women had to fight for everything or marry a rich husband.