Archive for the ‘Patty Jenkins’ Category

Wonder Woman 1984

Director: Patty Jenkins

Cast: Gal Gadot, Pedro Pascal, Chris Pine, Kristen Wiig, Robin Wright, Connie Nielsen, Lily Aspell, Gabriella Wilde

Director Patty Jenkins had a hit with Wonder Woman back in 2017. Little did she realize what a challenge the sequel would be to get released on the big screen in 2020 amidst the ongoing crisis of the coronavirus pandemic?

Parent company Warner Brothers decided to come to a strange compromise which has divided the battling film industry in 2020 and release the sequel Wonder Woman 1984 in cinemas where possible and also simultaneously on the streaming service HBO Max.

Fortunately I was lucky enough to watch Wonder Woman 1984 in a cinema and apart from the impressive opening sequence featuring a young Wonder woman wonderfully played by Lily Aspell fighting in an Amazonian competition overseen by Antiope played by Robin Wright and Hippolyte played by Connie Nielsen, the first part of this sequel seemed slightly directionless and admittedly took a while to find its feet.

While setting the film in Washington DC in 1984 and using lots of gimmicky film references to the 1980’s especially the clothes, audiences will find Diana Prince aka Wonder Woman working at the Smithsonian in Washington DC where she meets the nerdy Barbara Minerva and the seemingly harmless oil entrepreneur Max Lord wonderfully played with a zany insecurity by Chilean actor Pedro Pascal (Kingsman: The Golden Circle, If Beale Street Could Talk, The Great Wall).

The plot line stumbles here at the beginning of the film and only really gets invigorated once Max Lord wishes upon an archaeological stone and gets bizarre superpowers to grant wishes to every human in the world, good or bad. One of Lord’s first recipient is Barbara Minerva who gets super human speed and agility enough to turn her into Cheetah, another superhero who Wonder Woman will definitely confront.

Everything goes south from there as Maxwell Lord flies off to Egypt to gain all the countries oil supplies and Wonder Woman with the help of her first love Steve Trevor, a wonderful reprisal by Chris Pine chase after Lord on a stunning action packed sequence on an Egyptian desert highway.

What is remarkable about Wonder Woman 1984 is how little screen time, the male characters really get especially Steve Trevor and Max Lord, although as a villain Pedro Pascal gives his egomaniac character some personal dimension, especially some heart rendering flashbacks to his tortured childhood as an outcast.

Naturally the stars of Wonder Woman 1984 are Diana Prince and Barbara Minerva and it’s their showdown as two alpha females as Wonder Woman and Cheetah on a stormy island at the film’s end is what makes the second half of this sequel so worthwhile.

Wonder Woman 1984 is certainly not as brilliant as the original film, but given the challenging year of its release, it’s about the best form of escapism that 2020 has to offer and is worth watching. Wonder Woman 1984 gets a film rating of 7 out of 10.

Viewers can catch the film on HBO Max or at your nearest cinema depending on which country you are in.

Wonder Woman

Director: Patty Jenkins

Cast: Gal Gadot, Chris Pine, Robin Wright, Connie Nielsen, Danny Huston, David Thewlis, Said Taghmaoui, Ewen Bremner, Eugene Brave Rock, Elena Anaya

Monster director Patty Jenkins delivers a feminine superhero film with DC’s Wonder Woman featuring the beautiful Israeli actress Gal Gadot as Wonder Woman, Princess of the Amazons.

Gal Gadot first appeared as Wonder Woman in the male-orientated film Batman v Superman and she certainly was no femme fatale, proving a viable counterpoint to Ben Affleck’s Batman.

The first fifteen minutes of Woman Woman, there is no man in sight as the tribe of Amazonian female warriors live blissfully unaware of external strife on an island Themyscira.

As a headstrong young woman, Diana (Wonder Woman) is heavily watched by her protective mother Hippolyta played by Danish beauty Connie Nielsen (Gladiator) while being influenced to train as a Amazonian warrior by her aunt Antiope played by Robin Wright soon to be seen in Blade Runner 2049.

The idyllic exclusion of Themyscira is shattered when the young Diana sees a plane crash into the distant sea and jumps into the ocean saving the bewildered WWI pilot Steve Trevor wonderfully played with bashful humour by Chris Pine (Hell or High Water, Into the Woods).

In an ironic female gaze, director Jenkins turns the camera on a naked Steve as he emerges refreshed from a luxurious infinity pool under the lustful eye of Diana who asks pointedly “Do all men look like that?”

The action moves swiftly to the gritty battle lines of World War 1 as Britain and the allies are about to sign a shaky armistice with Germany. There Diana sees the brutality of man first hand and director Jenkins does not shy away from a valid point that men are the cause of all the wars and the subsequent destruction in the world.

At this point, the audience assumes that the villain of Wonder Woman is the evil German officer Ludendorff played by Danny Huston (Hitchcock, Wrath of the Titans) who is developing chemical weapons with the help of poison specialist Dr Maru played by Elena Anaya.

Diana and Steve form a band of mercenaries set on destroying Ludendorff made up of smooth talking Sameer played by French Moroccan star Said Taghmaoui, Scotsman Charlie played by Trainspotting’s Ewen Bremner and Red Indian chief played by Eugene Brave Rock.

Serving as an origins story and since Wonder Woman is immortal, this is a snapshot of bravery at time when the World was fighting the War to end all wars, circa 1918. What Jenkins manages to do so brilliantly is defy the conventional roles woman play in superhero and adventure films by making the heroine the woman that boldly saves the day, instead of just portraying her as a helpless damsel in distress, leaving the men bewildered, confused and looking like idiots.

As a superhero film, Wonder Woman delivers on all fronts, including lots of humour, copious amounts of action, sufficient visual effects and a surprising plot denouement to keep audiences engaged.

The strikingly gorgeous Gal Gadot holds her own in a big budget franchise film opposite a brilliant blue-eyed Chris Pine, while the period costumes by Lindy Hemming add to the effect of a superheroine stuck in the middle of an antiquated man-made war, which only leaves death and devastation in its wake.

Wonder Woman gets a rating of 8 out of 10. Soon audiences will see more of Wonder Woman as Diana, Princess of the Amazons will next be seen in the highly anticipated Justice League opposite Batman and newcomer Aquaman.