Archive for the ‘Rob Marshall’ Category

The Little Mermaid

Director: Rob Marshall

Cast: Halle Bailey, Jonah Hauer-King, Javier Bardem, Melissa McCarthy, Noma Dumezweni, Art Malik, Akwafina, Jacob Tremblay, Daveed Diggs

Running Time: 2 hours and 15 minutes

Oscar nominated director Rob Marshall (Chicago, Mary Poppins Returns, Memoirs of a Geisha) returns with another Disney classic live action musical The Little Mermaid  featuring the gorgeous and talented Halle Bailey as the mermaid that causes all the trouble.

Ariel lives down in the Ocean but is constantly fascinated by the humans above sea level collecting items off their ships that sink to the cavenous ocean’s floor. Banished by her overbearing father, King Triton, God of the seas, played by Oscar winner Javier Bardem (No Country for Old Men) from going to the land, Ariel willingly defies her father when she makes a dangerous deal with her aunt, the evil sea witch Ursula superbly played by Oscar nominee Melissa McCarthy (Can You Ever Forgive Me?, Bridesmaids) to trade in her fins for legs so she can approach land.

Ariel is desperate to meet up with a handsome prince because this is Disney, and there is always a handsome prince lurking about! In this case Prince Eric is played by Jonah Hauer-King (Little Women) who defies his own mother, the Queen played by Noma Dumezweni (Dirty Pretty Things) and is keen to see the beautiful mermaid that saved him during a storm which shipwrecked his vessel.

Ariel is unaware that Ursula has cast a spell when she arrives on land and is generously taken in by Eric except she cannot talk and her only assistance are a crab voiced by Daveed Diggs, a fish could Flounder voiced by Jacob Tremblay and Scuttle voiced by Awkwafina.

The Little Mermaid is pure Disney fantasy assisted by some amazing songs and brilliant special effects particularly the underwater sequences of which there are many. If audiences suspend their disbelief then The Little Mermaid will be a delightful film to be enjoyed by the whole family.

Despite lavish sets and production design, Rob Marshall’s The Little Mermaid lacks pace in certain aspects of the storyline and the film could have been edited properly, shaving at least twenty minutes off the running time.

The real treat of the film is Melissa McCarthy as Ursula who is suitably villainous and camp as the evil witch complete with pearls and a dreadful hairdo. Javier Bardem’s acting talents are underutilized in a film which his character does not feature prominently. There are also some issues with questionable casting but if audiences focus on the fantasy narrative then they will find this film enjoyable.

Halle Bailey holds her own in the title role although Jonah Hauer-King could have been more masculine as the Prince. His performance comes off as boyish and naïve.

If audiences love a Disney musical, then go and watch The Little Mermaid, it will either infuriate or dazzle the viewers. Unfortunately not as brilliant as one expected, The Little Mermaid gets a film rating of 7 out of 10. It’s as light as a mermaid staring at an idyllic sunset.

Mary Poppins Returns

Director: Rob Marshall

Cast: Emily Blunt, Ben Whishaw, Emily Mortimer, Meryl Streep, Colin Firth, Lin-Manuel Miranda, Pixie Davies, Nathanael Saleh, Joel Dawson, Dick van Dyke, Angela Lansbury

Chicago and Memoirs of a Geisha director Rob Marshall returns with another hit musical Mary Poppins Returns featuring Emily Blunt as Mary Poppins immortalized by Julie Andrews in the original 1964 hit film Mary Poppins.

Fortunately Emily Blunt is such an accomplished actress that she nails the part of Mary Poppins to absolute perfection ably assisted by Broadway star Lin-Manuel Miranda as Jack the lamplighter who between the two of them share most of the musical numbers.

Brideshead Revisited and Skyfall star Ben Whishaw plays Michael Banks and his sister Jane Banks is played by Emily Mortimer. The real stars of Mary Poppins Returns are the three Banks children John, Anabel and Georgie wonderfully played by Nathanael Saleh, Pixie Davies and Joel Dawson respectively.

Mary Poppins Returns is Disney in full swing for the 21^st century and the musical numbers are brilliant especially the lamp lighters dance sequence as well as some well-placed cameo’s by Oscar winner Meryl Streep (Sophie’s Choice, Kramer vs Kramer and The Iron Lady) as the garish and outrageous cousin Topsy along with Oscar nominee Angela Lansbury (Gaslight, The Manchurian Candidate, The Picture of Dorian Gray) as the Balloon Lady and Golden Globe nominee Dick van Dyke (Mary Poppins) as Mr Dawes.

Other notable stars are Oscar winner Colin Firth (The King’s Speech) as the evil bank manager Wilkins who is completely unsympathetic to the plight of Michael Banks whose Cherry Tree Lane house in Depression era London is about to be repossessed unless Mr Banks can find share certificates which can prove he has some form of collateral to retain his family home.

Oscar nominee Julie Walters (Billy Elliott, Educating Rita) stars as the housekeeper Ellen who manages to keep the chaotic Banks household in some form of domestic stability.

Cleverly Mary Poppins Returns captures the magic of a whimsical musical for a 21^st century audience while paying homage to the original 1964 film which made a star out of Julie Andrews who also won an Oscar for her iconic performance in 1965. Emily Blunt, with her pithy and clipped English accent, is superb as the no nonsense nanny who ignites imagination in the three young Banks children while handling all the brilliant musical numbers.

Highly recommended viewing for the entire family, director Rob Marshall does a brilliant job with Mary Poppins Returns and is definitely worth seeing.

Mary Poppins Returns gets a film rating of 8 out of 10 and is absolutely brilliant. If Disney is going to do a sequel so long after the original film you can bet that it’s going to be spit spot!

Into the Woods

Director: Rob Marshall

Cast: Anna Kendrick, Emily Blunt, Meryl Streep, James Corden, Chris Pine, Johnny Depp, Tracey Ullman, Christine Baranski, Lucy Punch, Tammy Blanchard, Daniel Huttlestone, Lilla Crawford, Billy Magnussen, Mackenzie Murzy

Memoirs of a Geisha and Chicago director Rob Marshall strikes gold with this cinematic adaptation of the Stephen Sondheim Broadway musical Into The Woods featuring a fabulous ensemble cast made all the better by Meryl Streep playing the meddling Witch.

Imagine Little Red Riding Hood teaming up with Jack the Giant Slayer, Cinderella and a forlorn Rapunzel, that is Into The Woods, a wonderful mixture of all the classic fairy tales thrown together in a delightful musical which is hinged with darkness and loaded with metaphors and familial moral codes about life’s unpredictability.

Director Marshall brings out the best in his cast including a superb performance by Emily Blunt as the barren Bakers Wife along with the irrepressible Meryl Streep as the evil Witch who asks the Baker, played by British actor James Corden to collect Cinderella’s golden slipper, a white cow, a lock of Rapunzel’s hair and a red cape naturally belonging to Red Riding Hood.

Oscar nominee Anna Kendrick (Up in The Air) holds her own as the doomed Cinderella who is wooed by a shameless prince played by Chris Pine (Jack Ryan, Shadow Recruit, Horrible Bosses 2). Cinderella’s evil stepmother is superbly played by Christine Baranski of The Good Wife fame and The Birdcage. Audiences should also watch out for British comedian Tracey Ullman who plays Jack’s exasperated mother. Child stars Daniel Huttlestone and Lilla Crawford are amazing as Jack the Giant Slayer and Little Red Riding Hood.

Three times Oscar winner Meryl Streep reunites with her Devil Wears Prada co-star Emily Blunt, and it is clear that both these actresses keep this wonderful musical firmly rooted in brilliance. Blunt is absolutely amazing, delivering some quick witted lines and belting out some wonderful songs while Streep relishes the chance to play the blue haired vain and selfish Witch who is desperate to reclaim her lost beauty by reversing a curse placed on her. The Witch also incidentally holds her daughter Rapunzel played by Mackenzie Murzy hostage in a tower and much to her horror, has fallen for a young but clumsy prince played by the gorgeous newcomer Billy Magnussen.

Oscar nominee Johnny Depp who was spine chillingly excellent in another Sondheim musical film, Tim Burton’s Sweeney Todd, the Demon Barber of Fleet Street makes a brief appearance as the cross dressing wolf who terrorizes Little Red Riding Hood.

Even though Into The Woods is aimed at children, there are certainly slightly darker adult undertones to this extraordinary film as unlike the fairy tales, not everyone lives happily ever after. For those that enjoy expertly directed and acted big screen musicals, like Chicago, Les Miserables and Hairspray, then Into The Woods is definitely recommended viewing.

Stephen Sondheim’s Into The Woods is a truly imaginative, witty and fabulous fable sure to enchant both adults and children alike and as a stage production it would be equally extraordinary to watch.

Pirates of the Caribbean: On Stranger Tides

The fourth installment of the Pirates of the Caribbean franchise seems to be weighted down in the middle by a plot which falters considerably in managing the antics of Captain Jack Sparrow competing against Blackbeard in their quest for the fountain of youth without the support of his original team. Johnny Depp reprises his role as the outrageous pirate which garnered him an Oscar nomination for Best Actor in the first film in 2003, Pirates of the Caribbean: The Curse of the Black Pearl. While On Stranger Tides is in the hands of Chicago and Nine director Rob Marshall and not Gore Verbinski who directed the first three Pirates films, is lighter in tone, the action less dramatic and a meandering storyline which is as elusive as a mermaids tear.

Captain Jack is Back

Gone are Keira Knightley and Orlando Bloom who did not sign up for the fourth film leaving Captain Jack Sparrow adrift in a new version fighting Blackbeard and wooing the mercurial Angelica, played by Penelope Cruz, who looks equally surprised at being cast in a Walt Disney film. Cruz is far better suited to art house films like Vicky Christina Barcelona and Volver, than in a Hollywood Blockbuster, although her rendition of Angelica as a fiery counterpoint to Sparrow’s wild antics  is certainly worth the praise.

Geoffrey Rush reprises his role as Captain Barbarossa and Ian McShane plays Blackbeard with an elegant malice, emanating villainy and evil in all his immoral endeavours. Johnny Depp does not manage to top his original performance in the first Pirates film, as by now his Keith Richards style take on Jack Sparrow as over the top has been all too familiarized. From such a versatile actor like Depp, he requires exciting characters to stretch his formidable talents, which director Tim Burton understands beautifully casting him in most of his films from Edward Scissorhands, to Sweeney Todd and more recently Alice in Wonderland.

Pirates of the Caribbean: on Stranger Tides should have been called the Fountain of Youth, while the entire characters quest for the illustrious fountain whose powers can only be harnessed with a mermaids tear has a plotline dangerously close to Raiders of the Lost Ark. After a brilliant start in the grimy streets of Georgian London and a daring and explosive action sequence, On Stranger Tides becomes adrift both figuratively and literally as the search for the fountain of youth is misguided by a floundering subplot of a Christian missionary being seduced by a coy mermaid, one can’t help feel that Sparrow was the only one carrying the voyages further without support from his winning team. The success of the first three films hinged on the brilliant combination of Johnny Depp, Orlando Bloom and Keira Knightly as the trio who bravely battle pirates on the high seas from Captain Barbarossa to Davy Jones to monsters and sea goddesses like Calypso.

In this fourth installment, although Cruz and Depp are tantalizing in the main roles there is not enough screen time for both these highly competent actors to truly develop a brilliant repartee. Much of the witty and comic  dialogue is smothered by the action sequences which had the timing been perfect, On Stranger Tides would have shared the success of the preceding Pirates films, which is more to do with director Rob Marshall whose talents are more adept at directing musicals and historical epics than a Hollywood special effects laden blockbuster. Director Rob Marshall vision of Pirates is more lavish, sexier and less action packed.

Pirates of the Caribbean: on Stranger Tides will surely draw the crowds but is in no way a superior film when viewed as part of a Franchise, and while it begins brilliantly, the middle seems bogged down with subplot and the ending lacks any spectacular finale demonstrated in At World’s End. Disney seems to be taking all the viewers for a long and illustrious journey on a voyage which is in danger of losing its lustre and originality. Bring back Will Turner and Elizabeth Swann to help Jack Sparrow reinvigorate the Pirates of the Caribbean.