Archive for the ‘Roman Polanski’ Category
2019 Venice International Film Festival Winners

Venice International Film Festival, known as La Biennale di Venezia takes place annually in late August, early September and is regarded as the oldest Film Festival in the World

Golden Lion (Best Film): Joker directed by Todd Phillips
Grand Jury Prize: An Officer and a Spy directed by Roman Polanski – no poster available at time of publication
Silver Lion (Best Director): Roy Andersson – About Endlessness – no poster available at time of publication

Best Actor: Luca Marinelli – Martin Eden
Best Actress: Ariane Ascaride – Gloria Mundi – no poster available at time of publication
Best Screenplay Award – No. 7 Cherry Lane by Yonfan
56th BAFTA Awards
THE 56TH BAFTA AWARDS /
THE BRITISH ACADEMY FILM AWARDS
Took place on the 23rd February 2003 in London
BAFTA WINNERS IN THE FILM CATEGORY:
Best Film: The Pianist
Best Director: Roman Polanski – The Pianist
Best Actor: Daniel Day-Lewis – Gangs of New York
Best Actress: Nicole Kidman – The Hours
Best Supporting Actor: Christopher Walken –Catch Me If You Can
Best Supporting Actress: Catherine Zeta-Jones – Chicago
Best British Film: The Warrior directed by Asif Kapadia
Best Original Screenplay: Talk to Her (Hable con ella) – Pedro Almodóvar
Best Adapted Screenplay: Adaptation. – Charlie and Donald Kaufman
Best Visual Effects: The Lord of the Rings: The Two Towers
Best Foreign Language Film: Talk to Her (Hable con ella) directed by Pedro Almodóvar (Spain)
2010 Berlin Film Festival
2010 Berlin International Film Festival Winners
The Berlin International Film Festival known as the Berlinale takes places annually in February and is regarded as one of the most prestigious film festivals in the world.
Winners of the four main prizes at the 2010 Berlin Film Festival were as follows: –
Golden Bear (Best Film) – Honey (Bal) directed by Semih Kaplanoğlu
Silver Bear (Best Director) – The Ghost Writer directed by Roman Polanski
Best Actor shared between Grigoriy Dobrygin and Sergei Puskepalis – How I Ended This Summer (Kak Ya Provel Etim Letom)
Best Actress – Shinobu Terajima – Caterpillar
2002 Cannes Film Festival
2002 Cannes Film Festival Winners
Winners of the five main prizes at the 2002 Cannes Film Festival were as follows:
Palm d’Or – The Pianist directed by Roman Polanski
Best Directors: Im Kwon-taek for Chi-hwa-seon (Painted Fire) &
Paul Thomas Anderson for Punch-Drunk Love
Best Actor: Olivier Gourmet for Le Fils (The Son)
Best Actress: Kati Outinen for Mies vailla menneisyyttä (The Man Without a Past)
Best Screenplay: Sweet Sixteen by Paul Laverty
Source: http://en.wikipedia.org/wiki/2002_Cannes_Film_Festival
75th Academy Awards
75th Academy Awards
23rd March 2003
Oscar Winners at the 75th Academy Awards
Best Picture: Chicago
Best Director: Roman Polanski – The Pianist
Best Actor: Adrien Brody – The Pianist
Best Actress: Nicole Kidman – The Hours
Best Supporting Actor: Chris Cooper – Adaptation
Best Supporting Actress: Catherine Zeta-Jones – Chicago
Best Original Screenplay: Pedro Almodovar – Talk to Her
Best Adapted Screenplay: Ronald Harwood – The Pianist
Best Foreign Language Film: Nowhere in Africa directed by Caroline Link (Germany)
Best Documentary Feature: Bowling for Columbine directed by Michael Moore
Best Original Score: Elliot Goldenthal – Frida
Best Cinematography: Conrad L. Hall – Road to Perdition
Best Costume Design: Colleen Atwood – Chicago
Best Film Editing: Martin Walsh – Chicago
Best Visual Effects: The Lord of the Rings: The Two Towers
Source: – http://en.wikipedia.org/wiki/75th_Academy_Awards
Claiming the Blood of a Virgin
The Twilight Saga
As the thunder rolls and the clouds are slate gray on a dark afternoon, I break my silence on the cinematic phenomenon that is the Twilight Saga, based on the teenaged marketed books by Stephanie Meyer. Starting with Twilight in 2009, and now with the release of Breaking Dawn – Part 1, the Twilight movies have made instant stars out of Robert Pattinson, Kristen Stewart and Taylor Lautner, helped with a great supporting cast including Peter Facinelli, Dakota Fanning, Kellen Lutz and Michael Sheen, this saga has the world divided. You either a fan or your are not. Twilight is similar to the Star Wars phenomenon and more recently the involved and magical Harry Potter films.
While so far in the series, the first film Twilight directed by Red Riding Hood and Lords of Dogtown visionary Catherine Hardwicke, is in my opinion still the best in the series, capturing the full flush of uncertain flirtatious love between local girl Bella Swan and the mysterious and wealthy Edward Cullen, who also happens to be a friendly and nefarious vampire, whilst New Moon and Eclipse start losing their originality and their cinematic focus. The eternal love affair between Bella and Edward is further complicated by Bella’s attraction to Jacob, the hunky Red Indian Washington state local who also happens to be a werewolf.
Whilst Bella becomes the focus of both Edward and Jacob’s love, their mutual competitive hatred transforms into a fraternal bond to protect Bella in the face of all forms of danger from ancient and vicious vampires to ferocious wolves, while maintaining a fragile truce between the two opposing worlds.
Bella, a human caught in a love triangle between the vampire Edward and the werewolf Jacob, is the basis of all narrative conflicts demonstrating the oldest plot in all fairy tales, an innocent maiden caught between the dashing yet mysterious prince and the ordinary but protective woodsman. Whilst Twilight captured the anguish of the original teenage love crush and subsequent bitter feuds, New Moon and Eclipse expand the worlds of the elegant vampires and tribal werewolves respectively.
But Bella is far from innocent! She wants the best of both men, and marries one while gaining protection of the other. Breaking Dawn, Part 1 while drawn out in parts follows the progression from the wedding to the creepy honeymoon in Brazil to moonlit impregnation and subsequent labour of her first child, a union between human and vampire. While Bella’s ordeal is really the shedding of virgin blood as part of the price for being a Vampire’s Bride, the Twilight series, whilst tapping into a wealth of mythology about vampires, first love and folklore is essentially a journey of a young girl from purity and innocence to the losing of her virginity at the cost of forsaking her mortality for the love of not one but two men and her transference from her own community to a world of eternal immortality.
Don’t expect brilliant acting from any of the leads, while Kristen Stewart and Robert Pattinson go through the motions of a seemingly happy newly married couple, not realizing the horror they in for, which is a watered down version of Rosemary’s Baby, Taylor Lautner’s Jacob seems as confused as ever, whether he wants to run with the wolves or protect the baby in the wood is not clearly portrayed. The Twilight saga is popular for its luminous love story set against some brilliant and spectacular Washington state scenery, and like all saga films, the original film is always the best.
The Twilight saga’s hidden message of no sex before marriage is also entwined along with the pitfalls for indecisive teenage girls who are caught between two vastly different male species, the charming seductive and moody prince or the caring and earthy woodsman, a tale as old as the bride of Dracula itself… a love triangle as treacherous as when time began. Whatever the outcome, the goal for the maiden is to lose one’s virginity and shedding blood and purity whilst dialectically opposing tribal forces clash over the loss of innocence and fight to claim the prize of the vanquished virgin. As for Part two, will there be a happily ever after?
A Hauntingly Lavish Thriller…
The Ghost Writer
Director: Roman Polanski
Cast: Pierce Brosnan, Kim Cattrall, Ewan McGregor, Timothy Hutton, Jim Belushi, Olivia Williams, Tom Wilkinson, Morgane Polanski
Polanski’s dark and almost claustrophobic thriller The Ghost Writer adapted from the novel by Robert Harris author of Enigma and Pompeii is an absolute gem reminiscent of his earlier classics like Bitter Moon, Chinatown and the Oscar winning film The Pianist.
Balancing a great script with tight directing and creepy use of stark isolated locations, Polanski keeps the viewer of the Ghost Writer on the edge of their seat.
Highly versatile and underrated Ewan McGregor is wonderfully human as the title character and Olivia Williams shines as the ousted Prime Minister‘s Adam Lang’s wife Ruth with a witty, dark and altogether complex performance which gives tremendous weight to the concept of behind every powerful man lies an equally powerful woman. Pierce Brosnan takes the part of Adam Lang, the Prime Minister with a combination of his charm, ego and slight menace which brought him acclaim in his recent more memorable films Matador and Remember Me.
What is truly thrilling is Polanski’s homage to Alfred Hitchcock making a political and social thriller without compromising on the story and the intricacies of the characters, whilst retaining the claustrophobic atmosphere of a once powerful leader being forced into a lavish exile. Sounds Familiar? As I returned from watching this stunning thriller, Polanski was released from house arrest in Gstaad, Switzerland which is an absolute relief, as it would be a tragedy to keep a filmmaker of this calibre under confinement.
Polanski’s distinctly European perspective on the collusion of Britain and America in foreign wars in the Middle East is his greatest asset highlighting how a Prime Minister can fall from grace and become a virtual outcast is brilliant in his brittle and subversive vision of how corrupting power and influence can become.
Visually The Ghost Writer is sleek, dark and elegant whilst reminding the viewer that decisions of great international magnitude are often made in secluded locations like Cape Cod or St Andrews far away from the distant nations which will be affected by those choices. For to give the story, location or plot away would be ludicrous, suffice to say… see The Ghost Writer and relish in a masterful director’s return to form with a cinematic homage to the political thriller crackling with suspense, wit and utterly thought-provoking down to the shattering final sequence.