Posts Tagged ‘Adam Driver’

A Deadly Passion

Ferrari

Director: Michael Mann

Cast: Adam Driver, Penelope Cruz, Shailene Woodley, Sarah Gadon, Patrick Dempsey, Jack O’Connell, Agnese Brighitini, Leonardo Caimi, Gabriel Leone

Running Time: 2 hours and 10 minutes

Film Rating: 8 out of 10

Film Editor Pietro Scalia deserves an Oscar nomination for Best Editing for director Michael Mann’s latest biopic about the founder of luxury car brand Ferrari, Enzo Ferrari superbly played with complete brutal dexterity by Oscar nominee Adam Driver (Marriage Story, BlackKklansman) who deserves to be nominated for Best Actor for Ferrari.

Counterbalancing Enzo Ferrari’s sleek business operation of manufacturing sports cars and racing cars is Enzo’s wife Laura Ferrari expertly played with the right degree of bitterness and scorn by Oscar winner Penelope Cruz (Vicky Cristina Barcelona). The scenes between Enzo and Laura are electrifying and required two really talented actors to make this complex marriage which was more like a business arrangement believable and toxic.

Enzo Ferrari has a mistress and a child from another woman, Lina Landi played by Shailene Woodley (The Descendants), whose insistence that Enzo recognizes the paternity of the little boy is just one of the problems that skilled tough business man Enzo has to figure out as he needs his international drivers to win the formidable and highly dangerous Italian race Mille Miglia which occurred with relentless loss of life.

American director Michael Mann kept a low profile in the 2010’s after huge critically acclaimed successes with Collateral, Public Enemies and Miami Vice. So its great news that Michael Mann has returned to the director’s chair with Ferrari a stylish, brutal and atmospheric film about the founder of Ferrari capturing in minute detail the Italian society of 1957 filled with machismo, racing drivers that would die like flies and most of all the glamour that Italian car brands like Ferrari and Maserati brought back to Italy after the gloom of the post War years of the late 1940’s which gave birth to the film movement Italian Neo-realism.

In actual fact Michael Mann incorporates some of those Neo-realist film techniques into Ferrari particularly Enzo’s scenes with the fickle but pushy Italian press and those scenes in the Barber shop and on the Italian street.

Ferrari’s international cast includes Patrick Dempsey as racing car driver Piero Taruffi, British actor Jack O’Connell as racing car driver Peter Collins along with Italian stars Gabriel Leone as Alfonso de Portago and Leonardo Caimi as Brusoni.

The emotional crux of Ferrari is the difficult and complex relationship between Enzo and his volatile wife Laura, beautifully played out on screen by Driver and Cruz. Laura held all the financial power for Ferrari while Enzo dreamed big but needed to take the luxury car manufacturing company to a new international market with an urgent cash injection.

From the devastating car crashes to the glamour around fast cars and luxury, Ferrari is a fascinating and authentic tale of an ambitious, hardnosed businessman that would not be known outside the Italian world.

Enzo Ferrari created those red sleek sports cars which are now synonymous with speed, luxury and affluence. As a film, Ferrari plays on that primal fascination that men have with competitive driving often at the cost of looking after their own families, a deadly passion which has to be sought to protect their egos, reputation and virility.

Ferrari is a highly recommended biopic, beautifully directed by Michael Mann and expertly acted by the two main leads with sumptuous cinematography and cutting edge editing.

Michael Mann returns to form in Ferrari which gets a film rating of 8 out of 10 and is definitely worth seeing for those that enjoyed such excellent films as Ford v Ferrari and All the Money in the World.

Read more about Enzo Ferrari herehttps://en.wikipedia.org/wiki/Enzo_Ferrari

The Vatican of Fashion

House of Gucci

Director: Ridley Scott

Cast: Lady Gaga, Adam Driver, Jeremy Irons, Al Pacino, Jared Leto, Jack Huston, Salma Hayek, Camille Cottin, Reeve Carney

Film Rating: 7.5 out of 10

Running time: 2 hours and 38 minutes

Oscar winner Lady Gaga (A Star is Born) takes on the role of Patrizia Raggiani, an ambitious young woman who catches and marries the heir to the Gucci Fashion empire Maurizio Gucci expertly played with a suitable amount of noble panache by Oscar nominee Adam Driver (Marriage Story, BlackKKlansman) in the unashamedly decadent new film by director Ridley Scott (Gladiator, American Gangster, Blade Runner, Thelma and Louise) simply called House of Gucci.

Despite the length of this film, it’s the brilliant casting of fellow Oscar winners Jeremy Irons (Reversal of Fortune) as Maurizio’s aging but elegant Tuscan father Roldolfo Gucci, Al Pacino (Scent of a Woman) as Maurizio’s flamboyant uncle Aldo and Jared Leto (Dallas Buyers Club) as the crazy cousin Paolo Gucci that makes House of Gucci so utterly enthralling and entertaining.

A wonderful tale of a family dynasty that crumbles from the inside out, of a fashion empire, once sacred that gets corrupted by greed, deceit and commercialization that to such a point, the once heralded name of Gucci turns to the young and emerging Texan fashion designer Tom Ford to revolutionize their look for the late 1990’s.

At the heart of all the backstabbing, the pure malevolence and the unadulterated affluence, is two brilliant performances by Lady Gaga and Adam Driver that hold this crazy family tale together. These two actors are the emotional core of a film which at times comes across as a soap opera, quite literally and at other times like the collapse of a deliciously evil empire that let in a scheming intruder.

Audiences should look out for some excellent supporting performances by Anjelica Huston’s nephew Jack Huston as the hard-nosed business advisor to the Gucci family Domenico de Sole and Oscar nominee Salma Hayek (Frida) as the outrageous fortune teller and clairvoyant Pina Aurienna, who influences Patrizia to go to extreme lengths to take revenge on her wayward husband Maurizio.

Similar in vein to Ridley Scott’s other film about an outrageously wealthy family the Getty’s in the Oscar nominated All The Money in the World, House of Gucci is bizarre, flamboyant and entertaining as this Italian family drama of deception, betrayal and legacy extends from Milan to Switzerland to the fashionable sidewalks of New York’s Fifth Avenue.

There are some tremendously funny lines in this film and Lady Gaga and Adam Driver deserve Oscar nominations for their roles as the infamous couple Patrizia Raggiani and Maurizio Gucci, whose fame is cemented in the fashion history books, drenched in recriminations and blood.

House of Gucci is a fascinating portrait of a family collapsing from the inside, of a notorious couple whose love sours into revenge and of a distinguished fashion house which had to evolve from an Italian family business into a multinational corporation as it reached the 21st century in order to remain appealing to the immensely wealthy American and Japanese markets.

For its flaws and crazy foibles, House of Gucci gets a film rating of 7.5 out of 10 but audiences should see it for the electrifying performances of Lady Gaga and Adam Driver.

The duo are both Gucci guilty and gorgeous.

2021 Cannes Film Festival Winners

Palm d’Or:  Titane, directed by Julia Ducournau

Best Director: Leos Carax for Annette starring Marion Cotillard and Adam Driver

Best Actor: Caleb Landry Jones Nitram

Best Actress: Renate Reinsve – The Worst Person in the World

Best Screenplay: Ryusuke Hamaguchi, Takamasa Oe – Drive my Car

An Interminable Battle

Marriage Story

Director: Noah Baumbach

Cast: Adam Driver, Scarlett Johansson, Laura Dern, Ray Liotta, Alan Alda, Julie Hagerty, Lucas Neff, Merritt Wever, Azhy Robertson

Please note Marriage Story is only available on Netflix and did not receive a comprehensive theatrical release.

The Squid and the Whale director Noah Baumbach brings an incisive story of a contemporary marriage disintegrating in his Netflix’s released film Marriage Story starring Oscar nominated actor Adam Driver (BlackKklansman) as Charlie the husband and Scarlett Johansson (Lost in Translation, Vicky Cristina Barcelona) as Nicole who make up a trendy young New York couple.

Nicole is an aspiring stage and screen actress who falls in love and marries Charlie an off-Broadway theatre director. The couple have an eight year old son Henry played by Azhy Robertson (Juliet, Naked). Very rapidly and much to Charlie’s shock and surprise, their marriage starts disintegrating when Nicole discovers that her husband had a brief affair with a theatre intern.

Expertly played by Scarlett Johansson, Nicole moves back to Los Angeles where she stays with her mother Sandra played by Julie Hagerty (Flying High). There, she enlists the assistance of a hard as nails California divorce attorney Nora Fanshaw superbly played by Oscar nominee Laura Dern (Rambling Rose, Wild).

When the hard reality of divorcing Charlie comes into focus, Nicole has to grapple with all sorts of issues such as child custody and marital finances especially since Charlie has just received a massive Arts Grant to direct a Broadway production with a group of theatre actors back in New York.

Charlie, featuring an outstanding performance by Adam Driver, is suddenly forced to go to Los Angeles to also enlist a divorce lawyer, a cut-throat shark named Jay Marotta wonderfully played by Ray Liotta (Goodfellas, Kill the Messenger).

Writer and director Noah Baumbach incisively dissects the dissolution of a marriage as Charlie and Nicole become embroiled in a bitter divorce battle which is overshadowed by the vicious divorce lawyers as each of their lives becomes an incriminating portrait of how a marriage, a partnership shatters into a million pieces with their son Henry caught in the middle.

In Marriage Story, Noah Baumbach perfectly examines the emotional effects of a divorce on a couple who really haven’t considered all the ramifications of a traumatic separation. Adam Driver expertly portrays the emotional toll a father has as he uproots his career in New York to try and sort out a divorce which is being sued for in a Californian courtroom.

Adam Driver is terrific as Charlie and is really a brilliant actor, whose talent was exceptionally displayed in director Spike Lee’s masterful dissection of race relations in 1970’s Colorado in his Oscar winning film BlackKKlansman.

Set between New York and Los Angeles, Marriage Story is the 21st century version of the Oscar winning 1979 film Kramer vs Kramer and is recommended viewing for those that have the Netflix streaming service. The performances are brilliant.

Marriage Story gets a film rating of 8 out of 10.

The Destiny of a Jedi

Star Wars: The Rise of Skywalker

Director: J. J. Abrams

Cast: Oscar Isaac, Daisy Ridley, John Boyega, Adam Driver, Carrie Fisher, Mark Hamill, Harrison Ford, Richard E. Grant, Domnhall Gleeson, Keri Russell, Lupita Nyong’o, Ian McDiarmid, Billy Dee Williams, Billie Lourd, Dominic Monaghan, Naomi Ackie

Star Wars Episode VII – The Force Awakens director J. J. Abrams returns to the director’s chair to head up the final instalment of the new Star Wars film, Star Wars: Episode IX: The Rise of Skywalker and astutely pays homage to the original Star Wars trilogy which made the franchise so famous and utterly unique: Star Wars released in 1977, The Empire Strikes Back released in 1980 and The Return of the Jedi released in 1983.

Along with the full complement of cast from the recent Star Wars films including Oscar nominee Adam Driver (BlackKklansman) as the conflicted Kylo Ren, along with Daisy Ridley as Rey and John Boyega as Finn, there are also brief glimpses of the original cast members including the late Carrie Fisher as Princess Leia, Harrison Ford as Han Solo and Mark Hamill as Luke Skywalker.

In a genius stroke of casting, Billy Dee Williams reprises his role as General Lando Calrissian in Star Wars: The Rise of Skywalker as he was last seen in The Return of the Jedi and had a key role in the betrayal of Han Solo to Jabba the Hutt in The Empire Strikes Back.  

The Dark side or in this case the First Order is represented by the ghoulish Emperor Palpatine played by Ian McDiarmid (The Phantom Menace, Revenge of the Sith) who is naturally revealed as the arch villain along with General Pride played by Oscar nominee Richard E. Grant (Can You Ever Forgive Me?).

The Rebels struggling to fight the First Order include Rey, Finn and Poe Dameron played by Oscar Isaac along with a gang of droids lead by R2-D2, C-3PO and BB-8 and of course the roaring Wookie Chewbacca who is insanely missing Han Solo.

If viewers are not a fan of the Star Wars franchise then don’t bother seeing The Rise of Skywalker as this film is strictly for Star Wars fans and those very familiar with the original trilogy which director J. J. Abrams deftly gives a nostalgic nod to.

With as many plot twists as the galaxy, The Rise of Skywalker will keep audiences guessing while they are absolutely dazzled by the superb visual effects especially the final battle and of course the Jedi versus Sith showdown with blazing lightsabres.

Star Wars Star Wars: Episode IX: The Rise of Skywalker gets a film rating of 7.5 out of 10  is strictly recommended for Star Wars followers.

Let’s hope once parent company Disney starts turning a profit on its international streaming services that the gigantic studio will decide to roll out another three films to answer all the questions regarding the destiny of the remaining Jedi and her mysterious identity.

Strengthening the Universe

Star Wars: The Last Jedi

Director: Rian Johnson

Cast: Daisy Ridley, John Boyega, Mark Hamill, Carrie Fisher, Adam Driver, Lupita Nyongo’o, Domhnall Gleeson, Oscar Isaac, Andy Serkis, Gwendoline Christie, Benicio del Toro, Laura Dern, Justin Theroux, Anthony Daniels, Kelly Maria Tran

Looper director Rian Johnson draws significant parallels between Star Wars: The Last Jedi and The Empire Strikes Back even including such iconic characters as Yoda and featuring a substantial role for Luke Skywalker played again by Mark Hamill.

At two hours and 32 minutes Star Wars: The Last Jedi could have been cut by half an hour. Which is my only criticism. After all The Empire Strikes Back made in 1980 was just over two hours long.

While the second half of Star Wars: The Last Jedi is absolutely thrilling particularly the final battle sequence on a white salted mining planet complete with red earth reminiscent of the battle between the Empire and the rebels on the ice planet Hoth in The Empire Strikes Back.

The first half drags a little, particularly the Jedi scenes between the reclusive Luke Skywalker and Rey wonderfully played by Daisy Ridley, who is battling to grasp the extent of the force.

John Boyega reprises his role of Finn with the help of a feisty newcomer Rose wonderfully played by Kelly Maria Tran which should appeal  to a diverse audience which is exactly Disney’s cleverest marketing ploy since buying the rights to George Lucas’s Star Wars franchise and effectively reinventing the Galaxy and strengthening this cinematic universe.

Notable cameo’s include a superb performance by Oscar winner Benicio del Toro (Traffic) as DJ who certainly injects some life into the extremely long narrative especially when Finn and Grace meet him when they go in search of the elusive Master code breaker, a briefly glimpsed Justin Theroux, safely ensconced on a decadent casino resort planet, a vibrant episode in the film.

Another notable scene stealer is Oscar nominee Laura Dern (Rambling Rose) as Vice Admiral Holdo who frequently clashes with the bravado of flyboy Rebel poster pilot Poe Dameron wonderfully played again by Oscar Isaac.

The most poignant scenes are played by the late Carrie Fisher reprising her role for the last time as the iconic Princess Leia just wiser and with a more sensible hairstyle, guiding the resistance like a faded debutante. Look out for a nostalgic reunion scene between Skywalker and Princess Leia.

Star Wars: The Last Jedi delivers remarkably on the action front and director Rian Johnson should be particularly commended for also writing the screenplay, no easy feat considering the weight of the franchise and the expectations of the fans.

Yet despite the length, Johnson rises to the challenge and delivers an absorbing sci-fi epic which will satisfy the legions of Star Wars fans globally, judging by the record breaking opening weekend internationally of Star Wars: The Last Jedi.

Star Wars: The Last Jedi is highly recommended viewing best to be experienced in true cinematic splendour with surround sound and some like minded companions. The film gets a rating of 7.5 out of 10.

 

The Hillbilly Heist

Logan Lucky

 

Director: Steven Soderbergh

Cast: Channing Tatum, Adam Driver, Daniel Craig, Katie Holmes, Hilary Swank, Riley Keough, Seth MacFarlane, Brian Gleeson, Jack Quaid, Sebastian Stan, Katherine Waterson, David Denham

Director Steven Soderbergh has an inventive filmography including Contagion, Side Effects and the Oscar winning films Traffic and Erin Brockovich.

He returns to the big screen with the redneck caper film Logan Lucky starring Channing Tatum and Adam Driver as unfortunate West Virginia brothers Jimmy and Clyde Logan who together with their younger sister Mellie played by Legendary singer Elvis Presley’s granddaughter Riley Keough (Mad Max: Fury Road, Magic Mike) who concoct a plan to steal cash from the Nascar Speedway during a major Racing event in Charlotte, North Carolina.

In order to break into the air locked vault of the cash rich Speedway, the Logan brothers enlist the assistance of incarcerated Joe Bang wonderfully played in a stand out (possibly Oscar worthy) performance by James Bond star Daniel Craig who obviously was desperate to breakout of  the 007 image.

Which is what makes Logan Lucky all the more fascinating. Soderbergh’s uncanny ability to assemble a really good cast to tell an extraordinarily clever story almost rival’s that of the cinematic auteur Woody Allen in his comic films like Café Society.

Except that Logan Lucky is a far cry from the glamourous Golden age of Hollywood of Café Society. Logan Lucky is an exceptionally funny film and almost bizarrely told with a deadpan sense of timing that makes the heist which they seemingly pull off even more unbelievable.

In order for Joe Bang to assist the Logan brothers he has to enlist the help of his own two hillbilly brothers Fish and Sam Bang, superbly played by rising stars Jack Quaid (son of Meg Ryan and Dennis Quaid) and Brian Gleeson (The Eagle, Snow White and the Huntsman) son of Brendan Gleeson.

The unbelievably stupid Bang brothers unlike the Logan brothers feel that committing a crime would be immoral but when the lure of big cash is promised their assistance is secured unequivocally.

What follows is an ingenuous heist film centred on the Nascar Car Racing Event in Charlotte, North Carolina, in the South, below the Mason-Dixon Line where the Southern drawl is pronounced and patriotism to the American flag is unwavering.

With Soderbergh’s trademark use of cameo appearances of big stars including Seth MacFarlane, Katie Holmes, Sebastian Stan and Oscar winner Hilary Swank (Boys Don’t Cry, Million Dollar Baby) as FBI Special Agent Sarah Grayson who post-heist desperately tries to catch the culprits only to land up at a West Virginia bar being served by a one armed bartender, Logan Lucky is a character driven film about ordinary citizens wanting to better themselves in a semi-impoverished backwater.

Audiences would have to watch Logan Lucky to enjoy Channing Tatum, Adam Driver and an excellent Daniel Craig in a hillbilly heist comedy about outback losers who plan on getting back at the system which has kept them downtrodden and unemployed. Highly Recommended viewing for those that enjoyed the Ocean’s Eleven Trilogy without the glamour.

Logan Lucky gets a film rating of 7.5 out of 10 and is immensely enjoyable.

Reconciling the Myth

Star Wars: The Force Awakens

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Cast: Daisy Ridley, John Boyega, Harrison Ford, Carrie Fisher, Adam Driver, Lupita Nyongo’o, Domhnall Gleeson, Oscar Isaac, Max von Sydow, Andy Serkis, Gwendoline Christie, Peter Mayhew, Anthony Daniels

Thematically set 30 years after The Return of the Jedi, director J. J. Abrams reconciles the myth of the original and iconic Star Wars Trilogy when he takes over as conceptualizer of the new Star Wars trilogy, given a touch task of remaining faithful to the original trilogy while introducing millennials to the original Star Wars iconography.

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In a genius casting move, Star Wars: The Force Awakens brings all the original cast members back from the first trilogy including Harrison Ford as Han Solo, the rarely seen Carrie Fisher as Princess Leia and the illusive Mark Hamill as Luke Skywalker along with all the lovable companion characters including Chewbacca, and of course the droids C3PO and R2D2, which made up the original Star Wars. Even the Millennium Falcon is revived, which is enough to satisfy the original fans. Believe me, there are a lot of fans out there!

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The new cast includes Daisy Ridley as Rey, John Boyega as Finn, a former Stormtrooper turned Rebel. The Empire so prominent in the original series has been replaced by a more sinister totalitarian regime called The First Order which includes the evil General Hux, played by Domnhall Gleeson (Brooklyn) and the conflicted Kylo Ren brilliantly played by Adam Driver. Oscar Isaac (Drive) stars as Poe Dameron an expert Rebel X-Wing fighter pilot who has hidden a hologram into his droid BB8 about the whereabouts of the mythical Luke Skywalker, the last remaining Jedi Knight.

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As the continuous action moves from outer space to distant planets, the first of which Jukka resembles Tattoine, the desert planet in the original Star Wars, Star Wars: The Force Awakens is visually captivating, with a vast and imaginative array of droids, monsters, bounty hunters and sinister forces all beautifully orchestrated to give what audiences came to see: An adventure story set in a Galaxy Far Far Away to the memorable music by John Williams.

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Oscar winner Lupita Nyongo’o (12 years a Slave) plays Maz Kanata an E.T. like creature sympathetic to the Rebel cause. The chemistry between the diverse cast is amazing and adds to the magic of The Force Awakens, most notably the newcomers Daisy Ridley as a scavenger Rey, whose own propensities for becoming a Jedi open all sorts of questions and British actor John Boyega as Finn who immediately establishes a rapport with the infamous Han Solo as well as Poe Dameron whom he rescues from a gigantic looking Death Star.

Star Wars 1977

The production design and visual effects of Star Wars: The Force Awakens are spectacular and Oscar worthy. Star Wars: The Force Awakens is definitely for the fans of the original trilogy, the films directed by George Lucas which captured the imagination of a generation of boys and girls back in the late seventies and early eighties.

star_warsIf it’s any indication, I remember seeing The Empire Strikes Back while on holiday in Atlanta, Georgia in America back in 1980 when it first premiered and The Return of the Jedi in 1983 in the old Embassy cinemas in central Durban.

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Judging by the packed cinema and the international media hype surrounding Star Wars: The Force Awakens will do exceptionally well at the Box Office and this new version is recommended to fans of pure science fiction and to all those who grew up on the original series. It’s comforting to know that American director J.J. Abrams who reignited the Star Trek franchise, now in partnership with Lucas Films and parent company Disney, plans on making two more Star Wars films to complete this new re-energized trilogy and introduce Millennials to a whole new universe of Star Wars characters.

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Star Wars: The Force Awakens is highly recommended viewing, brilliantly orchestrated by reconciling and paying tribute to the original mythical trilogy while seamlessly blending in an entire new batch of characters. May the Force be with us at least until 2019.

2014 Venice Film Festival

2014 Venice International Film Festival Winners

Venice Film Fest VIFF 2014

Venice International Film Festival, known as La Biennale di Venezia takes place annually
in late August, early September and is regarded as the oldest Film Festival in the World

pigeon-sat-branch-poster

Golden Lion (Best Film): A Pigeon Sat on a Branch reflecting on Existence directed by Roy Andersson (Sweden)

Postman's_White_Nights

Silver Lion (Best Director): Andrei Konchalovsky for The Postman’s White Nights (Russia)

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Best Actor: Adam Driver – Hungry Hearts (Italy)

Best Actress: Alba RohrwacherHungry Hearts (Italy)


Source – http://en.wikipedia.org/wiki/71st_Venice_International_Film_Festival

 

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