Posts Tagged ‘Amira Casar’

Call Me by Your Name

Director:  Luca Guadagnino

Cast: Timothee Chalamet, Armie Hammer, Michael Stuhlbarg, Amira Casar, Esther Garrel, Victorie du Bois

Andre Aciman’s sensuous 1988 debut novel Call Me by Your Name is skilfully adapted into a superb screenplay by James Ivory of Merchant Ivory fame and beautifully brought to the big screen by Italian director Luca Guadagnino.

Call Me by Your Name centres on the erotic summer romance of Elio, a young Jewish Italian boy discovering the essence of his sexuality and his parents American house guest, a 24 year old American classics student Oliver wonderfully played by Armie Hammer (The Man from Uncle) in possibly his best on screen role yet, who is staying with the family in the summer of 1983 as a cultural exchange.

It is the break out performance of star Timothee Chalamet as the restless Elio which is the cinematic revelation and as he deftly centres the film in all its beauty skillfully conveying the nonchalance of youth and his perpetual desire for self-discovery.

Elio’s parents Mr Perlman played by Michael Stuhlbarg (The Shape of Water) and Annella played by Amira Casar who are a liberal and fairly affluent Italian couple who allow their only son, young Elio all the indulgences of youth.

Director Luca Guadagnino sumptuously captures the Italian country summer creating a gorgeous landscape for Elio and Oliver to indulge in an intimate and erotic affair which is tenderly portrayed without moral judgement or vulgarity, a beautiful depiction of sexual discovery and emotional resonance made poignant by the brevity of their idyllic romance.

In a particularly insightful scene between Elio and his compassionate father, Mr Perlman utters the significant line: “Nature has a cunning way of finding our weakest spot.”

Timothee Chalamet captures all the confusion and emotional insecurity of his various sexual encounters with a luminosity seldom seen in cinema today. Chalamet is indeed a star to watch out for. The luxuriant and lingering tone of the film transports audiences into a languid Italian summer, a beautiful sensuous stupor which they will find difficult to relinquish even as the closing credits appear on the screen.

Call Me by Your Name is beautifully acted particularly by its two male leads and superbly shot, making the film a mesmerizing cinematic experience. There are very few films being produced like this today and Luca Guadagnino captures that visual rarity of a first love on screen with a tenderness and beauty which is reminiscent of the Roman statue from antiquity emerging from Lake Garda.

Audiences that enjoyed the early Merchant Ivory films like Maurice and A Room with a View will love Call Me by Your Name.

This evocative film gets a rating of 9.5 out of 10 and is one of the most exquisite films I have seen aided by an equally brilliant soundtrack.

Saint Laurent

Director: Bertrand Bonello

Cast: Gaspard Ulliel, Lea Seydoux, Louis Garrel, Helmut Berger, Jeremie Renier, Brady Corbet, Aymeline Valade, Amira Casar

Director Bertand Bonello’s epic portrait of the life of influential fashion Designer Yves Saint Laurent is beautifully if not explicitly captured in his amazing biopic Saint Laurent, starring the gorgeous Gaspard Ulliel as the iconic and tortured designer.

Belgian actor Jeremie Renier  (In Bruges) stars as the French industrialist Pierre Berge whom together with Saint Laurent founded the hugely successful and influential Parisian Fashion House Yves Saint Laurent YSL, making it an international, synonymous with style and sophistication.

Bonello’s Saint Laurent not as brilliantly done as Olivier Dahan’s Oscar winning La Vie en Rose about the life of Edith Piaf, but just as lush and gorgeous simply making the entire film a tribute to Proust, the French novelist and celebrated aesthete who influenced the extraordinarily talented designer Yves Saint Laurent.

Choosing not to show YSL from his early years in Algeria or his time briefly spent in the French army, but rather focusing on the crucial years of his artistic flourishing between 1967 and 1976, where together with Berge he transformed women’s fashion and the two of them whilst being lovers also were integral in establishing a hugely profitable international fashion label.

Industrialist Pierre Berge was the business brains behind the venture while YSL was clearly the creative force whose own inner demons led him into a debauched life of drugs, orgies and extravagant co-dependence.

Yves Saint Laurent love affair with the notoriously promiscuous Jacques de Bascher who embraced the 1970’s sexual revolution and rise of gay expression, post Stonewall in Paris and New York. They were frequently seen at famous Parisian nightclubs and indulged in a decadent relationship which was eventually doomed to failure, as YSL’s drug and alcohol excesses were threatening his distinctive creativity.

Jacques the epitome of a gay 1970’s dilettante, wonderfully played by Louis Garrel from the provocative Bernardo Bertolucci film The Dreamers is perfectly cast in this role. Seductive, dangerous and certainly a bad influence, Garrel portrays Jacques as a male version of a femme fatale.

Berge intervenes and rescues YSL from this dangerous courtship and soon re-establishes their dominance in haute couture in 1970’s Paris. YSL was famous for dressing such stars as Catherine Deneuve and opera singer Maria Callas.

Clearly influenced by Martin Scorsese, Bonello’s two and a half hour Saint Laurent is a drug fuelled, sexual and gorgeous portrayal of one of the 20^th century’s most famous fashion designers who subverted traditional gender roles with the introduction of the feminine two piece pant suit complete with fabulous accessories and sparkling cobra shaped belts.

Yves Saint Laurent own obsession with 19^th century French novelist Marcel Proust and his tremendous love of the aesthetic is defined as the continuing fight for elegance.

Dividing his time between his villa in Marrakech and his lavish apartment in Paris as well his jetset appearances in New York, the portrait of YSL is of a true creative genius, eccentric, tortured and revolutionary. Bonello’s chooses to frame Saint Laurent in his later years in the 1980’s as he leads a reclusive life in Paris in between splicing shots of the rapturous 1976 Haute Couture Fashion Show at the Paris Atelier which YSL become so famous for.

Saint Laurent is a gorgeous film, beautifully portrayed by all in the cast including upcoming actress Lea Seydoux (The Grand Budapest Hotel, Midnight in Paris) as Loulou and indie actor Brady Corbet (Mysterious Skin) as the American representative for YSL.

Capturing the fragility and creativity of YSL, Gaspard Ulliel by his looks alone carries the role for the entire two and a half hour film but audiences should be warned that besides the subtitles, certain sexual scenes may be disturbing to the uninformed.

As biopics go, Saint Laurent is not a perfect film, slightly indulgent, beautifully shot and at times like watching Tom Ford’s A Single Man on an extended acid trip. Recommended viewing for those that enjoy a strenuous French film about that nation’s most influential fashion designers and more importantly the business of Fashion itself. Best line in the film: “You can’t name a perfume Opium”.

Source: http://en.wikipedia.org/wiki/Yves_Saint_Laurent_(designer)