Posts Tagged ‘Andrew Garfield’

tick, tick, BOOM!

Director: Lin-Manuel Miranda

Cast: Andrew Garfield, Alexandra Shipp, Vanessa Hudgens, Judith Light, Bradley Whitford, Ben Levi-Ross, Robin de Jesus, Lin-Manuel Miranda

Running time: 1 hour 55 minutes

Film Rating: 7.5 out of 10

This film is only available to watch on the Netflix streaming service

Oscar nominee Andrew Garfield (Hacksaw Ridge) takes on the role of struggling theatrical composer Jonathan Larson in director Lin-Manuel Miranda’s fascinating portrayal of his brief but explosive career in the musical film tick, tick, Boom!

Jonathan Larson’s most successful musical was a contemporary rendition of Puccini’s 1896 Opera La Boheme which become famously known as Rent. Rent, the Musical explored all the struggles of a group of young artists in New York City in the mid 1990’s amidst the worst of the AIDS crisis, and become one of the longest Broadway hit musicals running before it finally closed in 2008, grossing over $280 million in ticket sales.

Unfortunately the young and extremely talented Jonathan Larson would not see the fruits of his labour and the dynamic success of the musical he created.

As a musical film, tick, tick, Boom! Is fascinating to watch and actor turned director Lin-Manuel Miranda focuses more on the musical genius of Jonathan Larson and less on his actual life. Many of the key scenes in the film, particularly the countless arguments between Larson expertly played with a frenetic energy by Andrew Garfield and his girlfriend Susan played by Alexandra Shipp (Love, Simon; X-Men: Apocalypse) are interrupted by Larson breaking out into song which detracts from the emotional core of the film.

It is only in the second half of tick, tick, Boom! that director Lin-Manuel Miranda finds his feet and grounds the chaotic first half in a heart wrenching reality of struggling artists living in New York City battling to make ends meet amidst rejection, high rents and busking at the Moondance Diner.

In between all their struggles is the omniscient threat of extinction as the looming 1980’s and 1990’s AIDS crisis threatened to kill off most of the artistic community in New York prior to the invention of life-saving medication at the beginning of the 21^st century. 

As a biographical story, tick, tick, Boom! does suffer from an overemphasis on song and dance while neglecting the real struggles that both gay and straight artists went through to make it in America’s toughest city: New York during the early 1990’s.

Fortunately, Andrew Garfield’s brilliant performance as Jonathan Larson holds this film together balanced by some extraordinary supporting roles including Judith Light as his tough as nails theatrical agent Rosa Stevens and Larson’s best friend, the gay advertising executive Michael wonderfully played with a brittle flamboyance by Robin de Jesus (The Boys in the Band).

Viewers need to know the backstory of Rent, the musical and do some research on Jonathan Larson before watching tick, tick, Boom as this film does not operate as a conventional biography and might be confusing to those not familiar with the context.

Tick, tick, Boom! gets a film rating of 7.5 out of 10 and is recommended for those that enjoy a historical slice of American musical theatre from over 30 years ago.

Source: https://en.wikipedia.org/wiki/Jonathan_Larson

Took Place on Sunday 9th January 2022 in Los Angeles and held virtually by the Hollywood Foreign Press Association – Here are the 2022 Golden Globe Winners in the Film Categories:

Best Film Drama: The Power of the Dog

Best Film, M/C: West Side Story

Best Director: Jane Campion – The Power of the Dog

Best Actor Drama: Will Smith – King Richard

No publicity material or film poster available for Being the Ricardo’s

Best Actress Drama: Nicole Kidman – Being the Ricardo’s

Best Actor, M/C: Andrew Garfield – Tick, Tick, Boom!

Best Actress, M/C: Rachel Zegler – West Side Story

Best Supporting Actor: Kodi Smit-McPhee – The Power of the Dog

Best Supporting Actress: Ariana DeBose – West Side Story

Best Foreign Language Film: Drive my Car directed by Ryusuke Hamaguchi (Japan)

Spiderman: No Way Home

Director: Jon Watts

Cast: Tom Holland, Zendaya, Marisa Tomei, Benedict Cumberbatch, Jon Favreau, Jamie Foxx, Benedict Wong, Willem Dafoe, Alfred Molina, Charlie Cox, J. K. Simmons, Tobey Maguire, Andrew Garfield, Angourie Rice, Rhys Ifans, Thomas Haden Church, Tom Hardy, Jacob Batalon, Tony Revolori

Film rating: 7.5 out of 10

Running Time: 2 hours and 28 minutes

Director Jon Watts went all out in the third Spiderman film to feature Tom Holland in Spiderman: No Way Home, capitalizing on both the success of all the previous Spiderman films and expertly capitalizing on Sony’s new deal with Marvel Studios to incorporate Spiderman into The Avengers as part of a multi-million dollar trademark agreement between Sony and Disney Studios.

The sprightly Tom Holland reprises his role as Spiderman, but now he has completed school and him and his friends are applying to go to MIT which is the prestigious Massachusetts Institute of Technology in Boston.

Before Peter Parker aka Spiderman can enter college, he has to deal with the immense media fallout of his alter ego being blown wide open by the previous villain Mysterio played by Jake Gyllenhaal in 2019’s Spiderman: Far From Home.

With pure imagination and skill, director Jon Watts makes Spiderman: No Way Home a far darker comic book adventure as Peter Parker has to contend with some uninvited guests from his previously unknown past, courtesy of a spell which he requested the pompous wizard Doctor Strange to cast on everyone forgetting that Peter Parker is in fact Spiderman. The spell obviously goes terribly wrong….

Much to his horror, some past evil villains emerge to take revenge again on Spiderman including Oscar winner Jamie Foxx (Ray) as Electro; Oscar nominee Willem Dafoe (Platoon, Shadow of a Vampire, The Florida Project, At Eternity’s Gate) as the Green Goblin and Alfred Molina as Doc Octopus.

Spidey has to contend with these new villains as well as pressure from an increasingly gruff Doctor Strange played again by Oscar nominee Benedict Cumberbatch (The Imitation Game) who continually treats the young Peter Parker like an irresponsible college kid, which he essentially is.

Without giving any spoilers away, Spiderman: No Way Home is a fun filled Super hero film which will be sure to satisfy all the fans of the previous films. Audiences must stay beyond the closing credits to catch a glimpse of another Marvel monster who is desperate to meet the wayward web slinger.

Tom Holland does a wonderful job as Spiderman and even looks quite buff in the role compared to the first to films, but it is really director Jon Watts that makes the entire 2 and a half hour spectacle visually impressive channelling all that influence which acclaimed British director Christopher Nolan had on him. Clearly, Inception played a big part in Jon Watt’s directorial maturity.

Spiderman: No Way Home gets a film rating of 7.5 out of 10 and is immensely enjoyable family viewing.

Judging by how full the cinema was, this film is the theatrical blockbuster that 2021 so desperately needs. Watch it in cinemas now.

Hacksaw Ridge

Director: Mel Gibson

Cast: Andrew Garfield, Teresa Palmer, Luke Bracey, Sam Worthington, Rachel Griffiths, Hugo Weaving, Vince Vaughn, Milo Gibson, Ben O’Toole

Braveheart and The Passion of the Christ director Mel Gibson has assembled a mostly Australian cast in the World War II drama Hacksaw Ridge about the Virginia conscientious objector Desmond Doss who refused to bear arms during the war against the Japanese. Doss is played by Andrew Garfield (The Social Network) in one of his best acting roles yet.

Hacksaw Ridge opens in The Blue Ridge Mountains of Virginia in the early 1930’s where young Doss and his brother are constantly engaged in fraternal rivalry while their drunken father Tom played by Hugo Weaving (The Dressmaker) mourns the loss of his friends in the Great War and beats their mother Bertha played by Rachel Griffiths (Muriel’s Wedding).

As a practicing Seventh Day Adventist, Desmond from a young age takes a vow against violence yet is compelled to join the army soon after the Japanese attack Pearl Harbour. His romantic life is heightened when he meets Nurse Dorothy Schutte, a wonderful supporting role played by the gorgeous Teresa Palmer (Point Break, I am Number Four) which he soon proposes to.

While the first act of Hacksaw Ridge is taken up with establishing a credible back story of Desmond Doss, his religious beliefs, family and brief courtship, it’s really the second act of the film that captures audience’s attention as Doss undergoes basic military training under the supervision of Sgt Howell played by Vince Vaughn (Into The Wild, The Internship) and Captain Glover played by British actor Sam Worthington (Avatar, Clash of the Titans).

When it comes to target practice, the rest of the soldiers including a handsome Smitty Ryker played by Luke Bracey (The November Man) and Lucky Ford played by Gibson’s son Milo Gibson are all eager to take up arms to defend their country, while Doss completely refuses to hold a rifle on the grounds that he is a conscientious objector.

After a military inquiry into whether Doss can still serve in the armed forces without bearing arms, the action swiftly moves into the third act, the dreaded battle sequence at Hacksaw Ridge, on the island of Okinawa, a battle so gruesome that many of his fellow soldiers are killed instantly as the ruthless Japanese attack the Americans without restraint.

Director Gibson excels in the battle sequences of Hacksaw Ridge as a combination of frenetic sound editing, utter brutality and emotional tension is vividly captured as the soldier bravely battle a more sophisticated and disciplined opponent. As the battle for Hacksaw Ridge continues, many American soldiers are left wounded, easy prey for the bayonets of the Japanese soldiers.

Doss in this terrifying battleground questions his own convictions and has a crisis of faith amidst bullets whizzing past him and bodies rotting in shallow graves.

Hacksaw Ridge was indeed a vicious battle of attrition, but Doss realizes that if he can save as many wounded American soldiers as possible then perhaps the American military might recognize his true valour and bravery.

In terms of recreating one of the most gruesome battles of the Pacific Theatre of World War II, Hacksaw Ridge is an excellent film comparable to similar war classics like Steven Spielberg’s Oscar winning Saving Private Ryan and Oliver Stone’s Platoon.

Historically accurate, Hacksaw Ridge superbly retells the unbelievable story of Desmond Doss, the first Conscientious Objector who was in a battle and received the Medal of Honour without firing a single shot. This is highly recommended viewing and judging by its critical claim, Hacksaw Ridge will have a cult following for lovers of genuine war films.

Source: https://en.wikipedia.org/wiki/Desmond_Doss

The Social Network

 Canadian director David Fincher’s latest film The Social Network could fit more comfortably in the made for TV film category, but is nevertheless a fascinating examination of how one idea can affect the world.

The Social Network traces the rise of the Facebook phenomenon from the frat houses of Harvard to going global, the lawsuits that ensued and how the lives of over 500 million users have been transformed by using of Facebook from Silicon Valley to Henley-on-Thames, from Brazil to Cape Town, from Sydney to Toronto.

Harvard Harassment

Jesse Eisenberg makes a superb entrance in a major role as Mark Zuckerberg the genius behind linking the Ivy League American University social networks from Harvard to Stamford and supersedes any former attempts by creating a user-friendly interface for virtual network, sharing photos and updating one’s relationship status, now known universally as Facebook. Love it or hate it, the rise of Facebook is now a commercially viable form of communication, which has taken the digital world by storm. Fincher’s film shows the rise of the Facebook phenomenon from Zuckerberg’s cocky online response on his blog after being spurned by Erica, a lovely cameo by Rooney Mara at Harvard to his rise through several collaborations firstly with Eduardo Saverin, a diversely perceptive performance by Andrew Garfield, and then with Napster founder Sean Parker, the colourful and confident character suitably played by Justin Timberlake, proving that his acting abilities are certainly maturing.

Fincher responsible for some high end thrillers including Seven, The Game, Fight Club and Oscar nominated Curious Case of Benjamin Button is a prolific choice for a film which if left in the hands of a lesser director, could have become a slightly drawn out geek match about intellectual property rights, failed love affairs and immense wealth bestowed on a set of twenty-something’s who surely were given an added advantage already being at Harvard in the first place. The Social Network is an engrossing look at a very recent digital phenomenon and the ingenuity, entrepreneurial savvy  and success of three men who clearly realized that they had discovered a gaping hole in the social fabric of Anglo-American society and filled that void with a network which combines privacy with a sense of community.

Global Phenomenon

Facebook, like the invention of the light bulb, the car, and most obviously the internet is here to stay and will definitely grow, transform and has embraced the real 21^st century notion of a global digital village. Watch out for a wonderful performance by Armie Hammer playing both the affluent, rowing crazy twins Cameron and Tyler Winklevoss and of course the cleverest part of The Social Network is the poster, – You don’t get to 500 million friends without making a few enemies, reminding the viewer of a similar poster?

Every face tells a story…