Posts Tagged ‘Anton Yelchin’

5 to 7

Director: Victor Levin

Cast: Anton Yelchin, Berenice Marlohe, Glenn Close, Frank Langella, Olivia Thirlby

Written and directed by Victor Levin, 5 to 7 is a charming romantic drama set in New York in spring time. Anton Yelchin plays lonely and struggling writer Brian Bloom who one Friday casually offers a beautiful woman a light for a cigarette outside a swish Manhattan restaurant. The lady in question is the gorgeous former Bond girl, French actress Berenice Marlohe (Skyfall), who plays a diplomats young wife, Arielle.

Soon Bloom is captivated by Arielle and she informs him that they can only see each other between 5 to 7pm in the evening. Surprisingly, Arielle’s husband Valery is played by Lambert Wilson and he even acknowledges his wife’s much younger lover. As the relationship develops so does their cultural exploration of each other’s different background, with Levin frequently comparing the best of French culture with the worst of American culture.

Apparently in French society extramarital affairs are the norm as long as the respective mistresses and lovers obey the rules laid down before them. In Bloom and Arielle’s case this is a 2hour gap mainly in which they take in some of New York’s most beautiful sites including the Guggenheim Museum and Central Park along with some elegant Manhattan hotels including The St Regis and The Carlyle.

Arielle is taken to meet Bloom’s doting parents expertly played by Glenn Close (Dangerous Liaisons, Meeting Venus) and Frank Langella (Frost/ Nixon, Grace of Monaco) who are slightly exasperated by their son’s romantic entanglement. Bloom, wonderfully played by Anton Yelchin even seeks the advice of Valery’s American mistress Jane played with tenacity by Olivia Thirlby (Juno, Dredd and No Strings Attached).

As this romance runs its course, Bloom soon matures into an established writer after one of his short stories is selected for the prestigious literary magazine The New Yorker.

Arielle naturally becomes Bloom’s writing muse and once the relationship starts to fade, he is forced to move on with a sort of nostalgic complicity which forces him to write his great novel, entitled The Mermaid.

5 to 7 is a charming Audrey Hepburn style romance seldom seen onscreen these days and more significantly is a sophisticated cinematic tribute to New York itself, which as a city has been the setting for many great romances including Autumn in New York and One Fine Day. Highly recommended viewing, intelligently written and beautifully acted. A rare cinematic treat to be cherished as much as the delights of the Big Apple itself.

Star Trek: Into Darkness

Director: J. J. Abrams

Cast: Chris Pine, Anton Yelchin, Benedict Cumberbatch, Karl Urban, Alice Eve, Chris Hemsworth, Jennifer Morrison, John Cho, Peter Weller, Simon Pegg, Zachary Quinto, Zoe Saldana, Bruce Greenwood

Director J.J. Abrams dazzling reinvention of the Star Trek franchise continues with the glossy sequel to the 2009 smash hit Star Trek with Star Trek: Into Darkness, pulling together the same cast from the original and then adding the amazing talents of big screen-newcomer Benedict Cumberbatch (last seen in the extraordinary Tinker Tailor Soldier Spy) as the evil villain and celestial terrorist Khan, a reinvented character from the 1982 film: Star Trek II: The Wrath of Khan.

Star Trek: Into Darkness opens with a spectacular volcanic sequence on a primal planet in which Captain Kirk rescues his half Vulcan friend Spock from near extinction to the 23^rd century high tech metropolises such as London and San Francisco. Meanwhile back on Earth the sinister superhuman Khan destroys an Enterprise space library in central London and then wages an attack on the commanding officers of the Enterprise fleet at their Californian headquarters before fleeing Earth for a Klingon refuge on a distant planet.

Captain Kirk played with boisterous heroism by Chris Pine and his team including Zachary Quinto as Spock, Simon Pegg as Scotty, Zoe Saldana as Uhura and ubiquitous Karl Urban as Bones, John Cho as Sulu and Anton Yelchin as Chekov head to the outer reaches of Klingon galactic territory and capture Khan, whose wily ways are only revealed as they head back towards earth. Cumberbatch is really superb as the sinister villain and far out does any of his co-stars maybe with the exception of Quinto’s slightly robotic yet sensitive Spock.

The unrequited love between Kirk and Spock is highlighted in a particularly touching scene when the dashing Captain appears to be dying in the heart of the Star Trek Enterprise and Chris Pine’s gorgeous blue eyes make the audience feel for his unfulfilled love as he seemingly expires due to radiation exposure under the mournful gaze of Quinto’s Spock.

But never fear Trekkies, Spock takes revenge on Khan and in a brilliantly orchestrated chase sequence through 23^rd century San Francisco resulting in an extraordinary fight sequence aboard an industrial spacecraft, not to mention a crashing spacecraft taking out Alcatraz.

Whilst Star Trek: Into Darkness has less characterization as the 2009 Star Trek, it really is Cumberbatch’s film as he makes the villain into a truly deceptive sinister terrorist with some superb dialogue.  The rest of the supporting cast ham it up in their Trekkie uniforms without too much in depth characterization whilst the only subplot to attract minor interest is Alice Eve as the blonde weapons expert Carol channeling the Nicole Kidman look as she reveals her complex relationship with her dubious father veteran Captain Marcus played by Peter Weller from Robocop fame.

Star Trek: Into Darkness is for true sci fi fans and whilst not in the same thought-provoking existential vein as Ridley Scott’s Prometheus or Joseph Kosinski’s Oblivion, it is pure glossy sci-fi entertainment and sure to remain an inspiration at future Comicon conventions , not to mention Trekkie conventions from Tokyo to Anaheim.

After all what can audiences expect from the producers of the successful Hawaii 5 0 series, Roberto Orci and Alex Kurtzman but another action-packed brilliant bromance, however this time the visual effects and excellent sound editing triumph over characterization whilst the script retains its mythological narrative that has made the Star Trek franchise so enduring and iconic.

Return of the Hairy Man: Wolverine, Terminator Salvation and Zack and Miri make a Porno…

So in these time of global economic gloom, a clean-shaven, metrosexual is not your saviour. Besides all these good-looking, well-dressed beautifully groomed corporate types were the ones lending money out to those hapless citizens who were fiscally irresponsible. Investing in outlandish off-shores accounts, allowing an international unregulated banking system to flourish in a world where credit was supreme, and sensibilities had gone out the window. In the times of a crisis, strong hairy men are here to save the world!

That’s if the batch of summer blockbuster action and comedy films is anything to go from the archetypal X-Men Origins: Wolverine directed by South African Gavin Hood to the hilariously off the coffee counter, Zack and Miri make a Porno. Whether the world has come to a sticky and apocalyptic end in the monochromatic world of Terminator Salvation, with an unshaven Christian Bale as John Connor, all grown up and ready to take on Skynet or audiences discover the real origins of the gorgeously sexy hairy beast of a man, well, mutant, Wolverine who along with a band of fellow unshaven mutants is out to wreck havoc on an suspecting America, the truth be told that clearly the Hairy Man has returned!

X-Men Origins: Wolverine is a fantastic action film appealing to the younger testosterone filled male generation, which tells of how Wolverine and his brother Sabretooth, an equally hairy and deadly character played with sinister panache by Liev Schreiber fight each other, the world and all those in between, including every major world war from the Napoleonic era to Vietnam. Even the normally clean-shaven Canadian actor, Ryan Reynolds is quite revealing in his role as Wade Wilson but then let’s not discount that Reynolds did appear in the Blade Trilogy.

Terminator Salvation paints a grim and grimy picture of a post-nuclear blasted world where the Skynet controlled Robots have wrecked havoc on America with the cities resembling industrial junkyards from hell. Christian Bale returns in another blockbuster but here again, as in the far superior The Dark Knight, it is his co-star that steals the shows. The Dark Knight, such a brilliant film of anarchy reigning supreme featured the flawlessly demented performance of the late Heath Ledger as the Joker and now in Terminator Salvation it is the more subtle less frenetic performance of Sam Worthington as Marcus Wright who is propelled into a future abyss only to discover redemption is beyond his electronic grip…

On a lighter note, and much more grounded in the present day recession-laden America is Kevin Smith’s fantastically funny and very raunchy film Zack and Miri make a Porno, about a couple of loser flat mates in Pittsburgh that realize that the financial crisis calls for more drastic measures. Seth Rogen saves the film as the unsexy but very hairy, Zack next to the gorgeous demurely (I kid you not) Miri, played by Elizabeth Banks. Rogen plays every type of hairy anti-hero with such effortless wit and perfect comic timing, who manages to save his reputation, make some underground cash and with the help of an extra-terrestrial cast make a Porno! Watch out for superb cameos by Brandon Routh (from Superman fame) and the delightful Justin Long at Zack and Miri’s reunion…

Although all three films are vastly different, it denotes a new fashion of fury heroes ready to save us from the grim realities of the strange 21^st century recession obsessed reality most Western nations find themselves in.