David R. Walker

Posts Tagged ‘Austin Butler’

Dune Part Two

Director: Denis Villeneuve

Cast: Timothee Chalamet, Zendaya, Rebecca Ferguson, Charlotte Rampling, Christopher Walken, Javier Bardem, Stellan Skarsgard, Austin Butler, Florence Pugh, Josh Brolin, Dave Bautista, Lea Seydoux, Souhella Yacoub

Running time: 2 hours 46 minutes

Film Rating: 9 out of 10

Gathering an ensemble cast of exceptionally talented actors and then throwing in the hottest stars of the 2020’s, Dune Part Two is almost symbolic of the old guard of actors handing the mantel to the new hugely talented tribe of hot young stars from Zendaya to Timothee Chalamet, from Florence Pugh to Austin Butler.

Paul Atreides after suffering the defeat of his royal house in Dune Part 1, hides with the fremen people in Arrakis with his mother Lady Jessica, played by Rebecca Ferguson, as they battle a Harkonnen ambush who are desperate to annihilate the Fremen and take over the lucrative spice mining of the desert planet.

As Lady Jessica goes through the process of transforming into the Reverend Mother, she drinks from the Water of Life which is a process fatal to men. While Lady Jessica is secretly manipulating her son to grasp complete power, Paul is distracted by his love affair with Chani played by Zendaya.

Meanwhile in the House of Harkonnen, the Baron wonderfully played with a gloating evil by Stellan Skarsgard gives full power to his younger psychotic nephew Feyd-Rautha a viciously appropriate performance by Oscar nominee Austin Butler (Elvis), who shines in the spectacularly shot gladiator scenes in the bizarre celebrations of his birthday.

Dune Part Two is slow moving in the first part of the film especially with Atreides acclimatizing to the ways of the desert bound Fremen tribes, but once Austin Butler appears in the film as the hero’s demonic nemesis then the pace of the film increases exponentially.

The Emperor Shaddam IV regally played by Oscar winner Christopher Walken and his daughter the princess Irulan Corrino played by Florence Pugh are lured into a trap to come to Arrakis then Paul Atreides decides to meet his destiny as he takes on the Harkonnen and their boss The Emperor while discovering a genealogical secret that bounds his mother to the malignant portentous Baron Harkonnen.

The second half of Dune Part Two is where Denis Villeneuve excels as a director as he creates these epic battle sequences involving the spice worms, the clash of the royal galactic houses and a fight to the death by the carries of two of the most vital bloodlines in Dune, Paul Atreides and Feyd-Rautha Harkonnen, both virile young men in their prime ready to defend their houses and seek a match that will fortify their power.

The supporting cast of Dune Part Two is superb ranging from Charlotte Rampling to Javier Bardem, from Bond girl Lea Seydoux (No Time to Die) to Josh Brolin, but as a cinematic epic, this film is a mesmerizing tale of retribution, power and the abandonment of the indigenous population for a greater self-enrichment by those more powerful and affluent.

Adding a pulsating score by Hans Zimmer and gorgeously lit cinematography by Greig Fraser as he clearly delineates the differences between the Fremen and the people of the South, between the Harkonnen, vicious and abundant and the wealthy Emperor and his beautiful daughter Princess Irulan Corrino, Dune Part Two is the first major cinematic event of 2024 and is highly recommended viewing.

If you love science fiction, then this film must be seen on the biggest screen possible. It truly is magnificent and visually alluring, complete with superior production design especially in the brutal Harkonnen gladiator scenes.

Dune Part Two gets a film rating of 9 out of 10 and does perfect justice to the novels by Frank Herbert. Blade Runner 2049 director Denis Villeneuve achieves the majestic and creates an allegorical tale set in the shadows of Arrakis about neo-colonization, revenge and rivalry, while showcasing how vulnerable men can be when absolute power is their wily seducer.

The 76th British Academy Film Awards, also known as the BAFAs, were held on 19^th February 2023 at the Royal Festival Hall in London, honouring the best national and foreign films of 2022

Best Film: All Quiet on the Western Front

Best Director: Edward Berger – All Quiet on the Western Front

Best Actor: Austin Butler – Elvis

Best Actress: Cate Blanchett – TAR 

Best Supporting Actor: Barry Keoghan – The Banshees of Inisherin

Best Supporting Actress: Kerry Condon – The Banshees of Inisherin

Best British Film: The Banshees of Inisherin

Best Original Screenplay: Martin McDonagh – The Banshees of Inisherin

Best Adapted Screenplay: All Quiet on the Western Front

Best Costume Design: Elvis

Best Foreign Language Film: All Quiet on the Western Front

Rising Star Award: Emma Mackey

Took Place on Tuesday 10th January 2023 in Los Angeles and hosted by the Hollywood Foreign Press Association at the Beverly Hilton Hotel – Here are the 2023 Golden Globe Winners in the Film Categories:

Best Film Drama: The Fabelmans

Best Film Musical or Comedy: The Banshees of Inisherin

Best Director: Steven Spielberg – The Fabelmans

Best Actress Drama: Cate Blanchett – Tar

Best Actor Drama: Austin Butler – Elvis

Best Actress Musical or Comedy: Michelle Yeoh – Everything Everywhere All At Once

Best Actor Musical or Comedy: Colin Farrell – The Banshees of Inisherin

Best Supporting Actress: Angela Bassett – Wakanda Forever

Best Supporting Actor: Ke Huy Quan – Everything Everywhere All At Once

Best Foreign Language Film – Argentina 1985 directed by Santiago Mitre

Elvis

Director: Baz Luhrmann

Cast: Austin Butler, Tom Hanks, Olivia deJonge, Kodi Smit-McPhee, Kelvin Harrison Jr, Luke Bracey, Dacre Montgomery

Running Time: 2 hours and 39 Minutes

Film Rating: 8.5 out of 10

Outlandish Australian director Baz Luhrmann (Moulin Rouge, Romeo and Juliet) returns to the big screen after a nine year hiatus after 2013’s The Great Gatsby, with a brittle and glitzy biopic of the King of Rock n Roll, Elvis Presley simply entitled Elvis starring an incredible Austin Butler in the title role opposite two time Oscar winner Tom Hanks (Philadelphia, Forrest Gump) as his shady business advisor Colonel Tom Parker.

In a similar vein to Rami Malek’s transformative performance as Freddie Mercury in 2018’s Bohemian Rhapsody, American star Austin Butler (Once Upon a Time in Hollywood) does a superb job portraying Elvis Presley from the incredibly gifted singer who transforms into the most legendary musical performer of all time who combined expert showmanship with extravagant costumes and lewd gyrations of his pelvis much to the delight of his infinite female fans.

Elvis Presley was the original rock star before all the other rock stars came along in the 1980’s, he was the trailblazer, the film star and unbelievably talented singer who got financially abused by his controlling business advisor Parker who sought only to commodify Elvis’s talent so he pay off his own gambling debts.

Director Baz Luhrmann captures the zeitgeist of what made Elvis Presley so original, from his Baptist revival roots in segregated Tennessee to become the most famous rock n roll star of the 1950’s through to the 1970’s as the film takes us to Elvis’s troubled residency at the International hotel in fabulous Las Vegas, when Presley realizes that he has been duped into a contract which he cannot get out of.

Elvis’s unbelievable fame came at a cost to his family, his wife Priscilla played beautifully by Olivia deJonge and as he tried to cope with his immense fame, and the undue influence of the sleazy Tom Parker superbly played by Tom Hanks who coaxes Elvis to stay on stage no matter what using all kinds of narcotics to keep the show going. After all this was Las Vegas and crimes of lust and perversion pervaded sin city.

Director and screen writer Baz Luhrmann hints at so many different themes in this brilliant and dazzling biopic from segregation to discrimination, from exploitation to extravagance, but at the heart of this glittering film are two exceptionally well-conceived performances by Austin Butler and Tom Hanks as two lonely men reaching for eternity.

Unlike Colonel Tom Parker, Elvis Presley’s fame is unsurpassed and legendary. Elvis was the original rock star, the King which defined a generation and created Rock n Roll with a subtle touch of gospel and blues thrown in. Presley invented youth culture when it never existed back in the 1950’s.

Austin Butler deserves an Oscar for his dazzling performance as Elvis Presley and the costume designs by Oscar winning designer Catherine Martin are equally sizzling. Martin won Oscars for her work on The Great Gatsby and Moulin Rouge and is married to the director.

For those that love musical biopics, Elvis is highly recommended viewing, a poignant and sparkling tribute to the King of Rock n Roll who conquered Las Vegas and became legendary.

Elvis gets a film rating of 8.5 out of 10 and is brilliant, absorbing and alluring.

Once Upon a Time in Hollywood

Director: Quentin Tarantino

Cast: Leonardo di Caprio, Brad Pitt, Margot Robbie, Emile Hirsch, Bruce Dern, Dakota Fanning, Maya Hawke, Timothy Olyphant, Austin Butler, Damian Lewis, Al Pacino, Kurt Russell, Margaret Qualley, Damon Herriman

Oscar winner for Best Original Screenplay for Pulp Fiction and Django Unchained, writer and director Quentin Tarantino returns to the big screen with his 9^th feature film the brilliantly titled Once Upon a Time in Hollywood starring Oscar winner Leonardo DiCaprio (The Revenant) and Brad Pitt as buddies actor Rick Dalton and his stunt double Cliff Booth in a fictional tale set in Los Angeles in 1969.

1969 was the year that the real life film director Roman Polanski’s pregnant wife Sharon Tate was brutally murdered by the followers of the Charles Manson cult which shocked the American film industry to its rotten core. Charles Manson is played in the film by Australian actor Damon Herriman.

Firstly two disclaimers: this is an extremely long film and secondly it’s really only aimed at serious movie buffs and serves as Tarantino’s ode to the end of Hollywood’s Golden Age before the film making industry got taken over by corporations, sequels, digitization and streaming.

Tarantino artfully pays homage to the act of buying a ticket and going to the cinema in a rather poignant scene when the young actress Sharon Tate superbly played by Oscar nominee Margot Robbie (I, Tonya) actually pays to watch a film she is starring in at a Westwood cinema.

The rest of this marvelously meandering film belongs to the two major stars, DiCaprio who is superb as the washed up TV actor Rick Dalton who is desperately trying to make a Big Screen comeback but lands up starring in a string of Spaghetti Westerns in Rome.

Oscar nominee Brad Pitt (12 Monkeys) is phenomenal as the stunt double past his prime Cliff Booth in one of his best onscreen performances yet especially the gorgeous scene when he takes his shirt off on the roof of Dalton’s Hollywood Hills mansion in the scorching Californian sun to fix the TV aerial.

Booth also inadvertently stumbles across the hippie cult followers of Charles Manson in an abandoned studio lot in Chatsworth, California featuring some great cameos by Dakota Fanning (Ocean’s 8, War of the Worlds) as Squeaky Fromme , Oscar nominee Bruce Dern (Nebraska) as George Spahn and Margaret Qualley (The Nice Guys) as the seductive hippie hitchhiker Pussycat.

Tarantino expertly captures the zeitgeist of Los Angeles in 1969 at the peak of the counter-culture movement with lurid production design by Barbara Ling and costumes by Oscar nominated costume designer Arianne Phillips (Walk the Line, A Single Man, Nocturnal Animals, W. E.).

With some expertly placed cameos including Oscar winner Al Pacino (Scent of a Woman) as hot shot producer Marvin Schwarz and Damian Lewis as real life star Steve McQueen.

Once Upon a Time in Hollywood is slowing moving in the first two acts of the film, while the third act is phenomenal especially the hippie flame throwing sequence.

Tarantino could have quickened the film’s pace in the beginning to actively propel the narrative forward but he is a notorious auteur and not interested in packaging films to please audience expectations.

Unbelievably, Once Upon a Time in Hollywood did get a standing ovation at its glittering film premiere at the 2019 Cannes Film Festival so Tarantino did something right.

This film gets a rating of 8 out of 10 and accurately portrays acting as artifice.

This is not Tarantino’s best work but written and directed in the vein of his crime thriller Jackie Brown, Once Upon a Time In Hollywood is strictly recommended for Tarantino fans and those that enjoyed Pulp Fiction, Django Unchanged and Inglourious Basterds.