Posts Tagged ‘Ben Voss’
Strength and Determination
Beyond the River
Director: Craig Freimond
Cast: Lemogang Tsipa, Grant Swanby, Garth Breytenbach, Ben Voss, Paul du Toit, Emily Child, Israel Makoe, Kgosi Mongake
It’s comforting to watch a really well made and engrossing South African film. Director Craig Freimond’s sports drama Beyond the River focuses on two men from vastly different socio-economic backgrounds who come together and team up to do the gruelling Dusi Canoe marathon from Pietermaritzburg to Durban, a distance of 120 kilometres which takes place annually in February.
Audiences first glimpse Duma an athletic young man as he is persuaded to do cable theft in the township near where he lives in Soweto. His poverty-stricken background clearly inhabits Duma from reaching his full potential and his risk of being sucked into a life of crime is narrowly avoided when he escapes being caught by the police. His one-time canoeing coach Oupa played by Israel Makoe (Tsosti, The First Grader) encourages Duma to take up canoeing again, where discipline and sportsmanship are required.
In a different social spectrum is Steve Andrews brilliantly played by Grant Swanby, a determined man desperate to complete the Dusi canoe marathon yet his first attempt is scuppered when his canoe snaps in half and he literally runs to the finish line at the mouth of the Umgeni River in Durban.
Director Freimond does not shy away from the complex issue of racial inequalities and emphasizes that sportsmanship is the way to achieve one’s goals in a post-apartheid South Africa continually beset with socio-economic problems. Freimond does not dwell on divisive politics, yet wisely focuses on an uplifting story of how Duma and Steve form a sport man’s bond as they team up to train and compete in the Dusi canoe marathon.
The emotional crux of the story comes when both men let each other into their lives and gain a better perspective of where each man is coming from and what past occurrences have haunted their lives.
Duma, wonderfully played by Lemogang Tsipa who maintains a powerful screen presence, is battling to deal with the loss of his bread-winning mother and has to contend with his overbearing father and younger sister who is battling to be educated in a poverty-stricken environment.
Steve’s marriage to Annie played by Emily Child is on the verge of collapse as he battles to come to terms with the loss of their only son through a freak car accident. Eventually Steve and Duma both confide in each other in order to make their partnership stronger.
Beyond the River is a riveting tale of sportsmanship beautifully filmed in Gauteng and along the Msunduzi and Mgeni Rivers showcasing spectacular scenery in KwaZulu-Natal as the two men battle the raging rivers and eventually make it to Durban.
Through strength and determination both men manage to achieve their goal despite their apparent differences. Beyond the River also features some cameo’s by several South African actors including Ben Voss (Spud, 31 Million Reasons), Black Sails TV star Paul du Toit, Garth Breytenbach (Mandela: Long Walk to Freedom). Kgosi Mongake (Invictus, The Bang Bang Club) is particularly noteworthy as Duma’s rogue friend Zama who unfortunately succumbs to criminal influences.
As an inspirational sports film, Beyond the River is solidly acted and beautifully shot gets a film rating of 7.5 out of 10. Highly recommended viewing especially for Dusi canoe enthusiasts.
Dusi Canoe Marathon – https://en.wikipedia.org/wiki/Dusi_Canoe_Marathon
The Spud Phenomenon
Spud 3: Learning to Fly
Director: John Barker
Cast: Troye Sivan, John Cleese, Casper Lee, Aaron McIlroy, Sven Ruygrok, Grant Swanby, Ben Voss, , Blessing Xaba, Luke Tyler, Alex McGregor
31 Million Reasons director John Barker takes over the helm of the third Spud film, Spud 3: Learning to Fly as the story, based upon a series of hugely successful novels is written for the screen by its author John van de Ruit, follows John Milton aka Spud as he enters Grade 11 or what was known as Standard Nine the year prior to Matric.
The crucial year is 1992 the year of the South African referendum in which white South Africans could vote on whether the then Nationalist Party’s current steps to dismantle apartheid was endorsed by the minority electorate, obliquely referred to in the film by a Sunday Times headline. This is a South Africa pre the 20 years of democracy scenario, and the setting is a wealthy all boys’ boarding school in the KwaZulu-Natal midlands – many of which still exist today.
John Milton, wonderfully played by South African expat, Troye Sivan, escapes the turmoil of his domestic life as his crazy parents seem intent on splitting for divorce after his mother catches his father (played by Durban comedian Aaron McIlroy) flirting with the voluptuous Portuguese neighbour. Back at school, there is trouble with the Crazy Eight (the group of friends who forged their ties in silly antics involving a secret tree house in Spud 2) led by the arrogant Rambo played by Sven Ruygrok, as some of the members aim to be confirmed and become a school prefect.
To make matters worse a new boy arrives from Malawi, Garth Garlic played by teen Youtube sensation Casper Lee, who desperately wants to be accepted into the Crazy Eight. Milton also has the threat of his school scholarship being revoked should he not prove himself both academically, theatrically and on oddly enough on the sports field.
Milton often seeks advice from the caustic and brilliant Guv, wonderfully played by veteran British comedian John Cleese from the Monty Python movies not to mention Faulty Towers. This really was a monumental casting coup for the Spud Trilogy to get someone as prolific as John Cleese to star in a South African film and really improved the marketability of the Spud franchise abroad especially in the UK and Australia where there are large South African expat communities residing.
To make matters worse a new boy arrives from Malawi, Garth Garlic played by teen Youtube sensation Casper Lee, who desperately wants to be accepted into the Crazy Eight. Milton also has the threat of his school scholarship being revoked should he not prove himself both academically, theatrically and on oddly enough on the sports field.
Milton often seeks advice from the caustic and brilliant Guv, wonderfully played by veteran British comedian John Cleese from the Monty Python movies not to mention Faulty Towers. This really was a monumental casting coup for the Spud Trilogy to get someone as prolific as John Cleese to star in a South African film and really improved the marketability of the Spud franchise abroad especially in the UK and Australia where there are large South African expat communities living.
Whilst Spud 2: The Madness Continues was meant to be humorous and silly in parts, Spud 3: Learning to Fly has a stronger script giving more flesh to some of the supporting characters especially the rest of the Crazy Eight gang including Fatty played by Blessings Xaba. The female characters are also better written and Van de Ruit cleverly frames the action of Spud 3 firmly within the third term antics of a disastrous production of Midsummer Night’s Dream at St Catherine’s all girls’ boarding school.
Spud 3: Learning to Fly is a more coherent and less juvenile production showing not only that the characters have matured more as they should have, but the cast has become naturally more familiar with the Spud Phenomenon. This is a humorous family film, with all the recognizable trials and tribulations of teenage boys navigating puberty, peer pressure and that urge to survive high school with their male pride intact. Think a more diluted Dead Poets Society, specifically South African yet unfortunately not filmed in KwaZulu-Natal.
If there is going to be a fourth installment of the Spud franchise let’s hope that it is actually filmed in KZN, showing off Durban and the Midlands for their unique beauty. Director Barker has done this before in the heist thriller 31 Million Reasons in which he really showed Durban off as a superb cinematic location. Spud 3: Learning to Fly is highly recommended viewing, proudly South African, poignant, nostalgic and appealing adding to the huge success of the first two movies.
Slick 31 Million Reasons
31 Million Reasons
31 Million Reasons is part Jackie Brown part Slumdog Millionaire and is set in Durban, Chatsworth and the surrounding areas and focuses on the daring heist of R31 Million from a cash holding facility in Pinetown back in 1997 , dubbed the SBV Robbery. This sleek action heist film based on the book by Naresh Veeran of the same name, premiered at the Durban International Film Festival in 2011 and is brought to the big screen by the producing team of Ross Garland and Brad Logan who make up Roguestar Films responsible for such South African hits as Spud and Confessions of a Gambler.
31 Million Reasons directed by John Barker shows Durban in the opening sequence as hot, sexy and sleek as there is a wonderful opening shot of the palm-tree lined Esplanade, making Durban look its best in a truly Miami-style crime thriller with Barker playing homage to movies like Bad Boys and Jackie Brown. The film focuses mainly on the South African Indian community and follows the adventures of crooked cops in Chatsworth and a shady gangster in the city centre, who plan to rob a cash holding facility in Western Durban. The gang of thieves include Ronnie Gopal played by TV star’s Jack Devnarain, Reggie played by ECR deejay Neville Pillay and theatre personality Hamish Kyd playing Uncle.
There are 31 Million Reasons to go to the cinemas and see this fast paced and entertaining film, with great acting, slick directing and some wonderful Cameo’s by Ben Voss and Jason Fiddler whilst showing off Durban in a truly spicy, cosmopolitan, sometimes sleezy light as a sultry and vibrant African port city.
Like any heist films there are those that get away and those that are caught and while the thieves are trying desperately to conceal such a large amount of cash there is a sharp detective Sashwin played by Meren Reddy who solves the daring crime.
31 Million Reasons is a great testament to the blossoming and diverse South African film industry which will be a sure to attract a wide audience on commercial release and is thoroughly entertaining. Highly Recommended like a Durban Bunny Chow!
Surviving School for the Absurd
Spud
Spud the film adaptation of the bestselling novel by John van de Ruit concerns the trials and tribulations of a schoolboy on the threshold of puberty going to a private boys school in the Natal Midlands abounds with literary references from Joseph Heller’s Catch 22 to Beckett’s Waiting for Godot.
The allusions to the Theatre of the Absurd is not lost on John Milton, the 13 year old boy, nicknamed Spud who escapes his wacky household in Durban North and thrust into the crazy, cruel and bullying world of schoolboys all attempting to be part of a dorm gang who resemble more Lord of the Flies than Dead Poets Society. From the wild antics of his fellow classmates Spud finds refuge in his literary conversations with his English Teacher, Guv, a spot on performance by John Cleese, who is both witty and fragile as a man trapped in an environment he clearly would like to rise above, but cannot gather the courage to do so. The ever sickly and accident prone Gekko becomes Spud’s best friend offering advice on girls, moral support and non-conformity, whilst giving Spud perspective on the situation he is in from their journeys up to Hells View.
Spud is a superb South African film, which has the right balance of pathos and panic, humour and character with great cinematography, first class casting and a real sense of capturing the period of Transitional South Africa in the early 1990’s.
Directed by Donovan Marsh and produced by Ross Garland who also brought the insightful 2007 film based on the memoirs of Radya Jacobs Confessions of a Gambler to the big screen, Spud is drawing in the crowds at all local cinemas gaining the honour of the highest grossing film in SA in the opening week. Both Spud and Confessions of a Gambler deal with characters who go on emotional journeys in hostile environments which are unsympathetic to their own personal growth, showing their own humanity and tenacity, which inevitably shines through.
With John Cleese and Troye Sivan giving excellent performances of teacher and pupil who both go on an often hilarious but very different change of life journeys, Spud is sure to break into the International film scene with the same dexterity that the title character manages to navigate his way through the first year of boarding school in an environment which is as ludicrous as Catch 22 and as treacherous as Dicken’s Oliver Twist.