Posts Tagged ‘Benedict Cumberbatch’

Black Mass

Director: Scott Cooper

Cast: Johnny Depp, Joel Edgerton, Benedict Cumberbatch, Kevin Bacon, Adam Scott, Corey Stoll, David Harbour, Peter Sarsgaard, Dakota Johnson, Julianne Nicholson, Juno Temple.

Crazy Heart director Scott Cooper brings to life a gripping and violent cinematic adaptation of the 2001 non-fiction book Black Mass: The True Story of an Unholy Alliance Between the FBI and the Irish Mob by Dick Lehr and Gerard O’Neill based upon the exploits of Irish-American crime lord and fugitive James “Whitey” Bulger played with a menace not seen on screen since Sweeney Todd, The Demon Barber of Fleet Street, by Oscar nominee Johnny Depp.

Cooper assembles an all-star cast including Benedict Cumberbatch (The Fifth Estate) as Whitey Bulger’s brother and senator William Bulger, Joel Edgerton (The Great Gatsby, Warrior) in a career defining performance as conflicted FBI agent John Connolly, Dakota Johnson as James Bulger’s wife Lindsey and David Harbour (Quantum of Solace) as Connolly’s co-worker John Morris.

Audiences should look out for Kevin Bacon as FBI boss Charles McGuire and a stunning cameo by Peter Sarsgaard (Blue Jasmine) as coked up Florida businessman Brian Halloran and Corey Stoll as the non-nonsense prosecutor Fred Whysak.

James “Whitey” Bulger superbly played by Depp in his most menacing performance yet, is a pure psychopath whose relentless ambition is to rid his own South Boston gang, known as the Winter Hill gang not only of informants, who he casually kills at the drop of a hat but of their main opposition the Italian mafia in the form of the Angiulo Brothers which control North Boston.

Bulger and his band of thugs control South Boston and he soon becomes a so-called informant at the request of oily FBI agent Connolly whose childhood loyalty to Bulger is blinded by the real monster that Bulger has become. This is a man who strangles a prostitute with his bare hands, who casually shoots his friend in the head after a bar room altercation, yet will simultaneously sit down and play cards with his elderly mother. Insight in to the source of Bulger’s psychopathic behaviour comes from a line in Black Mass, when he admits to doing trials for LSD during an eight year prison stint in Alcatraz and Levenworth.

The tipping point in Bulger’s blood thirst occurs when his young son unexpectedly dies from Reyes syndrome after an allergic reaction to aspirin. Bulger’s manipulation of his alliance with Connolly is brilliantly portrayed in Black Mass with Australian actor Joel Edgerton giving a remarkable performance akin to that of Matt Damon in Martin Scorsese’s The Departed.

Connolly is heavily beholden to Bulger and his professional and personal judgement suffers after his close association with such a violent mobster, highlighting the extent of corruption endemic in American cities in the 1980’s. Even Connolly’s wife Marianne played by Julianne Nicholson last seen in August: Osage County remarks on her husband’s new clothes and his flashy almost cocky swagger.

Joel Edgerton deserves an Oscar nomination for his role in Black Mass as does Johnny Depp, although at times the menace portrayed by Depp obliterates any audience empathy for his character. For James “Whitey” Bulger is a true psychopath, blood thirsty, unpredictable, paranoid and completely ruthless. Audiences should be warned of some exceptionally violent scenes in Black Mass, akin to Scorsese’s Goodfellas or Tarantino’s Reservoir Dogs.

Scott Cooper skilfully directs Black Mass and uses the multi-talented cast to bring to cinema the true story of American gangsters in South Boston in the 1970’s and 1980’s while remaining faithful to the source material, based on a meticulously researched screenplay by Jez Butterworth and Mark Mallouk.

Whether Black Mass will garner nominations in the upcoming awards season remains to be seen, but as a film it is worth watching and brilliantly acted. Highly recommended viewing for those that enjoyed Kill the Messenger and The Departed.

The Imitation Game

Director: Morten Tyldum

Cast: Benedict Cumberbatch, Keira Knightley, Matthew Goode, Charles Dance, Rory Kinnear, Alan Leech, Tom Goodman-Hill, Matthew Beard, James Northcote, Steven Waddington

Based upon the 1983 book by Andrew Hodges, Alan Turing: The Enigma and brilliantly adapted into an insightful screenplay by Graham Moore, The Imitation Game is a superb and evocative historical drama about the breaking of the enigma code at Bletchley Park during World War II.

Norwegian director Morten Tyldum elegantly weaves a very touching and tragic story of espionage, cryptography and sexuality extracting nuanced performances out of Benedict Cumberbatch as Turing and Keira Knightley as Joan Clarke, an odd couple who make up the mysterious collective which work on and break the seemingly impossible Nazi enigma code at the height of World War II. Using real war footage and blending in a fascinating portrayal of the mathematician Alan Turing whose genius has only recently been acknowledged.

Set between the years of 1928 and 1951, The Imitation Game paints a moving portrait of a very complicated man, whose brilliance was only threatened by the inherent violence of war which engulfed England during the 1940’s as well as the prejudice which followed regarding his latent homosexuality in the early 1950’s.

Cambridge mathematician graduate whose thesis was entitled the Imitation Game, Alan Turing was socially awkward, shy, bullied at an English prep school but the perfect sort of individual who had the foresight and intelligence to develop a machine which cracked the seemingly unbreakable enigma code, a daily Nazi signal which gave countless GPS co-ordinates of where they would be bombing next during World War II with a minimum of 29 million variations.

Naturally groomed by the newly formed MI6 by Stewart Menzies wonderfully played by Mark Strong, Turing is recognized for his potential and yet later vilified for his own sexuality in a moving portrait of one the 20^th century’s biggest injustices, his charge and subsequent punishment of chemical castration for being homosexual in 1952, when it was still criminalized in Great Britain.

This was despite the fact that Turing’s mathematical brilliance was the reason that the complicated machine which he called Christopher named after a schoolboy crush, manages to decipher this seemingly unbreakable code able to break the Nazi code and prevent World War II from continuing beyond 1945.

Historically there were lots of other reasons the War ended when it did, but The Imitation Game focuses on the people behind the scenes, the cryptanalysts and code-breaking who elusively assisted those fighting on the front line.

Widely regarded as the founding father of theoretical computer science Alan Turing’s life story http://en.wikipedia.org/wiki/Alan_Turing has only recently gained prominence following a Royal pardon and a highly publicized internet campaign to clear Turing’s name and bestow upon him the recognition he never received in his own lifetime.

With a suitably moving musical score by Alexandre Desplat, The Imitation Game is a poignant and superb historical drama of Turing and his band of men and one woman, Joan Clarke, featuring one of the best performances by Knightley (Atonement, Anna Karenina) in a race against time to save the world from tyranny. Turing’s genius as a mathematician came at a price, his apparent lack of emotional empathy yet despite the enormity of his task, he remained ironically detached from the brutal war which engulfed Europe and the world around him.

The Imitation Game is an intelligent historical drama, with universal themes of injustice and perseverance despite the prejudice and the odds against infuriating bureaucracy and time itself. Highly recommended for those viewers that enjoyed Atonement and Another Country.

The Hobbit:

The Battle of the Five Armies

Director: Peter Jackson

Cast: Martin Freeman, Benedict Cumberbatch, Lee Pace, Evangeline Lilly, Richard Armitage, Luke Evans, Orlando Bloom, Christopher Lee, Cate Blanchett, Ian McKellan, Hugo Weaving, Aidan Turner, James Nesbitt, Dean O’Gorman

After the massive success of The Lord of the Rings Trilogy, New Zealand director Peter Jackson (Heavenly Creatures) creates another trilogy out of J. R. R. Tolkien’s first novel The Hobbit with An Unexpected Journey, The Desolation of Smaug and the final film, The Battle of the Five Armies, each film being internationally released sequentially from 2012 to 2014 in time for the Christmas Holidays.

Bilbo Baggins and his gang of dwarves go on a quest to defeat the dreadful dragon Smaug and reclaim the gold hidden in the Dwarf Kingdom of Erebor. The Battle of The Five Armies is naturally pure fantasy and really has to be seen in conjunction with the first two Hobbit films. With hideous orcs and elves fighting each other along with dwarves and humans, lead by Bard the Dragon Slayer (Luke Evans), this is wonderful CGI action and moments of humour thrown in. Whilst the Lord of the Rings Trilogy was a tad darker in tone, the Hobbit is lighter and aiming for a younger audience, but just as enjoyable.

Ably assisted by a great supporting cast including Sir Ian McKellan as Gandolf the Grey, Cate Blanchett as Galadriel, Luke Evans as Bard, Orlando Bloom as the Elf fighter Legolas, Martin Freeman’s portrayal of the beloved Bilbo Baggins caught up in a war far greater than what his pretty shire existence is used to, is perfect. Freeman’s status as an actor has risen considerably after this franchise and his wonderful portrayal as Lester Nygaard in the hit TV series Fargo.

The Hobbit Trilogy is a precursor to the Lord of the Rings Trilogy yet naturally all six films should ideally be seen on the big screen in 3D and digital sound. I watched the first two Hobbit films on DVD, and saw The Battle of the Five Armies in a Cinema and the visual effects were spell bounding especially the scenes with the Dragon Smaug obliterating the human’s village and also the fantastic war sequence which takes up pretty much most of the second half of this film.

There has been criticism that Peter Jackson was milking the Hobbit Story into a multi-million dollar film franchise as the Tolkien’s book is so short, however its quite clear that with the success of the Lord of the Rings Trilogy, the studios gave him free reign, so yes that is precisely what he did, knowing full well that The Hobbit brand marketability would be huge.

Fans of both The Lord of the Rings and The Hobbit Trilogy will certainly not be complaining. Many battles and legends alluded to in the Hobbit novel are superbly expanded upon and given their full cinematic exploration. Middle Earth never looked this glamorous, spectacular and daunting.

Mexican director Guillermo del Toro (Pan’s Labyrinth, Pacific Rim) assists Fran Walsh and Philippa Boyens with screenwriting on the Hobbit movies, so director Peter Jackson can do what he does best – recreating the world of Middle Earth and exploring fantasy in its supreme entirety.

For continuity purposes it also helps having the wonderful Sir Ian McKellan, Oscar winner Cate Blanchett and even veteran screen actor Christopher Lee return to the Hobbit films in supporting roles, making this trilogy just as fun and exciting as the brilliant Lord of the Rings franchise which dazzled audiences in the first decade of the 21^st century. Benedict Cumberbatch voices the evil dragon Smaug which guards a horde of gold belonging to the Dwarf King.

Now the question remains will Peter Jackson tackle the other J. R. R. Tolkien novel The Silmarillion ?

2014 Toronto International Film Festival Winners

Toronto International Film Festival (TIFF) takes place every year in September in Toronto, Canada.

Films which premiere at Toronto are often nominated for Academy Awards the following year.

TIFF does not hand out individual prizes for Best Actor or Actress but focuses on amongst others the following awards:
People’s Choice Award & Best Canadian Feature Film

Opening Night Film: The Judge directed by David Dobkin starring Robert Downey Jr, Robert Duvall, Dax Shepard, Billy Bob Thornton, Vera Farmiga, Vincent D’Onofrio

People’s Choice Award: The Imitation Game directed by Morten Tyldum starring Benedict Cumberbatch, Keira Knightley, Matthew Goode, Mark Strong, Charles Dance, Tom Goodman-Hill

Best Canadian Feature Film: Bang Bang Baby directed by Jeffrey St. Jules starring Jane Levy, Peter Stormare and Justin Chatwin.

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August: Osage County

Director: John Wells

Starring: Meryl Streep, Julia Roberts, Juliette Lewis, Julianne Nicholson, Ewan McGregor, Dermot Mulroney, Chris Cooper, Margo Martindale, Benedict Cumberbatch, Abigail Breslin, Sam Shepard

The Pulitzer Prize winning play by Tracy Letts, August: Osage County comes to the big screen with a stunning ensemble cast headed by the incomparable and superb Meryl Streep (The Iron Lady, Devil Wears Prada) as the pill popping matriarch of the Oklahoma based Weston family, who all gather together when Violet Weston, a malevolent matriarch played by Streep alerts her clan to the sudden and inexplicable disappearance of her heavy drinking poet husband, Bev Weston, a brief appearance by Sam Shepard. Oscar winner Julia Roberts plays the feisty eldest daughter Barbara who drags her straitlaced husband Bill Fordham played by Ewan McGregor and their teenage daughter Jean played by Little Miss Sunshine star Abigail Breslin.

Incidentally the playwright Tracy Letts is also an actor who recently appeared on the Award winning show Homeland. His take on an all female dysfunctional family in his award winning play is both perceptive and wonderfully written with Streep and Roberts savouring some of the best lines like – “Bitch, eat your Fish!”

August: Osage County takes themes of addiction, inter-generational communication along with family secrets and rivalry to new heights as the entire Weston clan gather, but the plot is really anchored by the fierce exchanges between a disorientated Violet and her outspoken daughter Barbara, in a career best performance by Julia Roberts. Streep earned her 18^th Oscar nomination in 2014 for her almost tragic yet bitter performance of Violet Weston, a woman who clearly has not had an easy life on the mid-Western plans and has to cope with all the hardships including bringing up three daughters and an inebriated poet as a husband.

Julia Roberts (Erin Brokovich, Eat, Pray, Love) also earned a 2014 Best Supporting Actress Oscar nomination for her brilliant performance as Barbara, a woman whose marriage is failing and is battling to cope with a rebellious teenage daughter, an uncooperative cheating husband and a matriarchal and incredibly demanding mother. The onscreen tension between Violet and Barbara is beautifully played out against the vast Oklahoma plains, with the landscape providing an emotional resonance to all the familial conflict that the Weston gathering produces where everyone’s own miserable secrets, faults and deceptions soon come to light amidst the hottest month of summer: August.

Director John Wells interweaves the chaotic scenes at the Weston mansion in rural Oklahoma with gorgeous shots of the mid-Western plains, giving a sense that these characters are grappling with not only their own turmoil but their unique identities apart from those prescribed by being part of a larger family group. And what a family it is.

Violet Weston’s two other daughters are the pacifying Ivy played by Julianne Nicholson and the free-spirited youngest Karen, played by Oscar nominee Juliette Lewis (Cape Fear) both of whom have to heed the dominance of their mother and eldest sister, along with the bitter rivalry which ensues.

As with all plays that are turned into film adaptation, much like the four character play Doubt, August: Osage County drives its narrative purely through an electrifying and barbed script, with Streep and Roberts delivering some vicious one-liners. The rest of the cast including Chris Cooper as Uncle Charlie and Margo Martindale, Benedict Cumberbatch (12 Years a Slave) and Dermot Mulroney provide a theatrical sounding board for the predominantly female driven story of rivalry, deception and loneliness.

What elevates August: Ossage County out of pure melodrama, although some aspects of the plot are questionable, is the groundbreaking and utterly absorbing performance of Streep and Roberts as mother and daughter Violet and Barbara fighting each other and their own apparent faults significant in the touching scene when they are both wondering aimlessly through an Oklahoma hayfield. This onscreen rivalry ironically is a reversal of Streep’s performance opposite Shirley Maclaine as Hollywood daughter and mother in the 1990 film about drug addiction, Postcards from the Edge based upon the best selling novel by Carrie Fisher of Star Wars fame.

August: Osage County is a compelling family drama, at times hysterical, at times poignant but a wonderful and incisive examination of a complex family dynamic which forces each member to  come to grips with their own flaws whilst becoming aware of a collective sense of misery, loss and impending loneliness. This film is a master class in ensemble acting and highly recommended viewing.

12 Years a Slave

Director: Steve McQueen

Starring: Chiwetel Ejiofor, Michael Fassbender, Paul Dano, Sarah Paulson, Lupita Nyong’o, Paul Giamatti, Benedict Cumberbatch, Brad Pitt, Quvenzhané Wallis, Michael Kenneth Williams

Based upon Solomon Northup’s groundbreaking novel, 12 Years a Slave published in 1853 http://en.wikipedia.org/wiki/12_Years_a_Slave, British director Steve McQueen brings the critically acclaimed film version to the big screen exposing the cruelty, violence and brutality of the slave trade in the Antebellum Deep South prior to the American Civil War. Audiences have to bear in mind that 12 years a Slave is set in 1841, the first half of the 19^th century when America having broken away from Britain was expanding its nation commercially especially in the Southern States like Georgia, Louisiana and basically most South Eastern states below the Mason-Dixon line from Virginia downwards.

Nevertheless, director McQueen emphasizes the emotional and physical imprisonment of both slave and slave owner in a terrifying master servant relationship which is based entirely on commerce and the expansion of agricultural land in the vast cotton-picking states of the American South East where slave owners viewed slaves as their personal property to be bought, sold or exchanged for debts as part of payment for arable land. Despite the commercial exchange and vicious currency of slavery, this does not excuse the devastating effects it had on the African American people who become slaves often ripping families apart as well as being subjected to all sorts of human rights abuses which would be unimaginable in a 21^st century America with Barack Obama as president.

Slavery is a tough subject to contextualize onscreen and British director McQueen takes the challenge head on and show through the extraordinarily horrific experience of Solomon Northup (superbly played by British actor Chiwetel Ejiofor) who as a free man in Saratoga, New York travels as part of a minstrel band to Washington DC where after a drunken night is drugged and sold into slavery and literally shipped down the Mississippi river to the slave port of New Orleans.

Northup first becomes the property of seemingly benevolent land owner Ford played by Benedict Cumberbatch (The Fifth Estate), but after an altercation with the vicious plantation manager Tibeats an excellent cameo by Paul Dano, is transferred as part of a debt owing to the even more sadistic plantation owner Epps brutally played by Michael Fassbender. On Epps’s cotton picking Louisiana plantation, Northup meets the vulnerable but tough Patsey (an excellent performance by screen newcomer and Kenyan actress Lupita Nyong’o) who becomes the forbidden object of desire by the psychotic, bored and lustful Epps.

It is really Nyong’o’s Patsey who endures rape, torture and a particularly cruel whipping scene which elevates 12 Years a Slave into a shocking and harrowing portrayal of the absolute horrific conditions of 19^th century slavery in the deep South, conditions so horrendous that the Northern states eventually intervened in a bid to abolish slavery resulting in the bloody American Civil War from 1861 to 1865 – http://en.wikipedia.org/wiki/American_Civil_War.

McQueen’s film while at times lacking in narrative structure, is still an absorbing historical portrayal of humanity’s capacity to inflict cruelty and suffering on their fellow humans, a point which Brad Pitt’s character Bass emphasizes and who eventually assists Northup in his bid for emancipation. Shot in the suffocating heat of a Louisiana summer, 12 Years a Slave is atmospheric, brilliantly acted and deeply disturbing and a testament to man’s own ability to survive under vicious circumstances.

Whilst 12 Years a Slave won People’s Choice Award at the 2013 Toronto International Film Festival and has nine 2014 Oscar nominations, it is really the breakout performance of Lupita Nyong’o who shines amongst a British American cast including Alfre Woodard, Sarah Paulson, Paul Giamatti and Benedict Cumberbatch and Quvenzhané Wallis from Beasts of the Southern Wild as Northup’s daughter Margaret.

This is recommended viewing for lovers of historical films, but be warned 12 Years a Slave is cruel, violent and shocking, which is exactly McQueen’s intention in showing up Slavery as one of Mankind’s most atrocious historical eras, a completely ruthless and harrowing practice, offering a contemporary cinematic counterpoint to the 1939 classic Gone With the Wind.

The Fifth Estate

Director: Bill Condon

Starring: Benedict Cumberbatch, Daniel Bruhl, Laura Linney, Stanley Tucci, Dan Stevens, Alicia Vikander, Carice van Houten, Anthony Mackie, David Thewlis

Dreamgirls director Bill Condon takes on the murky and explosive world of Wikileaks in the riveting if not slightly convoluted film The Fifth Estate based on the book by Daniel Berg “Inside WikiLeaks: My Time with Julian Assange at the World’s Most Dangerous Website”. Rising British star Benedict Cumberbatch plays the dislikable and dysfunctional Australian cult-born hacker Julian Assange founder of Wikileaks, currently residing in the Ecuadorean Embassy in London much like Edward Snowden was last seen at a Moscow airport.

Daniel Bruhl plays Daniel Berg a tech reporter at German Magazine Der Spiegel who joins forces with Assange in a revolutionary groundbreaking journey of leaking sensitive diplomatic documents online – the core of Wikileaks. Naturally all sources were initially protected but the information was released online on the most sensitive subjects from cellphone recordings of victims of 9/11 to the rogue clients of a influential Swiss bank Julius Baer Group http://en.wikipedia.org/wiki/Julius_Baer_Group .

At the heart of The Fifth Estate, like in the brilliant Ron Howard film Rush, is a friendship between two men which eventually turns into a bitter rivalry with devastating consequences. Where Assange is reckless and pioneering, notoriously sociopathic, his partner superbly played by Bruhl is conservative, grounded and concerned about the actual consequences of leaking dangerous and sometimes sensitive government information online for the entire world with a laptop to read.

The action starts off with the massive hacking of the NSA (US National Security Agency) diplomatic cables which were leaked online first by deranged US soldier Bradley Manning  now known as Chelsea http://en.wikipedia.org/wiki/Bradley_Manning   who leaked the information to Julian Assange and then in turn strikes a deal with three influential international newspapers  in New York, London and Berlin to release the sensitive and damaging diplomatic secrets of the world’s most powerful nation as it was involved in ongoing military action in Libya, Afghanistan and Iraq back in 2011. All this sensitive information is suddenly available online much to the horror of US under-secretary for the Middle East Sarah Shaw a superb cameo performance by Laura Linney.

Whilst The Fifth Estate’s narrative is an overload of media information which at times detracts from the characters of the story and gives the film its most fundamental flaw. That whilst all this hacking is taking place at conferences in Scandinavia, Iceland and Germany, it detracts from any real character development. Cumberbatch’s Assange comes across as self-absorbed megalomaniac whilst Daniel Bruhl’s character is more rounded by the limited scenes with his long suffering girlfriend Anke Domscheit  played by Alicia Vikander (Anna Karenina).

The Fifth Estate, unlike the brilliant Aaron Sorkin scripted Oscar winning film The Social Network, suffers the fate of a flashy yet interesting film suffering from a poor script and lack of character development. That’s not to say the chain of events is engrossing, which with a figure as controversial as Assange still remains, The Fifth Estate lacks a decent and edited script treatment.

Character actors David Thewlis and Stanley Tucci make the most of their limited screentime as The Guardian editor Nick Davies and US agent James Boswell.  The Fifth Estate suffers too much from contrivance leaving the audience unable to really connect with Assange and Berg who were essentially anti-social hackers out to change the world, but ended up hurting themselves the most.

Ultimately The Fifth Estate is about the viewers own verdict of two whistle blower pioneers who exposed the world’s most intimate secrets using the most powerful and unedited tool of the 21^st century: the internet. The film also stars Carice van Houten from Game of Thrones fame and Dan Stevens from Downton Abbey along with Anthony Mackie (The Hurt Locker).

See it and judge for yourself.

2013 Toronto International Film Festival Winners

Toronto International Film Festival (TIFF) takes place every year in September in Toronto, Canada.

Films which premiere at Toronto are often nominated for Academy Awards the following year.

TIFF does not hand out individual prizes for Best Actor or Actress but focuses on among others the following awards:
People’s Choice Award & Best Canadian Feature Film

Opening Night Film: The Fifth Estate directed by Bill Condon starring Benedict Cumberbatch, Daniel Bruhl, Dan Stevens, David Thewlis, Alicia Vikander, Laura Linney, Stanley Tucci and Carice van Houten

People’s Choice Award: 12 Years a Slave directed by Steve McQueen starring Chiwetel Ejiofor, Michael Fassbender, Brad Pitt, Paul Giamatti, Alfre Woodard, Benedict Cumberbatch, Paul Dano and Sarah Poulson

Best Canadian Feature Film: When Jews were Funny directed by Alan Zweig (documentary) starring Howie Mandel, Shelley Berman, Norm Crosby, Shecky Greene, Jack Carter, David Steinberg

Source: http://en.wikipedia.org/wiki/2013_Toronto_Film_Festival

2009 Toronto International Film Festival Winners

Toronto International Film Festival (TIFF) takes place every year in September in Toronto, Canada.

Films which premiere at Toronto are often nominated for Academy Awards the following year.

TIFF does not hand out individual prizes for Best Actor or Actress but focuses on amongst others the following awards:
People’s Choice Award & Best Canadian Feature Film

Opening Night film: Creation directed by Jon Amiel starring Paul Bettany, Jennifer Connelly, Benedict Cumberbatch, Jim Carter, Guy Henry

People’s Choice Award:  Precious directed by Lee Daniels starring Monique, Gabourey Sidibe, Paula Patton, Mariah Carey & Lenny Kravitz

Best Canadian Feature Film: Cairo Time directed by Ruba Nadda starring Patricia Clarkson, Alexander Siddig & Elena Anaya

Source: http://en.wikipedia.org/wiki/2009_Toronto_International_Film_Festival

Star Trek: Into Darkness

Director: J. J. Abrams

Cast: Chris Pine, Anton Yelchin, Benedict Cumberbatch, Karl Urban, Alice Eve, Chris Hemsworth, Jennifer Morrison, John Cho, Peter Weller, Simon Pegg, Zachary Quinto, Zoe Saldana, Bruce Greenwood

Director J.J. Abrams dazzling reinvention of the Star Trek franchise continues with the glossy sequel to the 2009 smash hit Star Trek with Star Trek: Into Darkness, pulling together the same cast from the original and then adding the amazing talents of big screen-newcomer Benedict Cumberbatch (last seen in the extraordinary Tinker Tailor Soldier Spy) as the evil villain and celestial terrorist Khan, a reinvented character from the 1982 film: Star Trek II: The Wrath of Khan.

Star Trek: Into Darkness opens with a spectacular volcanic sequence on a primal planet in which Captain Kirk rescues his half Vulcan friend Spock from near extinction to the 23^rd century high tech metropolises such as London and San Francisco. Meanwhile back on Earth the sinister superhuman Khan destroys an Enterprise space library in central London and then wages an attack on the commanding officers of the Enterprise fleet at their Californian headquarters before fleeing Earth for a Klingon refuge on a distant planet.

Captain Kirk played with boisterous heroism by Chris Pine and his team including Zachary Quinto as Spock, Simon Pegg as Scotty, Zoe Saldana as Uhura and ubiquitous Karl Urban as Bones, John Cho as Sulu and Anton Yelchin as Chekov head to the outer reaches of Klingon galactic territory and capture Khan, whose wily ways are only revealed as they head back towards earth. Cumberbatch is really superb as the sinister villain and far out does any of his co-stars maybe with the exception of Quinto’s slightly robotic yet sensitive Spock.

The unrequited love between Kirk and Spock is highlighted in a particularly touching scene when the dashing Captain appears to be dying in the heart of the Star Trek Enterprise and Chris Pine’s gorgeous blue eyes make the audience feel for his unfulfilled love as he seemingly expires due to radiation exposure under the mournful gaze of Quinto’s Spock.

But never fear Trekkies, Spock takes revenge on Khan and in a brilliantly orchestrated chase sequence through 23^rd century San Francisco resulting in an extraordinary fight sequence aboard an industrial spacecraft, not to mention a crashing spacecraft taking out Alcatraz.

Whilst Star Trek: Into Darkness has less characterization as the 2009 Star Trek, it really is Cumberbatch’s film as he makes the villain into a truly deceptive sinister terrorist with some superb dialogue.  The rest of the supporting cast ham it up in their Trekkie uniforms without too much in depth characterization whilst the only subplot to attract minor interest is Alice Eve as the blonde weapons expert Carol channeling the Nicole Kidman look as she reveals her complex relationship with her dubious father veteran Captain Marcus played by Peter Weller from Robocop fame.

Star Trek: Into Darkness is for true sci fi fans and whilst not in the same thought-provoking existential vein as Ridley Scott’s Prometheus or Joseph Kosinski’s Oblivion, it is pure glossy sci-fi entertainment and sure to remain an inspiration at future Comicon conventions , not to mention Trekkie conventions from Tokyo to Anaheim.

After all what can audiences expect from the producers of the successful Hawaii 5 0 series, Roberto Orci and Alex Kurtzman but another action-packed brilliant bromance, however this time the visual effects and excellent sound editing triumph over characterization whilst the script retains its mythological narrative that has made the Star Trek franchise so enduring and iconic.