Posts Tagged ‘Cate Blanchett’

2015 CANNES FILM FESTIVAL WINNERS

Winners of the five main prizes at the 2015 Cannes Film Festival were as follows: –

Palme d’Or– Dheepan directed by Jacques Audiard

Best Director – Hou Hsiao-Hsien for The Assassin

Best Actor: Vincent Lindon – The Measure of Man

Best Actress: shared between

Rooney Mara – Carol

Emmanuelle Bercot for Mon roi

Best Screenplay – Michel Franco for Chronic starring Tim Roth and David Dastmalchian

Queer Palm Award: Carol directed by Todd Haynes starring Rooney Mara, Cate Blanchett, Sarah Paulson and Kyle Chandler

Source: 2015 Cannes Film Festival

Cinderella

Director: Kenneth Branagh

Cast: Lily James, Richard Madden, Cate Blanchett, Helena Bonham Carter, Stellan Skarsgaard, Derek Jacobi, Holliday Grainger, Ben Chaplin, Hayley Atwell

Shakespearean actor and director Kenneth Branagh (Thor, King Henry V) vividly recreates the famous tale of Cinderella in a live action film which despite its sumptuous production design does not match up to other recent onscreen fairy tales most notably the brilliant Snow White and the Huntsman and the equally impressive Maleficent.

Downton Abbey’s Lily James takes on the title role of Cinderella and although she is gorgeous to watch onscreen, the famous narrative arc of her tale is not given any particular depth or subliminal meaning. But then again this is a Disney film and the age restriction is parental guidance, with the target audience being young little girls. Judging by the packed cinema on a Saturday afternoon that target market was spot on.

Branagh’s Cinderella is lush, gorgeous and beautiful to watch with a spectacular production design by Dante Ferreti and fabulous costumes by Sandy Powell, Oscar winner for her costumes in Martin Scorsese’s The Aviator.

Oscar winner for Blue Jasmine and The Aviator Cate Blanchett is wonderful as the wicked stepmother and so is Helena Bonham Carter (The King’s Speech, The Wings of a Dove) as Cinderella’s quirky fairy godmother who on the evening of the ball given by the crown prince of their kingdom, Cinderella’s dress, transportation and footmen are sorted for her great entrance at the Ball.

The Ballroom scene is simply amazing and is undoubtedly the high point of the film, but in a similar vein to the gorgeous reproduction of Anna Karenina, the script and acting for Cinderella suffers under the weight of its own expectation.

One almost gets the feeling that the actors were slightly bored going through this famous fairy tale with the exception of the brief scenes by Blanchett and the cameo by Helena Bonham Carter, Cinderella fails to lift audiences beyond its very light and fluffy message – which is for all young girls to find prince charming and live happily ever after.

Prince Charming in this case is played by British actor and Game of Thrones star Richard Madden, bulging codpiece and all, and his penetrating blue eyes do the acting. Director Branagh strictly keeps this traditional Cinderella aimed at the young children’s market obviously upon the instruction of parent company Disney.

Nevertheless, the costumes and the production design are superb and should garner some awards in those categories. Whilst Cinderella lacks the edgier darkness of Snow White and the Huntman and Maleficent, it is still fun to watch especially all those character actors making an appearance from Hayley Atwell, Stellan Skarsgaard and Derek Jacobi.

Disney’s Cinderella is recommended viewing for those that loved Mirror Mirror and for all parents who need to take their daughters to see some serious glamour on the big screen. In this case the fabulous glass slipper fits too comfortably and Cinderella and her prince charming do live happily ever after.

71st Golden Globe Awards

Took place on Sunday 12th  January 2014 hosted by the Hollywood Foreign Press Association

Golden Globe Winners in The Film Categories:

Best Film Drama – 12 Years a Slave

Best Film Musical or Comedy – American Hustle

Best Actor Drama: Matthew McConaughey – Dallas Buyers Club

Best Actress Drama: Cate Blanchett – Blue Jasmine

Best Actor Musical or Comedy: Leonardo DiCaprio – The Wolf of Wall Street

Best Actress Musical or Comedy: Amy Adams – American Hustle

Best Supporting Actor: Jared Leto – Dallas Buyers Club

Best Supporting Actress: Jennifer Lawrence – American Hustle

Best Director: Alphonso Cuaron – Gravity

Best Foreign Language Film – The Great Beauty (Italy)

Source: http://en.wikipedia.org/wiki/71st_Golden_Globe_Awards

65th Golden Globe Awards

The 65th Golden Globe Awards, honoring the best in film and television of 2007, were scheduled to be presented by the Hollywood Foreign Press Association on January 13, 2008. However, due to the Writers Guild of America strike, the traditional awards ceremony did not take place;^[1] instead, the winners were announced at a news conference at 6:00 pm PST on that day (02:00 January 14 UTC).

Golden Globe Winners in The Film Categories:

Best Film Drama: Atonement

Best Film Musical or Comedy: Sweeney Todd, the Demon Barber of Fleet Street

Best Actor Drama: Daniel Day-Lewis – There will be Blood

Best Actor Musical or Comedy: Johnny Depp – Sweeney Todd, the Demon Barber of Fleet Street

Best Actress Musical or Comedy: Marion Cotillard – La Vie en Rose

Best Actress Drama: Julie Christie – Away from Her

Best Supporting Actor: Javier Bardem – No Country for Old Men

Best Supporting Actress : Cate Blanchett – I’m Not There

Best Director: Julian Schnabel – The Diving Bell and the Butterfly

Best Foreign Language Film – The Diving Bell and the Butterfly (France, USA)

Source: http://en.wikipedia.org/wiki/65th_Golden_Globe_Awards

The Hobbit:

The Battle of the Five Armies

Director: Peter Jackson

Cast: Martin Freeman, Benedict Cumberbatch, Lee Pace, Evangeline Lilly, Richard Armitage, Luke Evans, Orlando Bloom, Christopher Lee, Cate Blanchett, Ian McKellan, Hugo Weaving, Aidan Turner, James Nesbitt, Dean O’Gorman

After the massive success of The Lord of the Rings Trilogy, New Zealand director Peter Jackson (Heavenly Creatures) creates another trilogy out of J. R. R. Tolkien’s first novel The Hobbit with An Unexpected Journey, The Desolation of Smaug and the final film, The Battle of the Five Armies, each film being internationally released sequentially from 2012 to 2014 in time for the Christmas Holidays.

Bilbo Baggins and his gang of dwarves go on a quest to defeat the dreadful dragon Smaug and reclaim the gold hidden in the Dwarf Kingdom of Erebor. The Battle of The Five Armies is naturally pure fantasy and really has to be seen in conjunction with the first two Hobbit films. With hideous orcs and elves fighting each other along with dwarves and humans, lead by Bard the Dragon Slayer (Luke Evans), this is wonderful CGI action and moments of humour thrown in. Whilst the Lord of the Rings Trilogy was a tad darker in tone, the Hobbit is lighter and aiming for a younger audience, but just as enjoyable.

Ably assisted by a great supporting cast including Sir Ian McKellan as Gandolf the Grey, Cate Blanchett as Galadriel, Luke Evans as Bard, Orlando Bloom as the Elf fighter Legolas, Martin Freeman’s portrayal of the beloved Bilbo Baggins caught up in a war far greater than what his pretty shire existence is used to, is perfect. Freeman’s status as an actor has risen considerably after this franchise and his wonderful portrayal as Lester Nygaard in the hit TV series Fargo.

The Hobbit Trilogy is a precursor to the Lord of the Rings Trilogy yet naturally all six films should ideally be seen on the big screen in 3D and digital sound. I watched the first two Hobbit films on DVD, and saw The Battle of the Five Armies in a Cinema and the visual effects were spell bounding especially the scenes with the Dragon Smaug obliterating the human’s village and also the fantastic war sequence which takes up pretty much most of the second half of this film.

There has been criticism that Peter Jackson was milking the Hobbit Story into a multi-million dollar film franchise as the Tolkien’s book is so short, however its quite clear that with the success of the Lord of the Rings Trilogy, the studios gave him free reign, so yes that is precisely what he did, knowing full well that The Hobbit brand marketability would be huge.

Fans of both The Lord of the Rings and The Hobbit Trilogy will certainly not be complaining. Many battles and legends alluded to in the Hobbit novel are superbly expanded upon and given their full cinematic exploration. Middle Earth never looked this glamorous, spectacular and daunting.

Mexican director Guillermo del Toro (Pan’s Labyrinth, Pacific Rim) assists Fran Walsh and Philippa Boyens with screenwriting on the Hobbit movies, so director Peter Jackson can do what he does best – recreating the world of Middle Earth and exploring fantasy in its supreme entirety.

For continuity purposes it also helps having the wonderful Sir Ian McKellan, Oscar winner Cate Blanchett and even veteran screen actor Christopher Lee return to the Hobbit films in supporting roles, making this trilogy just as fun and exciting as the brilliant Lord of the Rings franchise which dazzled audiences in the first decade of the 21^st century. Benedict Cumberbatch voices the evil dragon Smaug which guards a horde of gold belonging to the Dwarf King.

Now the question remains will Peter Jackson tackle the other J. R. R. Tolkien novel The Silmarillion ?

Indiana Jones and The Kingdom of the Crystal Skull

Director Steven Spielberg

Cast: Harrison Ford, Shia LaBeouf, Cate Blanchett, John Hurt, Ray Winstone

(Review originally published in June 2008)

Almost twenty years on from the last Indiana Jones film, the fourth installment of Steven Spielberg and George Lucas original blockbuster trilogy, Indiana Jones and the Kingdom of the Crystal Skull had its world premiere at the Cannes film festival last month. The latest Indiana Jones marks the beginning of the so-called American Summer Movie Blockbuster season. Naturally many critics and viewers alike were dubious about the 65-year old Harrison Ford reprising his role as the adventurous globetrotting relic hunter and archaeologist. However, fans of the original three enormously successful films all centering on our whip-cracking hero in search of a mythical artifact at odds with a nefariously evil regime in close pursuit, while journeying to exotic locations around the globe, will not be disappointed with this latest installment.

Obviously, the creators both Lucas and Spielberg, the men behind such fantastic films as the Star Wars trilogy and War of the Worlds, are confident creators and know their territory well. Combining lots of fast-paced action sequences with some surprisingly consistent characterization and additions of new villains and side-kicks, along with some old-style drama, Indiana Jones and the Kingdom of the Crystal Skull is a skillful blending of several genres from the cowboy to the science fiction, while tapping into several imagined mythologies from the ancient Inca lost cultures of the Amazon to the urban myth of Hangar 51 and the Roswell incident, involving the American government’s secretive cover-up of an alien space craft that apparently crash landed in the New Mexican desert in 1947.

This film is set ten years on and firmly places the period of the action in the late 1950’s a time of the Red Scare, with McCarthyism sweeping America, a daunting decade when Communist infiltration was suspected in every aspect of American life. Into the mythology of the Roswell alien sighting at New Mexico and the lost city of El Dorado, an ancient Amazon city of Gold, which was believed to have existed at the Spanish conquest of South America in the early 1500’s, Spielberg and Lucas add the Stalinist era Soviets as Indiana’s arch enemies, headed by a blue-eyed sword wielding villain Dr Irina Spalko, an energetic performance by the Oscar winning Cate Blanchett (The Aviator).

In a rare genius of casting, Karen Allen reprises her role as Marion Ravenwood first seen in Raiders of the Lost Ark and the hot new Hollywood talent, Shia La Beouf stars as the spunky and wild Mudd, sporting a look reminiscent of the young Marlon Brando from his breakthrough film in The Wild One, kitted out in black leather cap and jacket skillfully riding a Harley Davidson and shattering the tranquility of an American town.

Even if you are new to the mythologies of Indiana Jones, this fourth installment is a great piece of entertainment in its own right, with thrilling action sequences, minimal CGI usage and a brilliant storyline tapping into several historical and imagined mythologies, while keeping a sense of humour and retaining a long espoused theory that many of the magnificent architectural wonders of ancient civilizations, from the pyramids of Egypt to the Amazonian Temples are tied into something vastly supernatural and way beyond anything we, as mere mortals, could possibly believe. Whether it’s the quest of infinite knowledge or that promised chalice of immortality, suspend your disbelief and take two hours to see this thrilling, fascinating and much anticipated sequel. Indiana Jones and the Kingdom of the Crystal Skull will surely not disappoint and has already proven its worth in international Box office gold.

The 86th Academy Awards / The Oscars

Sunday 2nd March 2014

OSCAR WINNERS AT THE 86TH ANNUAL ACADEMY AWARDS

Best Picture/Film: 12 Years a Slave

Best Director: Alfonso Cuaron – Gravity

Best Actor: Matthew McConaughey – Dallas Buyers Club

Best Actress: Cate Blanchett – Blue Jasmine

Best Supporting Actor: Jared Leto – Dallas Buyers Club

Best Supporting Actress: Lupita Nyong’o – 12 Years a Slave

Best Adapted Screenplay: John Ridley – 12 Years a Slave

Best Original Screenplay: Spike Jonze – Her

Best Foreign Language Film: The Great Beauty (Italy) directed by Paolo Sorrentino –

http://en.wikipedia.org/wiki/The_Great_Beauty

Best Documentary Film: 20 Feet from Stardom – http://en.wikipedia.org/wiki/20_Feet_from_Stardom

Best Animated Feature: Frozen

Best Cinematography: Emmanuel Lubezki – Gravity

Best Editing: Alfonso Cuaron and Mark Sanger – Gravity

Best Hair and Make-up: Robin Matthews – Dallas Buyers Club

Best Original Score: Steven Price – Gravity

Best Production Design: Catherine Martin – The Great Gatsby

Best Costume Design: Catherine Martin – The Great Gatsby

Best Visual Effects: Gravity

Source: http://www.oscars.org/

The Monuments Men

Director: George Clooney

Starring: George Clooney, Matt Damon, Cate Blanchett, John Goodman, Bob Balaban, Bill Murray, Jean Dujardin, Hugh Bonneville, Sam Hazeldine

Actor and director George Clooney and screenwriter Grant Heslov, the team behind The Men Who Stare at Goats and Good Night and Good Luck, team up for an old-fashioned historical war film about a middle aged group of men who set out during the latter years of World War II to recover most of the stolen art works secretly stashed in Nazi hordes across France, Belgium and parts of Germany from 1943 to 1945 as the Germans retreated in defeat as the tide of war turned against them. Whilst The Monuments Men boasts an all star cast including Bill Murray, Jean Dujardin (from The Artist), John Goodman and Matt Damon, the film doesn’t quite match up to the incisive political comment of the Oscar winning Good Night and Good Luck about the approaching threat of McCarthyism on broadcast journalists in the 1950’s.

Instead, Heslov and Clooney focus more on the after effects of war and looting and the utter destruction of entire communities, mainly the European Jews at the hands of the ruthless Nazi’s during the holocaust. There are moments of humour interjected in a mainly historical narrative about how these men travelled across the European Theatres of War from Paris to Brugge to Normandy to track down the hugely valuable and culturally significant pieces of art works stolen by the Nazi’s from Rembrandts to Michelangelo’s famed sculpture Madonna and child stolen from a Belgium monastery.

There is a brief interlude with Damon  as Captain James Granger teaming up with a French Resistance woman in Paris forced to work for the Nazi’s Claire Simone played by Cate Blanchett, with an indistinguishable European accent. There is the witty banter between Richard Campbell and Preston Savitz played respectively by Bill Murray and Bob Balaban and then there is a wonderful cameo by Hugh Bonneville (Downton Abbey) as Donald Jeffries a British Lieutenant who sobers up to join the Monuments Men to save his famed Madonna.

Whilst at times The Monuments Men comes across as sentimental and nostalgic, it’s because its focusing more on the saving of priceless art than on the horrors of conflict and the utter destruction of parts of Europe. This film is in no league to such Oscar winners as Saving Private Ryan or Anthony Minghella’s elegant The English Patient. Instead The Monuments Men shines light on the aspect of war which is often neglected the looting of treasures by the conqueror over the defeated and the crazy scheme of Hitler’s 3^rd Reich to build a Fuhrer Art Museum in Berlin, which naturally never materialized. If anyone has been to the great art museums of London, Amsterdam, Paris or New York, many viewers will know that much of the greatest artworks was saved and restored to their original glory.

For art historians, The Monuments Men is a delightful and fascinating film, but for lovers of War films, don’t expect loads of action or bloodshed, just lots of barbed humour and the occasional tragic scene as this band of merry men navigate through dangerous battlefields to reclaim the original treasures of war. Recommended for lovers of nostalgic war films.

Blue Jasmine

Director: Woody Allen

Cast: Cate Blanchett, Bobby Cannavale, Sally Hawkins, Michael Stuhlbarg, Peter Sarsgaard, Alec Baldwin, Andrew Dice Clay, Max Casella

Oscar winner Cate Blanchett (The Aviator) gives a tour-de-force performance as the lead character in Woody Allen’s brilliant new American drama Blue Jasmine. Audiences get introduced to Jasmine French a blue-eyed blond hair designer clad Park Avenue socialite as she flies first class to San Francisco to stay with her sister Ginger. Jasmine is all Xanax-popping, Vodka drinking glamour but underneath all the loquaciousness is a woman who has clearly unravelled from a series of financial and social setbacks. Director Allen gradually peals back the layers of Jasmine through a series of flashbacks to her former life in Manhattan and New York where she shared a sumptuous marriage with her shady hedge fund manager cheating husband Hal played by Alec Baldwin and an event which has caused Jasmine to lose everything from her social status to her mind as she clearly flees the East Coast to seek refuge with her non-biological sister Ginger wonderfully played by British actress Sally Hawkins (Happy Go Lucky, Great Expectations) in Northern California.

The contrast between Jasmine and Ginger soon becomes apparent in their diverse taste of men amongst other things. Where Jasmine is clearly drawn to the smooth talking affluent alpha males who will shower her with gifts so as long as she does not need to care about anything embodied by the slimy Hal  (Alec Baldwin), Ginger on a far reduced significant living standard is clearly drawn to the more working class, emotional men from her ex husband Augie played by Andrew Dice Clay and to her new more passionate boyfriend a car mechanic named Chili in a superb performance by Bobby Cannavale (from Boardwalk Empire fame).

Jasmine that has lost everything financially while still retaining her designer wardrobe and always attempts to look glamorous as she clearly delusional realizes that her life has irrevocably changed forever. Soon she is forced to take a job as a receptionist in a dentist surgery in San Francisco with an amorous dentist played by Michael Stuhlbarg (A Serious Man) while attempting to improve her computer literacy skills. Her down to earth impoverished sister Ginger carries an affair with Chili as she works in a suburban grocery store.

Director Woody Allen shows a very incisive portrayal of two women, one constantly on the verge of a nervous breakdown while the other is happy to pursue an elusive yet sustainable dream of survival and happiness. Blue Jasmine clearly belongs to Cate Blanchett as she is almost in every scene of the film and this is a new collaboration between Allen and Blanchett which has proved to be quite masterful, a legendary film director who has rediscovered a more sophisticated and brilliant muse who tackles the flawed but vulnerable Jasmine.

After the recent success of Woody Allen’s European films, mainly Vicky Cristina Barcelona, Midnight in Paris and Matchpoint, the famous and hugely talented director turns back to his first love Manhattan, but viewed through an angle of San Francisco, an oblique and poignant point of view that is almost showing signs of a farewell. What makes Blue Jasmine so masterful is Blanchett’s wonderfully poignant portrayal of the unravelling of a socialite, a performance that is Oscar worthy to say the least, not to mention absolutely riveting. Blue Jasmine is Woody Allen at his best directing one of the most talented actresses of the 21^st century, Cate Blanchett, who I was fortunate to see years ago in a London West End production of David Hare’s play Plenty.

A highly recommended film, Blue Jasmine is sure to garner both Blanchett and Hawkins much praise and attention at the imminent 2014 awards season.

2007 Venice International Film Festival Winners

Venice International Film Festival, known as the Biennale di Venezia takes place annually
in late August, early September and is the oldest Film Festival in the World.

Winners of the 2007 Venice International Film Festival are as follows: –

Golden Lion (Best Film): Lust, Caution directed by Ang Lee

Silver Lion (Best Director): Brian de Palma – Redacted

Best Actor: Brad Pitt – The Assassination of Jesse James by the Coward Robert Ford

Best Actress: Cate Blanchett – I’m Not There

Source: http://en.wikipedia.org/wiki/Venice_International_Film_Festival