Posts Tagged ‘Charles Dance’

The King’s Man

Director: Matthew Vaughn

Cast: Ralph Fiennes, Harris Dickinson, Gemma Arterton, Rhys Ifans, Djimon Hounsou, Matthew Goode, Charles Dance, Daniel Bruhl, August Diehl, Alexandra Maria Lara, Tom Hollander, Alison Steadman, Aaron Taylor-Johnson

Film Rating: 7 out of 10

Running time: 2 hours and 10 minutes

Topping the two previous Kingsman films, this highly anticipated prequel simply titled The King’s Man follows the adventures of Orlando Oxford, or the Duke of Oxford wonderfully played with a nuanced panache by Oscar nominee Ralph Fiennes (Schindler’s List, The English Patient) as we track his valiant attempt to protect his son Conrad Oxford from harm.

The King’s Man fortunately is steeped in historical references and is set between 1902 and 1918. Director Matthew Vaughn places the story between the Anglo-Boer War in South Africa whereby the British were brutally confining Afrikaners in concentration camps to the outbreak of the 1^st World War in Europe which was sparked off by the untimely assassination of Archduke Ferdinand in Sarajevo in 1914.

Orlando Oxford is ably assisted by Shola played by Oscar nominee Djimon Hounsou (Blood Diamond, In America) and Polly played by Gemma Arterton (The Quantum of Solace).

As World War I breaks out, the Duke’s son Conrad played by Harris Dickinson who was brilliant as the kidnapped J. Paul Getty III in Danny Boyle’s excellent TV series Trust, is desperate to fight in the front line. The Duke of Oxford in the meantime is trying to find a way of ending World War One, this atrociously bloody conflict as started by 3 first Cousins, all grandchildren of Queen Victoria: King George of Great Britain, Kaiser Wilhelm of Germany and Tsar Nicholas II of Russia all of whom are dexterously played by Tom Hollander (Gosford Park, Pride and Prejudice).

In a particularly bizarre scene at a Russian ball, The Duke of Oxford and his son battle the outrageous Grigori Rasputin expertly played with sinister flamboyance by Rhys Ifans (Notting Hill, Anonymous).

As the action shifts around the world and director Matthew Vaughn efficiently cuts through all the historical cobwebs to reignite the story of The King’s Man with some stylishly entertaining action scenes, it is Ralph Fiennes as the Duke of Oxford who becomes the action hero in a role which he clearly delighted in playing.

Audiences should look out for some great cameo roles, particularly veteran British actor Charles Dance (The Imitation Game, White Mischief) as Kitchener, Matthew Goode (Brideshead Revisited, A Single Man) as Morton and German actor Daniel Bruhl (Rush, Inglorious Basterds) as the shady Erik Jan Hanussen a malignant advisor to Kaiser Wilhelm of Germany.

Historically, The King’s Man is an intriguing action film, thoroughly entertaining and as a prequel it is sophisticated without taking itself too seriously.

If audiences enjoy a dazzling swashbuckler then The King’s Man which gets a film rating of 7 out of 10 and is far better than the other two Kings Men films Kingsman: The Secret Service and the outlandish Kingsman: The Golden Circle.

This time director Matthew Vaughn does this franchise justice and reiterates the motto that Manners Maketh Man.

Mank

Director: David Fincher

Cast: Gary Oldman, Amanda Seyfried, Tom Burke, Ferdinand Kingsley, Arliss Howard, Charles Dance, Lily Collins, Tuppence Middleton, Toby Leonard Moore, Monika Gossmann, Joseph Cross

This Film is only available on NETFLIX

The Social Network director David Fincher returnswith the unbelievably brilliant story of the screenwriter Herman Mankiewizc in the 2020 film about 1930’s Hollywood Mank starring Oscar winner Gary Oldman as the erudite, heavy drinking screenwriter who become extraordinarily famous when he won the best original screenplay for the most iconic film ever made, director Orson Welles’s Citizen Kane (1941) inspired by the real life story of American media billionaire William Randolph Hearst and his illicit romance with the gorgeous silent screen film star Marion Davies, 30 years his junior.

Fincher cleverly frames every alternate scene in Mank with the formatting for writing screenplays, however what really dazzles is the superb script written by Fincher’s father Jack Fincher.

What is especially thrilling to watch is Gary Oldman delivering another superb performance as the tortured screenwriter who after breaking his leg in a car accident is confined to a ranch in California to finish the original screenplay for the demanding Orson Welles played by Tom Burke.

Oldman’s performance is a companion piece to his Oscar winning turn as Sir Winston Churchill in 2017’s film Darkest Hour. The frame of his character is the same. Mank has young women assisting him, in this case Rita Alexander played by Lily Collins and Fraulein Frida played by Monika Gossmann. Then there is Herman Mankiewizc’s long suffering wife Sara, wonderfully played by British actress Tuppence Middleton (The Imitation Game, The Current War).

What is so masterful about Mank are the fabulous flashback scenes to Mank’s platonic enchantment with the dazzling silent screen diva Marion Davies, superbly played by Amanda Seyfried, who loves to make an impressionable exit especially out of a studio lot.

In these brilliantly executed scenes, Mank and Marion are seen conversing amidst drinks and cigarettes on Hearst’s massive estate, on his bankrolled film sets and more significantly in the social shadow of William Randolph Hearst’s friendship with studio executive Louis B. Mayer who founded Metro-Goldwyn-Mayer or better known as MGM studios a rival to Paramount.

Hearst is played with a regal elegance by famed British character actor Charles Dance (White Mischief) while Mayer is played with an unrecognisable talent by Arliss Howard. Toby Leonard Moore plays David O. Selnick, the producer of Gone with the Wind.

By far the most extraordinary scene in Mank is the fancy dress dinner party in 1937 whereby Mank, utterly drunk, storms into the lavish setting and proceeds to lambast the most important guests at the table including Hearst, Mayor and Marion Davies.

Hearst after Mank’s tirade coolly escorts the inebriated screenwriter out of his mansion reciting the story about the organ grinder’s monkey, alluding to what Mank really is: a clown in a major larger circus. That circus is and always will be show business.  

Any aspiring filmmaker or film analyst studies Citizen Kane, and Mank is a very specific film, a cineaste’s tribute to the Golden age of Hollywood in the 1930’s and 1940’s. It’s best to research the period between 1934 and 1942 in Hollywood to appreciate Mank’s extraordinary elegance and cleverly crafted story.

Mank is sumptuous, intelligently told and Gary Oldman holds the entire film together in his witty and cantankerous fashion giving Mankiewizc a quality of genius bordering on the tragic.

Mank gets a film rating of 8.5 out of 10 and is a film lover’s tribute to cinema, ironically streaming on Netflix and not available in cinemas.

Godzilla II: King of the Monsters

Director: Michael Dougherty

Cast: Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Sally Hawkins, Ken Watanabe, Bradley Whitford, Charles Dance, Thomas Middleditch, Ziyi Zhang (The Grandmaster, The House of Flying Daggers, Crouching Tiger, Hidden Dragon) , C. C. H. Pounder (Baghdad Cafe), Anthony Ramos, O’Shea Jackson Jr

Director Michael Dougherty’s Godzilla II: King of the Monsters should be viewed within the same context as Legendary pictures predecessor films Gareth Edwards’s 2014 film Godzilla and director Jordan Vogt-Roberts Kong: Skull Island

Returning to the cast are scientists Dr Ishiro Serizawa and Dr Vivienne Graham played by Oscar nominee’s Ken Watanabe (The Last Samurai) and Sally Hawkins (The Shape of Water).

Amidst the re-emergence of Godzilla and the global threat of his fellow titans, a selection of invasive species called Mothra, Rodan and the three headed dragon Ghidorah, there is the familial conflict of the Russell family. There is the father Mark played by Kyle Chandler (Argo, Super 8, First Man) and estranged wife Dr Emma Russell played by Oscar nominee Vera Farmiga (Up in the Air) and their beloved daughter Madison played by Stranger Things star Millie Bobby Brown.

As Dr Russell and Madison are captured by the ruthless Jonah Alan played by Charles Dance (White Mischief), Mark Russell with the help of crypto-zoological agency Monarch scientists to unleash Godzilla who is released to fight Ghidorah from the plains of Mexico to the fiery urban landscape of contemporary Boston, Massachusetts.

If viewers are Monster movie fans, then Godzilla II: King of the Monsters is sure to satisfy them with amazing production design and dazzling visual effects as the primordial clash of the titans begins.

Also in the cast are Thomas Middleditch (The Wolf of Wall Street, Kong: Skull Island) as Sam Coleman, Oscar nominee David Strathairn (Good Night, and Good Luck) as Admiral William Stenz who is hell bent on launching nuclear firepower at the Titans to save the earth from being ravaged by monsters.

Other supporting cast members include C.C.H. Pounder from Avatar, Anthony Ramos (A Star is Born), Bradley Whitford (The Post) and Chinese superstar Ziyi Zhang from such classic films as The Grandmaster, The House of Flying Daggers and Ang Lee’s Oscar winning film Crouching Tiger, Hidden Dragon.

As far as plot goes, Godzilla II: King of the Monsters is basically a family drama about the Russell’s as parents fight each other for custody of Madison superbly played by Millie Bobby Brown framed within a larger war between enormous monsters including the trustworthy Godzilla as he battles Mothra, Rodan and the three-headed dragon Ghidorah who likes to devastate cities like the Dragons in the HBO series Game of Thrones.

Godzilla II: King of the Monsters gets a film rating of 7 out of 10 and is extremely enjoyable for those that love monster movies as this cinematic piece is jam packed with crazy beasts ravaging the earth, which serves as an allegorical tale of the unprecedented effects of climate change on this planet.

Me Before You

Director: Thea Sharrock

Cast: Sam Claflin, Emilia Clarke, Janet McTeer, Charles Dance, Stephen Peacocke, Brendan Coyle, Jenna Coleman, Joanna Lumley, Vanessa Kirby, Matthew Lewis, Ben Lloyd-Hughes, Lily Travers

Jojo Moyes’s heart-breaking romantic novel Me Before You was a hit among ladies book clubs around the English speaking world and possibly beyond. So it was inevitable that a big screen version of the celebrated novel should appear. Stage director turned film director Thea Sharrock does a reasonably good job of directing the film version with help from the author who also wrote the screenplay.

It also helps that the two main leads, Emilia Clarke and Sam Claflin are so likable in this film, otherwise Me Before You would never have worked. Ironically both actors are known for appearing in big franchise movies and TV shows. Claflin for his role in the Hunger Games trilogy and more surprisingly Emilia Clarke for her portrayal of Queen of Dragons in the hit HBO series Game of Thrones.

Joining the cast is another Game of Thrones star, British character actor Charles Dance (White Mischief) who plays Will Traynor’s father Stephen and Oscar nominee Janet McTeer (Albert Nobbs) as his mother Camilla.

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Me Before You centres on the tragic but fascinating tale of a wealthy corporate raider Will Traynor who is completely paralysed in a freak motorbike accident in central London. The once athletic and daredevil Traynor in the prime of his life has his mobility completed shattered and lands up becoming a quadriplegic. A devastating blow for his upper class affluent parents who see him as eventually inheriting the family estate which includes a castle.

On the other end of the economic scale, is the quirky and fun Louisa Clark who we first glimpse working as a waitress in a tea shop in a small town in England. Clark as she becomes known in the film, is superbly portrayed by Emilia Clarke, a positive and big hearted girl who soon becomes the carer of the selfish and arrogant Will Traynor who is sullen and angry at life’s cruellest blow.

What transpires in Me Before You is a remarkable love story without the desire of two young people who are both caught at pivotal points in their lives. The emotional arc of the film rests on how both Will and Clarke grow through their shared time together despite the dreaded intention of Will to consider euthanasia in a remote Swiss clinic.

Me Before You is a tearjerker of note, a heartfelt romantic drama which will certainly not leave a dry eye in the house. The film is ably assisted by some nuanced turns by a range of supporting actors including Downton Abbey’s Brendan Coyle as Louisa’s father Brendan Clark and the handsome physiotherapist Nathan played by Stephen Peacocke (Whiskey Tango Foxtrot).

Naturally as Will’s parents Camilla and Stephen, Janet McTeer and Charles Dance do a superb job of both conveying emotional support and regret at the terrible fate which has happened to their only son, the heir apparent to the Traynor fortune.

However, Me Before You really belongs to Emilia Clarke who lights up every scene with her delightful sensitivity as she portrays Louisa Clark to perfection, the carer that ultimately falls in love with her patient.

This beautifully shot romance is highly recommended viewing, a lighter more British version of Julian Schnabel’s superb film The Diving Bell and the Butterfly. Audiences should look out for a brief but amusing cameo by Joanna Lumley as she channels Patsy from Ab Fab in a touching wedding scene.

Victor Frankenstein

Director: Paul McGuigan

Cast: James McAvoy, Daniel Radcliffe, Freddie Fox, Charles Dance, Jessica Brown Findlay, Andrew Scott, Bronson Webb, Callum Turner, Daniel Mays

Lovers of the Victorian Gothic should watch the brilliant combination of James McAvoy (Last King of Scotland, Atonement) and Daniel Radcliffe (Kill Your Darlings) as the budding medical duo, Frankenstein and his faithful assistant Igor in Scottish director Paul McGuigan’s period thriller Victor Frankenstein.

The action starts off in the outskirts of 19^th century Victorian London at Barnaby’s Circus where Dr Frankenstein first glimpses the nameless hunchback as a circus clown, cruelly treated and vilified, until a moment in the performance when the beautiful trapeze artist Lorelei falls off her swing above a crowd of shocked spectators.  Naturally Frankenstein and the hunchback rush to her rescue.

The delusional Frankenstein assists Igor in escaping the circus and brings him back to his cavernous laboratory where he is hell bent on recreating life from stolen animal parts curtesy of the London Zoo. Frankenstein names the hunchback Igor and after a very muscular scene in which he drains the fluid from Igor back and urges him to wear a brace to straighten his posture. Igor is initially taken in by the passionate Frankenstein although he soon realizes that his new found friend is slightly obsessed, delusional and not to mention reckless.

After a failed experiment at the Chiswick Hospital in which Frankenstein attempts to revive an ape like creature much to everyone’s horror, the potential of what they are trying to achieve is recognized by the wealthy and aristocratic Finnegan played with relish by Freddie Fox (The Riot Club).

Despite being admonished by his father Dr Frankenstein, a brief cameo by Charles Dance, for his reckless medical experiments as well as being chased by a determined God-fearing detective Inspector Turpin played by Andrew Scott (Spectre), Victor Frankenstein proceeds with his determined quest to recreate human life using the Lazarus conversion, an electrical method of reviving a reconstructed being and bringing it to life. This would be the hideous and dreaded monster.

Igor in the meantime is flirting with the gorgeous Lorelei played by Downton Abbey’s Jessica Brown Findlay, and in a very theatrical scene takes her to a lavish Victorian ball, yet he is drawn back to rescuing Frankenstein from his obsessive and dangerous behaviour.

The film’s climax moves to a Castle in the dramatic Scottish Highlands, where the final preparations for the revival of Frankenstein’s monster is to take place with much assistance from the creepy Finnegan and huge amounts of electricity.

Victor Frankenstein is not a superb film, but a fun filled revival of the Victorian Gothic genre in the same vein as The Wolfman starring Benicio del Toro and Emily Blunt although not quite as scary.

The costumes designed by Jany Temime who also did Spectre are brilliantly done as well as the inventive production design by Eve Stewart, recreating 19^th century London in a similar fashion to Guy Ritchie’s Sherlock Holmes.

The combination of Radcliffe and McAvoy as mad doctors is a stroke of genius and their onscreen adventures make Victor Frankenstein an enjoyable Victorian action thriller. This is recommended viewing for those that like a bit of dark horror, an intriguing tale told from Igor’s perspective which adds sympathy to the overall image of Frankenstein as more than just a deranged doctor with a God complex.

Woman in Gold

Director: Simon Curtis

Cast: Helen Mirren, Ryan Reynolds, Katie Holmes, Daniel Bruhl, Jonathan Pryce, Frances Fisher, Max Irons, Elizabeth McGovern, Charles Dance, Tatiana Maslany, Moritz Bleibtreu

My Week with Marilyn director Simon Curtis, follows up the success of that film with the brilliant Woman in Gold about art restitution based on a true account of how Maria Altmann an Austrian refugee fought to get Gustav Klimt’s famous and dazzling portrait of her aunt, Woman in Gold restored to her as the rightful owner after it was illegally seized by the Nazi’s in Vienna during the rise of the Third Reich in Europe.

Oscar winner Helen Mirren (The Queen) heads up an eclectic cast as Maria Altmann who approaches a young lawyer also of Austrian descent, Randy Schoenberg wonderfully played by Ryan Reynolds in one of his best screen performances to date to take on the Austrian government in reclaiming the gorgeous painting, which is in fact a family heirloom, now hanging in the Belvedere gallery in Vienna, Austria.

Woman in Gold is set in 1998 in Los Angeles with frequent flashbacks to the late 1930’s in Vienna which also charts the daring escape of young Maria, boldly played by Tatiana Maslany and her fiancé played by Max Irons (The Riot Club) from the Nazi’s who eventually flee to America, leaving her parents and all their wealth and possessions behind.

Director Simon Curtis deals with the thorny and sensitive issue of Art restitution in a nuanced and intelligent way which gives balance to both sides of this deeply complex case. Like George Clooney’s Monument’s Men which dealt also with the Nazi’s sacking Europe of its artistic treasures, Woman in Gold specifically focuses on this case and the exquisite painting Woman in Gold by the illustrious Austrian Cubist artist Gustav Klimt, which is like the Mona Lisa of Austria and a sign of national identity.

The fact that the value of the painting is worth well over R100 million dollars also adds impetus to Randy’s fight but more than that is the emotional toll it takes on both characters as they fight for justice amidst contemporary bigotry and the rightful ownership of a hugely recognizable painting.

Woman in Gold is ably assisted by a wonderful supporting cast including Daniel Bruhl (Rush), Katie Holmes (Pieces of April), Frances Fisher (The Lincoln Lawyer, Titanic), Charles Dance (White Mischief) and Jonathan Pryce (Carrington, Tomorrow Never Dies) but it is essentially held together by the superb performances of Mirren and Reynolds who despite their age difference make the film a fun, informative and deeply emotional quest to correctly addresses the wrongs of the past, in the name of art restitution and justice.

The fact that the international legal fight goes to the Supreme Court, which takes both Schoenberg and Altmann to Washington DC raises the level of the film along with the apparent assistance of the heir to the Estee Lauder fortune.

Woman in Gold is a fascinating, must see film for art lovers, and lovers of intelligent historical films which addresses a very topical and complex issue of restitution, which in this case dazzles with beauty. Highly recommended viewing.

The Imitation Game

Director: Morten Tyldum

Cast: Benedict Cumberbatch, Keira Knightley, Matthew Goode, Charles Dance, Rory Kinnear, Alan Leech, Tom Goodman-Hill, Matthew Beard, James Northcote, Steven Waddington

Based upon the 1983 book by Andrew Hodges, Alan Turing: The Enigma and brilliantly adapted into an insightful screenplay by Graham Moore, The Imitation Game is a superb and evocative historical drama about the breaking of the enigma code at Bletchley Park during World War II.

Norwegian director Morten Tyldum elegantly weaves a very touching and tragic story of espionage, cryptography and sexuality extracting nuanced performances out of Benedict Cumberbatch as Turing and Keira Knightley as Joan Clarke, an odd couple who make up the mysterious collective which work on and break the seemingly impossible Nazi enigma code at the height of World War II. Using real war footage and blending in a fascinating portrayal of the mathematician Alan Turing whose genius has only recently been acknowledged.

Set between the years of 1928 and 1951, The Imitation Game paints a moving portrait of a very complicated man, whose brilliance was only threatened by the inherent violence of war which engulfed England during the 1940’s as well as the prejudice which followed regarding his latent homosexuality in the early 1950’s.

Cambridge mathematician graduate whose thesis was entitled the Imitation Game, Alan Turing was socially awkward, shy, bullied at an English prep school but the perfect sort of individual who had the foresight and intelligence to develop a machine which cracked the seemingly unbreakable enigma code, a daily Nazi signal which gave countless GPS co-ordinates of where they would be bombing next during World War II with a minimum of 29 million variations.

Naturally groomed by the newly formed MI6 by Stewart Menzies wonderfully played by Mark Strong, Turing is recognized for his potential and yet later vilified for his own sexuality in a moving portrait of one the 20^th century’s biggest injustices, his charge and subsequent punishment of chemical castration for being homosexual in 1952, when it was still criminalized in Great Britain.

This was despite the fact that Turing’s mathematical brilliance was the reason that the complicated machine which he called Christopher named after a schoolboy crush, manages to decipher this seemingly unbreakable code able to break the Nazi code and prevent World War II from continuing beyond 1945.

Historically there were lots of other reasons the War ended when it did, but The Imitation Game focuses on the people behind the scenes, the cryptanalysts and code-breaking who elusively assisted those fighting on the front line.

Widely regarded as the founding father of theoretical computer science Alan Turing’s life story http://en.wikipedia.org/wiki/Alan_Turing has only recently gained prominence following a Royal pardon and a highly publicized internet campaign to clear Turing’s name and bestow upon him the recognition he never received in his own lifetime.

With a suitably moving musical score by Alexandre Desplat, The Imitation Game is a poignant and superb historical drama of Turing and his band of men and one woman, Joan Clarke, featuring one of the best performances by Knightley (Atonement, Anna Karenina) in a race against time to save the world from tyranny. Turing’s genius as a mathematician came at a price, his apparent lack of emotional empathy yet despite the enormity of his task, he remained ironically detached from the brutal war which engulfed Europe and the world around him.

The Imitation Game is an intelligent historical drama, with universal themes of injustice and perseverance despite the prejudice and the odds against infuriating bureaucracy and time itself. Highly recommended for those viewers that enjoyed Atonement and Another Country.

Dracula Untold

Director: Gary Shore

Cast: Luke Evans, Dominic Cooper, Sarah Gadon, Charles Dance, Diarmaid Murtagh, Art Parkinson, Noah Huntley

15^th Century Transylvanian Prince Vlad is forced to protect his kingdom from the onslaught of the expanding Ottoman Empire as the Turks threaten to invade his lands enslaving teenage boys for forced conscription to the Turkish army. Through many bloody battles, Prince Vlad, suitably played by Luke Evans (The Fast and the Furious 6) gets the nickname of the Impaler who impales invading armies and unfriendly villagers on gruesome stakes.

Dracula Untold starts in 1442, the height of the middle ages, with Prince Vlad and a group of men entering broken tooth mountain, whereby hidden in a dark cave an evil force looms. That force is an immortal vampire who made a pact with a demon for his eternal bloodsucking powers.

As the Turkish forces advance on Transylvania headed by Sultan Mekmet downplayed by the swarthy Dominic Cooper (The Duchess, The Devil’s Double) threatening to enslave the male population of Vlad’s precarious kingdom and also his precious son Prince Ingeras played by Art Parkinson.

Craving supernatural powers, Vlad rushes off into the evil liar and confronts his fears by sipping from the blood of this manipulative master vampire, wonderfully played by Charles Dance (last seen in HBO’s Game of Thrones) in exchange for extraordinary strength and acute nocturnal abilities.

However like all pacts with the devil there is always a catch. If after three days Vlad drinks human blood again then he will be immortalized as a vampire forever and as per his order of the Dragon, will eternally take the title of the infamous Dracula. However Vlad the Vampire in the course of three days shies away from shining silver, sunlight and wooden crosses, revealing his true form to his disconcerted legions.

With all the mythologies and movie histories surrounding Dracula and vampire, director Gary Shore refreshingly decided not to go the gory or sexually explicit route and in turn creates a tame if not entertaining historical version of Dracula in Dracula Untold, assisted by some great visual effects especially the fight sequence between Vlad and Mekmet amongst bags of glittering silver.

Canadian star Sarah Gadon (Cosmopolis, Belle) plays Vlad’s voluptuous luckless wife, Mirena who unfortunately has to become the bride of Dracula…

Whilst this film is not Twilight or the elegant Neil Jordan film, Interview with a Vampire, Dracula Untold is a mild yet enjoyable middle of the road historical epic about the origins of this mythical bloodsucker giving more credibility to his alter ego as a merciless Transylvanian Prince Vlad, who was willing to sell his soul to the devil to save his mountainous kingdom.

Unlike Francis Ford Coppola’s 1990’s film Bram Stoker’s Dracula, this film is a less ambitious version of the iconic bloodsucker helped by good performances by Evans and Gadon with more seasoned actors like Charles Dance and Dominic Cooper adding some credibility whilst the film focuses more on the historical origins of Dracula than any of the contemporary post-Victorian Gothic reincarnations.

Dracula Untold is recommended viewing for vampire fans and those that like their blood sucking a little light on the veins, moving the film swiftly out of violent epic mode and more into the historical fantasy genre.

2014 Toronto International Film Festival Winners

Toronto International Film Festival (TIFF) takes place every year in September in Toronto, Canada.

Films which premiere at Toronto are often nominated for Academy Awards the following year.

TIFF does not hand out individual prizes for Best Actor or Actress but focuses on amongst others the following awards:
People’s Choice Award & Best Canadian Feature Film

Opening Night Film: The Judge directed by David Dobkin starring Robert Downey Jr, Robert Duvall, Dax Shepard, Billy Bob Thornton, Vera Farmiga, Vincent D’Onofrio

People’s Choice Award: The Imitation Game directed by Morten Tyldum starring Benedict Cumberbatch, Keira Knightley, Matthew Goode, Mark Strong, Charles Dance, Tom Goodman-Hill

Best Canadian Feature Film: Bang Bang Baby directed by Jeffrey St. Jules starring Jane Levy, Peter Stormare and Justin Chatwin.

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