Posts Tagged ‘Christopher Meloni’

Marauders

Director: Steven C. Miller

Cast: Christopher Meloni, Bruce Willis, Dave Bautista, Adrian Grenier, Lydia Hull, Tyler Jon Olson, Christopher Rob Bowen, Ryan O’Nan, Jonathon Schaech, David Gordon

Producers Randall Emmett and George Furla are known for making a whole stack of action films normally set in random US cities most notably 16 Blocks and Broken City. Their latest venture is Marauders directed by Steven C. Miller focusing on a series of well-orchestrated and brutal bank robberies plaguing Cincinnati, Ohio.

Marauders cast includes Christopher Meloni as a FBI agent Montgomery, Dave Bautista (Spectre, Guardians of the Galaxy) as Stockwell and hot shot investigator Wells played by Adrian Grenier (Entourage). There are also appearances by Ryan O’Nan (Eat, Pray, Love) and uncredited role by Jonathon Schaech (Legend of Hercules) as Mimms, a Cincinnati cop who by his interference in the case becomes implicated in it.

A grizzled looking Bruce Willis (Pulp Fiction, Die Hard) plays the CEO of a large Midwestern bank Hubert, whose main monologue at the beginning of the film focuses on a spider climbing a rain drenched skyscraper to get to the top.

Marauders is not a great film, purely because the plot is so convoluted and confusing that at times one doesn’t know who the real enemies are. The murky nature of the intrigue is perhaps the most thrilling part of the film, although what is fascinating about Marauders is its study of declining masculinity.

All four major characters are suffering, particularly Montgomery for brooding over the brutal death of his wife leaving him alone to contemplate glasses of unfinished red wine in the city’s bars or Mimms, who is dealing with his dying wife suffering from pancreatic cancer. All the men are devoid of a feminine influence in their lives to tame their violent tendencies which is instinctive and primal.

Ultimately, that’s where Marauders viewership lies: adult males who love watching violence on screen.

The plot centres on a corrupt Bank CEO, a shady Ohio senator played by David Gordon, and a botched kidnapping in Costa Rica which went south when Hubert’s much younger brother is supposedly killed by a group of rogue State rangers, just before he is supposed to inherit a substantial share of Hubert National Bank.

Despite the murkiness of the plot, the action is good and the acting is saved by a cocky performance by Christopher Meloni who outshines Bruce Willis. Meloni who was so good in White Bird in a Blizzard actually holds the film together while Adrian Grenier does not have much to work with, only really embracing his character towards the end as the film’s denouement is revealed.

Marauders like many of Emmett/Furla films are not superb, but watchable and cater for a specific sub-genre of action films, which appeal to the thirty to forty plus age group of male cinema-goers.

The female characters in Marauders are virtually non-existent, making this a real macho action film about thieves in Cincinnati whose real intention is to seek revenge on the man who set them up five years ago in Central America.

Recommended viewing for those that enjoyed End of Watch, Lone Survivor and 2 Guns.

White Bird in a Blizzard

Director: Gregg Araki

Cast: Shailene Woodley, Eva Green, Shiloh Fernandez, Thomas Jane, Angela Bassett, Christopher Meloni, Gabourey Sidibe, Dale Dickey

The Descendants star Shailene Woodley gives an impressive performance as a sexually charged teenage girl, Kat Connors who discovers her blossoming confidence just as her gorgeous yet unstable mother, Eve, wonderfully played by French actress Eva Green, (The Dreamers, Casino Royale) mysteriously disappears.

Mysterious Skin director Gregg Araki’s startling yet uber cool Eighties drama White Bird in a Blizzard is a bit like Whatever happened to Baby Jane? with a massive twist at the end. So audiences should expect the unexpected.

Assembling a rock star cast including Christopher Meloni as the clueless father, the sumptuous Shiloh Fernandez (Red Riding Hood) as the sexy boy next door, Phil, Gabourey Sidibe star of Precious as Kat Conner’s best friend Beth along with Angela Bassett and Thomas Jane as the grizzled yet carefree police detective. Watch out for a cameo by Sheryl Lee star of the hit TV series Twin Peaks.

White Bird in a Blizzard as seen at the 36^th Durban International Film Festival DIFF subverts everything seemingly domestic about the average American life and turns a seemingly mysterious occurrence in suburban California into something far more sinister and ripe with Freudian references.

On every level, this is a bizarre yet highly amusing film, superbly cast with excellent performances by Woodley and Green as they embark on a tortuous mother-daughter relationship which ignores what is primarily occurring under their noses, undermining their own vanities and exploring hidden agendas from all involved. Eva Green is fabulous as the hip mother who receives little attention from her absent-minded husband while envying the sexual exploits of her beautiful teenage daughter, brilliantly played by Shailene Woodley, who proves she is an actress to watch.

Woodley’s distinct ability to hold her own throughout such a bizarre film is testament to her ever expanding talent which is sure to flourish in years to come. Araki’s frames each shot in the film with an ironic pathos assisted by a nostalgic and cool Eighties soundtrack which includes Depeche Mode.

Everything about White Bird in a Blizzard is wrong in a seriously dysfunctional way. This is a highly entertaining family drama about one young girls’ slow realization that those people surrounding her are certainly not what they claim to be.

Araki’s film is perverse, fabulous and definitely recommended viewing for those audiences which like their narratives as twisted as the intricacies of the most complex of human relationships.

White Bird in a Blizzard is like a Patricia Highsmith novel on acid with a retro Eighties soundtrack. 

Man of Steel

Director: Zack Snyder

Cast: Henry Cavill, Amy Adams, Christopher Meloni, Diane Lane, Kevin Costner, Laurence Fishburne, Michael Shannon, Russell Crowe, Richard Schiff, Ayelet Zurer

Director Zack Snyder’s ambitious retelling of the origins of Superman in Man of Steel is visually dazzling and grittier than the cheesier Superman movies of the late 1970’s and early 1980’s. With Christopher Nolan as the producer and co-writer of Man of Steel, Snyder’s vision of Superman is darker, edgier and more realistic with the occasional humorous nod, but ultimately its firmly rooted in Sci-Fi with Krypton taking a centre stage in the spectacular production design of the opening sequences which shows influences of Snyder’s previous darkly toned blockbusters, 300 and Watchmen.

With newcomer Henry Cavill in the titular role fresh from his role on the TV series The Tudors and relatively unknown outside of the UK, he does a fairly good job of becoming one of America’s iconic figures. In Man of Steel, the comic and sci-fi iconography is rife, with Snyder paying homage to a range of influential Sci-Fi films from Close Encounters of the Third Kind to War of the Worlds, while firmly rooting the narrative in the celestial journey that Kal-El takes from Krypton to Kansas to Superman saving America. There is even a scene of the conflicted Superman in a Kansas church, complete with religious imagery mulling over whether to save his adopted planet Earth from destruction or side with his extraterrestrial origins that of his Kryptonian heritage represented by the ruthless General Zod, expertly played by Michael Shannon (Boardwalk Empire, Premium Rush) who after a period of isolation tracks Superman to Earth and soon brings a wake of devastation from Smallville to Metropolis.

The trick which makes Man of Steel so compelling is that along with the dazzling visual effects, the casting was spot on surrounding newcomer young British actor Henry Cavill with a galaxy of veteran Hollywood stars from Russell Crowe as his birth father Jor-El to Kevin Costner and Diane Lane as his adopted parents Jonathan and Martha Kent. Then there is the brilliant Amy Adams (Doubt, Julie and Julia) cast as the adventure seeking tough investigative journalist Lois Lane, who plays the part in stark contrast to the goofy, slightly dizzy take on the role by Margot Kidder in the original Superman movies.

From Krypton to Kansas…

The narrative is deeply rooted in origins mythology and told through a series of expertly crafted flashbacks about how Kal-El was naturally conceived on Krypton by his birth parents without the help of the sinister looking Genesis Chamber on the doomed planet Krypton and shunted off to earth as the last surviving hope for his celestial race. Kal-El, better known in Kansas as Clark Kent soon discovers his extraordinary powers as a growing boy and transforms into the mature, measured and slightly emotionally stunted Man of Steel, complete with X-Ray vision and high-speed atmospheric flight capabilities. The narrative arc closes when Lois Lane discovers Superman’s origins and naturally as most Superheroes do, he must don the fetching red cape and suitable attire, complete with underpants in the right place saving Earth from the Warrior General Zod, whilst balancing his newfound status as an alien with that of being a saviour of mankind.

Man of Steel is a superb cinematic retelling of the original comic book hero, worth watching for the fantastic opening and closing sequences, with Snyder desperate to cram all aspects of the Superman mythology into this slightly long and explosive action-heavy blockbuster. The only criticism is that the penultimate sequence of the film could have been effectively edited for effect, as the action outweighs the narrative and character development and often resembles a CGI-laden video game.

Snyder’s Superman version in Man of Steel is destined to become a cinematic blockbuster and firmly establish him as a skilled action film director. Whilst not as thrilling or tightly written as Christopher Nolan’s Batman Trilogy, Nolan’s influences are apparent in Snyder’s darker more stylized vision of Superman as another conflicted superhero having to choose between his own dying civilization and becoming the new found saviour of Earth. Recommended viewing for Sci-Fi and Comic book fans, Man of Steel is sure not to disappoint Zack Snyder followers who have eagerly traced his quirky directorial growth from 300 to Watchmen to Suckerpunch and beyond…