Posts Tagged ‘Daniel Bruhl’
The Iron Youth of Germany
All Quiet on the Western Front
Director: Edward Berger
Cast: Felix Kammerer, Albrecht Schuch, Daniel Bruhl, Devid Striesow, Edin Hasanovic, Michael Witterborn, Sebastian Hulk, Anton von Lucke, Aaron Hilmer
Running time: 2 hours and 28 minutes
Film Rating: 8 out of 10
This film is only available on Netflix
Every year on the 11th November at 11h00, England and some European countries mark Armistice Day which is when World War 1 ended but the significance of such an hour on such a day is clearly and brutally illustrated in director Edward Berger’s brilliant German anti-war film All Quiet on the Western Front, a 2022 remake of the 1930 film which won a Best Picture Oscar then.
This film is based on the famous German novel of the same name written by German soldier and World War I survivor Erich Maria Remarque published in 1929. The 2022 version has been nominated for a Golden Globe for Best Foreign Language Film.
If viewers love a really brilliant war film, then All Quiet on the Western Front is highly recommended viewing, an epic film masterfully directed by Edward Berger and featuring an entirely German and Austrian cast including Felix Kammerer as the main character Paul Baumer, a young and idealistic German teenager who like his compatriots at school get pulled into the blind patriotism of German war fever as the German army is battling the French in the incredibly brutal trench warfare on the Western Front, the border between Germany and France. For complete authenticity watch this film in German with English subtitles.
To counterpoint all the violence, horror and utter bloodshed, the narrative also focuses on the diplomatic mission led by Germany to sue for peace with the French, a task given to diplomat Matthias Erzberger wonderfully played by Golden Globe nominee Daniel Bruhl (Rush). The more famous Daniel Bruhl (Inglourious Basterds, 7 Days in Entebbe, Woman in Gold) also served as executive producer of All Quiet on the Western Front and was instrumental on getting this 21st century version of the film made and premiered at the prestigious Toronto International Film Festival in September 2022.
As the hours approach for the ceasefire, a bloodthirsty general is determined to continue fighting the French right up until the last minute before the armistice takes effect, much to the detriment of the 78th Infantry Reserve Regiment in which Paul Baumer is part of along with his fellow soldiers Kat played by Albrecht Schuch, Kropp played by Aaron Hilmer and Tjaden played by Bosnian actor Edin Hasanovic. Collectively they represent the Iron Youth of Germany.
All Quiet on the Western Front, like similar war films including Sam Mendes’s brilliant 1917 and Steven Spielberg’s Saving Private Ryan is a gritty, stark and bloody war film about the meaninglessness of trench warfare and the unnecessary deaths of over 3 million people, many of them young men.
Beautifully shot and extremely captivating, All Quiet on The Western Front gets a film rating of 8 out of 10 and is highly recommended viewing. It’s a fascinating anti-war film about the brutalities of close combat.
Fortune Favours the Bold
The King’s Man
Director: Matthew Vaughn
Cast: Ralph Fiennes, Harris Dickinson, Gemma Arterton, Rhys Ifans, Djimon Hounsou, Matthew Goode, Charles Dance, Daniel Bruhl, August Diehl, Alexandra Maria Lara, Tom Hollander, Alison Steadman, Aaron Taylor-Johnson
Film Rating: 7 out of 10
Running time: 2 hours and 10 minutes
Topping the two previous Kingsman films, this highly anticipated prequel simply titled The King’s Man follows the adventures of Orlando Oxford, or the Duke of Oxford wonderfully played with a nuanced panache by Oscar nominee Ralph Fiennes (Schindler’s List, The English Patient) as we track his valiant attempt to protect his son Conrad Oxford from harm.
The King’s Man fortunately is steeped in historical references and is set between 1902 and 1918. Director Matthew Vaughn places the story between the Anglo-Boer War in South Africa whereby the British were brutally confining Afrikaners in concentration camps to the outbreak of the 1st World War in Europe which was sparked off by the untimely assassination of Archduke Ferdinand in Sarajevo in 1914.
Orlando Oxford is ably assisted by Shola played by Oscar nominee Djimon Hounsou (Blood Diamond, In America) and Polly played by Gemma Arterton (The Quantum of Solace).
As World War I breaks out, the Duke’s son Conrad played by Harris Dickinson who was brilliant as the kidnapped J. Paul Getty III in Danny Boyle’s excellent TV series Trust, is desperate to fight in the front line. The Duke of Oxford in the meantime is trying to find a way of ending World War One, this atrociously bloody conflict as started by 3 first Cousins, all grandchildren of Queen Victoria: King George of Great Britain, Kaiser Wilhelm of Germany and Tsar Nicholas II of Russia all of whom are dexterously played by Tom Hollander (Gosford Park, Pride and Prejudice).
In a particularly bizarre scene at a Russian ball, The Duke of Oxford and his son battle the outrageous Grigori Rasputin expertly played with sinister flamboyance by Rhys Ifans (Notting Hill, Anonymous).
As the action shifts around the world and director Matthew Vaughn efficiently cuts through all the historical cobwebs to reignite the story of The King’s Man with some stylishly entertaining action scenes, it is Ralph Fiennes as the Duke of Oxford who becomes the action hero in a role which he clearly delighted in playing.
Audiences should look out for some great cameo roles, particularly veteran British actor Charles Dance (The Imitation Game, White Mischief) as Kitchener, Matthew Goode (Brideshead Revisited, A Single Man) as Morton and German actor Daniel Bruhl (Rush, Inglorious Basterds) as the shady Erik Jan Hanussen a malignant advisor to Kaiser Wilhelm of Germany.
Historically, The King’s Man is an intriguing action film, thoroughly entertaining and as a prequel it is sophisticated without taking itself too seriously.
If audiences enjoy a dazzling swashbuckler then The King’s Man which gets a film rating of 7 out of 10 and is far better than the other two Kings Men films Kingsman: The Secret Service and the outlandish Kingsman: The Golden Circle.
This time director Matthew Vaughn does this franchise justice and reiterates the motto that Manners Maketh Man.
Operation Thunderbolt
7 Days in Entebbe
Director: Jose Padilha
Cast: Rosamund Pike, Daniel Bruhl, Eddie Marsan, Ben Schnetzer, Nonso Anozie, Mark Ivanir, Denis Menochet, Lior Ashkenzi
Robocop director Jose Padilha directs Rosamund Pike and Daniel Bruhl in the fascinating life recreation of the 1976 Hijack drama of an Air France flight from Tel Aviv to Paris which eventually lands up in Entebbe, Uganda during the reign of Idi Amin.
Pike and Bruhl play Baader Meinhof terrorists and PLO sympathisers Brigitte Kuhlmann and Wilfried Bose even speaking German which is a comfort as Bruhl (Rush, The Zookeepers Wife, Inglourious Basterds) is half Spanish half German.
It’s also refreshing to see the Oscar nominee for Gone Girl, Rosemund Pike play a role against type.
Brazilian director Jose Padilha frames the action and tension of 7 Days in Entebbe within an Israeli contemporary dance number which is inventive and clever. The Book Thief’s Ben Schnetzer plays an Israeli soldier who is tasked along with his battalion to rescue the Israeli passengers from a rundown old Entebbe airport terminal, an efficient military exercise known as Operation Thunderbolt.
Nonso Anonzie makes a brief appearance as Idi Amin, but the real star of 7 Days in Entebbe is the almost unrecognizable Eddie Marsan as the Israeli defence secretary Shimon Peres who would one become Prime Minister of Israel. French actor Denis Menochet (The Program) plays a practical Air France flight engineer who attempts to gain sympathy for the plight of the passengers from the inexperienced terrorist Wilfried Bose.
7 Days in Entebbe is a fascinating recreation of one of Israel’s most daring rescue operations which captured the world’s attention at a time when hijacking was a common terrorist threat.
The tone of the film is definitely pro-Israeli but it is refreshing to watch an action drama which is not Americanized in any way but became one of the highlights of the Israeli military back in the summer of 1976.
Director Jose Padilha effortlessly blends real documentary footage with a brilliant recreation of one of the most bizarre hijackings in aviation history in the riveting 7 Days in Entebbe.
Whilst the film could have been edited in parts, 7 Days in Entebbe is a recommended film for audiences that enjoy stories based on real international events, whatever your political views are on the Arab-Israeli conflict.
Operation Thunderbolt ticks all the right boxes held together by superb performances by the films three main leads: Rosamund Pike, Daniel Bruhl and Eddie Marsan.
7 Days in Entebbe gets a film rating of 7.5 out of 10.
Clash of the Superheroes
Captain America: Civil War
Director: Anthony and Joe Russo
Cast: Robert Downey Jr, Chris Evans, Scarlett Johansson, Elizabeth Olsen, Daniel Bruhl, Anthony Mackie, Jeremy Renner, Chadwick Boseman, William Hurt, Paul Bettany, Martin Freeman, Tom Holland, Alfre Woodard, Frank Grillo, Don Cheadle, Sebastian Stan, Paul Rudd, Emily Van Camp, John Kani, Marisa Tomei
I was never a fan of superhero comics as a kid, but as an adult, the superhero films have captured my imagination. Who can forget The Dark Knight Trilogy by Christopher Nolan who reinvented Batman? Or the recent Batman v Superman blockbuster by Zack Snyder, a sure precursor to the Justice League films set for release in 2017 and 2018?
Moving away from DC comics, their direct rival Marvel has expanded their superhero universe exponentially and in the third installment of Captain America: Civil War, a more iconic superhero pops up, Spiderman curtesy of a Marvel and Sony sharing agreement to reinvent Spiderman within The Avengers universe. Smart move on the part of Marvel and especially Sony whose two previous Spiderman reincarnations were faltering: The Amazing Spiderman and its psychedelic sequel.
Captain America: Civil War features a plethora of superheroes, so many in fact that the inevitable showdown which the title refers to is quite spectacular to behold.
Captain America leads the one camp as he defends his friend Bucky Barnes aka The Winter Soldier, played by Sebastian Stan along with the help of Sam Wilson, aka The Falcon played by Anthony Mackie (The Hurt Locker, Antman), Antman played by the hilarious Paul Rudd, Hawkeye returning from retirement played by the roguish Jeremy Renner.
The other camp is headed up by opinionated tech billionaire Iron Man, wonderfully played again by Robert Downey Jnr, joined by the War Machine played by Don Cheadle (Iron Man 2) and Black Widow played by Scarlett Johansson. Tony Stark aka Iron Man also enlists the help of a young and precocious Peter Parker, wonderfully played by young British actor Tom Holland (The Impossible) as he reinvents Spiderman promising an energetic reinvention when Holland will appear in his stand alone film called Spiderman: Homecoming.
Adding some much needed diversity to The Avengers universe, Black Panther played by Chadwick Boseman (Gods of Egypt), who is also starring in his own origin Black Panther film coming in 2018 also joins team Iron Man as he aggressively fights Bucky Barnes who he believes is responsible for the death of his father, a suitable cameo by South African acting legend John Kani (Coriolanus, The Ghost and the Darkness).
While the Clash of the Superheroes is spectacular and at times appears like a spandex orgy it is really Daniel Bruhl (Rush, Woman in Gold) as the master villain Zemo who has instigated the division between the Avengers as revenge for what occurred in The Avengers: The Age of Ultron, in which his whole family was killed in a supernatural skirmish in some fictional East European country.
Captain America: Civil War is a superb superhero film as the Russo brothers who direct this third instalment of the Captain America trilogy dexterously managing to combine all these diverse superheroes in a brilliant duel whilst also introducing some new and iconic characters. Fans of Iron Man, Ant Man and all The Avengers films will relish this caper standoff sure to capture the imaginations of many Comic con fans and paving the way for Marvel’s relentless cinematic expansion of all their gang of masked crusaders, a sure rival to DC Comics Justice League, although both superhero franchises will definitely benefit financially at the box office.
Captain America: Civil War is highly recommended viewing especially for some superb cameos by seasoned character actors including William Hurt, Alfre Woodard, Martin Freeman and Marisa Tomei.
Demons in the Kitchen
Burnt
Director: John Wells
Cast: Bradley Cooper, Sienna Miller, Daniel Bruhl, Alicia Vikander, Emma Thompson, Omar Sy, Uma Thurman, Matthew Rhys, Stephen Campbell Moore, Lily James, Sam Keeley
Oscar nominee Bradley Cooper (Silver Linings Playbook, American Hustle, American Sniper) gives a sterling and frenetic performance as Michelin star chef Adam Jones in the film Burnt, who returns to London from New Orleans, to redeem himself, his reputation and make amendments with the colleagues he upset during his stint in Paris.
Assembling an eclectic cast including Uma Thurman as a Food Critic, Emma Thompson as a Nurse/Social Worker and Daniel Bruhl as the maitre’d Tony. Burnt is a brilliant examination of one man’s attempt to regain his former culinary glory and even surpass it, with a brittle script by Steven Knight.
The film of course is assisted by the two central and brilliant performances by the blue-eyed Bradley Cooper who really excels in the role of the temperamental and arrogant chef Adam Jones who not only is a demon in the kitchen but has to face his own inner demons. Sienna Miller (American Sniper, Foxcatcher) makes up the second superb performance and is fortunately given much more screen time than she had in both her previous films.
Miller plays aspiring Chef Helene who has to juggle bringing up a little girl and working in a hectic kitchen where it’s not only the male egos that threaten her livelihood but their intense competitiveness. Miller is literally surrounded by demons in the kitchen as she has to stand in for Jones after he is beaten up by some nefarious French gangsters for an outstanding drug debt. The scenes between Sienna Miller and Bradley Cooper are riveting too watch, clearly signifying an onscreen chemistry which is both comfortable and electric.
August: Osage County director John Wells’s new film Burnt is certainly primed for Oscar season and it’s especially Cooper and Miller which deserve some thespian recognition. Audiences, while not salivating over the nouvelle cuisine served up at London’s posh Langham Hotel in the West End, should look out for Matthew Rhys as rival chef Reece who also turns in a superb performance opposite Cooper. Then again Rhys has really proven himself as an actor after roles on the hit show Brothers and Sisters and the excellent espionage series The Americans.
As culinary dramas go, Burnt is a top notch film, held together by a riveting performance by Bradley Cooper as the prima donna chef who not only throws pots and pans, but also his reputation to chance, in a concerted effort to redeem himself in one of the world’s toughest capital cities, London.
At times Steven Knight’s script leaves more questions than answers, however Burnt is redeemed in the acting department with both Miller and Cooper turning in fiery and intense performances ably assisted by a European supporting cast including Alicia Vikander (Man from Uncle), Lilly James (Cinderella), Omar Sy (Jurassic World, Good People) and of course the Golden Globe nominee Daniel Bruhl whose screen presence has certainly been raised after his superb performance as Nikki Lauder in Rush.
For all the foodies out there, Burnt is a must see film and will positively find an international audience with the proliferation of MasterChef programs gripping TV screens around the globe.
Highly recommended viewing for those that enjoyed the superb French film Haute Cuisine and Hundred Foot Journey.
A Dazzling Restitution
Woman in Gold
Director: Simon Curtis
Cast: Helen Mirren, Ryan Reynolds, Katie Holmes, Daniel Bruhl, Jonathan Pryce, Frances Fisher, Max Irons, Elizabeth McGovern, Charles Dance, Tatiana Maslany, Moritz Bleibtreu
My Week with Marilyn director Simon Curtis, follows up the success of that film with the brilliant Woman in Gold about art restitution based on a true account of how Maria Altmann an Austrian refugee fought to get Gustav Klimt’s famous and dazzling portrait of her aunt, Woman in Gold restored to her as the rightful owner after it was illegally seized by the Nazi’s in Vienna during the rise of the Third Reich in Europe.
Oscar winner Helen Mirren (The Queen) heads up an eclectic cast as Maria Altmann who approaches a young lawyer also of Austrian descent, Randy Schoenberg wonderfully played by Ryan Reynolds in one of his best screen performances to date to take on the Austrian government in reclaiming the gorgeous painting, which is in fact a family heirloom, now hanging in the Belvedere gallery in Vienna, Austria.
Woman in Gold is set in 1998 in Los Angeles with frequent flashbacks to the late 1930’s in Vienna which also charts the daring escape of young Maria, boldly played by Tatiana Maslany and her fiancé played by Max Irons (The Riot Club) from the Nazi’s who eventually flee to America, leaving her parents and all their wealth and possessions behind.
Director Simon Curtis deals with the thorny and sensitive issue of Art restitution in a nuanced and intelligent way which gives balance to both sides of this deeply complex case. Like George Clooney’s Monument’s Men which dealt also with the Nazi’s sacking Europe of its artistic treasures, Woman in Gold specifically focuses on this case and the exquisite painting Woman in Gold by the illustrious Austrian Cubist artist Gustav Klimt, which is like the Mona Lisa of Austria and a sign of national identity.
The fact that the value of the painting is worth well over R100 million dollars also adds impetus to Randy’s fight but more than that is the emotional toll it takes on both characters as they fight for justice amidst contemporary bigotry and the rightful ownership of a hugely recognizable painting.
Woman in Gold is ably assisted by a wonderful supporting cast including Daniel Bruhl (Rush), Katie Holmes (Pieces of April), Frances Fisher (The Lincoln Lawyer, Titanic), Charles Dance (White Mischief) and Jonathan Pryce (Carrington, Tomorrow Never Dies) but it is essentially held together by the superb performances of Mirren and Reynolds who despite their age difference make the film a fun, informative and deeply emotional quest to correctly addresses the wrongs of the past, in the name of art restitution and justice.
The fact that the international legal fight goes to the Supreme Court, which takes both Schoenberg and Altmann to Washington DC raises the level of the film along with the apparent assistance of the heir to the Estee Lauder fortune.
Woman in Gold is a fascinating, must see film for art lovers, and lovers of intelligent historical films which addresses a very topical and complex issue of restitution, which in this case dazzles with beauty. Highly recommended viewing.
The Art of Surveillance
A Most Wanted Man
Director: Anton Corbijn
Cast: Philip Seymour Hoffman, Rachel McAdams, Robin Wright, Willem Dafoe, Daniel Bruhl, Nina Hoss, Grigoriy Dobrygin, Rainer Bock
Dutch director of The American, Anton Corbijn skilfully brings to cinematic life the spymaster John le Carre’s novel A Most Wanted Man set in the German port city of Hamburg, the site in which the 9/11 terror attacks emanated from.
Oscar winner Phillip Seymour Hoffman (Capote) in one of his last onscreen performances before his untimely death in New York in 2014, plays German intelligence officer Gunther, an overweight heavy drinking, chain smoking yet patience man who engineers a web of intrigue and surveillance when a Chechen Muslim illegal immigrant arrives in Hamburg seeking asylum.
The immigrant is half Chechen and half Russian and his true reasons for arriving in Hamburg is to claim access to a private bank account held by his Russian father who stashed funds after several covert and illegal Russian/Chechen wars.
The most wanted man, Issa is a Muslim convert, played by Russian actor Grigoriy Dobrygin, who seeks shelter with a Turkish mother and son. They in turn seek advice on his precarious existence with a human rights lawyer and refugee sympathizer Annabelle Richter played against type by Rachel McAdams.
Gunther with the help of his surveillance team including Daniel Bruhl (Rush) as Maximilian and German actress Nina Hoss as Irna Frey who manipulate Annabelle into setting up a play to gain the confidence of Issa whose sudden wealth is being held by a suave German banker Tommy Brue played by Willem Dafoe (Nymphomaniac).
The German surveillance team is interested in where the funds might go, namely to a prominent Muslim businessman Abdullah in Hamburg who is funneling cash to jihadist groups in the Middle East through a shipping company based in Cyprus.
A Most Wanted Man’s opening scene focuses on the murky swirling waters of the river Elbe running through the second largest port in Europe after Rotterdam, a fitting motif for the tricky surveillance and bureaucracy involved in the gathering of intelligence on suspected terrorists post 9/11. This is an intricate geopolitical affair, with allegiances and deception as part of the cold business of espionage in the tradition of Zero Dark Thirty and Tinker Tailor Soldier Spy.
Into the play comes the seemingly sympathetic CIA officer, Martha Sullivan played by Robin Wright, last seen in the excellent series House of Cards. As Gunther increasingly manipulates both Issa and Annabelle to his own advantage without wanting a full scale extradition, the tension and strain becomes almost unbearable.
This is a well plotted gritty thriller without the flashy car chases or violent fight sequences synonymous with The Bourne Trilogy. Director Corbijn opts for a more sedated, yet carefully paced spy narrative, slow moving in parts, rather emphasizing the mental and emotional strain on all those involved especially Gunther, with his unraveling coming to a head at the film’s rather poignant unexpected conclusion.
At just over two hours, A Most Wanted Man could have been edited in parts, but is nevertheless a fascinating study of the excruciating art of surveillance. Recommended for cinema goers who enjoy well-plotted intelligent spy thrillers without the glamour or excitement of a Bond film.
Whistle Blowers Anonymous
The Fifth Estate
Director: Bill Condon
Starring: Benedict Cumberbatch, Daniel Bruhl, Laura Linney, Stanley Tucci, Dan Stevens, Alicia Vikander, Carice van Houten, Anthony Mackie, David Thewlis
Dreamgirls director Bill Condon takes on the murky and explosive world of Wikileaks in the riveting if not slightly convoluted film The Fifth Estate based on the book by Daniel Berg “Inside WikiLeaks: My Time with Julian Assange at the World’s Most Dangerous Website”. Rising British star Benedict Cumberbatch plays the dislikable and dysfunctional Australian cult-born hacker Julian Assange founder of Wikileaks, currently residing in the Ecuadorean Embassy in London much like Edward Snowden was last seen at a Moscow airport.
Daniel Bruhl plays Daniel Berg a tech reporter at German Magazine Der Spiegel who joins forces with Assange in a revolutionary groundbreaking journey of leaking sensitive diplomatic documents online – the core of Wikileaks. Naturally all sources were initially protected but the information was released online on the most sensitive subjects from cellphone recordings of victims of 9/11 to the rogue clients of a influential Swiss bank Julius Baer Group http://en.wikipedia.org/wiki/Julius_Baer_Group .
At the heart of The Fifth Estate, like in the brilliant Ron Howard film Rush, is a friendship between two men which eventually turns into a bitter rivalry with devastating consequences. Where Assange is reckless and pioneering, notoriously sociopathic, his partner superbly played by Bruhl is conservative, grounded and concerned about the actual consequences of leaking dangerous and sometimes sensitive government information online for the entire world with a laptop to read.
The action starts off with the massive hacking of the NSA (US National Security Agency) diplomatic cables which were leaked online first by deranged US soldier Bradley Manning now known as Chelsea http://en.wikipedia.org/wiki/Bradley_Manning who leaked the information to Julian Assange and then in turn strikes a deal with three influential international newspapers in New York, London and Berlin to release the sensitive and damaging diplomatic secrets of the world’s most powerful nation as it was involved in ongoing military action in Libya, Afghanistan and Iraq back in 2011. All this sensitive information is suddenly available online much to the horror of US under-secretary for the Middle East Sarah Shaw a superb cameo performance by Laura Linney.
Whilst The Fifth Estate’s narrative is an overload of media information which at times detracts from the characters of the story and gives the film its most fundamental flaw. That whilst all this hacking is taking place at conferences in Scandinavia, Iceland and Germany, it detracts from any real character development. Cumberbatch’s Assange comes across as self-absorbed megalomaniac whilst Daniel Bruhl’s character is more rounded by the limited scenes with his long suffering girlfriend Anke Domscheit played by Alicia Vikander (Anna Karenina).
The Fifth Estate, unlike the brilliant Aaron Sorkin scripted Oscar winning film The Social Network, suffers the fate of a flashy yet interesting film suffering from a poor script and lack of character development. That’s not to say the chain of events is engrossing, which with a figure as controversial as Assange still remains, The Fifth Estate lacks a decent and edited script treatment.
Character actors David Thewlis and Stanley Tucci make the most of their limited screentime as The Guardian editor Nick Davies and US agent James Boswell. The Fifth Estate suffers too much from contrivance leaving the audience unable to really connect with Assange and Berg who were essentially anti-social hackers out to change the world, but ended up hurting themselves the most.
Ultimately The Fifth Estate is about the viewers own verdict of two whistle blower pioneers who exposed the world’s most intimate secrets using the most powerful and unedited tool of the 21st century: the internet. The film also stars Carice van Houten from Game of Thrones fame and Dan Stevens from Downton Abbey along with Anthony Mackie (The Hurt Locker).
See it and judge for yourself.
Champions of the World
Rush
Director: Ron Howard
Cast: Chris Hemsworth, Daniel Bruhl, James Norton, Olivia Wilde, Christian McKay, David Calder, Julian Rhind-Tutt, Natalie Dormer, Pierfrancesco Favino
Oscar winning director of A Beautiful Mind Ron Howard tackles the fast and affluent world of Formula One Motor Racing in the new biographical drama Rush centering on the brutal and brash rivalry between reckless English racing driver James Hunt, gorgeously played by Australian actor Chris Hemsworth and cautious Austrian driver Niki Lauder, brilliantly played by the European actor Daniel Bruhl.
Screenwriter Peter Morgan (The Queen), who first collaborated with Howard on the slick film version Frost /Nixon offers a crisply written script, as the narrative of Rush doesn’t waste time showing the glamorous international and ruthless world of Formula One racing with drivers speeding around the circuits of Monaco, Kyalami, Monza, Valencia and Sao Paolo. Yet despite all the thrill, danger and spectacle, Morgan weaves a brutal and exacting tale of professional rivalry between Lauder and Hunt framed within the media-frenzied competitive jet set world of Formula One, presenting an ego driven portrait of two men at the peak of their careers, just as he did in the exemplary Frost / Nixon.
The film’s stunning opening scene features Hunt seducing a British nurse played by Natalie Dormer (W.E.) which immediately sets the tone for the 1970’s, a decade known for easy sex, drugs and partying, providing an insight into a carefree decadent era in which the ambitious race car drivers soon graduate to Formula One. Where Lauder is mechanically minded, disciplined and ambitious, James Hunt is reckless, celebrity driven and risk seeking, a driver who is never shy to compete in an ongoing bitter global challenge to become the Number 1 World Championship Racing Car Driver.
Lauder’s wife Marlene is played by Romanian actress Alexandra Maria Lara and the gorgeous Olivia Wilde makes a stunning appearance as beautiful swish model Suzy Miller who soon becomes James Hunt’s wife, despite his reckless lifestyle. From Ibiza to Bologna, from Sao Paulo to Germany, Rush is a superbly orchestrated biopic of the rivalry between these two Champions of the World, and for all those fans of Formula One, this film is not to be missed. Especially look out for the vividly recreated infamous crash sequence that Niki Lauder is involved in as he gets trapped in a fiery Ferrari in the Nurburgring racetrack in Germany in August 1976 along with the riveting final race of the season set on a rain-soaked Japanese track in the shadow of Mount Fiji.
Spanish-German actor Daniel Bruhl best known for Inglourious Basterds is utterly believable as the goal-driven and infamously determined Austrian racing driver Niki Lauder whilst Hemsworth (Snow White and the Huntsman, Thor) proves his worth as a versatile Shakespearean trained actor producing an upper crust English accent. The real star of Rush besides the excellent script and film direction is the unbelievable sound editing, which makes this film all the more worthwhile and gripping in a Digital Cinema. Highly recommended for the glitz bravado, the incredible speed and the blood stained price of success, Rush is a well-crafted film, a winning formula that elegantly delves into a fast paced racing arena really suitable for playboys and daredevils.
2013 Toronto Film Festival
2013 Toronto International Film Festival Winners
Toronto International Film Festival (TIFF) takes place every year in September in Toronto, Canada.
Films which premiere at Toronto are often nominated for Academy Awards the following year.
TIFF does not hand out individual prizes for Best Actor or Actress but focuses on among others the following awards:
People’s Choice Award & Best Canadian Feature Film
Opening Night Film: The Fifth Estate directed by Bill Condon starring Benedict Cumberbatch, Daniel Bruhl, Dan Stevens, David Thewlis, Alicia Vikander, Laura Linney, Stanley Tucci and Carice van Houten
People’s Choice Award: 12 Years a Slave directed by Steve McQueen starring Chiwetel Ejiofor, Michael Fassbender, Brad Pitt, Paul Giamatti, Alfre Woodard, Benedict Cumberbatch, Paul Dano and Sarah Poulson
Best Canadian Feature Film: When Jews were Funny directed by Alan Zweig (documentary) starring Howie Mandel, Shelley Berman, Norm Crosby, Shecky Greene, Jack Carter, David Steinberg
Source: http://en.wikipedia.org/wiki/2013_Toronto_Film_Festival