Posts Tagged ‘Dascha Polanco’

iGilbert

Director: Adrian Martinez

Cast: Adrian Martinez, Dascha Polanco, Raul Castillo, Socorro Santiago, Mozhan Marno, Emilio Delgado

Film Rating: 6.5 out of 10

English and Spanish with English subtitles

Once Upon Time in Venice and Focus actor Adrian Martinez writes, directs and acts in his directorial debut film iGilbert about a diabetic overweight man who lives with his overprotective mother in a Manhattan brownstone and secretly takes pictures of beautiful woman while also spying on his mother’s tenant the voluptuous exotic dancer Jana wonderfully played by Dascha Polanca (Joy, In the Heights).

Psychologically iGilbert is a fascinatingly complex film yet Martinez as writer, director and actor of this film, unfortunately cannot view himself from a distance, so there are unexpected directorial flourishes which detract from the overall narrative. Nevertheless, iGilbert is interesting and disturbing.

It’s a bizarre tale of morally flawed characters that are all cloying at each other’s emotional boundaries, tear drinkers, waiting for the final combustion to occur. There is Jana’s aggressive boyfriend Tony, well played by Raul Castillo who is both possessive and unhinged, an ex-Army War veteran suffering from severe PTSD.

There is Gilbert Gonzalez’s mother Carmen who constantly plies her overweight son with more food despite his obesity, feeding his own insecurities and heightening his secretive voyeuristic tendencies. Carmen is expertly played by Socorro Santiago last seen in director Steve McQueen’s heist film Widows back in 2018.

Then there is detective Rivera who comes to Gilbert’s aid when he reports a rapist to the police. Detective Rivera is played by character TV actress Mozhan Marno who soon realizes that Gilbert has lots of psychological issues which he needs to explore and play out.

There is also Gilbert’s late step father who appears to him in surreal dream sequences: Rodolfo Delgado, a bizarre Charlie Chaplinesque type figure that antagonizes Gilbert adding to his psychological angst and his neurotic voyeuristic tendencies.

Most of the action takes place in and around a Manhattan brownstone, so if audiences are looking for an angst ridden, claustrophobic psychological drama then iGilbert is both entertaining and disturbing.

As a director Adrian Martinez should have handed the project to someone with more experience although he doesn’t do a bad job but his talent is nowhere near the likes of actors turned directors like Ben Affleck, Kenneth Brannagh and Clint Eastwood. Acting, directing and writing your own story is a tough act to follow.

 iGilbert gets a film rating of 6.5 out of 10 and is an unsettling piece of urban cinema all set in New York City.

In The Heights

Director: Jon M. Chu

Cast: Anthony Ramos, Corey Hawkins, Jimmy Smits, Melissa Barrera, Leslie Grace, Jimmy Smits, Gregory Dias IV, Daphine Rubin-Vega, Dascha Polanca, Lin-Manuel Miranda, Olga Merediz, Marc Anthony

Crazy Rich Asians director Jon M. Chu takes on the ambitious project of adapting a Broadway musical In the Heights into a film adaptation and unfortunately the finished product while dazzling and funky has limited appeal and should have been edited considerably.

In the Heights was written by Lin-Manuel Miranda who has a small cameo role as a cool drink seller and based upon the novel by Quiara Alegria Hudes, is set exclusively in the mainly Puerto Rican and Dominican neighbourhood of Washington Heights in Spanish Harlem, New York.

Last seen in a supporting role in the Oscar winning A Star is Born opposite Bradley Cooper and Lady Gaga, Anthony Ramos expertly takes on the main role of Usnavi as a young thirty something Bodega owner who runs a mom and pop store in the heights with the help of his naughty but sharp cousin Sonny wonderfully played by Gregory Dias IV. It’s refreshing to see the talented Anthony Ramos headlining a film.

Audiences should watch out for a cameo by Jennifer Lopez’s ex-husband Marc Anthony as Sonny’s drug fuelled deadbeat father.

Usnavi starts off the film by telling a story to his young children and their friends about the community of Washington Heights and soon the screen explodes into a dazzling dance sequence of exuberant characters and a community which is proud of its Latino roots even if their economic advancement is often stymied by the affluent New York establishment.

With the exception of Sonny and Usnavi’s Cuban grandmother Abuella Claudia played by the brilliant Olga Merediz, the rest of the characters are portrayed with flippant glamour and without much depth including the love interest between Benny played by Corey Hawkins (Kong: Skull Island, BlackKKlansman) and Nina Rosario played by Leslie Grace.

Even well-known actor Jimmy Smits (Rogue One: A Star Wars Story) as Nina’s father Kevin Rosario who is desperate to uplift himself out of the Latino community he is born into, does not get enough screen time or suitable characterization. The conflict between Nina and her father is deepened by her terrible experience at Stanford, an Ivy League University in California.  

The dance numbers in In the Heights are uneven, some of them are excellent especially the sequence with Claudia on a subway train channelling her Cuban immigrant roots while others are terrible including the rap number in the communal swimming pool.

As the story unfolds, the film does not find its feet until the second half when New York is plunged into a three day blackout during a summer heatwave. When the blackout occurs, the real depth of In the Heights ironically shines through.

In the Heights is an enjoyable musical about a section of the Latino community which seldom gets a spotlight shone on them. Despite some good performances, In the Heights at 2 hours and 23 minutes could have been drastically edited.

If viewers love fun musicals then watch In the Heights which gets a film rating 7 out of 10, but this area specific musical has limited appeal.

Joy

Director: David O. Russell

Cast: Jennifer Lawrence, Robert de Niro, Edgar Ramirez, Virginia Madsen, Diane Ladd, Isabella Rossellini, Bradley Cooper, Elisabeth Rohm, Dascha Polanco

Director David O. Russell’s third collaboration with Oscar winner Jennifer Lawrence, Joy is about a feisty daring divorced young mother of two who gambles her entire life savings on her own invention of the Miracle Mop. Loosely based on the true story of Joy Mangano who invented and patented the miracle mop back in the mid-eighties, the film version is a quirky dysfunctional tale of a family who do their best to distract Joy from her primary goal, that of becoming a successful entrepreneur.

Joy’s dizzy mother Terry played by Virginia Madsen is engrossed in glossy eighties soap operas while her father Rudy and greying Casanova, wonderfully played by Robert de Niro, his second appearance in a David O. Russell film after Silver Linings Playbook. Joy’s grandmother is the rock of her world, Mimi played by the irrepressible Diane Ladd (Rambling Rose).

When Rudy starts dating a wealthy Italian widow Trudy, beautifully played Isabella Rossellini in one of her most prolific roles yet, Joy seizes upon an opportunity to ask Trudy to invest in her idea of the miracle mop. However after many unsuccessful attempts to sell her product, primarily outside K. Mart, Joy’s ex-husband, the amiable Venezuelan wanna-be singer, Tony played by Edgar Ramirez (Point Break) suggests that they go and approach a Pennsylvania business man directly.

In a series of chance encounters, Joy meets the head buyer for K. Mart the suave and tough Neil Walker, underplayed by Bradley Cooper, who returns for his fourth collaboration with Jennifer Lawrence after Silver Linings Playbook, American Hustle and Serena. The daring Joy persuades Walker to give her a chance doing a home shopping advert where she can have the golden opportunity to sell the miracle mop to Television consumers a precursor to the Home Shopping Network. Amidst many dodgy business dealings involving elusive suppliers, Joy soon matures into a really tough business woman despite doubts by Trudy who has been her main patron and financial backer.

Joy is an uneven yet quirky film about one daring woman in particular who embraces the American dream, despite the odds and eventually through sheer tenacity succeeds into become a multi-million dollar corporate business woman who embraces the Capitalist work ethic and proves that hard work and determination certainly pays off.

As a film, Joy is by no means David O. Russell’s best work, not nearly outshining Silver Linings Playbook or American Hustle, but what makes the film so watchable and enjoyable is Jennifer Lawrence’s fantastic performance, anchoring the narrative down despite a proliferation of flighty and less reliable characters. It is also refreshing to see Robert de Niro and Isabella Rossellini share so much screen time.

Joy is recommended viewing, a fantastic feel good film with a great supporting cast and a fine truly inspiring performance by Jennifer Lawrence who as usual under the directorial guidance of David O. Russell never disappoints.