Posts Tagged ‘Dev Patel’

Struggle and Vengeance

Monkey Man

Director: Dev Patel

Cast: Dev Patel, Sharlto Copley, Pitobash, Vipin Sharma, Sikander Kher, Adithi Kalkunte, Sobhita Dhulipala, Makarand Deshpande

Running time: 2 hours and 1 minute

Film Rating: 7.5 out of 10

Incorporating Hindu mythology and folklore particularly around the legend of Hanuman, Slumdog Millionaire star Dev Patel pulls off the difficult task of writer, director and actor in his latest film Monkey Man in which he stars as the John Wick inspired hero Kid, who returns to the fictional Indian city of Yatana to avenge the death of his mother by Rana, a brutal local policeman who destroys local tribal land at the request of sociopathic guru Baba Shakti played by Makarand Deshpande.

Shot on location in Indonesia, which doubles for India, Monkey Man is a gritty action film featuring an extremely muscular Dev Patel who certainly with flamboyant dexterity manages to direct, write and act in a very fascinating film entwined with Hindu mythology, violence, fleeting beauty but significantly telling a story of bloodlust and revenge.

MONKEY MAN

Monkey Man is nothing you will expect as a viewer, with lightning fast editing by the editing trio Joe Galdo, David Jansco and Tim Murrell, who expertly craft Monkey Man into a highly energising action film in the tradition of the early Bruce Lee films (think Enter the Dragon) with influences from Eastern action films from Japan to Korea to Indonesia.

Sharlto Copley in MONKEY MAN, directed by Dev Patel

To add some light relief to an otherwise grim and gritty narrative about Kid taking revenge for his mother on the perpetrators who frequent the lavish men’s club The King’s Club, there is South African actor Sharlto Copley (District 9, Chappie, Maleficent) who is cast complete with a hefty South African accent as the shady emcee Tiger in the underground fight club scenes in which Kid fights fellow wrestlers wearing symbolic animal masks for cash. Hence, Kid’s nickname Monkey Man.

Kid after nearly being killed seeks refuge with an outcast tribe of third gender hijra, where the relentless mother of this mystical sari wearing tribe, Alpha played by Vipin Sharma who urges Kid to gain his strength back and boldly navigate the bloody path of struggle and vengeance against the wealthy rulers of Yatana.

What holds Monkey Man together is the muscular performance of Dev Patel who sheds his type cast polite boy image as seen in such films as The Best Exotic Marigold Hotel, Slumdog Millionaire and The Man who Knew Infinity. Patel recreates his own image as a tough action hero and an actor to be reckoned with as he successfully moulds a fascinating Hindu action film complete with mythology, malevolence and malicious intent.

Monkey Man, despite it’s extreme violence, stands as an energising action film which will keep audiences entertained by some exotic action sequences especially the final show down at the Kings Club in downtown Yitana.

Thanks to Oscar winner Jordan Peele (Get Out) who acts as producer on Monkey Man, he fought for Monkey Man to have a theatrical release, ensuring that Dev Patel’s talent will be seen worldwide in cinemas globally and not lost on some obscure streaming site. A brilliant decision indeed.

Director Dev Patel on the set of his film MONKEY MAN

Monkey Man contains some niche appeal, but as a gritty, bloodletting action film it does not disappoint and Dev Patel proves his worth in Hollywood, who upon his arrival as the star of the Oscar winning Slumdog Millionaire in 2008, he was initially treated as an unknown British newcomer, whose talent had to be proven.

Monkey Man through its sheer tenacity and energy, gets a film rating of 7.5 out of 10 and is recommended viewing for those that love fast paced action films complete with wrestling, gun fighting and martial arts.

70th BAFTA Awards

THE  70th BAFTA AWARDS /

THE BRITISH ACADEMY FILM AWARDS

Took place on Sunday 12th February 2017 in London at the Royal Albert Hall

BAFTA WINNERS IN THE FILM CATEGORY:

Best Film: La La Land

Best Director: Damien Chazelle – La La Land

Best Actor: Casey Affleck – Manchester by the Sea

Best Actress: Emma Stone – La La Land

Best Supporting Actor: Dev Patel – Lion

Best Supporting Actress: Viola Davis – Fences

Rising Star Award: Tom Holland

Best British Film: I, Daniel Blake directed by Ken Loach

Best Original Screenplay: Kenneth Lonergan – Manchester by the Sea

Best Adapted Screenplay: Luke Davies – Lion

Best Costume Design: Madeline Fontaine – Jackie

Best Foreign Language Film: Son of Saul – directed by Lazlo Nemes

Best Animated Film: Kubo and the Two Strings

Source: https://en.wikipedia.org/wiki/70th_British_Academy_Film_Awards

 

Finding Ganesh Talai

Lion

Director: Garth Davis

Cast: Dev Patel, Nicole Kidman, Rooney Mara, Sunny Pawar, David Wenham, Priyanka Bose, Abhishek Bharate

If child trafficking or the plight of India’s lost street children is the point of the true life drama Lion, then first time Australian director Garth Davis achieves a momentous and riveting family film made particularly poignant by the breakout performance of the young Saroo, aged five, wonderfully played with a resilience by screen newcomer Sunny Pawar.

Hindi speaking Sunny Pawar portrays the streetwise Saroo, a young Indian boy who after losing his older brother Guddu played by Abhishek Bharate on a train platform in Khandwa, central India mistakenly gets on a decommissioned train heading for Calcultta, some 1600 kilometres away from his family and his beloved mother Kamla played by Priyanka Bose. Surviving on the overcrowded and voluminous streets of Calcutta, Saroo is eventually picked up by child services and placed in a poverty stricken orphanage.

Fortunately, Saroo is adopted by an Australian couple John and Sue Brierley, played by Australian actor David Wenham (300, Public Enemies) and Oscar winner Nicole Kidman (The Hours). Fast forward roughly twenty years from 1987 to 2008 and the young man Saroo, superbly played by Dev Patel (The Best Exotic Marigold Hotel) who burst onto international screens in the Oscar winning smash hit film Slumdog Millionaire in 2008.

In the second half of the film, set in Tasmania, Australia where the twenty something Saroo Brierley starts questioning his real identity in a move to Melbourne where his passion to find his real mother and siblings is ignited with the help of his American girlfriend Lucy, brilliantly played by Oscar nominee Rooney Mara (Carol, The Girl with the Dragon Tattoo).

With the assistance of Google earth and threw a series of random calculations, Saroo manages to identify the exact train station in India where he first went missing and was fatefully separated from his birth family.

With a measured screenplay by Luke Davies coupled with stirring music by Dustin O’ Holloran and Volker Bertelmann, Lion is sure to pull at any audiences heartstrings, as the film intricately explores the issues of family, adopted or birth, identity and the continued quest to find answers.

What makes Lion so exhilarating is the first half of the film primarily focused on the harrowing experiences of young Saroo expertly acted by Sunny Pawar who takes on each challenge in Calcutta with a tenacity and bravery that a very smart young boy is known for. Lion is assisted by strong supporting roles particularly by the ever versatile Kidman as Sue Brierley whose intense scenes with her adopted son, played by Patel are electrifying.

Lion is a nuanced portrayal of one man’s search for his real identity, an emotional journey emblematic of the many train tracks he inadvertently stumbles on both literally and metaphorically.

Director Davis focuses the emotional crux of Lion on an overwhelming human desire to find meaning in one’s existence and a naturally passionate urge to reconnect with one’s birth family. This is a fascinating and complex film, beautifully shot and exceptionally well-acted by Kidman and Patel adding to its cross cultural appeal which is even more refreshing because it does not have an American context.

Lion is highly recommended viewing, an intelligent exploration of a truly extraordinary real life story spanning decades and two very different countries: India and Australia.

Source: https://en.wikipedia.org/wiki/Saroo_Brierley

 

 

A Blissful and Marvellous Reunion

The Second Best Exotic Marigold Hotel

2nd_best_exotic_marigold_hotel_ver2

Director: John Madden

Cast: Judi Dench, Maggie Smith, Dev Patel, Celia Imrie, Diana Hardcastle, Richard Gere, Ronald Pickup, David Strathairn, Penelope Wilton, Bill Nighy, Tamsin Greig

After the surprise success of the delightful 2012 film, The Best Exotic Marigold Hotel, it is no wonder that director John Madden decided to do a companion film and organize a more extravagant and blissful reunion of the cast of the first film with newcomers Richard Gere, no longer the Gigolo, and David Strathairn to make up the male parts for the Second Best Exotic Marigold Hotel set in Jaipur, Mumbai and San Diego.

Whilst the original film was a sort of bitter-sweet adventure, the second film is a celebration and continuation of everything so wonderful and colourful about the possibility of spending one’s Twilight years in the exotic location of Jaipur. This is Shady Pines with colour and vibrancy, wit and humour and proves that the older generation of actors can still pull off a charming and marvellous sequel infused with the energetic Sonny wonderfully played again by Dev Patel (Slumdog Millionaire) and his impending wedding to Sunaina played by Tina Desai.

In The Second Best Exotic Marigold Hotel, Sonny has big plans for expansion and hopes to acquire another rambling hotel in Jaipur to extend his collection of gorgeous establishments for the aged and semi-retired. The scenes between Patel and veteran actress Maggie Smith are crackling with wit and exuberance especially as they approach a major hotel chain based in San Diego for some much needed venture capital to expand their business enterprise.

Back in India, director John Madden expands his palette from the first film and each shot of The Second Best Marigold Hotel is a simulacrum of all the great films made about that subcontinent from David Lean’s A Passage to India and Mira Nair’s Monsoon Wedding making for a positively blissful and gorgeous cinematic reunion.

Subtly directed and beautifully acted, although the story is at times whimsical, each of the British actors from Celia Imrie and Diana Hardcastle to Ronald Pickup and Bill Nighy have more scope and depth in this companion piece which will surely delight all audiences who so enjoyed The Best Exotic Marigold Hotel.

Silver haired Richard Gere’s role as an enigmatic guest Guy Chambers and seducer of Sonny’s mom add to the romance of the Jaipur establishment. The structure of the film is centred around the marriage of Sonny and Sunaina from the lavish engagement party to the actual flamboyant and vibrant wedding. Intertwined with the portrait of young love, is the growing affection between Evelyn and Douglas played with the usual quirkiness by Bill Nighy.

The scenes between Dench and Smith are poignant and nuanced, both Oscar winning accomplished actresses as they give viewers a sense that their imminent cinematic retirement is drawing near, yet their stardom will last forever. Oscar winners Maggie Smith and Judi Dench have had amazing stage and screen careers and it is encouraging to see them still commanding the big screen in an age of the digital blockbuster.

2nd_best_exotic_marigold_hotel_ver3

Whilst The Second Best Exotic Marigold Hotel is not as brilliant or as unique as the first film, it still stands on its own as a delightfully fine companion piece. Judging how packed the cinema was, there is a huge market out there for these gorgeous films aimed at retired viewers who are not always willing to sit through some of the Hollywood commercial cinema which makes up the bulk of the studio releases.

The Second Best Marigold Hotel is recommended viewing for those that enjoyed the first film, and similar movies like Enchanted April, Tea with Mussolini and Ladies in Lavender.

 

 

2008 Toronto Film Festival

2008 Toronto International Film Festival Winners

tiff_2008_poster_toronto

Toronto International Film Festival (TIFF) takes place every year in September in Toronto, Canada.
Films which premiere at Toronto are often nominated for Academy Awards the following year.

TIFF does not hand out individual prizes for Best Actor or Actress but focuses on amongst others the following awards:
People’s Choice Award & Best Canadian Feature Film

Passchendaele

Opening Night film: Passchendaele directed by Paul Gross; starring Paul Gross, Gil Bellows and Caroline Dhavernas

slumdog_millionaire

People’s Choice Award: Slumdog Millionaire directed by Danny Boyle; starring Freida Pinto, Dev Patel, Anil Kapoor and Irrfan Khan

Best Canadian Feature Film: Lost Song directed by Rodrigue Jean; starring Suzie LeBlanc, .

Adoration

Best Canadian Feature Film: (Special Jury Citation)Adoration directed by Atom Egoyan; starring Scott Speedman, , &

Source: http://en.wikipedia.org/wiki/2008_Toronto_International_Film_Festival

Coincidental Exhibitions

Strange Coincidences

So let me tell you a remarkably strange story about coincidences, clear and imagined. In October 2008, whilst returning from a break in the Drakensberg, I had a two day stay in Durban. The first night, I accompanied a family friend to an Exhibition opening at Kizo Gallery, Umhlanga. Being a Monday evening, it was a fairly sedate but definitely prolific crowd that gathered. The artist was Aparna Swarup and featured a beautiful collection of photographs of Allahabad, a place in India, where there is a confluence of three holy rivers. At the exhibition I met the artist’s husband, an Indian diplomat based in Pretoria, Vikas Swarup. The husband was cordial and polite. A chance encounter I thought nothing of at the time.

Golden Globes

Fours months later in January 2009, I am in Johannesburg, watching the Golden Globe awards and suddenly there is buzz about the new Danny Boyle film Slumdog Millionaire. Of course Slumdog wins countless Golden Globe awards and suddenly there is loads of media attention. Looking up the Golden Globe awards, I found that the film Slumdog Millionaire was based on a book Q & A by Vikas Swarup. I still didn’t make any connection until I returned to Durban and the family friend mentioned that the artist’s husband I met was Vikas Swarup and the book was an Indian version centering on a wonderful story of how a poverty-stricken boy comes to be on the Quiz show Who Wants to be a Millionaire set in Mumbai.

slumdog_millionaire

From Shallow Grave

shallow_grave_ver1

to Slumdog Millionaire

The film rights had been taken up and Q and A was filmed as Slumdog Millionaire tipped for Oscar glory. What better director than Danny Boyle the Manchester bred director who had brought British cinema into limelight again with such films as the Scottish thriller Shallow Grave and Trainspotting and launched the careers of Ewan McGregor, Christopher Eccleston and Kerry Fox.

Trainspotting was an instant cult hit in the early 1990s and with a superb soundtrack and frenetic direction, filmgoers saw Edinburgh, crack addiction and trains in an entirely different light. Having met the author of Q and A, now suitably piqued by the curiosity of Danny Boyle’s film version, I purchased the novel and devoured it within a week relishing the wonderful way Swarup entwines the stories of his hero, Jamal with how he manages to reach the final and tantalizing finale of the Quiz show and shedding some light on the horrors and joys of contemporary India.

2009 Oscars come and go, Slumdog Millionaire sweeps the board, the soundtrack wins best original score, the film wins best director for Boyle and suddenly the stars Freda Pinto and Dev Patel are appearing on US talk shows, dancing Bollywood style with the likes of Ellen de Generes. The best part about seeing Slumdog Millionaire for me was watching it in the Supernova theatre at Suncoast Coast and experiencing the full brilliance of such a wonderful and frenetic film, a lush and hectic slant on modern day India. Nothing like watching a film on the big screen, the impact of which surely diminishes once a viewer sees it on DVD.

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