Posts Tagged ‘Eddie Marsan’

Back to Black

Director: Sam Taylor-Johnson

Cast: Marisa Abela, Jack O’Connell, Eddie Marsan, Lesley Manville, Bronson Webb, Sam Buchanan

Running time: 2 hours and 2 minutes

Film Rating: 8 out of 10

UIP Universal release – Film Preview – Suncoast – Thank to UIP Pictures for the invite to the Preview.

Contemporary biopics are difficult to pull off successfully. Often the artist or pop star is still fresh in the collective cultural memory and the British jazz and soul singer Amy Winehouse is no exception.

Director Sam Taylor-Johnson (Fifty Shades of Grey) does a sterling job of creating a contemporary cinematic biopic of Amy Winehouse, the legendary and hugely talented singer who become a music sensation with such songs as Rehab, Back to Black and Love is a losing Game in her latest film Back to Black starring British actress Marisa Abela in the title role opposite a superb Jack O’Connell (Lady Chatterley’s Lover, Ferrari, Unbroken) as Amy’s low life drug addict boyfriend Blake who proves to be the pop singer’s downfall.

Set almost entirely in North London, Back to Black has a great supporting cast including Oscar nominee Lesley Manville (The Phantom Thread) as her grandmother Cynthia and Eddie Marsan (Wrath of Man, The Gentleman) as her devoting father Mitch Winehouse.

As Amy’s career takes off thanks to her music manager Nick Shymansky played by Sam Buchanan, the singer’s talent is offset by her unbridled alcoholism and her refusal to play by the rules of traditional music marketing, which could have made her into a superstar.

At the heart of Back to Black, in which director Sam Taylor-Johnson emphasizes is the immense talent that Amy Winehouse had, whose voice was unbelievable and her soulful husky songs would lead her to win a Grammy Award in 2008 for Best Female Pop Vocal performance.

Both Marisa Abela and Jack O’Connell are brilliant as the tortured toxic couple Amy and Blake whose crazy drug fuelled romance and brief marriage echoed such similar tragic partnerships as Nirvana’s lead singer Kurt Cobain and Courtney Love and Sex Pistols anarchist frontman Sid Vicious and his girlfriend Nancy Spungen.

Back to Black could have been edited in parts, yet the film is saved by Amy Winehouse’s unforgettable music which makes Back to Black worth seeing especially if you are a big fan. Amy’s famous response when she won the Grammy is “This is for Camden Town!”

Unfortunately Amy Winehouse joined the 27 club like Kurt Cobain but her music is what endures and lives on like a flash of brilliance amid the murky years of the early 2000’s in which the director paints London as a dreary city filled with smoky pubs and hardworking North Londoners amidst a British music scene which was recovering from the stupendous Spice Girls hype of the late 1990’s.

As musical biopics go this film is worth watching as a tale about a musical genius whose talent was decimated by her unbridled addiction. The best line in Back to Black is when the police arrest a stark naked Blake, Amy’s husband and asks if there are any drugs in the house? Blake replies “No, we have taken them all.”

Back to Black gets a solid rating of 8 out of 10 and is a commendable musical film from Focus Features who generally never deliver poor quality. Highly recommended viewing.

Wrath of Man

Director: Guy Ritchie

Cast: Jason Statham, Scott Eastwood, Holt Collany, Josh Hartnett, Jeffrey Donovan, Andy Garcia, Eddie Marsan, Chris Reilly, Niamh Agar, Eli Brown

Stylistically not as brilliant as The Gentlemen, maverick British director Guy Ritchie has produced an enjoyable and twisty action thriller with his new film Wrath of Man set in a smoggy Los Angeles.

Ritchie has assembled a mostly male cast for this heist revenge thriller, headed by action man Jason Statham (The Fast and the Furious, Snatch) as the mysterious H; along with Josh Hartnett (Lucky Number Slevin, The Black Dahlia) as Boy Sweat Dave, Holt McCallany as Bullet, Jeffrey Donovan (Let Him Go, Honest Thief) as heist co-ordinator Jackson and Clint Eastwood’s son, Scott Eastwood (Pacific Rim Uprising, The Fate of the Furious) as the villainous Jan. All the action takes place in a murky downtown Los Angeles and centres on the ruthless world of cash-in-transit robberies.

Taking inspiration from the far more glossy Christopher Nolan film Tenet, Guy Ritchie reconstructs the action from several different timelines so initially audiences will be slightly confused but as the narrative unfolds in four parts, all the players will emerge from an intricate plot as H goes on a revenge mission to discover who killed his son Doug played by Eli Brown, who unfortunately happened to be in the car near a vicious robbery and became collateral damage.

While the dialogue in Wrath of Man does not match up to the macho innuendos of Ritchie’s previous British action film The Gentleman, the action and bravado in this film is extremely hectic as H gets embroiled in a plot dreamed up by Jackson to rob the cash in transit depot after all the armoured trucks have received the cash from Black Friday also known as the biggest shopping day on America, the day after Thanksgiving.  

Naturally everything goes south as H. has to defend himself against a ruthless gang of thieves who feel nothing at slitting each other’s throat to get a bigger slice of the spoils. Jackson and the blue-eyed Jan are the main perpetrators and Jeffrey Donovan and Scott Eastwood are well-cast in these parts.

Wrath of Man is a gritty, old fashioned action film about robbers betraying each other and features a surprise cameo by Cuban born actor and Oscar nominee Andy Garcia (The Godfather Part III) as the mysterious Agent King.

Viewers that enjoy a good twisty action film, will love Wrath of Man as they watch H, the tough guy faithfully played by Jason Statham rip out the Lungs, Liver, Heart and Spleen of his victims specifically the vicious psychopath who killed his innocent son during the bloodiest Black Friday heist ever seen.

Certainly not as good as Guy Ritchie’s other films like Sherlock Holmes, The  Gentleman and King Arthur: Legend of the Sword, Wrath of Man is worth seeing for the action sequences and gets a film rating of 7 out of 10.

Catch Wrath of Man in cinemas now.

The Gentlemen

Director: Guy Ritchie

Cast: Hugh Grant, Matthew McConaughey, Charlie Hunnam, Jeremy Strong, Michelle Dockery, Colin Farrell, Henry Golding, Eddie Marsan, Samuel West, Geraldine Somerville

Oscar winner Matthew McConaughey (Dallas Buyers Club) plays entrepreneurial American gangster Mickey Pearson as he takes on British society along with his right hand man Ray wonderfully played by King Arthur star Charlie Hunnam is the new Guy Ritchie action film The Gentlemen which is definitely aimed at the British blokes.

Complete with foul language and an array of fascinating and dubious characters from the Jewish Billionaire Matthew played by Jeremy Strong, the Cockney Cleopatra played against type by Michelle Dockery (Downton Abbey) and Chinese mafia heavyweight Dry Eye played by Henry Golding (Crazy, Rich Asians), The Gentlemen skilfully navigates a web of intrigue as Pearson tries desperately to outwit these bunch of fellow gangsters.

All masterfully told with a kind of camp gossip by the sleazy journalist Fletcher also beautifully played against type by Hugh Grant (Florence Foster Jenkins, Maurice, The Man From Uncle). Guy Ritchie directs this convoluted storyline in his usual retro-editing fashion and self-reflexive style which has become his cinematic trademark.

Thankfully, Ritchie has returned from his brief sojourn directing the Disney classic Aladdin is quite at home the genre of the British gangster flick which is synonymous with his name.

Colin Farrell (In Bruges, Widows, Roman J. Israel, Esq.) makes a brief but relevant appearance as Coach as he mentors a group of housing estate hoodlums which inadvertently work for Mickey Pearson and magically trick various opponents out of the highly coveted stash of weed, which the crime boss is so cleverly concealing on British country estates. Between the Jewish Billionaire, Dry Eye and Pearson, all of them are vying for the title of King of the Jungle.

From hoodies to cultured lords, The Gentleman is a masterful and clever story, told with dexterity by Guy Ritchie while showcasing the full diversity of London as the multi-cultural British capital city.

Samuel West (The Darkest Hour, Howard’s End, On Chesil Beach) makes a brief appearance as Lord Pressfield whose daughter has got caught up with a bunch of junkies.  

Director Guy Ritchie makes a play on all the connotations of what a Gentleman is meant to be: noble, kind, loyal as he names this violent, foul-mouthed and exciting gangster flick The Gentlemen which is not surprising from a creator of such films as Snatch and Lock, Stock and Two Smoking Barrels.

If viewers are looking for a brilliant British gangster flick, then look no further than The Gentlemen which gets a film rating of 8 out of 10. It’s a twisty, violent and flamboyant gangster film featuring an array of super cool characters and crackling dialogue.

Vice

Director: Adam McKay

Cast: Christian Bale, Amy Adams, Sam Rockwell, Steve Carell, Alison Pill, Eddie Marsan, Justin Kirk, Lisa Gay Hamilton, Jesse Plemons, Shea Whigham, Tyler Perry

Thanks to a preview screening organized by United International Pictures at Suncoast Cinecentre, Durban, I was fortunate enough to see director Adam McKay’s highly anticipated biopic Vice about Republican Vice President Dick Cheney featuring an utterly unrecognizable Christian Bale as Cheney and Oscar nominee Amy Adams as his ambitious wife Lynne.

Inventively directed by Adam McKay, Vice does for Republican politics what The Big Short did so brilliantly for the 2008 Financial Meltdown on Wall Street. McKay, besides extracting superb performances out of Christian Bale and Amy Adams, also incisively cuts into the heart of Republican politics especially from George W. H. Bush’s Presidency in 2000 and right through the crucial months which followed the devastating attacks on the World Trade Centre in New York in September 2001 to the eventual invasion of Iraq in 2003.

This is 21^st century contemporary history which affected the world and writer and director McKay taps into the zeitgeist of those crucial turning points which changed American History and effectively portrays Vice President Dick Cheney to be a ruthless and opportunistic politician who believed in the executive powers theory which basically sees the President and Vice President of a country make executive decisions without any checks or balances from Congress or the U. S. House of Representatives.

Vice is an incisive look at American Politics and is much about how America got Trump into the Oval Office in 2016 as it is about any potential Republican failings in terms of U.S. foreign policy.

At the centre of this comedic biopic are two utterly transformative performances by Oscar winner Christian Bale (The Fighter) and Oscar nominee Amy Adams (The Master, Doubt, American Hustle) as this unassuming Wyoming couple who become the most powerful couple at the White House during the Bush administration from 2000-2008, always staying a step ahead of the decision curve.

Oscar winner Sam Rockwell (Three Billboards outside Ebbing, Missouri) is equally charismatic as the young George W. Bush who asks Dick Cheney to be his running mate for the 2000 elections.

Director Adam McKay also assembles an excellent supporting cast including Oscar Nominee Steve Carell (Foxcatcher) as Donald Rumsfeld and Tyler Perry as Colin Powell. 

The film’s narrative is incisively told in a cleverly constructed pastiche of dubious politics touching on some controversial subjects like torture and rendition with some extremely graphic images thrown in.  Vice is a fascinating portrait of an unassuming bureaucrat who becomes so powerful that he fabricated reasons to invade a sovereign state and start the American invasion of Iraq, a move which definitely destabilized the Middle East as a whole.

For lovers of excellent political films, then viewers have to see Vice.

It’s an incredibly well researched indictment of the Republican Party made all the more pertinent by the disruptive Trump presidency which is currently dominating global media headlines.

Adam McKay’s Vice is brilliant and thought-provoking making Christian Bale a hot contender for another Oscar win as his transformative performance dazzles in every frame much like Gary Oldman ‘s vivid portrayal of Winston Churchill in Darkest Hour.

Vice gets a film rating of 8 out of 10 and accurately portrays how decisive strategic political actions by a global superpower like America can be indirectly attributed to the rise of global conflict and international terrorism in other regions of the world. Terrifying and fascinating stuff!

Deadpool 2

Director: David Leitch

Cast: Ryan Reynolds, T. J. Miller, Josh Brolin, Morena Baccarin, Eddie Marsan, Kodi Smit-McPhee

Ryan Reynolds reprises his role as kickass superhero Deadpool in the sequel which quite frankly disappointed on all levels. Perhaps, my mood wasn’t quite into hyper-vulgarity or sleazy violence or spoof making.

Deadpool 2 makes fun out of everything from Barbra Streisand in Yentl to the X-Men franchise as well as creating a messy comic book pastiche which doesn’t take itself or the audience to seriously. My view is that as sequels go, this was terrible.

The only redeeming feature of Deadpool 2, is Oscar nominee Josh Brolin (Milk) superb turn as the tortured villain Cable an intergalactic strongman who comes back to the contemporary world to try and stop a mutant teenager Firefist played by Julian Dennison from running rampage in a creepy orphanage run by a sinister headmaster played by the ubiquitous Eddie Marsan (7 Days in Entebbe, Mark Felt, The Exception).

Morena Baccarin reprises her role as Wade Wilson’s girlfriend Vanessa whose romantic life gets tragically cut short.

Audiences definitely have to be in the right frame of mind to watch Deadpool 2 and perhaps I wasn’t. That said, some will find it hilarious while others find it stupid.

Ryan Reynolds obviously doesn’t take his career that seriously and let’s hope there is not going to be a third Deadpool, but knowing the ever expanding Marvel Cinematic Universe there is always room for more.

Deadpool 2 gets a Film Rating 6 out of 10 and is strictly recommended for audiences that enjoyed the original film.

Ultimately, every film finds a unique audience.

Mark Felt:

The Man Who Brought Down the White House

Director: Peter Landesman

Cast: Liam Neeson, Diane Lane, Josh Lucas, Tony Goldwyn, Kate Walsh, Marton Csokas, Tom Sizemore, Eddie Marsan, Ike Barinholtz, Maika Monroe, Michael C. Hall, Bruce Greenwood, Julian Morris

Parkland and Concussion director Peter Landesman takes on another factual drama in his detail heavy fictional account of the Watergate scandal called Mark Felt: The Man Who Brought Down the Whitehouse.

It’s April 1972 and Mark Felt, deputy assistant director of the FBI deftly underplayed by a haggard looking Liam Neeson is hoping to get the job of Director of the FBI after the death of J. Edgar Hoover.

Oscar nominee Liam Neeson (Schindler’s List) plays Mark Felt brilliantly, underplaying the amount of stress he is under when Felt is by-passed for the directorship for a Nixon crony Gray played by Hungarian actor Marton Csokas (Noah, The Equalizer).

Felt, who always played his cards very close to his chest, realizes that there is a massive conspiracy within government agencies. These fears are confirmed when the magnitude of the Watergate scandal broke in 1972 in which covert ex-spies where caught red handed breaking into the National Democratic Convention headquarters at the Watergate Hotel just prior to the November elections.

President Nixon got re-elected in November 1972 but Mark Felt soon realizes that a move by the government to capture the integrity and independence of the FBI when the slimy Billy Sullivan is poking around headquarters. Sullivan is suitably played by Tom Sizemore who hasn’t been in many films recently but is most remembered for his roles in Natural Born Killers, Saving Private Ryan, Black Hawk Down and Heat.

If audiences like detailed political docudrama then Mark Felt is for them.

Don’t expect action in this drama which is saved by memorable scenes between Neeson and his co-star Oscar nominee Diane Lane (Unfaithful, Trumbo) who plays his wife Audrey Felt as the couple also battle with the disappearance of their wayward daughter Joan played by Maika Monroe (Independence Day).

Mark Felt is a fascinating portrayal of one man’s ability to stick to his own ethics at a time when the Nixon administration was beyond reproach as Felt clandestinely feeds classified information to Washington Post journalist Bob Woodward played by Julian Morris and Time magazine journalist Sandy Smith played by Bruce Greenwood.

Felt was indeed the man who brought down the White House and in media circles was known only as deepthroat, a rather sexy title for an informant and extremely valuable source to the Fourth Estate which eventually caused the impeachment of President Richard Nixon and his administration.

Despite the intrigue, Mark Felt does get caught up in the details and scores a film rating of 7 out of 10. It is nevertheless a fascinating film for those that enjoy an intriguing docudrama. 

The film does feature a superb supporting cast including Eddie Marsan, Michael C. Hall, Tony Goldwyn and Josh Lucas. Recommended for viewers that enjoyed director Peter Landesman‘s previous American historical drama Parkland about the assassination of JFK.

7 Days in Entebbe

Director: Jose Padilha

Cast: Rosamund Pike, Daniel Bruhl, Eddie Marsan, Ben Schnetzer, Nonso Anozie, Mark Ivanir, Denis Menochet, Lior Ashkenzi

Robocop director Jose Padilha directs Rosamund Pike and Daniel Bruhl in the fascinating life recreation of the 1976 Hijack drama of an Air France flight from Tel Aviv to Paris which eventually lands up in Entebbe, Uganda during the reign of Idi Amin.

Pike and Bruhl play Baader Meinhof terrorists and PLO sympathisers Brigitte Kuhlmann and Wilfried Bose even speaking German which is a comfort as Bruhl (Rush, The Zookeepers Wife, Inglourious Basterds) is half Spanish half German.

It’s also refreshing to see the Oscar nominee for Gone Girl, Rosemund Pike play a role against type.

Brazilian director Jose Padilha frames the action and tension of 7 Days in Entebbe within an Israeli contemporary dance number which is inventive and clever. The Book Thief’s Ben Schnetzer plays an Israeli soldier who is tasked along with his battalion to rescue the Israeli passengers from a rundown old Entebbe airport terminal, an efficient military exercise known as Operation Thunderbolt.

Nonso Anonzie makes a brief appearance as Idi Amin, but the real star of 7 Days in Entebbe is the almost unrecognizable Eddie Marsan as the Israeli defence secretary Shimon Peres who would one become Prime Minister of Israel. French actor Denis Menochet (The Program) plays a practical Air France flight engineer who attempts to gain sympathy for the plight of the passengers from the inexperienced terrorist Wilfried Bose.

7 Days in Entebbe is a fascinating recreation of one of Israel’s most daring rescue operations which captured the world’s attention at a time when hijacking was a common terrorist threat.

The tone of the film is definitely pro-Israeli but it is refreshing to watch an action drama which is not Americanized in any way but became one of the highlights of the Israeli military back in the summer of 1976.

Director Jose Padilha effortlessly blends real documentary footage with a brilliant recreation of one of the most bizarre hijackings in aviation history in the riveting 7 Days in Entebbe.

Whilst the film could have been edited in parts, 7 Days in Entebbe is a recommended film for audiences that enjoy stories based on real international events, whatever your political views are on the Arab-Israeli conflict.

Operation Thunderbolt ticks all the right boxes held together by superb performances by the films three main leads: Rosamund Pike, Daniel Bruhl and Eddie Marsan.

7 Days in Entebbe gets a film rating of 7.5 out of 10.

The Exception

Director: David Leveaux

Cast: Jai Courtney, Lily James, Christopher Plummer, Janet McTeer, Eddie Marsan, Ben Daniels, Anton Lesser, Mark Dexter

After its packed South African premiere at the 38^th Durban International Film Festival, http://www.durbanfilmfest.co.za/ The Exception is a riveting World War II drama told from the German perspective.

Set in Holland in 1940, German soldier Stefan Brandt played with bravado by Jai Courtney (Suicide Squad, A Good Day to Die Hard) is sent to guard the exiled king Wilhelm II wonderfully played by Oscar winner Christopher Plummer (Beginners).

At the end of World War One when the allies defeated Germany, besides the harsh reparations placed on the defeated nation, one of the conditions of the 1919 Treaty of Versailles was that the reigning German monarch Kaiser Wilhelm II be stripped of his royal title and sent to live in exile in Utrecht, Holland.

British director David Leveaux assembles a fantastic cast in this interesting film also starring Lily James (Baby Driver, Cinderella) as a sexually provocative Dutch maid Mieke de Jong who quickly falls in love with the handsome and tough Brandt and Oscar nominee Janet McTeer (Albert Nobbs) as Kaiser Wilhelm’s wife, Princess Hermine who is desperately hoping that her exiled husband will have his monarchy restored even though Germany has entered the Third Reich under the ruthless Nazi’s who have started World War II.

Eddie Marsan (Their Finest, Happy Go Lucky, Concussion) appears as the creepy Head of the SS, Heinrich Himmler, in a brief yet comical scene stealer.

As a historical film, The Exception is a watchable tale, filled with intrigue, sexual conquest and lost dreams although its relevance will be lost on a mostly English speaking audience and also because most of the cast are British, Canadian or Australian actors playing German characters. If audiences want authenticity they should watch the excellent 2015 German film, The People vs. Fritz Bauer, which also premiered at #DIFF2017 http://www.durbanfilmfest.co.za/ as part of the German Film Focus.

Nevertheless, as a World War II thriller which deviates from the usual Allied scenario, The Exception is enjoyable in the same vein as director Mark Herman’s The Boy in the Striped Pyjamas.

What does stand out in The Exception, are the fine performances of Christopher Plummer and Janet McTeer but sadly their acting will probably be overlooked in the 2018 Oscar race.

Concisely written with an engaging plot, The Exception gets a film rating of 7.5 out 10 and was an impressive film to be screened at the Durban International Film Festival, attracting a full cinema house.

Recommended viewing for audiences that prefer a provocative World War Two thriller from the perspective of the so-called enemy.

Their Finest

Director: Lone Scherfig

Cast: Gemma Arterton, Sam Claflin, Bill Nighy, Jack Huston, Richard E. Grant, Jeremy Irons, Jake Lacy, Eddie Marsan, Helen McCrory, Rachael Stirling

Danish director Lone Scherfig delivers another nuanced and unexpectedly unsettling film, Their Finest featuring a superb performance by Gemma Arterton (The Prince of Persia, Quantum of Solace) in one of her best roles yet. Director of The Riot Club, One Day and An Education, Scherfig is brilliant at capturing the peculiarities of the British social system, exemplified in The Riot Club and perfected in her latest film, Their Finest.

Set in 1940 during the Blitz, while London was being mercilessly bombed by the Germans at the beginning of World War II, Their Finest focuses on the art of propaganda about Arterton who is asked to become a scriptwriter on a film aimed to boosted the morale of the British public particularly from a woman’s perspective when most of the men were being conscripted to fight the war.

Arterton plays the feisty Welsh woman Caitrin Cole whose relationship with a struggling artist Ellis Cole played by Jack Huston (Ben-Hur, The Riot Club) is precarious at best. Caitrin’s co-writer is the cynical Tom Buckley wonderfully played by Sam Claflin (Me Before You) who keeps on advising her to trim the fat on any story which appears too verbose.

The story in question is how twin sisters managed to save some Allied soldiers off the French coast during the Dunkirk evacuation aboard their father’s fishing vessel The Nancy Starling.

The embellishment of the story and its natural progression to a morale boosting piece of cinema, aptly named The Nancy Starling is the task of Caitlyn and Tom who has to contend not only with the vested interests of the Ministry of Information represented by Roger Swain wonderfully played by Richard E. Grant but also the War Ministry represented by the Secretary of War played by Oscar winner Jeremy Irons (The Reversal of Fortune).

What elevates the grim narrative of Their Finest, a city under siege with Londoners being randomly killed off during incessant bombings is the appearance of fading film star Ambrose Hilliard acidly played with dark humour by character actor Bill Nighy (Love Actually, The Second Best Exotic Marigold Hotel, Pride).

There are some precious moments between Nighy and his new agent Sophie Smith played by Helen McCrory who takes over Hilliard’s career after her brother Sammy Smith, a brief cameo by Eddie Marsan, is unexpectedly killed in the bombings.

Based upon the novel by Lissa Evans entitled “Their Finest Hour and a Half”, Their Finest is a remarkably interesting war film about the art of propaganda, the process of scripting a film and a precarious love triangle, particularly noticeable when thwarted affections develop between Tom Buckley and Caitrin Cole.

The only criticism is that Their Finest could have been edited more efficiently as the dramatic pace of the film lags at times and this efficiency in getting the story across would have prevented the narrative from becoming slightly repetitive and drawn out.

Yet despite its imperfections, Gemma Arterton and Sam Claflin are brilliant as the young creative screenwriters trying to negotiate a budding romance amidst their own artistic differences.

Audiences should look out for a particularly tart performance by Diana Rigg’s daughter Rachael Stirling as the propaganda film’s sharp tongued production secretary Phyl Moore.

Their Finest as a wartime dramatic comedy gets a film rating of 7.5 out of 10. This witty and poignant British film will be enjoyed by those that share the English sentiment of stoically soldiering on in the face of burdening hardships without resorting to emotional melodrama. Which is what the British did during the Blitz.

Concussion

Director: Peter Landesman

Cast: Will Smith, Albert Brooks, Alec Baldwin, Gugu Mbatha-Raw, David Morse, Hill Harper, Eddie Marsan, Luke Wilson, Arliss Howard, Stephen Moyer, Adewale Akinnuoye-Agbaje, Paul Reiser

Oscar Nominee Will Smith (Ali, The Pursuit of Happyness) revives his career with a superb performance as the diligent Nigerian doctor Dr Bennett Omalu in the medical thriller Concussion directed by Kill the Messenger screenwriter Peter Landesman and based upon a GQ article called The Game Brain written by Jeanne Marie Laskas.

Concussion takes place in Pittsburgh, Pennsylvania in 2002 where Dr Bennett works as a County forensic pathologist under the guidance of his mentor and sponsor Dr Cyril Wecht played by Albert Brooks (Broadcast News, Drive). After a legendary footballer Mike Webster dies suddenly at the age of 50, Dr Bennet discovers a condition known as repetitive head trauma which effects the brain over a long period of repeated trauma, especially common in those playing major league American Football. Webster, briefly played by David Morse first consults the team’s doctor Julian Bales played by Alec Baldwin before committing suicide.

Concussion as a medical thriller really takes off when two other players suddenly die under suspicious circumstances which leads to more questions than reasonable explanations. Soon Dr Bennett and his persistence in establishing the root cause of their deaths, gets the assistance of two other neuro surgeons Dr Steven DeKosky played by Eddie Marsan and Dr Ron Hamilton played by Stephen Moyer to name the symptom as Repetitive Head Trauma. Medically there is a more complicated name.

Running concurrently to these medical discoveries, is Dr Bennett’s own plans to become a fully-fledged American citizen who dreams of owning his own home with his Kenyan born wife Prema Mutiso played by Gugu Mbatha-Raw last seen in Belle. However, the immigrant couple’s aspirations are cast into jeopardy when Dr Bennett takes on the most powerful and wealthiest sporting body in America: The National Football League who, Dr Wecht dryly refers to, an organization that next to God owns a day of the week.

As a film, Concussion operates on two levels one as a medical thriller taking on an enormously powerful sporting organization (The NFL) and also as a personal drama of two immigrants Dr Bennett and Prema Mutiso whose pursuit of the American dream is thwarted, not only by racial prejudice but also by a medical discovery which could put into question the potential recruitment of young men to play in the NFL and more significantly what the consequences are for retiring Football players whose days of glory are overshadowed by madness and suicidal tendencies when they reach middle age.

Will Smith delivers a superb performance, mastering a Nigerian accent and Albert Brooks, last seen in Drive, is brilliant as his acerbic yet encouraging mentor who urges Bennett to pursue his medical discoveries despite the consequences and the threats from the NFL, especially when the findings are made public, gaining considerable media attention across America.

Former investigative journalist turned director Peter Landesman’s Concussion is an absorbing medical thriller which should gain a wide audience both in the sporting and medical worlds. By no means a masterpiece, Concussion is recommended viewing for those that enjoyed such films as Moneyball, Thank You for Smoking and the excellent film Michael Clayton about exposing corporate greed in America. It’s also reassuring to see Will Smith back on form tackling a more dramatic and nuanced role.