Posts Tagged ‘Eric Bana’

King Arthur: Legend of the Sword

Director: Guy Ritchie

Cast: Charlie Hunnam, Jude Law, Eric Bana, Djimon Hounsou, Astrid Berges-Frisbey, Aidan Gillen, Freddie Fox, Annabelle Wallis, Craig McKinley, David Beckham

Despite the miserably wet and cold weather, I popped off one Sunday evening to see director Guy Ritchie’s highly anticipated film King Arthur: Legend of the Sword featuring Pacific Rim star Charlie Hunnam who embodies all the muscular traits of a young would be king who has to fight his tyrannical uncle. That uncle is played by Jude Law (Wilde, Sherlock Holmes) as the vicious Vortigern.

Vortigern who has been seduced by far darker forces betrays his brother King Uther played by Eric Bana (The Other Boleyn Girl) and even murders his own wife. Talk about sibling rivalry.

Arthur who grows up in a pre-medieval London brothel soon learns to fend for himself against unsuspecting invading Vikings and toughens up enough to become a muscular young man who is selected to return to Vortigern’s castle to stand in line with a queue of brawny lads hoping to be able to pull the sword out of the stone.

That legendary sword Excalibur is rightfully pulled out by Arthur and Vortigern identifies his nephew as his true threat and plans to execute him in a spectacular fashion in front of all his ragged followers who out of fear have sworn fealty to a bloodthirsty deranged king.

Fortunately Arthur has some allies who are determined to shape his royal destiny including the sorceress The Mage played by Spanish star Astrid Berges-Frisbey (I, Origins) and Bedivere played by Djimon Hounsou (Blood Diamond) who both assist Arthur in avenging his father’s death and claiming his rightful place at the Table.

In King Arthur, Guy Ritchie employs all his trademark dexterous narrative techniques with lots of witty dialogue that he displayed in the Sherlock Holmes films while deftly maintaining the pace of a legendary action blockbuster, making this one of his biggest studio films.

Hunnam is perfectly cast as the dashing yet brawny King Arthur while Jude Law is suitably vile as Vortigern who believes the only way to quell the masses is through fear.

Whilst King Arthur: The Legend of the Sword could have used a romantic subplot, it remains a mythical and muscular popcorn film which shies away from resorting to loads of gore in order to keep the age restriction fairly low at PG 13.

Audiences should watch out for the deadly archer Bill played by Aiden Gillen last seen as Littlefinger in HBO’s Game of Thrones and the duplicitous maiden Maggie played by British star Annabelle Wallis soon to be seen in the Tom Cruise action remake of The Mummy.

King Arthur: Legend of the Sword is an enjoyable action film heavily influenced by such hit series as Vikings and Game of Thrones but does not punch above its own weight and Ritchie keeps his quirky directorial style to a minimum unlike his previous spy caper The Man From Uncle.

With Hunnam’s box office star power on the rise and Guy Ritchie set to direct more Arthurian sequels, King Arthur: Legend of the Sword gets a rating of 7.5 out of 10.

The Finest Hours

Director: Craig Gillespie

Cast: Casey Affleck, Ben Foster, Chris Pine, Eric Bana, Holliday Grainger, John Magaro, Kyle Gallner, John Ortiz, Michael Raymond-James

Million Dollar Arm director Craig Gillespie brings to cinematic life the true story of one of the greatest small boat rescue operations ever attempted by the US Coast Guard in his new film, The Finest Hours featuring a cast of rising Hollywood actors including Chris Pine, Ben Foster and Casey Affleck.

Chris Pine stars as the shy yet brave coast guard officer Bernie Webbers who on the day of asking his commanding officer for permission to marry the gorgeous Miriam Pentinen played by Holliday Grainger (Great Expectations) is sent on a tough mission to save the crew of an oil tanker SS Pendleton which broke in half during a monstrous storm in the Atlantic ocean off the coast of Chatham, Massachusetts.

The Finest Hours is based on the The Finest Hours: The True Story of the U.S. Coast Guard’s Most Daring Sea Rescue by Michael J. Tougias and Casey Sherman and developed into a screenplay by Eric Johnson, Scott Silver and Paul Tamasy. Aboard the SS Pendleton is seaman Ray Sybert, who realizes that after the tanker has been ripped in to two by a massive storm the only way for his crew to survive is if they run the ship aground as using lifeboats during such awful weather would only result in serious loss of life.

Sybert expertly played by Oscar nominee Casey Affleck (The Assassination of Jesse James by the Coward Robert Ford) reassures the crew that they have to sit tight on the remaining section of the tanker in the hope that a rescue mission is being sent out for them.

That rescue mission is headed by Webbers with the assistance of seamen Richard Livensey played by Ben Foster last seen in The Program, Andy Fitzgerald played by Kyle Gallner and Ervin Maske played by John Magaro last seen in Carol.

As The Finest Hours is set in February 1952, and the maritime rescue technology then was not quite advanced as it in the 21^st century, the feat of this rescue mission is truly inspirational. Viewers could also be forgiven for wondering how such a small rescue boat CG36500 is able to save over twenty men aboard a stranded oil tanker out in the roaring and unforgiving North Atlantic Ocean during a horrendous winter storm.

The Finest Hours is captivating as a historical drama although the palette for the film is a bit dark and indistinguishable, but director Craig Gillespie did this intentionally so to visually submerge the audience in a real life sea rescue mission off the coast of Cape Cod during a winter blizzard.

The visual effects are amazing and those that enjoy historical dramas should definitely see The Finest Hours. The cast is superb given the material they work with and despite a lack of dialogue, the drama of a sea rescue mission is conveyed accurately although not as good as the excellent film Captain Philips.

Lone Survivor

Director: Peter Berg

Cast: Mark Wahlberg, Emile Hirsch, Taylor Kitsch, Ben Foster, Eric Bana, Alexander Ludwig, Jerry Ferrara

Battleship and Hancock director Peter Berg tackles more informative and ferocious subject matter in the excellent adaptation of the non-fiction war story Lone Survivor by Marcus Luttrell and Patrick Robinson, which details the failed mission of the US Navy Seals counter-insurgency attack in the Hindu Kush, Afghanistan against the Taliban. With superb sound editing and sound mixing, Lone Survivor follows in the spirit of Ridley Scott’s Black Hawk Down and features a tightly knit muscular group of actors playing soldiers led by Mark Wahlberg (Two Guns), Taylor Kitsch (Savages, Battleship), Emile Hirsch (Into the Wild, Milk) Ben Foster (3:10 to Yuma, The Mechanic), Eric Bana and newcomer Canadian actor Alexander Ludwig last seen in The Hunger Games.

The bravado and savagery of war is brilliantly recreated in this tightly directed account of a four man Navy Seals reconnaissance team led by Marcus Luttrell played by Wahlberg and his fraternal band of bearded soldiers which includes Michael Murphy played by Kitsch, Danny Dietz played by Emile Hirsch and Matthew Axelson played by Ben Foster. The harrowing gun battle which follows when the team are ambushed by a Taliban army who clearly know the terrain better than themselves is vividly recreated and the ordeal that Luttrell goes through makes for an outstanding war and survival movie.

Lone Survivor, like Platoon, Saving Private Ryan and Black Hawk Down, does not stint on the violence and fear involved in mortal combat between two enemy forces and emphasizes the bravery and courage that these men faced in battling another American war on foreign territory against a hostile anti-American enemy.

Incidentally Lone Survivor was filmed in New Mexico at the Santa Fe National Forest standing in for the rugged and alien terrain of the Hindu Kush http://en.wikipedia.org/wiki/Hindu_Kush, the rugged mountain range which connects central Afghanistan and  northern Pakistan.

What makes Lone Survivor so watchable and riveting is the excellent sound quality of the mountainside battle which makes up the bulk of the film. This film received two Oscar nominations in 2014 for Best Sound Editing and Sound Mixing and rightly so. With a top notch cast especially Foster and Hirsch playing against type, Lone Survivor is highly recommended viewing for fans of great war films. Supremely entertaining, action-packed and technically unrivaled, Lone Survivor is definitely one of Peter Berg’s best films so far.

The Other Boleyn Girl

The Other Boleyn Girl is a faithful and condensed film adaptation of Philippa Gregory’s engrossing novel about Mary and Anne Boleyn, the sisters whose fateful and tragic involvement in King Henry VIII, not only changed the course of the British monarchy, but also established a Tudor dynasty.

In the wake of similar films and series about this fascinating and intriguing period of English history, namely the raunchy TV series The Tudors and the most recent sequel to Elizabeth, Shekhar Kapur’s lavish Elizabeth, the Golden Age, The Other Boleyn Girl, may not appear as spectacular but was certainly as entertaining for anyone who has a keen interest in the historical events of the sixteenth century. The equally talented Scarlett Johansson and Natalie Portman take the roles of sisters Mary and Anne Boleyn respectively. Johansson reprising her doleful yet stoical performance similar to her earlier role as Vermeer’s muse in Girl with a Pearl Earring, while Portman is splendidly belligerent and regal as Anne Boleyn, capturing the self-important air of an ambitious Queen, reminiscent of her portrayal of the young Queen Amidala in Star Wars Episode 1: The Phantom Menace.

While the intrigues of the British monarchy some four hundred years ago, may not appeal to everyone’s taste, first time film director Justin Chadwick swiftly moulds The Other Boleyn Girl into a fast-paced, costume drama, filled with ruthless Dukes, and unforgiving nobility, who centre their power-hungry plans on King Henry VIII, a despotic and fickle monarch, whose attentions dangerously shift from his Queen, to his mistresses and who eventually become notoriously famous for, discarding, wedding and even beheading many of his six wives. Monogamy was never his strongest feature.

King Henry VIII, such a mythical figure in the annuls of British history has been portrayed by many onscreen, so it is with obvious difficulty that the Australian actor, Eric Bana had in capturing the essence of this potent King’s spoilt and almost tyrannical character. His efforts do not go unnoticed, however, Bana fails to reflect the truly conflicted nature of Henry as the complex ruler he was. While the novel of The Other Boleyn Girl fills one with all the intricate details of his splendid court and the complex relations within the Boleyn family, whereby woman were used as pawns to further a family’s status in the Kingdom, the film is given some grounding by a strong performance by Kristin Scott Thomas as the sisters mother, Lady Elizabeth, who is savagely critical of the manipulations of her brother, the sisters’ uncle, the influential Duke of Norfolk.

With the intelligent casting of such rising stars as Johansson and Portman, the film will hopefully appeal to a younger generation of viewers, in an effort to make history and royal courtship so infinitely attractive. After all, both sisters were barely out of their teens when their affairs with King Henry began, and they like everyone else fell prey to the whims of a supremely powerful figure, the equivalent to a modern day tyrant.

Sexy and lush menage a trois

Eventually both sisters capture the King’s affections and lose them again, with disastrous consequences for one, and fortunate, yet ironic consequences for the other. Both the film and the novel of The Other Boleyn Girl are worth investing some effort in, demonstrating that while society has advanced considerably from the 1500s, we, as human beings are still driven by such forces as greed, ambition, lust and betrayal and unfortunately, even nowadays, tyrants still linger unhindered in forgotten regions of the world.