Posts Tagged ‘Gugu Mbatha-Raw’
Louisiana Legality
The Whole Truth
Director: Courtney Hunt
Cast: Keanu Reeves, Renee Zellweger, Gugu Mbatha-Raw, James Belushi, Gabriel Basso, Jim Klock, Christopher Berry, Ritchie Montgomery
The technique of a voice over in a film normally endears the audience to that particular person or characters point of view.
The voice over is effectively used in director Courtney Hunt Louisiana Legal thriller The Whole Truth starring Keanu Reeves (John Wick, The Devil’s Advocate and Dangerous Liaisons) as hotshot defence attorney Richard Ramsey who is called upon to defend the son of a murder victim, Mike Lassiter played by Gabriel Basso (Super 8). The murder victim is the misogynistic Louisiana lawyer Boone Lassiter played with relish by James Belushi who audiences glimpse in a series of carefully timed flashbacks.
The voice and the character’s viewpoint belongs to Ramsey so immediately audience’s perceptions of guilt and innocence are framed through his skewed and cynical viewpoint.
To add some diversity to an otherwise bland white middle class legal drama is British star Gugu Mbatha-Raw (Belle, Concussion) appearance as Ramsay’s second chair Janelle Brady who is suspicious of the entire legal process, not least of all Ramsay’s close relationship with the defendant’s mother the sultry yet seemingly innocent Loretta Lassiter played with sufficient mystery by Oscar winner Renee Zellweger (Cold Mountain) who is back on the big screen after a hiatus.
Zellweger who has undergone a significant transformation as an actress since her performances in Chicago, Nurse Betty and her recent hits with the Bridget Jones trilogy, plays the battered Southern belle to perfection. While the screen chemistry between Reeves and Zellweger is questionable, The Whole Truth is hardly Body Heat or Basic Instinct, then the film’s startling narrative was never intended to be sexually provocative.
Frozen River director Courtney Hunt is determined to explore all the legal technicalities of a murder trial including undercutting the testimony of eye witnesses and shifting the validity of a clear timeline of events which lead to the horrible Boone Lassiter being stabbed in the heart in the marital bedroom, indicative of a serious crime of passion. It is refreshing to see so many female directors making interesting films these days and The Whole Truth is certainly entertaining with its complex portrayal of Louisiana legalities.
The Whole Truth is a fascinating courtroom drama, with sufficient amounts of twists and allegations to keep fans of legal thrillers guessing right up to the last frame. However, the film does not elevate itself into the realm of a truly remarkable thriller such as Richard Marquand’s The Jagged Edge with Glenn Close and Jeff Bridges or Primal Fear featuring an Oscar worthy turn by Edward Norton as the accused altar boy Aaron.
In the case of Louisiana versus Mike Lassiter, Keanu Reeves’s voice over as the slimy lawyer Richard Ramsey lulls audiences into a false sense of justice.
The Whole Truth gets a film rating of 7 out of 10 elevated by a notable performance by Gabriel Basso as the illustrative accused Mike Lassiter. Fans of courtroom dramas will certainly enjoy this American thriller set in St Bernard’s Parish near New Orleans.
Vanity and Virtue
Beauty and the Beast
Director: Bill Condon
Cast: Dan Stevens, Emma Watson, Kevin Kline, Luke Evans, Josh Gad, Hattie Morahan, Emma Thompson, Ian McKellen, Stanley Tucci, Audra McDonald, Gugu Mbatha-Raw, Nathan Mack
When Disney does a live action version of a classic animated film, audiences know they are going to do it brilliantly. Beauty and the Beast is absolutely superb and extremely enjoyable viewing.
If audiences are going to pay for one cinema ticket this year, buy a ticket for Beauty and the Beast.
Originally based on the French fairy tale La Belle et la Bête written by Gabrielle-Suzanne Barbot de Villeneuve in 1740, Beauty and the Beast is an extraordinary visual feast.
The first aspect Disney got right was the crucial casting of Beauty and the Beast. With a mostly British cast, Belle is played by Emma Watson (The Bling Ring) and the Beast played by Dan Stevens who rose to fame in Julian Fellowes BBC hit series Downton Abbey. For the real villain of the piece, Welsh actor Luke Evans (Dracula Untold) is cast as the arrogant Gaston and Josh Gad stars as his sidekick Lefou.
Oscar winner Kevin Kline (A Fish called Wanda) plays Belle’s hapless father Maurice who during a journey to the market is side tracked by vicious wolves and lands up as an unwitting guest of the Beast in his cavernous castle with only talking furniture for company.
The flamboyant candelabra Lumiere is played by Ewan McGregor (Our Kind of Traitor) and the mantel piece clock Cogsworth is wonderfully played by Ian McKellen (Gods and Monsters, Mr Holmes) while the teapot Mrs Potts is voiced by Oscar winner Emma Thompson (Howard’s End). Gugu Mbatha-Raw (Belle, Concussion) plays Plumette and Stanley Tucci (The Devil Wears Prada) voices the maestro Cadenza.
What really makes Beauty and the Beast so lovely is the music, the music and the music. From the director of Dreamgirls and Gods and Monsters Bill Condon delivers a fantastic film retaining the story’s authentic fairy tale which deftly combines romance with action and music. Beauty and the Beast has gorgeous costumes designed by Oscar winner Jacqueline Durran (Anna Karenina) accompanying the film’s exceptional production design by Sarah Greenwood.
Both the headstrong Belle and the grumpy Beast form an unlikely romance overcoming vanity and retaining virtue while they have to compete against the duplicitous Gaston and break the immortal spell cast on the Beast and his lively accompaniments.
Highly recommended viewing for all age groups, Beauty and the Beast gets a film rating of 9 out of 10.
Although running at over two hours this Disney fantasy musical is worth watching and audiences should stay seated to watch the spectacular end credits.
Burden of Proof
Concussion
Director: Peter Landesman
Cast: Will Smith, Albert Brooks, Alec Baldwin, Gugu Mbatha-Raw, David Morse, Hill Harper, Eddie Marsan, Luke Wilson, Arliss Howard, Stephen Moyer, Adewale Akinnuoye-Agbaje, Paul Reiser
Oscar Nominee Will Smith (Ali, The Pursuit of Happyness) revives his career with a superb performance as the diligent Nigerian doctor Dr Bennett Omalu in the medical thriller Concussion directed by Kill the Messenger screenwriter Peter Landesman and based upon a GQ article called The Game Brain written by Jeanne Marie Laskas.
Concussion takes place in Pittsburgh, Pennsylvania in 2002 where Dr Bennett works as a County forensic pathologist under the guidance of his mentor and sponsor Dr Cyril Wecht played by Albert Brooks (Broadcast News, Drive). After a legendary footballer Mike Webster dies suddenly at the age of 50, Dr Bennet discovers a condition known as repetitive head trauma which effects the brain over a long period of repeated trauma, especially common in those playing major league American Football. Webster, briefly played by David Morse first consults the team’s doctor Julian Bales played by Alec Baldwin before committing suicide.
Concussion as a medical thriller really takes off when two other players suddenly die under suspicious circumstances which leads to more questions than reasonable explanations. Soon Dr Bennett and his persistence in establishing the root cause of their deaths, gets the assistance of two other neuro surgeons Dr Steven DeKosky played by Eddie Marsan and Dr Ron Hamilton played by Stephen Moyer to name the symptom as Repetitive Head Trauma. Medically there is a more complicated name.
Running concurrently to these medical discoveries, is Dr Bennett’s own plans to become a fully-fledged American citizen who dreams of owning his own home with his Kenyan born wife Prema Mutiso played by Gugu Mbatha-Raw last seen in Belle. However, the immigrant couple’s aspirations are cast into jeopardy when Dr Bennett takes on the most powerful and wealthiest sporting body in America: The National Football League who, Dr Wecht dryly refers to, an organization that next to God owns a day of the week.
As a film, Concussion operates on two levels one as a medical thriller taking on an enormously powerful sporting organization (The NFL) and also as a personal drama of two immigrants Dr Bennett and Prema Mutiso whose pursuit of the American dream is thwarted, not only by racial prejudice but also by a medical discovery which could put into question the potential recruitment of young men to play in the NFL and more significantly what the consequences are for retiring Football players whose days of glory are overshadowed by madness and suicidal tendencies when they reach middle age.
Will Smith delivers a superb performance, mastering a Nigerian accent and Albert Brooks, last seen in Drive, is brilliant as his acerbic yet encouraging mentor who urges Bennett to pursue his medical discoveries despite the consequences and the threats from the NFL, especially when the findings are made public, gaining considerable media attention across America.
Former investigative journalist turned director Peter Landesman’s Concussion is an absorbing medical thriller which should gain a wide audience both in the sporting and medical worlds. By no means a masterpiece, Concussion is recommended viewing for those that enjoyed such films as Moneyball, Thank You for Smoking and the excellent film Michael Clayton about exposing corporate greed in America. It’s also reassuring to see Will Smith back on form tackling a more dramatic and nuanced role.
Queen of the Universe
Jupiter Ascending
Director: Andy & Lana Wachovski
Cast: Mila Kunis, Channing Tatum, Eddie Redmayne, Douglas Booth, Gugu Mbatha-Raw, Sean Bean, Tuppence Middleton, Maria Doyle Kennedy, James D’Arcy, Tim Pigott-Smith
Creators of the marvellous Matrix trilogy and the super confusing reincarnation fantasy Cloud Atlas, The Wachowski’s have returned to their Sci-Fi roots in the deeply ambitious yet slightly far-fetched cinematic offering Jupiter Ascending.
Despite the fabulous visuals and assembling a cast of all the latest hot young stars for Jupiter Ascending including Mila Kunis (Black Swan), Channing Tatum (Foxcatcher) and Eddie Redmayne (Les Miserables), the narrative is so crammed with infinite details paying homage to David Lynch’s film Dune as well as Robocop, Star Wars and Signs that it suffers from the weight of its own ambition.
Jupiter Ascending focuses on a Russian immigrant to America aptly named Jupiter who is first introduced as a charlady cleaning toilets in Chicago and the next minute is being rescued from insidious almost invisible aliens by a hunky skyjacker named Caine Wise, gorgeously played by Channing Tatum who spends most of the film with his shirt off. Wise’s DNA has been spliced with that of a Wolf so he is a Lycantant.
Jupiter played by the pouty but gorgeous Mila Kunis who soon learns that her DNA is a re-occurrence of a powerful Queen who once headed up a rather enigmatic and powerful space dynasty, known as the Abrasax who destroy planets and suck the lifeblood out of their inhabitants. Charming stuff, not to mention, it is revealed as the story unfolds that humans are only reaching the eve of the genetic revolution.
The Queen of the Universe who died recently has three rather malevolent offspring the rather camp and wicked Balem, a fabulous turn by Redmayne, his sister Kalique played by Tuppence Middleton who is searching for immortality and the younger brother Titus wonderfully played by Douglas Booth who in a weird Oedipal way wants to marry the reincarnation of his mother, Jupiter Jones so that he can claim his share of the intergalactic inheritance. The wedding sequence between Titus and Jupiter is a production designer’s wet dream, gorgeous, lavish and filled with spectacle.
Naturally chemistry develops between the exotic Lycsantant, Wise and Jupiter Jones who is thrust from her mundane existence of servitude and elevated to the status of a celestial queen who has to wrangle with three devious offspring that are all out to distinguish her existence in various ways. This is like a Space Opera on acid, the visuals are fabulous, the storyline completely illogical, yet Jupiter Ascending is still riveting to watch but is not in the same league of such brilliant Sci-Fi films as Snowpiercer, Star Wars and the Ridley Scott’s classic Blade Runner.
Jupiter Ascending despite the fantastic special effects suffers the fatal premise that if you are going to introduce viewers to such a gorgeous and extra-terrestrial universe, then the heroine should not be cleaning toilets in downtown Chicago. At least in Star Wars, Princess Leia never had to deal with such lowly tasks and her plight remained infinitely more profound under the threat of Darth Vader’s Deathstar.
As a friend who saw the film with me commented so aptly, Jupiter Ascending should have been broken down into three films with more back story written into the narrative so that at least the plight of this Queen of the Universe could take on a more historic turn especially in her dealings with each of the nefarious Abrasax clan.
That said, Jupiter Ascending is fabulous to watch, but could have been edited better and more coherently written so that at least Jupiter’s circular odyssey to space and back would be plausible especially as the film started off so promisingly in Russia with her father gazing at the planet Jupiter from the banks of the Neva river in St Petersburg.
Watch out for Gugu Mbatha-Raw (Belle) with big ears as Famulus and an underutilized Sean Bean as Stinger Apini last seen in the Game of Thrones series in brief cameos and Maria Doyle Kennedy (The Tudors) as Jupiter’s mother Aleksa. Jupiter Ascending is recommended viewing only for serious sci-fi fans and those that truly want to escape earth in a steam-punk drug fueled fashion…
The Zong Massacre
Belle
Director: Amma Asante
Cast: Gugu Mbatha-Raw, Tom Wilkinson, Penelope Wilton, Miranda Richardson, Emily Watson, Tom Felton, Sam Reid, Matthew Goode, Sarah Gadon, James Norton
South African British actress Gugu Mbatha-Raw stars as Dido Elizabeth Belle, a mixed race woman who has the fortune to be rescued by her father and installed at the Hampstead home of his Uncle William Murray, the 1st Earl of Mansfield, who also happens to be the Lord Chief Justice for the infamous Zong trial which featured prominently in British society at the end of the 18th century.
The Zong Massacre – http://en.wikipedia.org/wiki/Zong_massacre revolved around a British slave ship which jettisoned half its cargo including a great many slaves in the West Indies, drowning them in the Caribbean Sea because there was not enough drinking water on board the slave ship while heading from modern day Ghana to Jamaica.
The Liverpool merchant owners of the slave ship sought insurance compensation for lost cargo which caused a public trial and an outcry back in England as it highlighted the horrors of the 18th century slave trade, naturally bringing up the age old question of can there ever be a price put on a human life. The history of the Zong trial and the massacre of the slaves on board takes centre stage in director Amma Asante’s riveting and slightly contrived social-historical drama Belle.
Like Amazing Grace, Belle centres on the last decades of the British slave trade and portrays a society on the brink of change. Set in England in the 18th century under the reign of King George III (the mad one!), Dido Elizabeth Belle – http://en.wikipedia.org/wiki/Dido_Elizabeth_Belle tells the story of Dido Belle a mixed race heiress and under the guardianship of Lord Mansfield must navigate her way despite her title and wealth through the apparent prejudices of 18th century British society.
Painting by Johann Zoffany, 1779
Accompanied by her first cousin Elizabeth Murray, played by Canadian actress Sarah Gadon (Cosmopolis, A Dangerous Method), who was without a dowry, Belle and Elizabeth need to secure suitable husbands, both of which apparently come in the form of the Ashford brothers James and Oliver played by British actors James Norton (Rush) and Tom Felton of the Harry Potter franchise.
However Belle or Dido as she is referred to in the film has her sights set on an ambitious abolitionist lawyer John Davinier, played by Australian actor Sam Reid (Anonymous) who is assisting the 1st Earl of Mansfield in the legal case regarding the Zong Question as it was politely known in 1783.
Ably assisted by a consummate script written by Misan Sagay, Belle is an absorbing and intelligent social-historical drama, similar to the Michael Apted film Amazing Grace with less of the apparent cruelty of Steve McQueen’s Oscar winning film 12 Years a Slave.
Belle, along with a nuanced performance by Gugu Mbatha-Raw features a superb supporting cast including Emily Watson (The Book Thief), Penelope Wilton (The Best Exotic Marigold Hotel & Downton Abbey series) and the brilliant Tom Wilkinson (Michael Clayton) as the Earl of Mansfield who takes Belle under his guardianship at Kenwood House, Hampstead.
This is a fascinating portrait of England at the end of the 18th century, whereby race and politics as well as class and legitimacy ruled a conservative society constricted further by prejudice and ruled by desire for European commercial superiority, which despite its horrors was the main reason that the slave trade come into existence and historically changed the West African, European and Caribbean demographics. For lovers of historical drama with a social conscience, Belle is recommended viewing and an exceptionally interesting film.