Posts Tagged ‘Idris Elba’

Beast

Director: Baltasar Kormakur

Cast: Idris Elba, Sharlto Copley, Leah Jeffries, Iyana Halley, Martin Munro

Film Rating: 6.5 out of 10

Running Time: 1 hour 33 minutes

Icelandic director Baltasar Kormakur brings Beast to the big screen starring Idris Elba (Molly’s Game, The Mountain Between Us) as an American doctor Dr Nate Samuels who takes his daughters to their late mother’s homeland in South Africa and fits in a safari adventure that turns into a nightmare.

Beast is shot entirely in South Africa near the borders of Zimbabwe and Namibia, Beast tracks the survival story of Dr Samuels and his two daughters as they team up with a South African game ranger and anti-poacher played thankfully by South African actor Sharlto Copley who made his breakthrough in Neil Blomkamp’s sci fi Johannesburg epic District 9 and went on to star in such Hollywood films as Gringo and Maleficent.

When a gang of vicious poachers kill a pride of lions but leave the male lion free, the ferocious male lion takes revenge on everyone in his territory including a Venda village and some of the poachers. When Dr Samuels and his South African friend Martin unknowingly step into the rogue lion territory all hell breaks loose and he has to fight this monstrous beast in the rough terrain of the South African veld while protecting his two daughters Norah and Meredith Samuels played respectively by Leah Jeffries and Iyana Halley.

As the rogue lion persistently threatens Dr Samuels and family, poachers are killed as well as innocent villagers however Beast does feel one dimensional with no counterpoint to the bush fight to balance the film out.

Using some ethnic dream sequences, Dr Samuels reminisces about his late South African born wife, however these vivid flashbacks are not sufficient to create a credible backstory for his character.

As a story about anti-poaching and conservation, Beast works efficiently, like nature fighting back at the evils of mankind although ultimately the rogue lion steps into another pride’s territory and soon has to deal with the laws of the jungle. Unfortunately the script writer could have fleshed out the story’s premise more accurately to allow some credible background to the central character. Fortunately Idris Elba is a good enough actor to make the audiences believe in his instinctive fight for survival, which is both exciting and scary.

It is comforting to watch a film being made in South Africa which focuses on the issues of wildlife poaching and the importance of conservation while making Beast a thrilling, edge of your seat ride about man versus beast, with the former trying to outwit the latter in some horrific scenes ending in a savage showdown.

Beast is an enjoyable survival film with a distinctly African feel and gets a film rating of 6.5 out of 10. It’s a refreshing take on the man versus nature scenario in line with films like Jaws and to a lesser extent Anaconda.

The Suicide Squad

Director: James Gunn

Cast: Viola Davis, Idris Elba, Margot Robbie, Sylvester Stallone, John Cena, Joel Kinnaman, Pete Davidson, Flula Borg, Jai Courtney, Nathan Fillion, Michael Rooker, Alice Braga, Peter Capaldi, Juan Diego Botto, Taika Waititi, David Dastmalchian

Film Rating: 5.5 out of 10

How did Warner Brothers go from the brilliant Oscar winning Joker in the DC superhero universe to this bizarre concoction of the 2021 reboot of Suicide Squad, unimaginably entitled The Suicide Squad?

Guardians of the Galaxy director James Gunn clearly drew on a lot of inspiration from the films of Mexican director Guillermo del Toro specifically the Oscar winning Pan’s Labyrinth and more recently 2018’s The Shape of Water. Clearly, del Toro’s brilliance as a film maker did not shine off on director James Gunn as he delivers a bloated hot mess of a superhero film The Suicide Squad, featuring too many characters, glorified violence and a plot as bizarre as a Kafka novel with drug induced input from William S. Boroughs author of The Naked Lunch.

2021’s The Suicide Squad is so crazy, so unbelievably off the wall, that even the brilliant moments are overshadowed by some truly ridiculous moments which involved a whole new gang of The Suicide Squad attacking a fictional crackpot Hispanic island in which a crazed glorified dictator is harbouring an alien lifeform in the shape of a giant starfish.

Not even Oscar winner Viola Davis (Fences) could steady this crazy ship of fools, nor could Oscar nominee Margot Robbie (I, Tonya, Bombshell) as she dutifully reprises her role of the psychotic Harley Quinn, alongside Joel Kinnaman as Rick Flag, newcomer Idris Elba as Bloodsport and John Cena, seen frequently in white underpants as Peacemaker.

There are an abundance of sidekicks including David Dastmalchian as the mother obsessed Polka Dot Man, Sylvester Stallone as the talking shark King Shark, beautiful German actor Flula Borg as the gorgeous Javelin and a briefly seen Jai Courtenay as Captain Boomerang.

The scriptwriters killed their darlings in the opening credits of The Suicide Squad, making way for a convoluted plot involving alien life forms, a vain Hispanic dictator on a remote Caribbean island and a giant starfish which eventually attacks a city the size of Haiti. With such a confluence of confusing characters not one of them stood out as remarkably noticeable, although both Idris Elba and Margot Robbie tried their best to steady this sinking ship of wrecked and psychotic superheroes.

The only bright moment in The Suicide Squad, was the brief cameo appearance of Oscar winning screen writer of Jojo Rabbit Taika Waititi on a rooftop in Lisbon, Portugal, appearing as Ratcatcher. 

Despite the creative production design, The Suicide Squad is deeply disturbing, a film that glorifies death and violence without ever being responsible about its moral implications for the viewers who watch it. Where Joker was intricate and careful about its psychological makeup, The Suicide Squad is unbelievable careless about their characterizations.

The Suicide Squad gets a film rating of 5.5 out of 10, outlandish and cluttered with dazzling images, psychotic superheroes and zombies. Do not watch this film if you are stressed or taking hallucinogenic drugs.

Cats

Director: Tom Hooper

Cast: Judi Dench, Idris Elba, Taylor Swift, Francesca Hayward, Jason Derulo, Jennifer Hudson, Ian McKellen, Rebel Wilson, James Corden, Laurie Davidson, Robbie Fairchild, Ray Winstone, Steven McRae, Danny Collins

Based upon Modernist poet T. S. Eliot’s poetry collection, Old Possum’s Books of Practical Cats, Andrew Lloyd Webber’s Cats the musical has been a Broadway and West End hit for decades.

The film version of Cats directed by Les Miserables director Tom Hooper is fascinating, surreal but also quite lacklustre and this is due to the uneven casting of the film.

Cats as a film has superb production design with brilliantly realized costumes and sets, but viewers must be familiar with the Theatre production of Cats which was primarily about movement, dancing and singing.

To turn such a successful theatrical production of Cats into a hit film is a daunting task for any director. Despite Tom Hooper’s success with such films as Les Miserables, The Danish Girl and The King’s Speech, he unfortunately misses a golden opportunity to make the cinematic version of Cats absolutely dazzling and that has a lot to do with the strange casting choices for the roles.

While Oscar winner Judi Dench (Shakespeare in Love) adds gravitas as Old Deuteronomy, Idris Elba’s green eyed Macavity is just plain weird and as for Rebel Wilson and James Corden, they should not have been cast at all as their interpretation of Jennyanydots and Bustopher Jones is utterly cringe worthy.

What saves Cats is Oscar winner Jennifer Hudson’s interpretation of Grizabella as her solo numbers are superb and she really anchors the film with a brilliant onscreen performance and fantastic singing.

All the professional singers cast in Cats are really good, including a mesmerizing performance by Taylor Swift as Bombalurina whose onscreen entrance is clearly inspired by Nicole Kidman’s entrance in Baz Luhrmann’s masterpiece Moulin Rouge. Jason Derulo equally holds his own as Rum Tum Tigger and Laurie Davidson’s interpretation of Mr Mistoffelees is spot on and charming.

The narrative arc of Cats goes completely off track but audiences must remember that the musical was loosely based on a collection of lyrical poems, so there was never a strong story to begin with. The middle of Cats is entertaining especially the tap dance scene performed by Steven McRae as Skimbleshanks. Newcomer Francesca Hayward holds her own as the novice feline Victoria.

Unfortunately the beginning and ending are terrible and audiences get a sense that director Tom Hooper was a bit out of his depth with this film production. But perhaps if Baz Luhrmann had directed it, viewers would have gotten an entirely unique interpretation.

Cats as a film is enjoyable but not brilliant, saved by magnificent soloist performances, solid production design and generally speaking the cinematic effort should be applauded and not so universally mocked as it has been on social media.

Despite the dubious casting choices, Cats only gets a film rating of 6.5 out of 10 and is really aimed at ardent fans of the hit musical production.

Hobbs & Shaw

Director: David Leitch

Cast: Dwayne Johnson, Jason Statham, Vanessa Kirby, Idris Elba, Helen Mirren, Ryan Reynolds, Kevin Hart, Cliff Curtis

Deadpool 2 and Atomic Blonde director David Leitch returns with a sure fire blockbuster, a spin off from the Fast and Furious franchise Hobbs and Shaw.

Lawmaker Luke Hobbs played by Dwayne Johnson and British bouncer Deckard Shaw played by Jason Statham team up on an unlikely mission to save the world from a deadly virus and a crazy cyber-genetically altered superhuman wonderfully played by Idris Elba (Thor: Ragnarok, Molly’s Game, The Mountain Between Us) who is after Deckard’s feisty sister Hattie played by Vanessa Kirby (Mission Impossible: Fallout) and proves to be a muscular and worthy villain for Hobbs and Shaw.

As the action moves swiftly from the sleek skyscrapers of London’s financial district to Moscow and then for a more exotic finale in Samoa, Hobbs and Shaw ticks all the right boxes to ensure that this is an entertaining action packed ballbuster with an outlandish plot, some witty one liners mostly provided by cameo appearances by Kevin Hart and Ryan Reynolds.

The action is crazy, the stunts are amazing and as Hobbs and Shaw and Hattie desperately try to stop the spread of a deadly virus aptly known as The Snowflake effect which will kill the world’s population within 72 hours of going airborne, they get some hefty help from the entire island of Samoa lead by Luke Hobbs’s crazy brother Jonah.

There are even guest appearances by Oscar winner Helen Mirren as Deckard’s mother Queenie looking absolutely ravishing even though she is stuck behind bars in a British prison and New Zealand actor Cliff Curtis (Colombiana, Die Hard 4.0, Whale Rider) plays Hobbs’s older brother Jonah who gathers the troops for the final Samoan showdown.

Let’s face it with Hollywood superstars Jason Statham and Dwayne Johnson in an buddy action movie, it’s sure to be a blockbuster and judging by how fill the cinema was on a Saturday matinee, Hobbs and Shaw is recommended for all those Fast and Furious fans who love fast cars, action and some damn funny one liners.

Recommended viewing, Hobbs and Shaw gets a Film Rating of 7 out of 10.

Please note all further film images are provided courtesy of United International Pictures

Avengers: Infinity War

Directors: Anthony and Joe Russo

Cast: Robert Downey Jr, Chris Evans, Chris Hemsworth, Chris Pratt, Mark Ruffalo, Scarlett Johansson, Don Cheadle, Benedict Cumberbatch, Tom Holland, Chadwick Boseman, Zoe Saldana, Tom Hiddleston, Idris Elba, Paul Bettany, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Danai Gurira, Peter Dinklage, Dave Bautista, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, Josh Brolin, Benicio del Toro, William Hurt, Letitia Wright, Pom Klementieff, Carrie Coon, Winston Duke

Following the phenomenal success of Thor: Ragnorak and Black Panther, Marvel has capitalized on its extended cinematic universe with the new Avengers: Infinity War featuring a plethora of superheroes from Spiderman to Ironman, from Captain America to The Hulk not to mention bringing in the Guardians of the Galaxy gang for additional support.

If Avengers: Infinity War feels a bit excessive, that’s because it probably is combining the Avengers franchise with that of the more quirky Guardians of the Galaxy. Some fantastic moments occur when Spiderman played by Tom Holland meets Peter Quill aka StarLord played by Chris Pratt or when Iron Man, played by Robert Downey Jr disagrees with the wizard Doctor Strange played by Benedict Cumberbatch. The snappy dialogue is sometimes lost amidst the greater quest to fight the evil universe destroyer Thanos played by Josh Brolin.

Thanos is equally conflicted about having to gather all the infinity stones including the one for Souls in which he has to make a choice between himself and his adopted daughter Gamora played by Zoe Saldana. In the meantime, his evil minions are wreaking havoc on earth in New York and in the magical technologically advanced African kingdom of Wakanda where Vision played by Paul Bettany along with Captain America  and Scarlett Witch played by Elizabeth Olsen seek the assistance of Black Panther played by Chadwick Boseman.

Audiences have to suspend their disbelief but judging by how packed the cinemas are for Avengers Infinity War, they are quite happy to do so. This film is pure sci-fi fantasy with little of the action taking place on earth. Most of the fight sequences occur on outer galactic planets like Titan.

Thor needs his hammer back and seeks the help of Eitri played by Peter Dinklage who forges a brilliant new weapon out of a powerful star, the celestial capability of which was last seen on the forgotten kingdom of Asgard.

Whilst directing brothers Anthony and Joe Russo compile an absolute Geekfest with Avengers: Infinity War with enough alien creatures and superheroes to stockpile Comicon for the next decade, it’s a clear sign that the Marvel Universe has ambitious plans to expand even further.

That said Avengers: Infinity War has a convoluted story line weighed down by too many subplots but if viewers see it as a precursor to a second film then they will not find the surprise ending so disruptive….

Avengers: Infinity War gets a film rating 7.5 out of 10 and is strictly for Marvel comic book fans who have followed all the films from the original Iron Man 10 years ago.

The visual effects are fantastic as will be the box office receipts. See it to believe it.

Molly’s Game

Director: Aaron Sorkin

Cast: Jessica Chastain, Idris Elba, Kevin Costner, Michael Cera, Jeremy Strong, Graham Greene, Chris O’Dowd, Justin Kirk, J. C. MacKenzie

The Social Network, Moneyball and Steve Jobs screenwriter Aaron Sorkin makes his directorial debut in Molly’s Game featuring a powerfully hard core performance by Oscar nominee Jessica Chastain (The Help, Zero Dark Thirty) who is basically in every frame of the 2 hour and 20 minute expose of the decadent world of illicit high stakes poker.

Chastain plays Molly Bloom a savvy and smart young woman who in a bid to escape the clutches of her persuasive and pushy father Larry Bloom, a stand out performance by Oscar winner Kevin Costner (Dances with Wolves), leaves Colorado and heads to Los Angeles where she starts working for a slimeball misogynist Dean Keith played by Jeremy Strong who asks her to set up and run a regular Tuesday night poker game with a $10 000 buy in.

Soon the shrewd and street smart Bloom takes the poker game away from Keith and sets up her own High Class games at a luxurious suite at a Beverley Hills hotel aided by the dubious Player X played by Canadian actor Michael Cera (Superbad, Juno).

Sorkin tells and retells Molly’s rise and fall from power through a series of carefully crafted narrative flashbacks in between scenes with Molly Bloom and her New York defense attorney wonderfully played by Idris Elba (The Mountain Between Us, Star Trek Beyond).

With Sorkin’s trademark flair for snappy dialogue and producing a distinct visual style of his own, Molly’s Game is a fascinating portrait of a young woman who gets dangerously and illegally caught up in the world of high stakes poker where she eventually becomes subjected to the whims of vain and powerful men, most of whom are gambling addicts and would think nothing of sitting at a poker table until dawn betting their fortunes away just to prove who is a winning player.

Within this highly competitive masculine world, Molly Bloom gets indicted for organizing poker games with among others the Russian mafia in New York as well as Hollywood film stars, producers, rock stars and East Coast Trust fund babies.

Jessica Chastain is stunning in Molly’s Game and keeps the pace of this lengthy film, portraying a decadent Madame who presides over a glamorous boudoir for men to gamble, drink and flirt with gorgeous supermodels or as her book publisher says, she was the keeper of a very expensive and indulgent man cave.

At the heart of the story, which could have been edited in sections, is Molly’s complex relationship with her father who she was always goading from her rebellious teenage years to her earlier childhood attempts at becoming an Olympic ski jumper in Salt Lake City.

If audiences enjoyed The Social Network and Steve Jobs, then they will love Molly’s Game, a decadent tale of one woman who bet her good name and reputation on the house.

Molly’s Game gets a film rating of 7.5 out of 10 and is worth seeing for a remarkable performance by Jessica Chastain who really proves her talent as the heroine in this gritty, seductive tale about greed and power.

Thor: Ragnarok

Director: Taika Waititi

Cast: Chris Hemsworth, Mark Ruffalo, Tom Hiddleston, Cate Blanchett, Anthony Hopkins, Jeff Goldblum, Idris Elba, Tessa Thompson, Benedict Cumberbatch, Karl Urban, Ray Stevenson, Scarlett Johansson, Luke Hemsworth, Sam Neill, Taika Waititi

New Zealand director Taika Waititi was Oscar nominated back in 2005 for his Live Action Short film Two Cars, One Night.

Marvel Studios recruited him to inject new life into the Thor films and that he certainly does with Thor: Ragnarok, a neon inspired family feud of mythical proportions featuring Thor played again by hunky Australian actor Chris Hemsworth along with his pesky brother Loki played by Tom Hiddleston and new addition to the family Hela played with vampish delight by Oscar winner Cate Blanchett (The Aviator, Blue Jasmine).

Thor returns to Asgard only to discover that Loki has banished Odin, their father to a virtual retirement home. Upon a brief visit, the brothers discover that Odin, wonderfully played with a sombre delight by Oscar winner Anthony Hopkins (The Silence of the Lambs) has got an elder daughter Hela who was banished from Asgard for being the Goddess of Death and wreaking havoc on the nine realms.

Cate Blanchett relishes her role as Hela, the Goddess of Death, inspired by Maleficent and certainly quite intent on destroying her defiant younger brothers.

Thor and Loki land up on a weird dystopian outer planet overseen by the demonic Grand Master, a superbly camp performance by Jeff Goldblum (Jurassic Park, Independence Day), who immediately instructs Thor to fight in a massive arena against a formidable beast: The Hulk. Enter Bruce Banner aka The Hulk, played with bewildering amusement by Mark Ruffalo (The Avengers, Foxcatcher, Spotlight).

Eventually Thor gets Loki, The Hulk and a hard-drinking Valkyrie played by Tessa Thompson last seen in the HBO series Westworld, to return to Asgard to defeat the demonic Hela who is assisted by a reluctant henchman Skurge played by Karl Urban (Dredd, Star Trek and The Loft).

The only criticism is that the middle section of Thor: Ragnarok detracts from the film’s central narrative, which is essentially a legendary family conflict.

Thor: Ragnarok is a fun-filled comic book film which thankfully does not take itself or the characters too seriously and is a clear indication that Marvel films are definitely trying to create memorable characters for the lucrative toy manufacturing market just before Christmas.

As with all the latest Marvel films, franchise opportunities abound. Thor: Ragnarok is light-hearted and hellishly entertaining. Audiences should look out for a great cameo by Benedict Cumberbatch reprising his role as the illusive Doctor Strange.

If audiences enjoyed The Avengers and the first two Thor films, then they will definitely savour Thor: Ragnarok which is comically inspired from another Marvel hit franchise, The Guardians of the Galaxy.

Thor: Ragnarok gets a film rating of 7.5 out of 10.

The Mountain Between Us

Director: Hany Abu-Assad

Cast: Kate Winslet, Idris Elba, Beau Bridges, Dermot Mulroney

Based upon the novel by Charles Martin, The Mountain Between Us tentatively explores the strained relationship between two strangers who are stranded together on a remote mountain near the Rockies as their two seater plane crashes en route to Denver Colorado from Idaho.

Directed by Hany Abu-Assad who brought such strong films including the Oscar Nominated Foreign Language film Paradise Now and Omar to the international cinema audiences, The Mountain Between Us is held together literally by strong performances by Oscar winner Kate Winslet (The Reader) and Idris Elba (Prometheus, Pacific Rim) who play Alex and Ben.

Alex is trying to get to New York to marry her fiancée Mark briefly played by Dermot Mulroney (Truth, August: Osage County and Stoker), while Ben, a neurosurgeon, is planning on being in New York to perform an operation on a boy with a brain tumour.

As the trailer suggests, things go horribly wrong and Alex and Ben are left stranded on an icy mountain in the Rockies with only themselves to depend upon. At their wits end and with no hint of rescue insight they manage to assist each other in escaping the mountain for safer ground and search for any form of human habitation.

Naturally as their flight to safety becomes increasingly more perilous they began to not only trust each other but also gradually fall in love, despite being complete strangers.

Which goes to show that at the core of human relationships is a basic desire for survival. That desire outstrips any prejudice and preconceived notions of who is best equipped to survive, something which director Abu-Assad took great pains to reveal to the audience.

The Mountain Between Us could have been a brilliant film, but unfortunately it does get weighed down by its own emotional intensity which is a too heavy  and long winded considering that there really are two actors in the entire film.

Swift editing and some effective character backstory would have made Alex and Ben’s fight for survival more fascinating and pertinent. 1 hour and 52 minutes is way too long for two people and a dog to be stranded on a mountain.

The film gets a rating of 7 out of 10 and is recommended for audiences that enjoy romantic disaster films which are rare to say the least.

The Avengers: Age of Ultron

Director: Joss Whedon

Cast: Chris Evans, Chris Hemsworth, Robert Downey Jr, Don Cheadle, Paul Bettany, Mark Ruffalo, Jeremy Renner, Scarlett, Johansson, Samuel L. Jackson, Elizabeth Olsen, Aaron Taylor-Johnson, James Spader, Cobie Smulders, Hayley Atwell, Stellan Skarsgard, Thomas Kretschmann, Julie Delpy, Andy Serkis, Anthony Mackie.

The Avengers are back in director and writer Joss Whedon’s much anticipated sequel The Avengers: Age of Ultron featuring all the Marvel superheroes and some new ones in a CGI laden special effects extravaganza, which is at times confusing and other times absolutely fascinating. At a running time of two hours and twenty minutes, director Whedon has sufficient screen time to flesh out all the characters individually as well as give nuance to some of their more complicated relationships.

Like the relationship between The Hulk, aka Bruce Banner wonderfully played by Oscar nominee Mark Ruffalo (Foxcatcher) and the Black Widow played by Scarlett Johansson who seems to be the only avenger that can calm the Hulk’s penchant for destructive anger.

The relationship between goodie two shoes Steve Rogers aka Captain America, played by Chris Evans and Nordic God Thor played by the hunky Chris Hemsworth is also subtly explored considering that the former is a World War two hero and the latter from another dimension.

Robert Downey Jr reprises his role as egotistical Billionaire Tony Stark, aka Iron Man and his irrepressible desire to mould any technological discovery, in this case the power artificial intelligence to his own advantage.

The Age of Ultron refers to the ubiquitous Altron a powerful A.I. force which is hell bent on human destruction and vain enough to realize that he can survive the aftermath, beautifully voiced with an underlying menace by James Spader (Bad Influence, more recently in the hit TV show The Black List).

The sexy Jeremy Renner as Clint Barton aka Hawkeye ‘s character is fleshed out as a devoting family man which is entirely incongruous with his status as a member of the Avengers, but hey who cares?

Elizabeth Olsen and Aaron Taylor-Johnson play evil orphaned Eastern European twins Pietro and Maximoff who soon turn on Ultron when they realize his megalomaniac tendencies. Even Lord of the Rings’ Andy Serkis makes an appearance as a South African mercenary Ulysses Klaue and the Johannesburg downtown sequence is truly phenomenal to watch as is the action scene in Seoul, South Korea.

If audiences get confused with who all the avengers are, there are ample filmic references to each of their own background stories from Thor: The Dark World, including a brief appearance by Idris Elba and also Captain America’s Agent Carter, played by Hayley Atwell. Marvel is indeed expanding their universe exponentially and if The Avengers: Age of Ultron’s audience figures are anything to go by, this will prove to be another superhero box office smash hit.

The Avengers: Age of Ultron is fun entertainment and definitely aimed at Iron Man, Thor and Captain America cinema fans especially all the witty references and innuendo’s involving lifting Thor’s hammer which are neatly laced into a script which may seem convoluted but then again when it comes to Artificial Intelligence its more an infinite mess which at some point needs to be reined in.

Audiences should look out for brief cameos by Anthony Mackie, Stellan Skarsgard, Julie Delpy, Don Cheadle and Thomas Kretschmann. If The Avengers: Age of Ultron appears to be a pastiche of all the previous Marvel films, then director Joss Whedon has certainly achieved the impossible, not to mention making a narrative out of the dangers of artificial intelligence plausible and entertaining.

It’s best for audiences to suspend their disbelief and enjoy The Avengers: The Age of Ultron for what it is: a comic book orgy with a giant budget and loud, awe-inspiring special effects which will be sure to nurture any young adult’s imagination for awhile.

The Gunman

Director: Pierre Morel

Cast: Sean Penn, Javier Bardem, Mark Rylance, Idris Elba, Ray Winstone, Jasmine Trinca, Peter Franzen

Taken director Pierre Morel brings to cinematic life an above average thriller The Gunman based upon the novel by Jean-Patrick Manchette pairing Oscar winners Sean Penn (Mystic River, Milk) and Javier Bardem (No Country for Old Men) together for the first time.

Set in the Democratic Republic of the Congo, England and Spain, Penn plays an off the books Mercenary who is unwillingly hired to assassinate the Minister of Mines in the DRC after his announcement that the war torn country would be limiting foreign owned mining companies from operating in the ravaged but mineral rich central African country formerly the Belgian Congo.

Dubbed operation Calvary, once the assassination takes place in 2006 Terrier was to leave the country and the continent and also that of his love interest, NGO worker Annie played by Italian actress Jasmine Trinca.

Fast forward eight years to 2014 and Terrier is targeted back in the DRC by some mean looking machete welding men and soon hightails it back to London after a narrow escape. Back in England, he confronts the mastermind of operation Calvary, the shady British businessman Cox played by Mark Rylance (Anonymous, The Other Boleyn Girl).

Terrier soon realizes that all the men involved in operation Calvary have been killed only leaving himself and boozy Spaniard Felix played by Bardem. The action thankfully moves to the fabulous Catalonian capital of Barcelona where things really heat up as Trinca realizes that her former flame is alive and well. After a very bloody shootout in a Spanish villa, Terrier travels to the British protectorate of Gibraltar to finally confront the real culprit in this scandalous and dangerous international cover up.

Unfortunately director Pierre Morel’s film The Gunman despite having two A list actors in it, suffers from the wait of its own importance and does not nearly come close to such masterpieces as the brilliantly directed Fernando Meirelles thriller The Constant Gardener based on a John le Carre novel.

The Gunman has all the right ingredients including shady Multi-Nationals plundering Africa’s vast mineral wealth, a covert operation which went horribly wrong and a doomed love affair which is finally reconciled.

Penn gives an impressively muscular performance as the mercenary Terrier but Bardem and even Golden Globe nominee Idris Elba (Mandela, Pacific Rim) are wasted in this overlong meandering thriller which despite the exotic locations could have been neatly edited. The script needed an incisive treatment by Oscar winning scriptwriter Peter Morgan (The Queen, Frost/Nixon, Rush).

The Gunman is an average thriller and although at times exhilarating lacks a clear vision and less contrived plot, although the bullfight sequence at the end certainly is inventive. Recommended viewing for those that enjoyed The November Man and The Constant Gardener. Look out for cameos by Ray Winstone (Noah, Snow White and the Huntsman) and Finnish actor Peter Franzen as the crazed gun for hire.