Posts Tagged ‘Idris Elba’

Mandela: Long Walk to Freedom

Director: Justin Chadwick

Starring: Idris Elba, Naomie Harris, Terry Pheto, Riaad Moosa, Jamie Bartlett, Deon Lotz, Seelo Maake, Garth Breytenbach, Kgosi Mongake

British born director of The Other Boleyn Girl Justin Chadwick brings to the big screen Nelson Mandela’s autobiography, Mandela: Long Walk to Freedom with the assistance of Durban based producer Anant Singh and international stars Idris Elba (Pacific Rim) and Naomie Harris (Skyfall). The timing of this film couldn’t have been more perfect or more poignant with the recent death of Nelson Mandela the Leader of the ANC and the first black South African president making international headlines. Mandela’s passing actually occurred during the British premiere of the film in London on the evening of Thursday 5th December 2013.

Leaving politics or current affairs aside, is Mandela: Long Walk to Freedom worth watching? The answer is a definitive yes especially so for the generation of young South Africans that will be able to vote in the 2014 national elections. But also for those viewers who didn’t realize just how close South Africa came in the early 1990’s to a fully fledged near civil war as the leaders at the time including Mandela and F.W. de Klerk were negotiating a relatively smooth transition from an authoritarian Apartheid state to a country that South Africa has become today, progressive and internationally hailed and supposedly democratic.

Mandela: Long Walk to Freedom is primarily an historical drama but also a love story between Mandela and his second wife Winnie Madikizela Mandela who is brilliantly played by Naomie Harris. Idris Elba does a superb job portraying such an iconic leader who went from political prisoner to President of a nation. Director Chadwick who also made the superb Kenyan film The First Grader, crafts an ambitious narrative whilst leaving all the burning issues as emotive and significant as ever showing a particular period of South African history that of the 1990’s similar to the 2010 film The Bang Bang Club, which was plagued with optimism, racism, militarism and brutal political violence.

Upon his release from prison in 1990, Mandela choose a path of negotiated discussion with the then nationalist government headed by F. W. de Klerk, which makes that pivotal time in South African history so interesting and integral to the development of the rainbow nation as it is affectionately known today. The film follows Mandela’s early days in Johannesburg in the 1940’s right through the Rivonia trials and to his eventual incarceration on Robben Island and his historic and subsequent release.

Producer Singh has a knack for acquiring high profile stars for his films, so the signing of Elba and Harris in the lead roles of Long Walk to Freedom is crucial to the film’s success. The fact that both stars portray such political leaders so poignantly and powerfully is too their credit and will surely be acknowledged during the 2014 award season. Mandela: Long Walk to Freedom is long, at times difficult to watch if you are fully versed in South Africa’s turbulent and extraordinary history, but stands on its own as a cinematic tribute to an iconic leader who has now been immortalized in all spheres of South African society from Sport and Commerce to Politics and Art.

This film is probably at times too long but is certainly recommend viewing for superb acting and lovers of historical political dramas. Mandela: Long Walk to Freedom also stars South African comedian Riaad Moosa (Material) as Ahmed Kathrada and Terry Pheto of Tsotsi fame as Evelyn Mase.

Thor: The Dark World

From Asgaard to Greenwich, Thor and his hammer are back in the Marvel sequel Thor: The Dark World, moving the action from the arid plains of New Mexico to the nine universes along with London and Stonehenge. The immensely successful Thor in 2010 directed by Kenneth Brannagh assembled a fabulously competent cast including Oscar Winners Anthony Hopkins (Silence of the Lambs) as Thor’s father Odin, King of Asgaard and Natalie Portman (Black Swan) as physicist Jane Foster along with Rene Russo as Thor’s mother Frigga and Shakespearian actor Tom Hiddleston as malevolent and destructive brother Loki.

Thor: The Dark World reassembles this cast along with Kat Dennings of Two Broke Girls TV series fame as the sharp talking Darcy Lewis for some comic relief, Stellan Skarsgaard as the mad scientist Erik Selvig seen running naked around Stonehenge and newcomer Christopher Eccleston as Malekith the evil Dark Elf who is bent on destroying all known universes through an ethereal substance known as Aether which has the power to envelope all worlds in eternal darkness constituting a thoroughly poisonous universe.

Moving the action from sunny New Mexico in Thor to murky and grey England was a smart move for Thor: The Dark World, however this sequel whilst it has stunning visual effects but not quite to the same level as Zach Snyder’s Man of Steel, is certainly entertaining as superhero films go that the rival  Marvel studios are successfully releasing in quick succession after the huge commercial success of The Avengers and Iron Man 3.

Needless to say much of the action of Thor: The Dark World does not take place on earth so the plot is mostly action driven and there is naturally very little new character developments in the various CGI created universes with elegant and glossy Asgaard  taking the centre stage. Chris Hemsworth is naturally good as Thor, a role that will surely become synonymous with his name, but his real acting can be seen in films like Rush. Natalie Portman is fantastic and Anthony Hopkins is going through the character motions. Tom Hiddleston is brilliant as the ambivalently evil Loki set on revenge for his incarceration on Asgaard and look out for rising star Idris Elba as the celestial Asgaard gatekeeper Heimdall.

Basically Thor: The Dark World has stunning visuals, lots of action, a twisted plot without too much characterisation and basically retains its popcorn teenage audience that all the Marvel films are aiming for.

For fans of Thor, this glossy sequel not as tightly directed by Alan Taylor is thin on plot, and will not disappoint fans of the hammer wielding hunk who is part of the Avengers group. Watch out for a brief cameo by Chris Ryan as Captain America. The action is fantastic but not on the level of Pacific Rim or Man of Steel. Also starring Zachary Levi from Chuck fame along with Ray Stevenson and Jaimie Alexander. See Thor: The Dark World in a 3D cinema if possible.

Pacific Rim

Director: Guillermo del Toro

Cast: Charlie Day, Charlie Hunnam, Idris Elba, Clifton Collins Jnr, Diego Klattenhoff, Max Martini, Rinko Kikuchi, Ron Perlman, Burn Gorman

Acclaimed Mexican director Guillermo del Toro’s much anticipated 3D sci-fi film Pacific Rim is imaginative, rich and definitely needs to seen in a 3D cinema with digital surround sound to fully savour the cinematic spectacle.

Moving away from the American-centric location of many recent blockbusters most notably Iron Man 3 and Man of Steel, del Toro firmly aims Pacific Rim at a broader international audience as he centers most of the mind bending action in Hong Kong. Avoiding choosing a purely American cast, del Toro selects a relatively unknown ensemble to head up Pacific Rim, from the buff and gorgeous British actor Charlie Hunnam (looking ever more spectacular in 3D and last seen in Children of Men and Nicholas Nickleby) as the brooding Jaeger fighter pilot Raleigh Beckett and Rinko Kikuchi from Babel fame as Mako, the Japanese love interest who has to come to terms with aliens attacking Tokyo and join humanity to fight the horrific creatures along with Ron Perlman (Hellboy) as Hannibal Chou as a shady Kaiju bones scavenger and British actor Idris Elba as Stacker Pentecost the Jaeger central commander. Look out for a humorous performance by Charlie Day (Horrible Bosses) as the geeky scientist Dr Newton Geiszler who has to discover what the Kaijus really want with planet Earth along with Max Martini as Herc Hansen.

Warning to most audiences, that if you don’t like Monsters and Robots, don’t see Pacific Rim. However if you have followed del Toro’s cinematic rise to fame from the imaginatively rich Hellboy franchise to the critically acclaimed Spanish language fantasy Pan’s Labyrinth then fans will not be disappointed.

Pacific Rim is set in a 21^st century shattered world where giant descendants of dinosaurs known as Kaijus emerge out of the earth’s core and start attacking all the major cities of the Pacific Rim from Cabo in Mexico to Sydney to Hong Kong. To combat these giant sea beasts hugely inspired by Japanese monster movies and anime, humanity has built these huge robotic war machines known as Jaegers which honestly make Transformers look like Lego pieces. The script and backstory does not deliver too much on motive or plot, but del Toro gets straight to the point – Monsters attacking the World and Humans are fighting back using massive Robots. The result is some fascinating visual effects and superb set designs paying homage to Blade Runner and Total Recall, making Pacific Rim in 3D resemble a mixture of Hellboy and Battleship on acid!

The intricacies of operating the Jaegers involves two fighter pilots mentally connecting in a visual process known as drifting overseen by a frenetic controller, the Elvis inspired central ops Tendo Choi played by Clifton Collins Jnr (Capote) so that they can both symbiotically operate these giant robots (Jaegers) and combat the blue blooded snarling monsters known as Kaiju’s.

Pacific Rim has been hugely popular in the Asian markets and when watching the spectacular Hong Kong harbour battle sequence it’s not difficult to see why. Unfortunately the enormity of both Jaegers and Kaiju’s battling each other using tankers and skyscrapers inevitably dwarfs any real human interactions displaying that del Toro deliberately went for cinematic style over substance in what is imaginatively a hugely impressive cinematic experience but don’t expect the character depth or emotion displayed in Pan’s Labyrinth. This is del Toro on a massive budget appealing to a much larger audience and in this regard, Pacific Rim succeeds on every monstrous level and surely will be in line for a Visual Effects Oscar.

See it to believe it and Pacific Rim is not only big in Japan!