Posts Tagged ‘Jean Dujardin’
65th BAFTA Awards
THE 65th BAFTA AWARDS /
THE BRITISH ACADEMY FILM AWARDS
Took place on Sunday 12th February 2012 in London
BAFTA WINNERS IN THE FILM CATEGORY:
Best Film: The Artist
Best Director: Michel Hazanavicius – The Artist
Best Actor: Jean Dujardin – The Artist
Best Actress: Meryl Streep – The Iron Lady
Best Supporting Actor: Christopher Plummer – Beginners
Best Supporting Actress: Octavia Spencer – The Help
Rising Star Award: Adam Deacon
Best British Film: Tinker Tailor Soldier Spy directed by Tomas Alfredson
Best Original Screenplay: Michel Hazanavicius – The Artist
Best Adapted Screenplay: Bridget O’Connor, Peter Straughan – Tinker Tailor Soldier Spy
Best Costume Design: Mark Bridges – The Artist
Best Foreign Language Film: The Skin I Live In directed by Pedro Almodovar
Source: 65th BAFTA Awards
69th Golden Globe Awards
69th Golden Globe Awards
Took place on Sunday 15th January 2012 hosted by the Hollywood Foreign Press Association
Golden Globe Winners in The Film Categories:
Best Film Drama: The Descendants
Best Film Musical or Comedy : The Artist
Best Actor Drama: George Clooney – The Descendants
Best Actress Drama: Meryl Streep – The Iron Lady
Best Actor Musical or Comedy: Jean Dujardin – The Artist
Best Actress Musical or Comedy: Michelle Williams – My Week with Marilyn
Best Supporting Actor: Christopher Plummer – Beginners
Best Supporting Actress: Octavia Spencer – The Help
Best Director: Martin Scorsese – Hugo
Best Foreign Language Film: A Separation (Iran)
Source: http://en.wikipedia.org/wiki/69th_Golden_Globe_Awards
The Treasures of War
The Monuments Men
Director: George Clooney
Starring: George Clooney, Matt Damon, Cate Blanchett, John Goodman, Bob Balaban, Bill Murray, Jean Dujardin, Hugh Bonneville, Sam Hazeldine
Actor and director George Clooney and screenwriter Grant Heslov, the team behind The Men Who Stare at Goats and Good Night and Good Luck, team up for an old-fashioned historical war film about a middle aged group of men who set out during the latter years of World War II to recover most of the stolen art works secretly stashed in Nazi hordes across France, Belgium and parts of Germany from 1943 to 1945 as the Germans retreated in defeat as the tide of war turned against them. Whilst The Monuments Men boasts an all star cast including Bill Murray, Jean Dujardin (from The Artist), John Goodman and Matt Damon, the film doesn’t quite match up to the incisive political comment of the Oscar winning Good Night and Good Luck about the approaching threat of McCarthyism on broadcast journalists in the 1950’s.
Instead, Heslov and Clooney focus more on the after effects of war and looting and the utter destruction of entire communities, mainly the European Jews at the hands of the ruthless Nazi’s during the holocaust. There are moments of humour interjected in a mainly historical narrative about how these men travelled across the European Theatres of War from Paris to Brugge to Normandy to track down the hugely valuable and culturally significant pieces of art works stolen by the Nazi’s from Rembrandts to Michelangelo’s famed sculpture Madonna and child stolen from a Belgium monastery.
There is a brief interlude with Damon as Captain James Granger teaming up with a French Resistance woman in Paris forced to work for the Nazi’s Claire Simone played by Cate Blanchett, with an indistinguishable European accent. There is the witty banter between Richard Campbell and Preston Savitz played respectively by Bill Murray and Bob Balaban and then there is a wonderful cameo by Hugh Bonneville (Downton Abbey) as Donald Jeffries a British Lieutenant who sobers up to join the Monuments Men to save his famed Madonna.
Whilst at times The Monuments Men comes across as sentimental and nostalgic, it’s because its focusing more on the saving of priceless art than on the horrors of conflict and the utter destruction of parts of Europe. This film is in no league to such Oscar winners as Saving Private Ryan or Anthony Minghella’s elegant The English Patient. Instead The Monuments Men shines light on the aspect of war which is often neglected the looting of treasures by the conqueror over the defeated and the crazy scheme of Hitler’s 3rd Reich to build a Fuhrer Art Museum in Berlin, which naturally never materialized. If anyone has been to the great art museums of London, Amsterdam, Paris or New York, many viewers will know that much of the greatest artworks was saved and restored to their original glory.
For art historians, The Monuments Men is a delightful and fascinating film, but for lovers of War films, don’t expect loads of action or bloodshed, just lots of barbed humour and the occasional tragic scene as this band of merry men navigate through dangerous battlefields to reclaim the original treasures of war. Recommended for lovers of nostalgic war films.
Scorsese’s Satyricon
The Wolf of Wall Street
Director: Martin Scorsese
Cast: Leonardo DiCaprio, Jonah Hill, Margot Robbie, Kyle Chandler, Jean Dujardin, Joanna Lumley, Matthew McConaughey, Jon Bernthal, Jon Favreau, Shea Wingham, Cristin Milioti
Running Time: 3 hours
Film Rating: 8.5 out of 10
The much anticipated explosive new film about Wall Street Stock broker Jordan Belfort by acclaimed director Martin Scorsese is an orgy of drugs, hedonism and consumerism held tightly together by one of the best on screen performances that Leonardo DiCaprio (The Great Gatsby) has ever given. The Wolf of Wall Street can best be described as Oliver Stone’s Wall Street highballing on crack and speed with large amounts of sex, swearing and swindling thrown in.
The three hour film about the rise and fall of one of Wall Street’s most notoriously decadent stockbrokers is fascinating, bizarre, crude and highly entertaining. The Wolf of Wall Street is Scorsese’s sleazy and salacious Satyricon, a drug fuelled hedonistic journey into the heart of America’s consumerism, while ripping to shreds its number one bastion Rampant Capitalism. For according to Belfort there is no nobility in poverty.
Audiences meet Belfort when he is a young would be stockbroker as he arrives off the bus on Wall Street soon to be taken in by the foul-mouthed cocaine sniffing chest thumping mentor Mark Hanna an expertly played cameo by Matthew McConnaughey.
Belfort after the Stock Exchange crash of 1989, goes into penny shares in a two bit stock brokerage in Long Island, where he revolutionizes the bunch of weirdo pot selling brokers into a serious blue chip Wall Street company rebranding it as Stratton Oakmont. Soon Belfort motivates his entire team to sell penny shares (those companies that cannot afford to be listed on NASDAQ) to the very rich, and after much cavorting and convincing, earns huge amounts of cash where the brokerage becomes a literal madhouse of drugs, greed and absolute debauchery.
With the help of his wing man Donny, a brilliant performance by Jonah Hill of Moneyball fame, Belfort catapults Stratton Oakmont into a serious stock brokerage to rival Merrill Lynch, Goldman Sachs and the late Lehman Brothers in New York whilst at the same time committing serious securities fraud with imaginary IPO’s.
At the heart of The Wolf of Wall Street is a story about corruption, unrelenting drug addiction, rampant sex and partying, a frenetically paced tour de force of the arc of an absolute sinner energetically played by DiCaprio who is in virtually every scene of the film. Memorable scenes include his blond wife Naomi (a wonderful turn by newcomer Margot Robbie of the TV series Pan Am) walking in on a gay orgy in their plush Manhattan apartment, a bizarre incident with Belfort driving his white Ferrari from the Country Club while literally dazed on sleeping pills, a luxury yacht riding massive Mediterranean waves en route to Monaco, a sex-crazed air hostess humping trip in first class to Switzerland and that’s just to name some of the few crazy episodes in The Wolf of Wall Street. Scorsese’s film is a sublime Satyricon meshing elements of Casino, Shutter Island and The Departed proving that he is a consummate director and cinematic visionary.
Belfort’s eventual downfall comes at the hand of conservative securities agent Patrick Denham played by Kyle Chandler (Super 8) but not before he has moved large parts of his vast fortune off shore to a Swiss Bank account with the help of a slimy banker Saurel seductively played by Jean Dujardin of The Artist and Naomi’s British aunt Emma played by Ab Fab star Joanna Lumley who utters the immortal line “I have lived through the Sixties”.
Scorsese’s The Wolf of Wall Street is frenetic, shocking and superbly acted by DiCaprio along with an incisive script by Terence Winter, a tour-de-force of a film, a reason to love the art of cinema. A highly recommended montage on the destructive nature of greed and addiction, The Wolf is not for sensitive viewers, but packs a powerful punch held together by an Oscar worthy performance by DiCaprio whose rousing motivational trading floor speeches are the stuff of cinematic legends. After all if you can sell a pen, then you are a salesman…
2011 Cannes Film Festival
2011 Cannes Film Festival Winners
Winners of the five main prizes at the 2011 Cannes Film Festival were as follows: –
Palm d’Or – The Tree of Life directed by Terence Malick
Best Director – Nicholas Winding Refn – Drive
Best Actor – Jean Dujardin – The Artist
Best Actress – Kirsten Dunst – Melancholia
Best Screenplay Award – Footnote written and directed by Joseph Cedar
Source: http://en.wikipedia.org/wiki/2011_Cannes_Film_Festival
84th Academy Awards
84th Academy Awards
26th February 2012
Oscar Winners at the 84th Annual Academy Awards
Best Film: The Artist
Best Director: Michel Hazanavicius – The Artist
Best Actor: Jean Dujardin – The Artist
Best Actress: Meryl Streep – The Iron Lady
Best Supporting Actor: Christopher Plummer – Beginners
Best Supporting Actress: Octavia Spencer – The Help
Best Original Screenplay: Woody Allen – Midnight in Paris
Best Adapted Screenplay: Alexander Payne, Nat Faxon and Jim Rash for The Descendants based upon the novel by Kaui Hart Hemmings
Best Foreign Language Film: A Separation directed by Asghar Fahadi (Iran)
Best Documentary Feature: Undefeated by T. J. Martin, Dan Lindsay & Richard Middlemas
Best Cinematography – Robert Robertson – Hugo
Best Make Up – Mark Coulier and J. Roy Helland – The Iron Lady
Best Costume Design – Mark Bridges – The Artist
Best Film Editing – Angus Wall and Kirk Baxter – The Girl with the Dragon Tattoo
Best Visual Effects – Hugo
Source:
http://en.wikipedia.org/wiki/84th_Academy_Awards