Posts Tagged ‘Jeff Goldblum’

Wicked Part One

Director: Jon M. Chu

Cast: Ariana Grande, Cynthia Erivo, Jonathan Bailey, Michelle Yeoh, Jeff Goldblum, Ethan Slater, Peter Dinklage

Running Time: 2 hours 40 minutes

Film Rating: 8 out of 10

Crazy Rich Asians and In the Heights director Jon M. Chu lands cinematic gold, with his dazzling interpretation of the hit broadway musical Wicked about the origins of the Wicked Witch of the West from the Wizard of Oz.

Wicked Part 1 is a stunningly beautiful and bold interpretation of a fantasy tale about the origins of a witch. In this case it is the absolutely brilliant Oscar worthy performance of Cynthia Erivo (Harriet, Widows) who plays Elphaba alongside British pop star Ariana Grande who is fabulous and very pink as Galinda complete with sparkling shoes, handbags and enough accessories to make any teenage girl envious.

Set within the broader Wizard of Oz universe, Glinda and Elphaba meet at University before they both become witches but unfortunately they are at odds with each other. Glinda is blonde and beautiful, vain and popular whereas Elphaba is green and is in some sense a social pariah, a product of an illicit affair that her mother had in which Elphaba was born bright green like the sparkling Emerald City.

Oscar winner Michelle Yeoh (Everything, Everywhere all at Once) plays Madame Morrible as the mistress of magic at the University where both aspiring witches are studying. All is not well in the land when the talking animals are being ostracized and then Galinda is completely distracted by the arrival of the dashing man on a horse Fiyero, wonderfully played with sufficient panache by Fellow Travellers star Jonathan Bailey.

Elphaba tries to become popular while struggling with her own self-acceptance. Cynthia Erivo, besides her superb singing is really an extraordinary actress and suitably well cast in the role of the singing and flying witch.

Wicked Part One is a dazzling film, complete fantasy liberally peppered with fantastic songs and stunning dance numbers. If you are a musical theatre producer or a choreographer then go and see this musical.

As a psychedelic fantasy musical, Wicked Part One is extraordinary with lavish production design by Nathan Crowley who also deserves an Oscar nomination along with the costume designer Paul Tazewell. The pair really go to town with the amazing sets and incredible costumes especially in the glittering Emerald City.

As Elphaba and Galinda travel on a sleek emerald train to the Emerald City to see the Wonderful Wizard of Oz, they soon discover that the wily wizard is not as noble as one might anticipate. Enter the veteran actor Jeff Goldblum (Jurassic Park, The Grand Budapest Hotel) who steals the scene as the industrialist like Wizard who soon discovers Elphaba’s real power.

The songs are amazing, the costumes and sets are spectacular but at two and half hours long there were some sections the director could have cut.

What makes Wicked Part One such an enjoyable film is the performance of Cynthia Erivo, she really takes the iconic role of the Wicked Witch of the West and moulds it into something formidable, a fascinating story of how a young awkward girl transforms into a witch hated and ostracized by the Land of Oz. Society will do that to a perceived outcast.

Lavish, loud and beautifully orchestrated Wicked Part One is recommended viewing and gets a film rating of 8 out of 10.

Suitable for fans of fantasy musicals and those that have a spare two and half hours to kill exploring the yellow brick road.

Asteroid City

Director: Wes Anderson

Cast: Jason Schwartzman, Scarlett Johansson, Tom Hanks, Tilda Swinton, Edward Norton, Willem Dafoe, Adrien Brody, Jeffrey Wright, Bryan Cranston, Liev Schreiber, Hope Davis, Steve Park, Hong Chau, Rupert Friend, Maya Hawke, Steve Carell, Matt Dillon, Margot Robbie, Tony Revolori, Jake Ryan, Jeff Goldblum, Grace Edwards, Sophia Lillis, Bob Balaban

Running Time: 1 hour and 44 minutes

Film Rating: 7.5 out of 10

Celestial flirtations abound in director Wes Anderson’s latest fluorescent theatrical film, Asteroid City featuring a blossoming cast headlined by two excellent performances by Jason Schwartzman and Oscar nominee Scarlett Johansson (Jojo Rabbit, Marriage Story) as theatre actors Augie Steenbeck and the glamorous Midge Campbell who find themselves acting in the eccentric playwright Conrad Earp wonderfully played with deadpan flamboyance by Oscar nominee Edward Norton (Primal Fear, American History X, Birdman)’s new play Asteroid City set in a one horse town in Arizona in 1955 complete without a candy coloured diner and a nuclear testing site.

Asteroid City has a population of 69.

Visually and aesthetically, Asteroid City is beautiful to watch as a film, like a trippy popup book with fabulous colours and eccentric characters from singing cowboys and random socialites, from military personnel to perilous children who comprise the space cadets of the town.

At a random event celebrating the arrival of an asteroid in a desert, the entire town is gathered and listening to an articulate speech by General Grif Gibson played by Jeffrey Wright (No Time To Die) when out of nowhere a cheeky alien arrives in a garish green UFO and unexpectedly steals the asteroid while the town looks on in horror and curiosity.

Luckily Augie who is a reluctant father of four children, a son named Woodrow wonderfully played by Jake Ryan and triplet daughters known collectively by their grandfather as The Witches, managed to photograph the alien. Then the military step in and quarantine the town, a suitable jibe by screenwriter Wes Anderson at the weird lockdown restrictions imposed by Governments across the world during the Covid19 pandemic in 2020.

Despite the ensemble cast, it is really Jason Schwartzman and Scarlett Johansson’s film as they both shine in a complex self-reflexive narrative which takes inspiration from American playwright Thornton Wilder’s play Our Town. Jason Schwartzman who played King Louis XVI opposite Kirsten Dunst in Sofia Coppola’s Marie Antoinette and is soon to star in his uncle Francis Ford Coppola’s new film Megalopolis, really shines as a talented stage actor and part time homosexual Augie Steenbeck in a role which is equally quirky and subversive.

Asteroid City is a highly theatrical comically absurd film serving as a dazzling critique on the bizarre nature of events in 2020 and cleverly presents the concept of The West as a construct to be interchanged and taken down again, much like a cardboard city. Notable turns in the film go to Tom Hanks as Grandfather Stanley Zak, Oscar winner Tilda Swinton (Michael Clayton) as Dr Hickenlooper and Oscar nominee Bryan Cranston (Trumbo) as The Host.

Take yourself on a journey and see the visually splendid Asteroid City, which is not perfect as a film, but it is enchanting in a celestial way and will find a cult following everywhere much like the Space Cadets that follow the Milky Way. With impressive set designs, Asteroid City should win an Oscar for Production Design in the 2024 Academy Awards.

Not as brilliant as The Grand Budapest Hotel, but Asteroid City gets a film rating of 7.5 out of 10, a quirky self-reflexive play about a city that doesn’t exist and an alien that possibly does.

Wes Anderson outdoes himself with a script and a bizarre film which received a 6 minute standing ovation at the film’s glittering premiere at the 2023 Festival de Cannes.

Jurassic World: Dominion

Director: Colin Trevorrow

Cast: Chris Pratt, Bryce Dallas Howard, Laura Dern, Sam Neill, Jeff Goldblum, Campbell Scott, Omar Sy, Isabella Sermon, DeWanda Wise, Dichen Lachman, Mamoudou Athie, Cokey Falkow

Running Time: 2 hours 26 minutes

Film Rating: 7 out of 10

To round off the reboot trilogy of Jurassic World which started in 2015, director Colin Trevorrow returns to the director’s chair for the third and final instalment Jurassic World: Dominion reuniting the new cast Chris Pratt and Bryce Dallas Howard with the cast of the original 1993 Jurassic Park film consisting of Oscar winner Laura Dern (Marriage Story) as Ellie Sattler, Sam Neill as Alan Grant and the ever quirky Jeff Goldblum as Ian Malcolm.

In the 2022 version, Dinosaurs mix freely with humans in a bizarre social world however something is amiss when giant locusts start attacking the food supply in West Texas.

Campbell Scott (The Sheltering Sky) plays a peevish version of a Steve Jobs type character, Lewis Dodgson who runs an extremely shady Biosyn Tech company in the Dolomite Mountains in Italy and is involved in all sorts of weird genetic engineering, playing God with creatures which just become more lethal and uncontrollable as the story unfolds.

Dodgson and his gang of thieves kidnap Maisie Lockwood from the guardianship of Owen Grady and Claire Dearing played respectively by Chris Pratt and by Bryce Dallas Howard.

In the meantime Sattler and Grant investigate the splurge of these giant locusts at the highly sophisticated Biosyn Tech company headquarters, where literally everything goes wrong including letting loose some Apex predators.

Dodgson’s greedy fascination with genetic engineering and dinosaurs sees him become a pathetic villain. Unfortunately, Campbell Scott is not a strong enough actor to play a convincing villain. For Jurassic World: Dominion, the producers needed a really charismatic actor to play the evil villain who is akin to Hugo Drax in Moonraker.

Before the entire world’s food supply gets threatened, Sattler realises that the mutation of the locusts need to be stopped before the general population is three meals away from anarchy.

The first half of Jurassic World: Dominion is really action packed particularly the chase sequence on Malta however the second half in the Dolomite Mountains is nothing original and is really the same group of characters being threatened by scary dinosaurs. The kids will love it!

DeWanda Wise is fantastic as the kickass aeroplane pilot for hire Kayla Watts and Mamoudou Athie is equally good as the only honest employee left at BioSyn. Audiences should look out for Dichen Lachman from the Animal Kingdom TV series as the ruthless henchwoman Santos.

Judging by how packed the cinema was, Jurassic World: Dominion is not a bad summer blockbuster film and gets a film rating of 7 out of 10.

If audiences enjoyed the first two films, then they will love this one. The third installment has all the ingredients of an action packed exotic film filled with dinosaurs, fascinating side characters and sweeping shots of unbelievable locations from Malta to Texas to the Italian alps.

Hotel Artemis

Director: Drew Pearce

Cast: Jodie Foster, Charlie Day, Sterling K. Brown, Dave Bautista, Sofia Boutella, Zachary Quinto, Jenny Slate, Brian Tyree Henry, Jeff Goldblum

A film’s originality is always a bonus. In this case director Drew Pearce’s bizarre yet crazy action thriller Hotel Artemis set in Los Angeles in 2028 is a stark reminder of how chaotic a world can become when law and order breaks down and climate change ravages a city.

A Multi-National Corporation has control of downtown L. A.’s water supply and riots have ensued. In the midst of this anarchy, two brothers codenamed Waikiki and played by Sterling K. Brown and Honolulu played by Brian Tyree Henry get injured in a bank robbery as well as steal some precious diamonds from the Wolf King of L. A. a crime overlord played by Jeff Goldblum.

The only refuge the wounded brothers can find is at Hotel Artemis run by the Nurse, an embittered, heavy drinking nurse, superbly played against type by double Oscar winner Jodie Foster (The Silence of the Lambs, The Accused).

Hotel Artemis set in downtown L. A. is a Hospital for gangsters and has amongst its guests a lethal assassin codenamed Nice played by Algerian actress Sofia Boutella and a cocaine sniffing arms dealer codenamed Acapulco played by Charlie Day (Pacific Rim, Horrible Bosses).

Written and directed by Drew Pearce, who cleverly makes full use of his diverse cast and wisely gives sufficient screen time for Jodie Foster who really holds Hotel Artemis together as the Nurse who suffers from agoraphobia and alcoholism whilst coming to terms with the demons in her own past, namely the death of her son from a drug overdose.

Action man Dave Bautista (Guardians of the Galaxy) plays Everest, the Nurse’s able bodied assistant, while Zachary Quinto plays The Wolf King’s son and heavy weight gangster Crosby Franklin, who breaches the criminal hotel.

While Pearce devotes the first half of Hotel Artemis to building up the characters and creating the chaotic atmosphere, he wastes no time in the second half with action, as each prisoner/guest turns on each and The Nurse realizes that her best hope for survival in this ruthless criminal underworld is by escaping it.

Despite its originality, Hotel Artemis gets a film rating of 7 out of 10.

I felt that writer/director Drew Pearce needed to spend sufficient time fleshing out the backstory to make the ending more palatable. Audiences that enjoyed Blade Runner 2049, will enjoy Hotel Artemis, a dystopian action thriller without the replicants and sophisticated imagery.

Jurassic World: Fallen Kingdom

Director: J. A. Bayona

Cast: Bryce Dallas Howard, Chris Pratt, Rafe Spall, Jeff Goldblum, James Cromwell, Toby Jones, Geraldine Chaplin, Ted Levine, BD Wong, Isabella Sermon, Justice Smith

Spanish director J. A. Bayona brings an impressive sense of Gothic Horror to the sequel to 2015’s Jurassic World, in the his latest film Jurassic World: Fallen Kingdom which is both riveting and tantalizingly watchable without reverting completely into blockbuster CGI overload. Although that said, the volcanic sequence on Isla Nuba off the coast of Costa Rica is brilliantly staged.

Familiar cast members return including Bryce Dallas Howard as Claire Dering who teams up with macho dinosaur wrangler Owen Grady wonderfully played by Chris Pratt whose phenomenal career path as rocketed since his casting as Peter Quill aka Star-Lord in Marvel’s The Guardians of the Galaxy.

Rafe Spall (Life of Pi) plays the villainous Eli Mills assistant to the immensely wealthy Benjamin Lockwood, played by James Cromwell (The Queen). Audiences should look out for a stand out performance by Isabella Sermon as Lockwood’s tenacious granddaughter Maisie who has to eventually contend with some monsters in her own childhood bedroom.

Watching over young Maisie is her guardian Iris played by the daughter of silent screen star Charlie Chaplin, Geraldine Chaplin (The Impossible, The Wolfman, The Age of Innocence) whom it is so refreshing to see on the big screen again.

As the dinosaurs of Jurassic World: Fallen Kingdom are consequently rescued just as the volcano at Isla Nuba threatens to make these ancient creatures extinct, a new threat develops on the massive Lockwood country estate in Northern California whereby director J. A. Bayona skillfully uses all the traits of Gothic Horror to add a fascinating twist to a blockbuster sequel with enough suspense to keep audiences entertained while also emphasizing the perennial issue of endangered species, something which endangered wildlife are constantly at risk of becoming in the increasingly technological 21^st century.

Audiences that enjoyed the 2015 Jurassic World, will undoubtedly love this authentic and imaginative sequel.

Jurassic World: Fallen Kingdom gets a film rating of 7.5 out of 10 and recommended for audiences that harbour an abiding fascination for dinosaurs.

Thor: Ragnarok

Director: Taika Waititi

Cast: Chris Hemsworth, Mark Ruffalo, Tom Hiddleston, Cate Blanchett, Anthony Hopkins, Jeff Goldblum, Idris Elba, Tessa Thompson, Benedict Cumberbatch, Karl Urban, Ray Stevenson, Scarlett Johansson, Luke Hemsworth, Sam Neill, Taika Waititi

New Zealand director Taika Waititi was Oscar nominated back in 2005 for his Live Action Short film Two Cars, One Night.

Marvel Studios recruited him to inject new life into the Thor films and that he certainly does with Thor: Ragnarok, a neon inspired family feud of mythical proportions featuring Thor played again by hunky Australian actor Chris Hemsworth along with his pesky brother Loki played by Tom Hiddleston and new addition to the family Hela played with vampish delight by Oscar winner Cate Blanchett (The Aviator, Blue Jasmine).

Thor returns to Asgard only to discover that Loki has banished Odin, their father to a virtual retirement home. Upon a brief visit, the brothers discover that Odin, wonderfully played with a sombre delight by Oscar winner Anthony Hopkins (The Silence of the Lambs) has got an elder daughter Hela who was banished from Asgard for being the Goddess of Death and wreaking havoc on the nine realms.

Cate Blanchett relishes her role as Hela, the Goddess of Death, inspired by Maleficent and certainly quite intent on destroying her defiant younger brothers.

Thor and Loki land up on a weird dystopian outer planet overseen by the demonic Grand Master, a superbly camp performance by Jeff Goldblum (Jurassic Park, Independence Day), who immediately instructs Thor to fight in a massive arena against a formidable beast: The Hulk. Enter Bruce Banner aka The Hulk, played with bewildering amusement by Mark Ruffalo (The Avengers, Foxcatcher, Spotlight).

Eventually Thor gets Loki, The Hulk and a hard-drinking Valkyrie played by Tessa Thompson last seen in the HBO series Westworld, to return to Asgard to defeat the demonic Hela who is assisted by a reluctant henchman Skurge played by Karl Urban (Dredd, Star Trek and The Loft).

The only criticism is that the middle section of Thor: Ragnarok detracts from the film’s central narrative, which is essentially a legendary family conflict.

Thor: Ragnarok is a fun-filled comic book film which thankfully does not take itself or the characters too seriously and is a clear indication that Marvel films are definitely trying to create memorable characters for the lucrative toy manufacturing market just before Christmas.

As with all the latest Marvel films, franchise opportunities abound. Thor: Ragnarok is light-hearted and hellishly entertaining. Audiences should look out for a great cameo by Benedict Cumberbatch reprising his role as the illusive Doctor Strange.

If audiences enjoyed The Avengers and the first two Thor films, then they will definitely savour Thor: Ragnarok which is comically inspired from another Marvel hit franchise, The Guardians of the Galaxy.

Thor: Ragnarok gets a film rating of 7.5 out of 10.

Independence Day: Resurgence

Director: Roland Emmerich

Cast: Liam Hemsworth, Jeff Goldblum, Bill Pullman, Charlotte Gainsbourg, Travis Tope, Sela Ward, Judd Hirsch, William Fichtner, Maika Monroe, Brett Spiner, Jessie T. Usher, Vivica A. Fox, Nicholas Wright

After twenty years and the success of Roland Emmerich’s Independence Day, the bad news is that the aliens have returned! This time they are bigger, nastier and have more sinister intentions.

Emmerich’s new long anticipated sequel, Independence Day: Resurgence crosses the generational divide and introduces a whole new cast of actors and has the added bonus that twenty years later the technology both onscreen and in real life has vastly improved.

Independence Day: Resurgence is a big budget sci-fi thriller guaranteed to fill the cinemas and makes its money on its legacy of the success of the original. Featuring an all-star cast including Liam Hemsworth, Jeff Goldblum, Judd Hirsch and Bill Paxton along with new comers Charlotte Gainsbourg last seen in Lars von Trier’s Nymphomaniac, Maika Monroe, Sela Ward and Travis Tope. Prison Break’s William Fichtner makes a fitting appearance as an American general who by chain of events becomes the US President.

The visual effects are superb and the dialogue is corny, but who cares the aliens look scary and half of the earth’s population gets obliterated including major cities like London and Singapore. As an American propaganda film, Independence Day: Resurgence does a brilliant job of reminding the world that whatever the threat, in this case hideous aliens, the Americans can save the world!

Don’t expect too much depth in this film, but nevertheless Independence Day: Resurgence is entertaining viewing, visually grand and has awesome special effects.

Independence Day: Resurgence for all its American bravado is enjoyable and worth seeing for some amazing Alien versus Man sequences both on earth and in outer space.

Recommended viewing for die hard lovers of apocalyptic Sci-Fi films which in this case doesn’t appear to be all that threatening or even hold a specific allegoric message.

The Grand Budapest Hotel

Director: Wes Anderson

Cast: Ralph Fiennes, Jude Law, F. Murray Abraham, Harvey Keitel, Willem Dafoe, Adrien Brody, Owen Wilson, Bill Murray, Tom Wilkinson, Tilda Swinton

Moonrise Kingdom director Wes Anderson assembles a hugely talented ensemble cast led by the irresistable Ralph fiennes as Gustave H.  a suave Concierge at The Grand Budapest Hotel who gets embroiled in a whimsical art theft after his benefactor dies mysteriously and her evil son Dimitri played by Adrien Brody pursues the eloquent and flamboyant Gustave in a fictitious republic of  Zubrowka representative of a modern day Yugoslavia or even The Czech Republic, but emblematic of a crumbling decadent and ravaged Eastern Europe.

The Grand Budapest Hotel is a wonderful plot, inventive, hilarious, witty and beautifully orchestrated matched by a superb ensemble cast the likes of which haven’t been seen on screen for years including Oscar nominees F. Murray Abraham (Amadeus), Harvey Keitel (Bugsy), Willem Dafoe (Shadow of a Vampire), Bill Murray (Lost in Translation), Edward Norton (Primal Fear), Tom Wilkinson (Michael Clayton), Saoirse Ronan (Atonement) and Jude Law (The Talented Mr Ripley) – all consummate character actors and brilliant performers in the own right.

Each perfectly constructed shot in the Grand Budapest Hotel is a pastiche of old European movies and landscapes reminiscent of a time between the wars when civility was still in fashion. When Old European Hotels were lavish and comfortable establishments with Bell Boys, Lift Operators, Chefs and naturally charming yet slimy Concierges adding to the intrigue of its elegance. When Hotels were places to spend a week, when time was plentiful and guests came to languish in the extraordinary facilities of these beautifully decadent Hotels which populated the ski slopes and small towns of Austria, Germany, Italy and Switzerland.

Even though, the fictional country,  Zubrowka is representative of a mixture of Eastern European countries which all suffered under the Nazi’s and then under the Communists, the institutional history of such a charming hotel remained the centre of a town’s attraction, where legends of its fabled guests were passed down over the decades. The Grand Budapest Hotel reflects an era when Art Nouveau reigned supreme especially in the 1930’s. This comedy set in 1932, featuring a complicated and whimsical if not absolutely witty plot is deftly handled by screenwriter Anderson who makes sure each of his cast members whether on screen for a second or for several scenes delivers a perfect performance.

The cast also includes Lea Seydoux, Mathieu Amalric, Owen Wilson and Tilda Swinton. Inspired by the works of 20th century Austrian writer Stefan Zweig, The Grand Budapest Hotel is expertly crafted, dazzlingly assembled and wonderfully executed. A real treat of a film which will sure to delight audiences for years to come  much like the Hotel whose guests found its hidden charms suitably enchanting. Highly recommended viewing and a winner of the Grand Jury Prize at the 2014 Berlin Film Festival, The Grand Budapest Hotel is marvelous, whimsical, witty and comical with an underlying menace attached to the action, making the comedy almost tragic in its relevance.