Posts Tagged ‘Kaitlyn Dever’

Ticket to Paradise

Director: Ol Parker

Cast: George Clooney, Julia Roberts, Kaitlyn Dever, Maxime Bouttier, Romy Poulier, Lucas Bravo, Billie Lourd

Film Rating: 7 out of 10

UIP Film Preview Release as seen at Suncoast Cinemas

Running Time: 1 hour 44 minutes

Oscar winners George Clooney (Syriana) and Julia Roberts (Erin Brockovich) unite for a romantic comedy Ticket to Paradise directed by Ol Parker (Mamma Mia: Here We Go Again) who play a high powered divorced couple David and Georgina Cotton who against their will have travel to Bali when their only daughter Lily falls in love with a handsome local boy Gede played by French Indonesian actor Maxime Bouttier. Carrie Fisher’s daughter Billie Lourd plays Lily’s hapless friend Wren Butler.

The laughs start on the plane ride to Bali when David discovers that his ex-wife is having an affair with the gorgeous but dorky airline pilot Captain Paul played by Emily in Paris star Lucas Bravo. As the divorced couple get to Bali and meet Lily and Gede, they hatch a rather selfish plan to prevent the wedding at all costs, fearing that they will lose the only connection they have to each other: their beautiful headstrong daughter.

Lily is wonderfully played by Booksmart star Kaitlyn Dever who holds her own in the scenes with these two veteran film stars as onscreen parents as she tries to navigate around her parents complicated marital history.

While many of the Balinese customs are subtly introduced into the film, director Ol Parker makes full use of the exotic and vibrant location of Bali, Indonesia. Ticket to Paradise really focuses on the complex relationship between the parents, both superbly played by George Clooney and Julia Roberts who are no strangers to romantic comedy. In fact Julia Roberts become famous with the biggest romantic comedy of all time Pretty Woman back in 1990.

Sexy silver fox star of TV and film, George Clooney who really makes this film is also no stranger to romantic comedies having appeared in Intolerable Cruelty opposite Catherine Zeta-Jones in 2003 and in One Fine Day opposite Michelle Pfeiffer in 1996. George Clooney is particular good as the over-protective but goofy father in Ticket to Paradise.

Ticket to Paradise is a witty, vibrant and exotic romantic comedy set in Bali about finding first love and old love rekindled, a light-hearted story which should not be taken too seriously with all four stars acting on point while Lucas Bravo provides the laughs as the really out of sync but dashing airline pilot who seems to always turn up in that awkward moment at a Balinese villa.

There are lots of bitter innuendo’s, emotional heartbreak and eventual family bonding, but if audiences feel like a light and colourful film, then book your Ticket to Paradise now – you won’t be disappointed.

Ticket to Paradise gets a film rating of 7 out of 10 and is worth seeing. Recommended viewing.

Detroit

Director: Kathryn Bigelow

Cast: John Boyega, Will Poulter, Algee Smith, Jacob Latimore, Jack Reynor, Hannah Murray, Kaitlyn Dever, John Krasinski, Anthony Mackie, Ben O’Toole, Jennifer Ehle

Oscar winning director of The Hurt Locker, Kathryn Bigelow comes with an impressive resume of films including Zero Dark Thirty. In her latest film with screenwriting partner Mark Boal Detroit, they viscerally tackle police brutality and racial tension in Motown, once the centre for the American automobile industry.

Detroit features a cleverly cast group of emerging young actors including British stars John Boyega (Star Wars: The Force Awakens) and Will Poulter (The Revenant), while director Bigelow dissects in vivid and intense detail a murderous incident at the Algiers Motel on the night of the 25^th July 1967.

Bigelow goes beyond racial polarities and cinematically retells a terrible incident whereby a young group of African American men were terrorized by White police men at the Algiers Motel headed by the sadistic Krauss excellently played by Will Poulter in one of his most prolific onscreen roles.

The group of African American singers headed up by Larry played by Algee Smith are equally traumatized by the lengthy incident when all they wanted to do was establish their singing group The Dramatics hoping to raise a similar celebrity status to The Supremes as they attempt to perform in downtown Detroit when a riot causes the show to be cancelled.

This was the Midwest in 1967. The American civil rights movement was in full swing as was the deployment of troops in the infamous war in Vietnam. American society was transforming exponentially.

Detroit is an extremely important film about visual identification and racial representation made pertinent by the ongoing debate about whether director Kathryn Bigelow as a white female director is the right person to be retelling the horrific Algiers incident whereby white policemen play the death game on the group of young African American men and taunt them because they are courting two young white prostitutes Julie played by Hannah Murray and Karen played by Kaitlyn Dever.

The three policemen responsible for the incident are Demens played by Jack Reynor (Macbeth, Sing Street), Flynn played by Ben O Toole (Hacksaw Ridge) and the aforementioned Krauss. John Boyega plays Dismukes a young African American man working two jobs one in a an automobile factory and the other as a night security guard who stumbles on the events at the Algiers when Carl played by Jason Mitchell shoots a toy gun at the National guard in the midst of inner city race riots.

What stood out in Detroit was how all the characters both Black and White are affected by a heightened level of inherent violence and male aggression, something which Bigelow highlights and Detroit suggests that this aggression is endemic in American society regardless of skin colour.

Framed against the incident is also the emotional story of Larry’s refusal after the event and subsequent trial to continue performing in The Dramatics at downtown nightspots where mostly white policeman can enjoy Motown music.

The racial signifiers in Detroit are complex but the narrative tension is brilliantly executed with a resonance and skill rarely seen in contemporary cinema. Detroit is an important film for everyone to watch, contributing to a cinematic study of race relations internationally and raises pertinent questions of visual representation.

Detroit gets a film rating of 8 out of 10. Highly recommended viewing for those that enjoy intelligently told docudramas about the turbulent 1960’s in America.