Posts Tagged ‘Liam Neeson’

Non-Stop

Director: Jaume Collet-Serra

Cast : Liam Neeson, Julianne Moore, Michelle Dockery, Corey Stoll, Lupita Nyong’o, Shea Whigham, Scoot McNairy, Linus Roache

Spanish director Jaume Collet-Serra (Unknown, Orphan) has teamed up again with Liam Neeson for a new action aerial thriller Non-Stop. Neeson has found a new cinematic lease after the success of the Taken franchise and seems to be brilliant at playing the aged action hero.

In Non-Stop, he plays a hard drinking US Air Marshal on board a transatlantic flight from JFK in New York to London and as the plane takes off and settles into cruising altitude, all is not what it seems. Non-Stop is an action murder mystery set entirely on this non-stop Transatlantic flight and is similar to films like Flightplan and Flight. All three films should not be recommended for viewers with a fear of flying.

Non-Stop cleverly integrates the cellular digital world in its quirky and suspenseful narrative as Bill Marks, played by Neeson receives text messages on a secure flight mobile device from a suspected hijacker saying that he will kill a passenger every twenty minutes if $150 million dollars is not deposited in a Swiss bank account.

Acclaimed actress Julianne Moore (The Hours, Far from Heaven) plays Jen Summers a fellow passenger who assists Marks in tracking down the culprit, while the rest of the cast is made up of character actors like Michelle Dockery and Corey Stoll from such hit TV shows as Downton Abbey and House of Cards. Look out for an underwritten appearance by Hollywood It girl  Lupita Nyong’o (12 Years a Slave) as air stewardess Gwen, which proves that Non-Stop was made before Nyong’o won a best supporting actress Oscar elevating her to instant fame.

Nevertheless the cast are secondary to the action and suspense on Non-Stop as this mid-flight murder mystery turns into a fully fledged action film, as Marks battles the clock to find out which passenger is responsible for killing off fellow passengers. Non-Stop is hugely entertaining and nowhere near as diabolically stupid as such airline films as Snakes on a Plane or the comedy series Airplane. Non-Stop is economical in narrative, huge on suspense and great on twists and unexpected realistically done action sequences all set aboard a 737 bound for Heathrow.

Neeson is adept at playing the ripened leading action man with enough emotional and physical baggage to weigh down international departures, and in Non-Stop, he does not disappoint as the main hero, despite all his characters known flaws. If audiences enjoyed Taken and Unknown , then they will love Non-Stop. See it now before making any airline reservations!

Taken 2

Getting Tested in Turkey

Los Angeles always used to be portrayed cinematically as a potentially dangerous place, but now in the much anticipated sequel to Taken, aptly named Taken 2, it is the more exotic location of Istanbul that is proving to be treacherous with shady Albanians bent on revenge on retired CIA operative Brian Mills played with zest by Liam Neeson and his family who make a brief visit to the Turkish city.

Taken 2 follows a very similar storyline to Olivier Megaton’s 2011 hit Columbiana featuring the agile Zoe Saldanha who escapes crime ridden Bogota to the safety of America where she trains to be a superb and silent assassin in Chicago to avenge her parents’ murder by the king of a Colombian drug cartel.

Colombiana

Colombiana was big on storyline as well as action and highly engaging featuring a great supporting cast including Callum Blue, Michael Vartan and Cliff Curtis. Megaton’s directorial traits as demonstrated in Colombiana are repeated with less flourish in Taken 2, expertly making use of Istanbul as a fantastic action location as he did with Bogota and Chicago. Where Colombiana succeeded was that the narrative was more original and the action sequence more inventive especially as it wasn’t a sequel. Where Taken 2 succeeded was that it was brilliant as formulaic sequel using the similar revenge, kidnap and violence scenario of the original film Taken.

The 2008 film Taken was set in Paris and directed by Pierre Morel, both films were penned by the writing duo Luc Besson and Robert Mark Kamen.  Taken 2 and Columbiana have all the traits of a Luc Besson film echoing his ventures as a director in Leon, the Professional and the groundbreaking 1997 hit The Fifth Element. Luc Besson as screenwriter has penned lots of high volume action films over the past decade including The Transporter series, From Paris with Love and Revolver, so while Taken 2 is not as fulfilling plot wise as the original it is just as watchable.

Taken

Using the same cast from the original film Taken (always a good recipe for a successful sequel), Taken 2 features an overprotective and ultra-alert Liam Neeson as Mills along with neurotic ex wife Lenore played by Famke Janssen and more switched on daughter Kim played by Maggie Grace as they journey to Istanbul.

Taken 2 is not big on plot but really a sequel to the success of the original film, involving expertly edited action sequences and some brilliant inventive sound editing which makes it a rather quick and violent excursion in Istanbul not to mention an engaging high velocity action thriller. Maggie Grace shines as the daughter and Megaton’s fluid direction makes Taken 2 a thrill ride making the most of the Turkish city without having to engage too much of the viewers intellect. In fact it is the city Istanbul and Maggie Grace which makes Taken 2 so watchable and those superb 30 minutes after the initial kidnapping has occurred. It’s no wonder that both Taken and Taken 2 has made a killing at the box office.

If viewers enjoyed Colombiana, Taken, From Paris with Love, then Taken 2 will be the perfect way to spend 91 minutes watching Neeson do what he does best. Take revenge in a foreign city in this case Turkish revenge where Istanbul is a nefarious environment and Los Angeles is inadvertently portrayed as a relative safe haven.

BATTLESHIP

Battleship  like the Transformers Trilogy inspired by another Hasbro game is a spectacularly entertaining male-oriented action film, but don’t expect anything deeper than the odd ship being sunk. A bizarre mixture of Hawaii 5-0 meets Aliens and features all the usual plot twists.  Rising star Taylor Kitsch last seen in the commercially unsuccessful John Carter and also in the little noticed South African inspired film The Bang Bang Club, plays Alex Hopper, a brash, untamed and irresponsible unemployed young man in Hawaii who is taken under the wing of his stricter older brother Commander Stone Hopper, played by Alexander Skarsgaard.

When Hopper decides to impassively smash a convenience store all for the sake of a Chicken Burrito to please the nubile blonde beauty Samantha played by Brooklyn Decker, he is swiftly sent to the Navy. Unbeknownst to Hopper and his older brother or the Admiral Shane, father of the voluptuous Samantha played by once again by Liam Neeson, there is a signal sent out to distant space devised by NASA and some quirky technocrats.

Soon enough whilst on an international Naval exercise involving both American and Japanese sailors off the coast of Pearl Harbour, the once sworn enemies are band together to fight off aliens that have not only landed in the Pacific, but also made their presence felt in Hong Kong and by all intentions, plan on beaming contingency plans to the mothership, awaiting in distant space, having come from a planet similar to earth in an almost identical solar system. These aliens aren’t no human look a likes either, but are stronger and more technologically advanced and are planning complete annihilation of the human race starting off with America and China of course! Battleship is low on motivation, emotional plot points but big on CGI special effects and a great cinematic vehicle for popstar Rihanna to make her onscreen debut. The characters are just more than cardboard cut outs against the Pacific theatre of naval war against an unknown species.

Viewers can read any similarities into Battleship that they desire especially since the essential irony of the film involves the Battleship USS Missouri. Taylor Kitsch is making his spring or autumn blockbuster debuts depending on which hemisphere viewers are in, but perhaps he should be aware of being typecast in too many sci-fi films especially when Battleship is more like Baywatch meets close encounters.

At least with the earlier John Carter there was some Victorian allusions, being based upon the novel by Edgar Rice Burroughs…

The Next Three Days

Paul Haggis’s directorial debut The Next Three Days makes for an absorbing thriller about a family torn apart by the conviction and imprisonment of the mother for murdering her boss. Haggis uses his trademark non-linear structure first seen in his Oscar winning film Crash, by setting up a scene of John Brennan played with surprising coolness by Russell Crowe driving through the darkened Pittsburgh streets with a dying man in his backseat.

Elizabeth Banks plays Lara Brennan incarcerated in the County Jail in Pittsburgh without hope of an appeal for her life sentence.

Not having much faith in the Pennsylvania criminal justice system, Brennan plans a daring jailbreak for his wife and an eventual escape of them and their young son from America.

In a brief scene, Liam Neeson makes a cameo guiding Brennan in the time constraints involved in breaking his wife out of a city jail. Pittsburgh is the perfect setting for this thriller with the city’s central business district consisting of a  triangular tract carved by the confluence of the Allegheny and Monongahela rivers. Pittsburgh ‘s urban county jail where Lara Brennen is situated, makes for a more difficult escape. Neeson sketches out that in 15 minutes the inner city will be cordoned off and in 30 minutes all the major airports, and transport nodes will be shut down as the authorities search for the Brennan’s who become fugitives on the run.

The Next 3 Days is divided up into 3 sections and the pace of the film increases as the daring escape plan unfolds and takes on fruition. Whilst Banks, seen in Zach and Miri Make a Porno is essentially a comic actress does a great turn as a convicted mother, but a more accomplished actress like Naomi Watts or Nicole Kidman would have added more severity to the psychological trauma of a mother, being incarcerated and kept away from her husband and son. Haggis makes John Brennan the pivotal character, a quiet and self-absorbed Literature professor beautifully played by Russell Crowe with the story focusing more on the escape plan, than the lingering question of Lara Brennan’s innocence only to be answered in the final scenes of the film. Haggis deftly opens up a universe of questionable morality and raises the issue of how far a person would go to free their loved one in a justice system which automatically assumes guilt over innocence.

In this morality, The Next Three Days is similar to the 1996 film, Before and After directed by Barbet Shroeder, who followed on from his success of the Oscar winning film Reversal of Fortune, featuring Glenn Close and Jeremy Irons.

Claus von Bulow, I presume?

All films deal with families who are torn apart by a mother, son or father who has been accused of murder and the consequent questions of guilt and innocence which naturally surround such crimes. Crime and Punishment remain an enviable topic for any filmmaker especially in the context of the modern nuclear family. Paul Haggis does not leave any loose ends plot wise making his commercial directorial debut a thrill to watch.