Posts Tagged ‘Mark Ruffalo’

Poor Things

Director: Yorgos Lanthimos

Cast: Emma Stone, Mark Ruffalo, Willem Dafoe, Ramy Youssef, Margaret Qualley, Christopher Abbott, Jerrod Carmichael, Kathryn Hunter

Running Time: 2 hours and 21 minutes

Film Rating: 9 out of 10

Please note this film contains explicit sex and nudity

Think Mary Shelley’s cinematic version of Frankenstein with Salvador Dali as the production designer and that is how one should view the gorgeous and gawky masterpiece that is Greek director Yorgos Lanthimos latest Gothic Victorian dark comedy Poor Things starring an absolutely superb Emma Stone in the role of a lifetime as the creation Bella Baxter, a recreated creature with the impulses of a child and the body of a lithe, sexually rapacious young woman.

At the heart of Poor Things is the sexual, sociological journey of Bella Baxter, a Victorian experiment who gets whisked away from her macabre overprotective creator and keeper Godwin expertly played by Oscar nominee Willem Dafoe (Shadow of a Vampire) by the dashing cad Duncan Webberburn, a star performance complete with a posh accent a desire to please polite society by Oscar nominee Mark Ruffalo (Foxcatcher) as he takes her sometimes forcibly from a grey and grim London to an iridescent and lavish Lisbon and then from Lisbon aboard a ship to Alexandria.

While Bella is entranced initially by the elegant Duncan Webberburn particularly in the film’s iconic dance sequence which is absolutely enthralling, Bella soon learns that Duncan actually starts behaving like every other man in her life so far, over-protective, possessive and deeply controlling. Duncan starts acting petulant when Bella takes his money and unknowingly gives it away, supposedly to the destitute in Alexandria and soon they both literally become poor things.

While landing up penniless in Paris, Bella discovers the economic advantages of a Parisian boudoir where she can get paid for sex so that she can become her own economic entity.

Back in London, Godwin creates another creature lacking in emotional while him and his protégé Mark McCandles played by Ramy Youssef pine for Bella’s illustrious return and soon via letters she learns that she needs to return to London while abandoning the overtures of a demented rejected Duncan. It is at this juncture that the brilliant and wacky storyline, takes a bizarre turn, thanks to a superb screenplay by Tony McNamara and Alasdair Gray whose novel the film is based upon.

With captivating production design by Shona Heath and James Price and beautiful cinematography by Robbie Ryan, Poor Things expands on some of director Yorgos Lanthimos fascination with female emancipation and male folly which he began so cleverly in The Favourite and now expands with a broader, brighter and utterly bizarre canvas. This surrealist film is filled with illustrious characters, beautifully mingling fantasy with sexual emancipation, death with desire and revenge coupled with a coroner’s careful carving up of cadavers with compassion and medical ingenuity.

Poor Things is certainly not a film for everyone, it will fascinate viewers and repel them in equal measures but as a mesmerizing cinematic experience it is dazzling, daunting and delightful. At the heart of this unique, bizarre Victorian melodrama are three exceptional performances by Emma Stone, Mark Ruffalo and Willem Dafoe. Ultimately Bella Baxter gets her revenge and becomes her own means of production.

Poor Things gets a film rating of 9 out of 10 and is utterly bizarre, repulsively fascinating and a cinematic experience that no one will forget. Recommended for those that love challenging films.

Shang-Chi and the Legend of the Ten Rings

Director: Destin Daniel Cretton

Cast: Simu Liu, Awkwafina, Tony Chui-Wai Leung, Ben Kingsley, Meng’er Zhang, Michelle Yeoh, Mark Ruffalo, Florian Munteanu

Film rating: 7 out of 10

Running time: 2 hours and 12 minutes

The Glass Castle director Destin Daniel Cretton certainly landed a massive task in directing the Oriental fantasy film Shang-Chi and the Legend of the Ten Rings assembling a mostly Chinese cast with Chinese Canadian actor Simu Liu in the lead role as Shang Chi and comedian, rapper and Golden Globe winner Akwafina (The Farewell) as his sidekick Katy.

While Shang-Chi and the Legend of the Ten Rings starts off promisingly with some thrilling action sequences on the streets of San Francisco followed by an equally brilliant fight sequence in an abandoned skyscraper in Macao in China, the rest of the CGI laden fantasy epic just eventually unravels into a simulacrum of the Tales of Narnia mixed with some strange dragon sequences which clearly resemble the final season of HBO’s Game of Thrones.

Then there is the problematic appearance of Oscar winner Ben Kingsley (Gandhi) popping up in such a crazy heavily laden special effects film. Does Ben Kingsley really need the money or did Marvel pay him an extraordinary fee to appear in this confusing martial arts fantasy epic which tries desperately to tag along to the more mainstream Avengers films? One wonders.

After the brilliance of Black Widow, Shang-Chi and the Legend of the Ten Rings, despite making an absolute fortune at the overseas box office, is not as well written or directed or even constituted as an action adventure fantasy.

This Marvel venture is certainly entertaining but at 2 hours and 12 minutes, the middle section of the film drags continuously as does the epic dragon battle sequence at the end which is a rehash of other similar Marvel films and nothing unique.

Despite the film industry being in turmoil since the global Pandemic, it is good to know that Marvel is trying to cover all their bases in terms of target markets but seriously Shang-Chi and the Legend of the Ten Rings could have been so much better and taken inspiration from such superb martial arts films as director Ang Lee’s Oscar winning Crouching Tiger, Hidden Dragon especially considering it lured Bond star Michelle Yeoh (Tomorrow Never Dies) to appear in this film too.

Shang-Chi and the Legend of the Ten Rings is entertaining and has already made its box office takings but as a film, this could have been absolutely brilliant but then again Marvel are just cashing in on the current cinematic trend and appealing to that massive target market in China which has the world’s largest cinema going population outside of India.

This action adventure fantasy gets a film rating of 7 out of 10. It’s fun but not amazing. Catch it in cinemas or on a streaming site in the future.

Avengers: Endgame

Directors: Anthony & Joe Russo

Cast: Robert Downey Jr, Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Jeremy Renner, Paul Rudd, Robert Redford, Michael Douglas, Josh Brolin, Gwyneth Paltrow, Don Cheadle, Anthony Mackie, Chadwick Boseman, Benedict Cumberbatch, Tilda Swinton, Brie Larson, Tom Holland, Karen Gillen, Zoe Saldana, Evangeline Lilly, Tessa Thompson, Rene Russo, Elizabeth Olsen, Sebastian Stan, Tom Hiddleston, Danai Gurira, Benedict Wong, Pom Klementieff, Dave Bautista, Chris Pratt, Vin Diesel, Letitia Wright, John Slattery, Jon Favreau, Hayley Atwell, Natalie Portman, Marisa Tomei, Angela Bassett, Michelle Pfeiffer, William Hurt, Cobie Smulders, Linda Cardellini, Frank Grillo, Hiroyuki Sanada, James D’Arcy, Bradley Cooper, Samuel L. Jackson, Ty Simpkins    

Marvel Cinematic Universe continues with the highly anticipated sequel to Avengers: Infinity War with Avengers: Endgame featuring all the famous superheroes that fans have grown to love including Iron Man, Captain America, Thor, The Hulk, Antman, Hawkeye and Captain Marvel as they band together to go back in time to retrieve the infinity stones to reverse the evil Thanos’s ultimate revenge at the end of Infinity War where he made half the population vanish including such beloved heroes as Spiderman, Black Panther and Doctor Strange.

As Endgame starts, Ironman is stuck in space, Thor takes to drink in the New Asgard and Captain America is despondent that the Avengers are at their lowest point ever.

Captain Marvel played by Brie Larson rallies the troops along with Black Widow played by Scarlett Johansson. Jeremy Renner returns sporting a fantastic haircut as Clint Barton, aka Hawkeye to assist the remaining Avengers as they devise a time travel device to allow them to go back in time to three separate intergalactic locations to retrieve the highly precious and powerful Infinity Stones. It’s the ultimate Time Heist as Antman points out.

What follows is a fantastic feast of Superheroes which directors Anthony and Joe Russo will have hard core Marvel fans both laughing and crying at the deluge of their cinematic idols as they all band together to destroy the evil Thanos.

While some of the plot points in this three hour long superhero extravaganza don’t all get resolved, it certainly opens up a whole lot of new possibilities such a possible separate Hawkeye film? Sequels to the hugely successful Black Panther and Guardians of the Galaxy are both on the cards as well as another Spiderman film. So there is no shortage of geek fan crushing that will occur in Avengers: Endgame and the subsequent films to follow. Once again Marvel knocks it out of the park judging by the lucrative response at the international box office.

Avengers: Endgame is a culmination of all the Marvel films of the last decade and hints at a new start for some of the lesser known superheroes to flesh out their story lines. Let’s face it with an overcrowded universe, audiences will battle to identify with any one superhero but rather applaud and cheer at the massive team of Avengers and all their trusted sidekicks. Audiences should look out for cameos by Tessa Thompson as Valkyrie, Sebastian Stan as the Winter Soldier and of course Thor’s malevolent brother Loki played by Tom Hiddleston.

Avengers: Endgame is definitely for Marvel fans and trust me everyone from the previous films are in it. It’s definitely worth seeing and gets a film rating of 7.5 out of 10.

Avengers: Infinity War

Directors: Anthony and Joe Russo

Cast: Robert Downey Jr, Chris Evans, Chris Hemsworth, Chris Pratt, Mark Ruffalo, Scarlett Johansson, Don Cheadle, Benedict Cumberbatch, Tom Holland, Chadwick Boseman, Zoe Saldana, Tom Hiddleston, Idris Elba, Paul Bettany, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Danai Gurira, Peter Dinklage, Dave Bautista, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, Josh Brolin, Benicio del Toro, William Hurt, Letitia Wright, Pom Klementieff, Carrie Coon, Winston Duke

Following the phenomenal success of Thor: Ragnorak and Black Panther, Marvel has capitalized on its extended cinematic universe with the new Avengers: Infinity War featuring a plethora of superheroes from Spiderman to Ironman, from Captain America to The Hulk not to mention bringing in the Guardians of the Galaxy gang for additional support.

If Avengers: Infinity War feels a bit excessive, that’s because it probably is combining the Avengers franchise with that of the more quirky Guardians of the Galaxy. Some fantastic moments occur when Spiderman played by Tom Holland meets Peter Quill aka StarLord played by Chris Pratt or when Iron Man, played by Robert Downey Jr disagrees with the wizard Doctor Strange played by Benedict Cumberbatch. The snappy dialogue is sometimes lost amidst the greater quest to fight the evil universe destroyer Thanos played by Josh Brolin.

Thanos is equally conflicted about having to gather all the infinity stones including the one for Souls in which he has to make a choice between himself and his adopted daughter Gamora played by Zoe Saldana. In the meantime, his evil minions are wreaking havoc on earth in New York and in the magical technologically advanced African kingdom of Wakanda where Vision played by Paul Bettany along with Captain America  and Scarlett Witch played by Elizabeth Olsen seek the assistance of Black Panther played by Chadwick Boseman.

Audiences have to suspend their disbelief but judging by how packed the cinemas are for Avengers Infinity War, they are quite happy to do so. This film is pure sci-fi fantasy with little of the action taking place on earth. Most of the fight sequences occur on outer galactic planets like Titan.

Thor needs his hammer back and seeks the help of Eitri played by Peter Dinklage who forges a brilliant new weapon out of a powerful star, the celestial capability of which was last seen on the forgotten kingdom of Asgard.

Whilst directing brothers Anthony and Joe Russo compile an absolute Geekfest with Avengers: Infinity War with enough alien creatures and superheroes to stockpile Comicon for the next decade, it’s a clear sign that the Marvel Universe has ambitious plans to expand even further.

That said Avengers: Infinity War has a convoluted story line weighed down by too many subplots but if viewers see it as a precursor to a second film then they will not find the surprise ending so disruptive….

Avengers: Infinity War gets a film rating 7.5 out of 10 and is strictly for Marvel comic book fans who have followed all the films from the original Iron Man 10 years ago.

The visual effects are fantastic as will be the box office receipts. See it to believe it.

Thor: Ragnarok

Director: Taika Waititi

Cast: Chris Hemsworth, Mark Ruffalo, Tom Hiddleston, Cate Blanchett, Anthony Hopkins, Jeff Goldblum, Idris Elba, Tessa Thompson, Benedict Cumberbatch, Karl Urban, Ray Stevenson, Scarlett Johansson, Luke Hemsworth, Sam Neill, Taika Waititi

New Zealand director Taika Waititi was Oscar nominated back in 2005 for his Live Action Short film Two Cars, One Night.

Marvel Studios recruited him to inject new life into the Thor films and that he certainly does with Thor: Ragnarok, a neon inspired family feud of mythical proportions featuring Thor played again by hunky Australian actor Chris Hemsworth along with his pesky brother Loki played by Tom Hiddleston and new addition to the family Hela played with vampish delight by Oscar winner Cate Blanchett (The Aviator, Blue Jasmine).

Thor returns to Asgard only to discover that Loki has banished Odin, their father to a virtual retirement home. Upon a brief visit, the brothers discover that Odin, wonderfully played with a sombre delight by Oscar winner Anthony Hopkins (The Silence of the Lambs) has got an elder daughter Hela who was banished from Asgard for being the Goddess of Death and wreaking havoc on the nine realms.

Cate Blanchett relishes her role as Hela, the Goddess of Death, inspired by Maleficent and certainly quite intent on destroying her defiant younger brothers.

Thor and Loki land up on a weird dystopian outer planet overseen by the demonic Grand Master, a superbly camp performance by Jeff Goldblum (Jurassic Park, Independence Day), who immediately instructs Thor to fight in a massive arena against a formidable beast: The Hulk. Enter Bruce Banner aka The Hulk, played with bewildering amusement by Mark Ruffalo (The Avengers, Foxcatcher, Spotlight).

Eventually Thor gets Loki, The Hulk and a hard-drinking Valkyrie played by Tessa Thompson last seen in the HBO series Westworld, to return to Asgard to defeat the demonic Hela who is assisted by a reluctant henchman Skurge played by Karl Urban (Dredd, Star Trek and The Loft).

The only criticism is that the middle section of Thor: Ragnarok detracts from the film’s central narrative, which is essentially a legendary family conflict.

Thor: Ragnarok is a fun-filled comic book film which thankfully does not take itself or the characters too seriously and is a clear indication that Marvel films are definitely trying to create memorable characters for the lucrative toy manufacturing market just before Christmas.

As with all the latest Marvel films, franchise opportunities abound. Thor: Ragnarok is light-hearted and hellishly entertaining. Audiences should look out for a great cameo by Benedict Cumberbatch reprising his role as the illusive Doctor Strange.

If audiences enjoyed The Avengers and the first two Thor films, then they will definitely savour Thor: Ragnarok which is comically inspired from another Marvel hit franchise, The Guardians of the Galaxy.

Thor: Ragnarok gets a film rating of 7.5 out of 10.

Now You See Me 2

Director: Jon M. Chu

Cast: Jesse Eisenberg, Woody Harrelson, Lizzy Caplan, Mark Ruffalo, Morgan Freeman, Michael Caine, Daniel Radcliffe, Dave Franco, Sanaa Lathan

Following the success of the 2013 magical film Now You See Me, there was definitely a call to make a sequel and reunite the illusive four horsemen.

In the sequel, Now You See Me 2, G. I. Joe: Retaliation director Jon M. Chu misses the mark in providing a magical follow up to the original film, despite reuniting the same cast including Jesse Eisenberg as Daniel Atlas, Woody Harrelson as Merritt McKinney who also has a rather irritating identical twin brother in this film, Mark Ruffalo as Dylan Rhodes and Dave Franco as Jack Wilder.

New to the cast is master illusionist Lula played by Lizzy Caplan famous from the raunchy Masters of Sex TV series and the superfluous Daniel Radcliffe as a reclusive tech billionaire Walter Mabry who recruits the magicians to steal back a ubiquitous yet highly guarded computer chip which can hack into anything at an international exchange in the glamorous resort casinos of Macau.

As the action moves swiftly from New York to Macau and then onto London, the magical tricks and digital illusions even involving numerous card tricks in which the microchip seemingly passes from one horseman to another, Now You See Me 2 appears to be lacking in the essential element of revelation. Something the first film did so brilliantly. For as the optical illusions, card tricks and magic increases, there is less time to provide valuable explanations to the bewildered if slightly amused audience.

Veteran actors Michael Caine and Morgan Freeman reprise their roles as Arthur Tressler and Thaddeus Bradley respectively whose unholy alliance leads the Four Horseman to play the ultimate trick on the chief villain, a poorly played part by Daniel Radcliffe, who unfortunately appeared to be out of place in this sequel. Perhaps Radcliffe should stick to stronger script material with meatier roles in mind like he did in Victor Frankenstein and Kill Your Darlings.

Oscar nominee Mark Ruffalo (Spotlight, Foxcatcher) is plausibly believable as the elusive FBI agent Rhodes despite occasionally giving the impression that he should not have signed on for this sequel. Harrelson is in top form playing twins and the only sparks are provided by Eisenberg and Caplan who seem to be the most energetic and enthusiastic magicians.

Whilst Now You See Me 2 falls short of being as brilliant as the first film, it certainly is a fun film to watch even if the plot is slightly convoluted especially in between the globetrotting disappearing acts that the main actors seem to do quite effortlessly. Now You See Me 2 is an enjoyable film, but nothing as magical or dazzling as the original. Lets hope the third film in this magical trilogy is more impressive.

Spotlight

Director: Tom McCarthy

Cast: Michael Keaton, Mark Ruffalo, John Slattery, Rachel McAdams, Liev Schreiber, Stanley Tucci, Billy Crudup, Paul Guilfoyle, Jamey Sheridan

Spotlight refers to a team of investigative reporters stationed at the Boston Globe. Just months before 9/11 in mid-2001, The Boston Globe hires a news editor fresh from Miami, Marty Baron played by Liev Schreiber (The Reluctant Fundamentalist) who subsequently instructs the Spotlight team headed up by Robby Robinson played by Michael Keaton (Birdman) to investigate the systematic child abuse which is happening in the Catholic Church specifically in the Archdiocese of Boston, a strongly Irish Catholic community as highlighted by a recent case pending at the criminal court.

Director Tom McCarthy’s film Spotlight is compelling viewing, a riveting tale of tough investigative journalism by a team of men and woman who will stop at nothing to uncover the truth. The Spotlight team also consists of journalists Sacha Pfieffer brilliantly played by Rachel McAdams  (A Most Wanted Man) who pursues testimony from the alleged victims of child abuse and Portuguese descendant Mike Rezendes superbly played by Mark Ruffalo (Foxcatcher) who goes after the legal aspects of the case that lawyer Mitchell Garabedian, played by Stanley Tucci is making against a particular Catholic priest John Geoghan.

As the investigation continues, the journalists realize that what they are uncovering is a much wider scandal of how the Catholic Church not only knew about errant priests committing sexual abuse preying upon vulnerable minors but also how this powerful institution discreetly got these priests transferred or they were given supposed sick leave to avoid exposure or damage to the Church’s reputation.

As they investigate all the priests in the Boston area, the Spotlight team uncovers a much wider pattern of abuse by several priests. However, before they can publish a damning expose they need to have irrefutable proof that this was occurring.

That proof comes in the form of victim testimonies that Garabedian attached as legal documents in a case that he is building against Geoghan and that the Church tried to cover up these legal documents, thus breaking Cardinal Law.

McAdams and Ruffalo are particularly brilliant in Spotlight as journalists who not only uncover a massive and systemic scandal but are forced to question their own religious and spiritual convictions.

What actor turned director McCarthy avoids doing is standing in judgement of the Catholic Church, but rather focuses on the relentless pursuit of facts and absolute proof that investigative journalism is based upon, both of which need to be authenticated before any expose is subsequently published. With a screenplay by Josh Singer and Tom McCarthy, Spotlight is a superb indictment against one of the most powerful religious institutions in the world but also emphasizes the absolute necessity for responsible and comprehensively researched investigative journalism.

When the Spotlight story eventually does go to print, the expose points to a much wider problem in many archdioceses across America and other parts of the world, something which news editor Marty Baron alludes to in the beginning of the investigation.

The cast of Spotlight are phenomenal and deservedly won a 2016 Screen Actors Guild award for best cast and the intelligently crafted story is essential viewing. Spotlight is highly recommended viewing for those that enjoyed such films as All the Presidents Men and Frost/Nixon.

The Avengers: Age of Ultron

Director: Joss Whedon

Cast: Chris Evans, Chris Hemsworth, Robert Downey Jr, Don Cheadle, Paul Bettany, Mark Ruffalo, Jeremy Renner, Scarlett, Johansson, Samuel L. Jackson, Elizabeth Olsen, Aaron Taylor-Johnson, James Spader, Cobie Smulders, Hayley Atwell, Stellan Skarsgard, Thomas Kretschmann, Julie Delpy, Andy Serkis, Anthony Mackie.

The Avengers are back in director and writer Joss Whedon’s much anticipated sequel The Avengers: Age of Ultron featuring all the Marvel superheroes and some new ones in a CGI laden special effects extravaganza, which is at times confusing and other times absolutely fascinating. At a running time of two hours and twenty minutes, director Whedon has sufficient screen time to flesh out all the characters individually as well as give nuance to some of their more complicated relationships.

Like the relationship between The Hulk, aka Bruce Banner wonderfully played by Oscar nominee Mark Ruffalo (Foxcatcher) and the Black Widow played by Scarlett Johansson who seems to be the only avenger that can calm the Hulk’s penchant for destructive anger.

The relationship between goodie two shoes Steve Rogers aka Captain America, played by Chris Evans and Nordic God Thor played by the hunky Chris Hemsworth is also subtly explored considering that the former is a World War two hero and the latter from another dimension.

Robert Downey Jr reprises his role as egotistical Billionaire Tony Stark, aka Iron Man and his irrepressible desire to mould any technological discovery, in this case the power artificial intelligence to his own advantage.

The Age of Ultron refers to the ubiquitous Altron a powerful A.I. force which is hell bent on human destruction and vain enough to realize that he can survive the aftermath, beautifully voiced with an underlying menace by James Spader (Bad Influence, more recently in the hit TV show The Black List).

The sexy Jeremy Renner as Clint Barton aka Hawkeye ‘s character is fleshed out as a devoting family man which is entirely incongruous with his status as a member of the Avengers, but hey who cares?

Elizabeth Olsen and Aaron Taylor-Johnson play evil orphaned Eastern European twins Pietro and Maximoff who soon turn on Ultron when they realize his megalomaniac tendencies. Even Lord of the Rings’ Andy Serkis makes an appearance as a South African mercenary Ulysses Klaue and the Johannesburg downtown sequence is truly phenomenal to watch as is the action scene in Seoul, South Korea.

If audiences get confused with who all the avengers are, there are ample filmic references to each of their own background stories from Thor: The Dark World, including a brief appearance by Idris Elba and also Captain America’s Agent Carter, played by Hayley Atwell. Marvel is indeed expanding their universe exponentially and if The Avengers: Age of Ultron’s audience figures are anything to go by, this will prove to be another superhero box office smash hit.

The Avengers: Age of Ultron is fun entertainment and definitely aimed at Iron Man, Thor and Captain America cinema fans especially all the witty references and innuendo’s involving lifting Thor’s hammer which are neatly laced into a script which may seem convoluted but then again when it comes to Artificial Intelligence its more an infinite mess which at some point needs to be reined in.

Audiences should look out for brief cameos by Anthony Mackie, Stellan Skarsgard, Julie Delpy, Don Cheadle and Thomas Kretschmann. If The Avengers: Age of Ultron appears to be a pastiche of all the previous Marvel films, then director Joss Whedon has certainly achieved the impossible, not to mention making a narrative out of the dangers of artificial intelligence plausible and entertaining.

It’s best for audiences to suspend their disbelief and enjoy The Avengers: The Age of Ultron for what it is: a comic book orgy with a giant budget and loud, awe-inspiring special effects which will be sure to nurture any young adult’s imagination for awhile.

Foxcatcher

Director: Bennett Miller

Cast: Steve Carell, Channing Tatum, Mark Ruffalo, Vanessa Redgrave, Sienna Miller, Anthony Michael Hall

Capote and Moneyball director Bennett Miller returns to the more sinister side of American life: wealth, competitiveness and guns in his new film Foxcatcher.

In some interesting casting choices, Miller assembles comedian Steve Carell along with action star Channing Tatum (GI Joe: Rise of the Cobra, Magic Mike) and the talented Mark Ruffalo in a three man drama about a truly bizarre actual series of events which occurred between the mid 1980’s to the mid 1990’s in Pennsylvania, America.

Foxcatcher is the true story of heir to the multi-million dollar Du Pont Family fortune, John E. Du Pont, creepily played against type by Carell whose wealth and influence entices the young Olympic wrestler Mark Schultz, who has won gold at the 1984 summer Olympics in Los Angeles to train at the Foxcatcher Farm.

Du Pont was an eccentric man, living on the vast estate in Newtown Square, Pennsylvania, known as Foxcatcher Farms, heir to the incredible Du Pont family fortune, whose money was made in chemicals and ammunition manufacturing over two and a half centuries in America since the family first arrived in the States from France at the beginning of the 19^th Century. This is old American money, built up over generations, in the tradition of the Gettys, the Hiltons, the Astors and the Vanderbilts.

John E. Dupont, heir to a $100 million family fortune has always been overshadowed by his disapproving mother Jean Du Pont, coldly played by a rarely seen Vanessa Redgrave (Howard’s End), who even paid people to be friends with him. To state that he never quite fitted in was an understatement. Du Pont was an ornithologist, an avid philatelist (stamp collector), a gun collector and oddly enough, an ambitious coach of male wrestling http://en.wikipedia.org/wiki/John_Eleuth%C3%A8re_du_Pont.

On the other end of the spectrum is the young and impressionable Schultz, expertly played by Channing Tatum in one of his best screen performances ever, who has trouble articulating for a public speech, who is battling for money and is desperately trying to escape the shadow of his older brother, a fellow wrestler and family man, Dave Schultz, wonderfully underplayed by Mark Ruffalo (The Kids are Alright, The Normal Heart).

Du Pont invites Mark Schultz to train at his Foxcatcher Farm in Newtown, Pennsylvania, a vast estate, in preparation for the 1988 Seoul Olympics. He also would like the older more responsible Dave to be there, but in a rare glimpse of rivalry, Mark tells Du Pont that his brother cannot be bought, not realizing that with this type of wealth anybody can be bought.

Soon Mark Schultz is socially seduced by the eerie Du Pont and invited to stay at the Foxcatcher farm to become part of team Foxcatcher. The younger Schultz even gets introduced to East Coast high society in a bizarre scene whereby Du Pont offers him cocaine in his private helicopter on the way to a glamorous charity event in Washington D. C.

What Miller does so well is set up this strange but surreal dichotomy between the eccentric and hugely influential Du Pont and the weird intensely physical world of male wrestling, which is part bravado and more homo-erotic than spectators care to admit.

Du Pont creates a haven for USA Wrestling to flourish in his own private dominion soon enticing both the Schultz brothers into Team Foxcatcher in an effort to recapture their glory at the 1988 Seoul Olympics.

In a rare scene between Carell and Redgrave, wealthy mother and renegade heir apparent, she tells him that his infatuation with male wrestling is low. This sets the stage for an even more devastating end to the sinister relations between Du Pont and the Schultz brothers.

In re-imagining a truly bizarre encounter with the superrich, Miller does not captivate the viewer in Foxcatcher, like director Barbet Schroeder did so brilliantly in a similar eighties true life drama Reversal of Fortune with the Claus von Bulow case, but then again Steve Carell is not quite Oscar winner Jeremy Irons.

Director Miller instead downplays the historical aspects of the actual events and leaves the viewer hungry for more details, not to mention motive. The end result is a deeply disturbing film, excellently acted especially by Tatum and Carell, but nevertheless wanting for more. After all Foxcatcher isn’t as fine a film as Capote or as tightly directed even though Miller did win the Palm d’Or for Best Director at the 2014 Cannes Film Festival.

If viewers have not researched the actual story behind Du Pont’s involvement with the Schultz’s brothers, Foxcatcher could appear as bizarrely fictional as it is actually real. Nevertheless the lingering sense of suspense and unease is perfectly captured against the raw aggression and male physicality of competitive wrestling, a sport as old as the Olympic Games itself. Recommended viewing for those that like All Good Things and Reversal of Fortune.

Begin Again

Director: John Carney

Starring: Mark Ruffalo, Keira Knightley, Adam Levine, Hailee Steinfeld, Catherine Keener, James Corden, Mos Def, Rob Morrow

Irish director John Carney touches on the contemporary world of music production in the lyrical and whimsical romantic comedy Begin Again featuring Mark Ruffalo as a middle aged music producer Dan who after a bout of heavy drinking lands up meeting British ex-pat and aspiring song writer Gretta, played by Keira Knightley singing a ballad at an open mic night in a chance encounter.

Dan soon imagines the potential in Gretta’s Bohemian voice and convinces her that she could become the next big thing. The film’s title comes after both characters Dan and Gretta are at a crossroads in their lives, with Dan on the verge of losing his reputation as a music producer whilst his non-committal relationship with his daughter Violet, played by Hailee Steinfeld is tenuous at best. There is also Dan’s collapsed relationship with his ex-wife Music Journalist Miriam Hart, played by Indie film expert Catherine Keener (The Oranges, Please Give).

Gretta is about to catch a plane back to the UK leaving behind her shattered dreams in the Big Apple after a terrible split from Rock star boyfriend Dave Kohl ironically played by Maroon 5 frontman Adam Levine in his first movie role. The chemistry between Ruffalo and Knightley is undeniable and it’s refreshing to see her in a contemporary role, shedding off those stuffy characters she is famous for playing in such period films as Anna Karenina, Atonement and The Duchess. Ruffalo is at home in this type of film having played similar characters in The Kids are Alright and Rumour has It.

Whilst the script also by John Carney could have been more solid, his direction of Begin Again is more structured, easily showcasing off the mis-en-scene of New York’s music scene and his clever way of making Manhattan a character in the film in a clearly influenced Italian Neo-Realist style.

Carney makes the most of his leading lady, lavishing extra camera time on the beauty of Keira Knightley and leaving Mark Ruffalo more as a middle aged clown who is trying to get his act back together. It’s a pity that the script did not flesh out the development of Violet and Miriam as supporting characters, as Steinfeld (True Grit) and Keener are both superb actors.

Begin Again is a whimsical musical comedy supported by a wonderful cast including Hip Hop artist Mos Def (16 Blocks) and rising British star James Corden as Steve, a bohemian street performer and fringe artist who facilitates the serendipitous meeting between Gretta and Dan. Recommended viewing for those that prefer light musical comedies which is all the more enjoyable when viewers can see that the actors had fun making Begin Again.