Posts Tagged ‘Mark Strong’

Tar

Director: Todd Field

Cast: Cate Blanchett, Nina Hoss, Julian Glover, Mark Strong, Noemie Merlant, Sophie Kauer

Running Time: 2 hours and 38 minutes

Film Rating: 9.5 out of 10

This film is in German and English

Director Todd Field came out of seclusion after making two excellent films in the early 2000’s In The Bedroom and Little Children, to make his masterpiece, a brilliant and vicious social commentary about celebrity, cancel culture and power dynamics in his new film Tar.

Tar premiered at the 2022 Venice International Film Festival to much critical acclaim with the lead actress, Cate Blanchett taking the prize for Best actress. Since its illustrious reception, Blanchett has received awards and praise for her brittle and beautiful performance of legendary yet fictional musical conductor Lydia Tar who heads up the prestigious Berlin Symphony Orchestra.

Field sets his masterpiece in New York and Berlin and opens the film by building Lydia Tar up to be a master conductor defying convention by being one of the first female conductors in the contemporary orchestral music world.

In the opening scene, Tar is being interviewed by a reporter from the New Yorker magazine at a public event. Tar is praised and glorified. In New York at the Julliard school of music Tar tries to lecture on what it means to be a famous composer like Bach, Mahler or Elgar to a group of woke non-binary millennials who continue to challenge the pantheon of music conductors by questioning their relevance in the 2020’s. It’s a terrific scene, prophetic and scathing.

Tar, using private jets and personal assistants, is whisked off to Berlin to her resident orchestra and her plush apartment that she shares with her girlfriend and first violinist Sharon Goodnow wonderfully played by German actress Nina Hoss.

In Berlin everything seems perfect until Tar’s prestigious world and status starts unravelling. Tar takes risks, flirting with the new Russian soloist Olga Metkina played by Sophie Kauer while back in New York the unexplained suicide of Krista Taylor, an aspiring musician starts to haunt Tar and allegations are made. Allegations which are taken seriously by trust funds sponsoring major orchestras and corporate shareholders who demand answers from Lydia Tar who is the face of the orchestra, the arrogant leader which commands the symphonies.

In some really brilliant scenes with Tar and her mentor Andris Davis played by Julian Glover (For Your Eyes Only), Tar offloads some of the professional and personal pressures onto Andris who has survived Berlin in her complex political phases as the German capital city.

What Tar is really about, and certainly director Todd Field’s main critique is the Western world’s ability to build someone up as a celebrity through social media and hype, a demi-god only to tear them done again when their expectations are not met or when that celebrity’s actions contradict their dazzling talent.

At the centre of Tar, is a truly mesmerizing performance by Cate Blanchett who is literally in every single frame of the film. Blanchett is a master class in acting, from speaking German to internalizing all the frailties and trauma of her character’s rapid descent into anonymity and her rebirth into a bizarre more exotic culture somewhere in South East Asia, possibly Laos or Cambodia, a location so far removed from affluent Germany or politically conscious New York.

Tar is a tour de force in social commentary of our contemporary age, a director whose vision is astute and specific, knocking down all the gods of high culture and reconfiguring them into a future world, in which the maestro is sacrificed and reborn.

Tar is a complex film which demands complete attention from the viewer and gets a film rating of 9.5 out of 10, a truly insightful and superb cinematic revelation.

Cruella

Director: Craig Gillespie

Cast: Emma Stone Emma Thompson, Mark Strong, Joel Fry, Paul Walter Hauser, John McCrea, Emily Beecham, Kayvan Novak, Kirby Howell-Baptiste

Disney’s retelling of 101 Dalmatians paid off in the lavish and expertly crafted live action film Cruella featuring Oscar winner Emma Stone (La La Land) channelling her inner psycho diva as the fashion mad anti-heroine  Estella who becomes the villainous Cruella de Ville.

I, Tonya director Craig Gillespie sets Cruella in the vicious fashion world of the 1970’s as Cruella and her arch rival the narcissist and extremely evil Baroness wonderfully played against type by another Oscar winner Emma Thompson (Howard’s End, Sense and Sensibility) as she draws inspiration from Meryl Streep’s performance in The Devil Wears Prada. In this Avant-Garde and fabulously retro Cruella, the battlefield is the infamous Liberty’s department store in Central London, the playground of 1970’s fashion.

Thompson and Stone are perfectly cast as arch rivals who are determined to rip each other to shreds both figuratively and physically using everything at their disposal from Dalmatians to deception.

With double Oscar winner costume designer Jenny Beavan (A Room with a View, Mad Max: Fury Road) creating the most outrageous costumes for both Cruella and The Baroness, the costumes and makeup are unbelievable and absolutely amazing. The musical score is another winner, adding to the film’s funky and swanky feel.

The male actors in Cruella take a notable backseat to the main plot of a rag to riches Cruella who fights her way literally to the top of the London fashion scene.

There is the exception with Cruella’s fellow thieves Jasper expertly played by Joel Fry (Yesterday) and Horace played by extremely talented character actor Paul Walter Hauser (I, Tonya; BlackKklansman; Richard Jewell). Both Horace and Jasper become Cruella/Estella’s aides and assistants as she effortlessly slips between two opposing personalities, one good and the other evil, almost like a fashionable female version of Joker which garnered an Oscar win for Joaquin Phoenix in 2020.

Naturally evil triumphs over good as Cruella soon realizes that to beat a formidable opponent like the vile Baroness who treats all her staff as lowly minions, you have to become a cold hearted and ruthless Diva. Something which Cruella can relate to.

British actor Mark Strong (1917, Shazam!, Zero Dark Thirty) who plays the obsequious and loyal valet represents the stabilizing force in both Cruella and the Baroness’s lives as he delicately shifts the war between the two powerful female forces in favour of the younger, while revealing a devastating family secret.

Disney hit gold with this lavish version of Cruella thanks to two equally brilliant performances by two exceptional actresses: Emma Stone and Emma Thompson.

Cruella is tantamount to the Joker seizing editorial power over Vanity Fair. This elegant Disney version gets a film rating of 7.5 out of 10 and is insightfully directed by Craig Gillespie.

1917

Director: Sam Mendes

Cast: Dean-Charles Chapman, George McKay, Daniel Mays, Colin Firth, Benedict Cumberbatch, Andrew Scott, Mark Strong, Claire Duburcq, Richard Madden

After being entangled with the Bond franchise and directing two films specifically Skyfall and Spectre, director Sam Mendes returns to a more intimate yet visually astounding portrait of war in the spectacular film 1917.

1917 is a major cinematic achievement as the entire film is done in one shot echoing Joe Wright’s astounding directing achievement in his World War Two drama Atonement. Mendes does something better. He directs 1917 from the point of view of two soldiers Lance Corporal Blake played by Dean-Charles Chapman (Blinded by the Light) and Lance Corporal Schofield played by George Mackay (Captain Fantastic, Pride).

Set in less than a twenty-four hour period on the 6^th April 1917, this incredible film follows the terrorizing journey of two young British soldiers who are tasked with delivering a message deep in enemy territory that will prevent 1,600 men from walking into a deadly trapped set by the Germans in Northern France.

What makes 1917 so utterly riveting is not so much the acting as the visual interpretation of this harrowing journey beautifully photographed by Oscar winning cinematographer Roger Deakins (Blade Runner: 2049) with a haunting original score by Thomas Newman.

1917 is the reason to still watch films in the cinema – it is absolutely perfect and as war films go, this is one of the finest multi-layered interpretation of trench warfare ever conceived on film. Sam Mendes does a sterling job in memory of his Grandfather who fought in World War One.

1917 is a masterpiece of film making, poignant, riveting and epic, a massive landscape punctuated by the most intimate and heart wrenching scenes especially the night sequence in a burnt out French Village which has a fiery backdrop or the spectacular river sequence which eventually leads to the final scene which is equally explosive, while portraying all the intimacies and horrors of War.

With brief scenes by supporting actors including Oscar winner Colin Firth (The King’s Speech) and Oscar Nominee Benedict Cumberbatch (The Imitation Game), 1917 belongs to the two relatively unknown young actors Dean-Charles Chapman and George Mackay, who betray all the horror, devastation and exhaustion of trench warfare combined with the nonchalance of killing.

1917 is an incisive portrait of courage and bravery and of men finding their compassion while being tested under the most brutal circumstances. Everyone should watch this film. Sam Mendes has achieved his cinematic masterpiece.

Cinematically and historically, 1917 is highly recommended viewing and gets a film rating of 9.5 out of 10. Experience this film in a cinema. It’s breath taking.

Shazam!

Director: David F. Sandberg

Cast: Zachary Levi, Mark Strong, Djimon Hounsou, Michelle Borth, Jack Dylan Grazer, Asher Angel, Adam Brody, Cooper Andrews, Grace Fulton, John Glover

D. C. Comics finally made a feel good superhero film without too many dark undertones in director David F. Sandberg’s hilarious and quirky kid turned adult superhero film Shazam! featuring Zachary Levi (Thor: Ragnarok) in the title role as the grown up caped crusader and the younger boy version whose real name is Billy Batson wonderfully played by Asher Angel.

British actor Mark Strong (Kingsman, The Golden Circle, Miss Sloane, Tinker Tailor Soldier Spy) is cast as the evil villain Dr Sivana who unleashes the monstrous Seven Deadly Sins onto an unsuspecting population in Philadelphia and eventually battles Shazam! in a wonderful amusement park showdown. 

Whilst Wonder Woman and Aquaman were real grown up superheroes Shazam is an orphaned kid Billy Batson who inherits superhero powers including super-human strength and the ability to charge cellphones with large voltages of electricity from a mysterious wizard played by an unrecognizable Djimon Hounson Oscar nominated star of In America and Blood Diamond.

Shazam! is not to be taken too seriously but is terrifically entertaining especially when the adult version of the superhero is played with such mirth by Chuck TV star Zachary Levi in one of the dorkiest superhero costumes ever invented. Shazam! is a great family film and will particularly resonate with ten year old boys and teenagers.

Like with Wonder Woman and Aquaman, DC Comics got it right with the light hearted humorous film Shazam! This caped crusader action film is definitely worth seeing and gets a film rating of 7 out 10.

Audiences should look out for cameos by Adam Brody (Lovelace, Mr. and Mrs Smith), Michelle Borth from Hawaii 50 fame and a particularly brilliant performance by Jack Dylan Grazer as the crippled orphan boy with a sharp mouth Freddy Freeman who becomes Billy’s sidekick. 

Kingsman: The Golden Circle

Director: Matthew Vaughn

Cast: Taron Egerton, Colin Firth, Julianne Moore, Mark Strong, Channing Tatum, Halle Berry, Pedro Pascal, Jeff Bridges, Edward Holcroft, Emily Watson, Bruce Greenwood, Michael Gambon, Sophie Cookson

Director Matthew Vaughn follows up his 2015 comic book spy debut Kingsman: The Secret Service with a more robust and intensely invested sequel Kingsman: The Golden Circle with a bigger cast and lavish sets reuniting Oscar winner Colin Firth (The King’s Speech) with his A Single Man co-star fellow Oscar winner Julianne Moore (Still Alice) who plays the delusional and garish villain Poppy.

Hot young star Taron Egerton reprises his role of Eggsy, street boy turned bespoke spy, joined by Mark Strong as Merlin who go on an international mission to discover who is destroying The Kingsman headed up by a briefly glimpsed Michael Gambon.

The Kingsman soon join forces with their American counterparts including Channing Tatum as Tequila and Pedro Pascal (The Great Wall) as Whiskey who make up the Statesmen an independent espionage agency housed in a whiskey distillery in Tennessee who come to their aid in tracking down Poppy and her evil plan of causing all drug users in the world to die through lacing their fix with a lethal concoction which causes purple veins, paralysis and death.

As Kingsman adopt the Doomsday Protocol, Eggsy and Merlin embark on a dangerous mission with the help of Whiskey as they travel to the Italian Alps to retrieve an antidote in an action packed ski cable car sequence which is clearly a skit on the 007 film On Her Majesty’s Secret Service.

Even Poppy’s drug liar deep in the Cambodian jungle, aptly named Poppyland is a skit on another Bond film The Man with the Golden Gun.

While the action in Kingsman: The Golden Circle is clearly hyper-visualized and the plot is completely outlandish, it’s the sort of Saturday afternoon popcorn film which is pure escapism even though its subliminal messages are morally questionable.

With Oscar winner Halle Berry (Monster’s Ball) as Statesman tech genius Ginger, The Kingsman: Golden Circle is a clear skit on the 007 franchise with a more lurid twist making our dapper hero Eggsy appealing to the millennial’s and definitely is more successful as a cleverly cast spy caper.

If audiences enjoyed the first Kingsman, then they will enjoy this extravagant and better orchestrated sequel. Kingsman: The Golden Circle gets a Film Rating 7 out of 10.

Kingsman: The Secret Service

Director: Matthew Vaughn

Cast: Taron Egerton, Colin Firth, Mark Strong, Samuel L. Jackson, Michael Caine, Jack Davenport, Sofia Boutella, Mark Hamill, Lily Travers, Edward Holcroft

X-Men First Class director Matthew Vaughn’s glossy Kingsman: The Secret Service although has some great finishing touching is certainly no diamond in the rough. Although from the outset, the film inspired by a Comic book series and despite the casting of Oscar winners Michael Caine and Colin Firth fails to successfully make fun of the spy genre and its plot falls flat in the face of some glamorous production design, Kingsman actually is not as good as the trailer makes out to be. Which is a pity.

Whilst the storyline of a youngster, Eggsy played by Taron Egerton is a sort of male version of Pygmalion as he is plucked out of trouble and brought to the finishing school for spies, The Kingsman: The Secret Service with the elegant assistance of Harry Hart wonderfully played by Colin Firth, the overall effect of the film is absurd to the point of making it nothing more than a comic book version of the Bond classic Moonraker. The eloquent Hart’s best line is manners maketh man, otherwise the plot itself is disjointed coming off as a schizophrenic spoof of the usually intriguing spy genre essentially aimed at the teenage market.

The villain is an American tech giant, Richmond Valentine bizarrely played by Samuel L. Jackson (Django Unchained) in one of his least compelling roles. Whilst the storyline follows the classic megalomaniac aiming to take over the world and cull the downtrodden, while only saving a few politically connected elite, Kingsman: The Secret Service follows the traditional spy genre but then at some point during the film subverts this venerated genre, probably the moment when bigots are attacking each in a rural church in Kentucky, making the whole storyline utterly farcical.

Given the production values and the casting of such British acting talents as Michael Caine (The Cider House Rules, The Dark Knight) as Arthur a traditional figurehead of The Secret Service and Colin Firth (The King’s Speech) as a sort of style master to the fatherless ruffian Eggsy, whose own father codenamed Lancelot met a gory end in a snow villa in Argentina, Kingsman: The Secret Service could have been so much slicker, better edited and infinitely smarter than what the finished product is.

Look out for a guest appearance by reclusive actor Mark Hamill who played Luke Skywalker in Star Wars as the mad Professor Arnold.

There are some wonderful moments when Firth takes out a gang of hoodlums in a pub aptly called the Black Prince with a very lethal umbrella, Kingsman: The Secret Service is overly long, with a plot which becomes more ludicrous as the film progresses and eventually does little justice to the original Spy thrillers the film is aiming to emulate: The Bourne Series, the iconic James Bond films and even the action TV show 24.

The action sequences are beyond credible and the first part of the film involving the training of the potential Kingsman has a sort of British upper class Hunger Games feel about it, the rest of the film could have been edited. All the great actors like Caine, Firth and even Mark Strong recently seen in The Imitation Game should stay clear of trying to star in films based on comic books and stick to more serious subject matter where at least their acting talents as actors are properly utilized.

Twenty six year old Welsh actor Taron Egerton is energetic in the role of Gary (Eggsy) Unwin, a juvenile delinquent transformed into a gentleman, yet given a more illuminating script, his true potential as an actor could have shone brighter. Recommended for viewers that enjoyed Get Smart or even some of the earlier X-Men films, but diehard spy fans should keep clear of Kingsman: The Secret Service – as its mainly poppycock!

The Imitation Game

Director: Morten Tyldum

Cast: Benedict Cumberbatch, Keira Knightley, Matthew Goode, Charles Dance, Rory Kinnear, Alan Leech, Tom Goodman-Hill, Matthew Beard, James Northcote, Steven Waddington

Based upon the 1983 book by Andrew Hodges, Alan Turing: The Enigma and brilliantly adapted into an insightful screenplay by Graham Moore, The Imitation Game is a superb and evocative historical drama about the breaking of the enigma code at Bletchley Park during World War II.

Norwegian director Morten Tyldum elegantly weaves a very touching and tragic story of espionage, cryptography and sexuality extracting nuanced performances out of Benedict Cumberbatch as Turing and Keira Knightley as Joan Clarke, an odd couple who make up the mysterious collective which work on and break the seemingly impossible Nazi enigma code at the height of World War II. Using real war footage and blending in a fascinating portrayal of the mathematician Alan Turing whose genius has only recently been acknowledged.

Set between the years of 1928 and 1951, The Imitation Game paints a moving portrait of a very complicated man, whose brilliance was only threatened by the inherent violence of war which engulfed England during the 1940’s as well as the prejudice which followed regarding his latent homosexuality in the early 1950’s.

Cambridge mathematician graduate whose thesis was entitled the Imitation Game, Alan Turing was socially awkward, shy, bullied at an English prep school but the perfect sort of individual who had the foresight and intelligence to develop a machine which cracked the seemingly unbreakable enigma code, a daily Nazi signal which gave countless GPS co-ordinates of where they would be bombing next during World War II with a minimum of 29 million variations.

Naturally groomed by the newly formed MI6 by Stewart Menzies wonderfully played by Mark Strong, Turing is recognized for his potential and yet later vilified for his own sexuality in a moving portrait of one the 20^th century’s biggest injustices, his charge and subsequent punishment of chemical castration for being homosexual in 1952, when it was still criminalized in Great Britain.

This was despite the fact that Turing’s mathematical brilliance was the reason that the complicated machine which he called Christopher named after a schoolboy crush, manages to decipher this seemingly unbreakable code able to break the Nazi code and prevent World War II from continuing beyond 1945.

Historically there were lots of other reasons the War ended when it did, but The Imitation Game focuses on the people behind the scenes, the cryptanalysts and code-breaking who elusively assisted those fighting on the front line.

Widely regarded as the founding father of theoretical computer science Alan Turing’s life story http://en.wikipedia.org/wiki/Alan_Turing has only recently gained prominence following a Royal pardon and a highly publicized internet campaign to clear Turing’s name and bestow upon him the recognition he never received in his own lifetime.

With a suitably moving musical score by Alexandre Desplat, The Imitation Game is a poignant and superb historical drama of Turing and his band of men and one woman, Joan Clarke, featuring one of the best performances by Knightley (Atonement, Anna Karenina) in a race against time to save the world from tyranny. Turing’s genius as a mathematician came at a price, his apparent lack of emotional empathy yet despite the enormity of his task, he remained ironically detached from the brutal war which engulfed Europe and the world around him.

The Imitation Game is an intelligent historical drama, with universal themes of injustice and perseverance despite the prejudice and the odds against infuriating bureaucracy and time itself. Highly recommended for those viewers that enjoyed Atonement and Another Country.

2014 Toronto International Film Festival Winners

Toronto International Film Festival (TIFF) takes place every year in September in Toronto, Canada.

Films which premiere at Toronto are often nominated for Academy Awards the following year.

TIFF does not hand out individual prizes for Best Actor or Actress but focuses on amongst others the following awards:
People’s Choice Award & Best Canadian Feature Film

Opening Night Film: The Judge directed by David Dobkin starring Robert Downey Jr, Robert Duvall, Dax Shepard, Billy Bob Thornton, Vera Farmiga, Vincent D’Onofrio

People’s Choice Award: The Imitation Game directed by Morten Tyldum starring Benedict Cumberbatch, Keira Knightley, Matthew Goode, Mark Strong, Charles Dance, Tom Goodman-Hill

Best Canadian Feature Film: Bang Bang Baby directed by Jeffrey St. Jules starring Jane Levy, Peter Stormare and Justin Chatwin.

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Zero Dark Thirty

Superb Tradecraft

Oscar winning director Kathryn Bigelow’s brilliant yet riveting film Zero Dark Thirty is a masterful film, held together by a central performance by Jessica Chastain as CIA Intelligence Operative Maya and a superb script by Mark Boal, who also collaborated with Bigelow on the equally impressive The Hurt Locker.

This complex film opens with the flight recordings of the United 93 plane that crashed in Pennsylvania during the September 2001 US Terror attacks sparking an obsessive and frustrating hunt for the Al Qaeda mastermind Osama Bin Laden by the CIA and specifically Maya initially from the hostile environment of Pakistan then based at the CIA headquarters in Langley, Virginia. The narrative charts a veritable timeline of terror that has characterized the first decade of the 21^st century, from 9/11 to the London Transport bombings in July 2005, to the Marriott Hotel bombing in Islamabad in September 2008 to the suicide bombing at the American military base, Camp Chapman in Khost, Afghanistan in December 2009.

Zero Dark Thirty is a brilliant spy thriller and unlike Argo, is deadly serious in every respect and is grounded in much historical research and investigative journalism, noted in the detailed script by Mark Boal. As in The Hurt Locker, Bigelow once again casts her central character in a completely hostile and extremely dangerous environment and the petite Maya as the tenacious CIA operative who skilfully leads the hunt for and final execution of Al Qaeda leader Osama Bin Laden, the mastermind behind many international terrorist attacks, most notably 9/11 and the 2005 London bombings.

Bigelow as a director takes on a larger canvas than in the Iraq War in The Hurt Locker and shows that the decade long hunt for America’s most wanted enemy was an international affair from Pakistan to Poland to Kuwait involving CIA black sites, detailed surveillance and lots of political wrangling.

Tradecraft

A notable narrative shift is from the film’s first half set under the Bush administration where torture, rendition and revenge were the CIA’s chief instruments of capturing Al Qaeda terrorists to the second half set after November 2008 under the Obama administration where detailed surveillance, dedication and  almost positive certainty of terrorist tradecraft which ultimately lead to the riveting  elimination of Osama Bin Laden at a compound in Abbottabad, Pakistan in May 2011, Zero Dark Thirty is deadpan in its presentation of one nations hunt for a master terrorist and the extraordinary sacrifice and lengths these CIA operatives went to in finally achieving their goal.

Jessica Chastain performance is simply superb and has already garnered a 2013 Golden Globe Award and truly shows her talent and diversity in the role of Maya but also points to Kathryn Bigelow ability  to bring out the best performance ever in her leading actors, as was the case with Jeremy Renner in The Hurt Locker. The final sequence involving the storming of the Abbottabad compound, believed to be Bin Ladin’s hideout by elite American soldiers is truly nerve-wracking cinema, shot with Bigelow’s trademark directorial detachment cut through with absolute documentary styled realism.

Zero Dark Thirty has a great supporting cast including Jason Clarke as the CIA torturer Dan, Kyle Chandler as CIA Pakistan operations chief Joseph Bradley along with Mark Strong, Jennifer Ehle and James Gandolfini, but it is really Chastain’s obsessive portrayal of CIA Operative Maya, a woman battling to gain respect in a male dominated espionage arena, that shows her true talent. The pace of Zero Dark Thirty is fast and yet measured enough to show the time involved assisted by an original score by Alexandre Desplat and with cutting edge sound editing, the audience is immediately immersed in a deeply fascinating portrait of America’s covert hunt for that nation’s Enemy Number One. Highly Recommended and definitely Oscar worthy.

Tinker Tailor Soldier Spy

Director: Tomas Alfredson

Cast: Benedict Cumberbatch, Christian McKay, Ciaran Hinds, Colin Firth, Gary Oldman, John Hurt, Kathy Burke, Laura Carmichael, Mark Strong, Toby Jones, Tom Hardy

The compelling film adaptation of John le Carre’s best selling cold-war espionage novel, Tinker Tailor Soldier Spy is superb. Featuring a brilliant British all male cast including Oscar Winner Colin Firth, Mark Strong, Tom Hardy, John Hurt and headed up by a solid yet subtle performance by Gary Oldman, who proves in this film that he is a great actor and has always harboured an exceptional talent.

Tinker Tailor Soldier Spy is all about routing out a double agent, a traitor and an adulterer. If viewers have not read le Carre’s novel, they could be forgiven for feeling a bit lost in terms of storyline.

For those that have read the novel, Tinker Tailor follows le Carre’s novel brilliantly and whilst it does not glamorize the spy genre it certainly shows that wisdom and skill triumph over youthful deception and ambition. The film focuses on George Smiley played with subtlety and elegance by Oldman who comes out of retirement to find a mole in the Circus, which is essentially a section of Mi6 in London, to find out which of the handlers which brought over a defector from Hungary during the cold war but turned that defector into a source for trading secrets with the Soviets and reporting on all the intelligence activities that London was carrying out behind the Iron Curtain in Budapest.

Featuring Mark Strong as mysterious agent Jim Prideaux and Tom Hardy as rogue agent Ricki Tarr and Colin Firth as the vain and suave handler Bill Haydon and John Hurt as Control, Smiley skilfully pieces together through these senior espionage characters those behind the elaborate web of intrigue and the man who was responsible for turning the British crown’s espionage secrets over to the Russians after the Hungarian fiasco.

Swedish Director Tomas Alfredson’s gritty and essentially European film version of Tinker Tailor Soldier Spy set mainly in England and Hungary depicts an intellectual tale of deception, espionage, adultery and a testament to one man’s incredible and highly nuanced capability at seeking out the source of the international espionage cover-up. Highly recommend especially for Gary Oldman’s brilliant Oscar worthy performance.