David R. Walker

Posts Tagged ‘Paul Mescal’

Gladiator II

Director: Ridley Scott

Cast: Paul Mescal, Denzel Washington, Pedro Pascal, Connie Nielsen, Joseph Quinn, Derek Jacobi, Fred Hechinger, Rory McCann, Matt Lucas, Tim McInnerny

Running Time: 2 hours and 28 minutes

Film Rating: 8.5 out of 10

PLEASE NOTE THIS FILM IS EXTREMELY VIOLENT AND NOT SUITABLE FOR SENSITIVE VIEWERS

Sir Ridley Scott excels himself in the much anticipated sequel to the 2000 hit film Gladiator, Gladiator II assembling an international cast with Danish actress Connie Nielsen reprising her role as Lucilla and newcomer Oscar nominee Paul Mescal (Aftersun) taking on the role of Lucius, the forgotten son of Lucilla who is captured in Africa in 200 AD and returned to Rome. Pedro Pascal (The Great Wall, The Unbearable Weight of Massive Talent) plays the Roman army general Marcus Acacius, tough and strategic but unwillingly to continue serving at the whim of tyrant twin emperors.

Lucius soon becomes the property of the wily and politically astute gladiator trader and confidant to the twin emperors Macrinus superbly played with wit and brutality by double Oscar winner Denzel Washington (Training Day, Glory). Denzel Washington is superb in this role and deserves a 3^rd Oscar presenting his character to Lucius as a friend who needs to use Lucius as his blunt instrument as he secretly devises a coup to get rid of the crazy twin emperors and make a power grab.

Rome in 200 AD is a heady, extravagant and brutal city, ruled by twin brothers Emperor Geta played by Joseph Quinn (A Quiet Place Day One) and Emperor Caracalla played by Fred Hechinger. Young men, covered with makeup, mischief and a malevolence as they lust for watching gladiators being viciously executed in the Coliseum, Rome’s temple to the blood lust. The Emperors are unhinged in a seriously bad way and the Romans are beginning to realize that the twins supposedly raised by wolves are not the most ideal political leaders. Macrinus is aware of their shortcomings.

Gladiator II is a vast and ambitious film, expertly directed by Ridley Scott who fantastically captures the grandeur of the Roman capital, the lavishness of the city and the brutality of the population increasingly hungry for more tyranny and madness. The Gladiators have to fight Rhinos and in a particularly bizarre scene have to re-enact a naval battle scene between the Praetorian Guard and surly Gladiators amidst a coliseum flooded with shark infested waters.

With electrifying screen presence, Paul Mescal whose international stardom will be cemented in Gladiator II is the central muscular hero of a film, whose brilliant elocution of lines and classical good looks with Mescal’s icy blue eyes portraying a vulnerability suppressed by his brute strength and desire for violence and vengeance.

Mescal’s Lucius is a complex man, torn by a classical past but thrust into a decadent world filled with revenge and hatred. Lucius demands a just and unified Rome as dreamt up by his grandfather Emperor Marcus Aurelius.

With a beautiful score by Harry Gregson-Williams and a surprising script by David Scarpa, whose labyrinthine tale will deliver enough shocks and twists, ensuring that Gladiator II is a fascinating and brittle tale of how vanity and power corrupts a once noble empire. In this Roman epic, one man’s destiny can only be salvaged at the expense of another man’s demise.

There are lots of plot twists in Gladiator II but overall the film is superb, an epic Roman tale about greed, power and the collapse of tyranny.

Ridley Scott outdoes himself and Gladiator II should be recognized at the 2025 Oscars for Best Picture, Best Original Score, Best Production Design, Best Costume Design and of course Best Actor for Paul Mescal and Supporting Actor for Denzel Washington. Both Paul Mescal and Denzel Washington are brilliant in this lavish epic. Be dazzled and see it in cinemas on the biggest screen possible.

Gladiator II gets a film rating of 8.5 out of 10, stunning, sumptuous and filled with shocking scenes that will both repel and fascinate the viewer held together by two excellent performances. It’s a bloody entertaining epic and recommended viewing especially for history buffs.

All of Us Strangers

Director: Andrew Haigh

Cast: Andrew Scott, Paul Mescal, Claire Foy, Jamie Bell

Running Time: 1 hour and 45 minutes

Film Rating: 8 out of 10

45 Years director Andrew Haigh perfectly adapts the Japanese novel Strangers written by the late writer Taichi Yamada, originally published in 1987 into a superb contemporary British film retitled All of Us Strangers, featuring a lonely screenwriter Adam who psychologically has to relive the trauma of his parents death, played by Jamie Bell (Billy Elliot) and Claire Foy (First Man, Women Talking), when he meets a gorgeous yet troubled young man Harry in an isolated apartment building in modern day London.

Adam wonderfully played by Andrew Scott (1917, Spectre) in his first ever leading role, encapsulates all the trauma, isolation, desire and loneliness of a middle aged single gay man as he falls in love fleetingly with the sexy hunk Harry played with mesmerizing screen presence by Oscar nominee Paul Mescal (Aftersun).

In a bizarre emotional twist, All of Us Strangers features a grown up Adam confronting his late parents in some intimate scenes in which he comes out as gay to his mother and tries desperately to form an emotional bond with his father. Adam’s parents were conventional people in 1980’s England who died before they had a chance to watch their only son grow up and forge his own sexual identity.

Issues of prejudice, fear and loneliness pervade Andrew Haigh’s slow burning tale of one man’s excruciating emotional journey of coming to terms with childhood trauma, triggered by his abundant desire for Harry, a beautiful whiff of a soul, that glimmers on the edges of Adam’s existence long enough for desire to linger and short enough to eliminate any longevity.

Similar to director Tom Ford’s A Single Man, but certainly not as stylish, Andrew Haigh delivers a remarkably interesting and deceptive film about gay love, acceptance and remorse as Adam takes the audience on a poignant romantic journey cut short by his own desire to reconnect with his shattered past.

All of Us Strangers is a slow burning tale about a gay man’s search for his elusive emotional centre in an isolating metropolis while he is continually taunted by the past and haunted by recent desire.

This very art house love story is both fascinating and at times tricky, but it will be sure to pull audiences in to a complex love story with the past and with a future in which everything is different now.

All of Us Strangers gets a film rating of 8 out of 10 and see it for Paul Mescal, who is amazing. Recommended for a niche audience, but beautifully acted with a catchy 1980’s soundtrack.  

The Lost Daughter

Director: Maggie Gyllenhaal

Cast: Olivia Colman, Jessie Buckley, Dakota Johnson, Oliver Jackson-Cohen, Ed Harris, Peter Sarsgaard, Jack Farthing, Dagmara Dominiczyk, Paul Mescal

Film Rating: 8 out of 10

Running time: 2 hours and 1 minute

Taking its inspiration right out of the equally sinister 1990 film The Comfort of Strangers, directed by Paul Schrader, actress turned director Maggie Gyllenhaal directs an entirely unsettling film The Lost Daughter all set on a remote island in Greece, populated by some fascinating characters including some menacing beach goers.

Directors seldom make purely psychological thrillers nowadays which were extremely fashionable in the 1960’s and 1970’s. It is with a stroke of luck that Maggie Gyllenhaal managed to cast the granddaughter of Tippi Hendren, the star of such classic Alfred Hitchcock films such as The Birds and Marnie, Dakota Johnson (The Social Network, Bad Times at the El Royale) alongside Oscar winner Olivia Colman (The Favourite) in The Lost Daughter.

This film is mostly shot in extreme close up, which gives audiences an unsettling intimacy with the characters involved all of whom are slightly off kilter particularly Leda, another stunning performance by Olivia Colman, who plays a lonesome middle age comparative literature professor who travels to Greece to take a break from her daughters back home.

On the exotic and hot Greek island, she has a sinister encounter with the highly strung Nina, a devilishly beautiful performance by Dakota Johnson and Nina’s extended family which are vaguely hinted to be part of some nefarious crime organization.

Leda is an emotionally damaged woman contemplating her own role as a mother, as she often reflects back to her younger self, which are featured in a series of raunchy flashbacks featuring an absolutely superb Jessie Buckley (Doolittle, Misbehaviour) who deserves an Oscar nomination for her role as the younger Leda as she is navigating motherhood and her fractious relationship with her average male partner Joe, played by Jack Farthing. For the younger Leda desires more and yearns for another existence than just being a mother to two very demanding young daughters.

The younger Leda embarks on a passionate affair with a fellow professor, a wonderfully erudite Professor Hardy played by Peter Sarsgaard (An Education, Jackie, Black Mass, Kinsey).

As The Lost Daughter weaves it’s complex narrative between the past and the present, the older Leda must confront her weird emotional impulses and her strange flirtations with the men on the island, particularly Lyle played by Oscar nominee Ed Harris (The Hours, Pollack, The Truman Show, Apollo 13) and the younger beach boy Toni played by Oliver Jackson-Cohen.

Based on the novel by the bestselling author of My Brilliant Friend Elena Ferrante, The Lost Daughter is a brooding mix of menace and desire, a psychologically twisted tale of crushing responsibilities, abandonment and reconnection, held together by two exceptionally good performances by Olivia Colman and Jessie Buckley.

Psychological thrillers generally do not have mass appeal, but director Maggie Gyllenhaal does a skilful job of dissecting a complicated issue around maternity and natural responsibility while casually mixes it up with forbidden sexual desire and pervasive fear.

The Lost Daughter gets a film rating of 8 out of 10 and is remarkable for its haunting unique quality as a cinematic gem.