Posts Tagged ‘Peter Dinklage’

Wicked Part One

Director: Jon M. Chu

Cast: Ariana Grande, Cynthia Erivo, Jonathan Bailey, Michelle Yeoh, Jeff Goldblum, Ethan Slater, Peter Dinklage

Running Time: 2 hours 40 minutes

Film Rating: 8 out of 10

Crazy Rich Asians and In the Heights director Jon M. Chu lands cinematic gold, with his dazzling interpretation of the hit broadway musical Wicked about the origins of the Wicked Witch of the West from the Wizard of Oz.

Wicked Part 1 is a stunningly beautiful and bold interpretation of a fantasy tale about the origins of a witch. In this case it is the absolutely brilliant Oscar worthy performance of Cynthia Erivo (Harriet, Widows) who plays Elphaba alongside British pop star Ariana Grande who is fabulous and very pink as Galinda complete with sparkling shoes, handbags and enough accessories to make any teenage girl envious.

Set within the broader Wizard of Oz universe, Glinda and Elphaba meet at University before they both become witches but unfortunately they are at odds with each other. Glinda is blonde and beautiful, vain and popular whereas Elphaba is green and is in some sense a social pariah, a product of an illicit affair that her mother had in which Elphaba was born bright green like the sparkling Emerald City.

Oscar winner Michelle Yeoh (Everything, Everywhere all at Once) plays Madame Morrible as the mistress of magic at the University where both aspiring witches are studying. All is not well in the land when the talking animals are being ostracized and then Galinda is completely distracted by the arrival of the dashing man on a horse Fiyero, wonderfully played with sufficient panache by Fellow Travellers star Jonathan Bailey.

Elphaba tries to become popular while struggling with her own self-acceptance. Cynthia Erivo, besides her superb singing is really an extraordinary actress and suitably well cast in the role of the singing and flying witch.

Wicked Part One is a dazzling film, complete fantasy liberally peppered with fantastic songs and stunning dance numbers. If you are a musical theatre producer or a choreographer then go and see this musical.

As a psychedelic fantasy musical, Wicked Part One is extraordinary with lavish production design by Nathan Crowley who also deserves an Oscar nomination along with the costume designer Paul Tazewell. The pair really go to town with the amazing sets and incredible costumes especially in the glittering Emerald City.

As Elphaba and Galinda travel on a sleek emerald train to the Emerald City to see the Wonderful Wizard of Oz, they soon discover that the wily wizard is not as noble as one might anticipate. Enter the veteran actor Jeff Goldblum (Jurassic Park, The Grand Budapest Hotel) who steals the scene as the industrialist like Wizard who soon discovers Elphaba’s real power.

The songs are amazing, the costumes and sets are spectacular but at two and half hours long there were some sections the director could have cut.

What makes Wicked Part One such an enjoyable film is the performance of Cynthia Erivo, she really takes the iconic role of the Wicked Witch of the West and moulds it into something formidable, a fascinating story of how a young awkward girl transforms into a witch hated and ostracized by the Land of Oz. Society will do that to a perceived outcast.

Lavish, loud and beautifully orchestrated Wicked Part One is recommended viewing and gets a film rating of 8 out of 10.

Suitable for fans of fantasy musicals and those that have a spare two and half hours to kill exploring the yellow brick road.

Transformers: Rise of the Beasts

Director: Steven Caple Jr

Cast: Anthony Ramos, Dominique Fishback, Michelle Yeoh, Peter Dinklage, Peter Cullen, Dean Scott, Vazquez, Tobe Nwigwe, Ron Perlman, Liza Koshy, John DiMaggio, David Sobolov, Michaela Jaé Rodriguez, Pete Davidson, Colman Domingo, Cristo Fernández

Running Time: 2 hours and 7 minutes

Film Rating: 6.5 out of 10  

Creed II director Steven Caple Jr provides a fresh directorial vision for the new Transformers film, Transformers: Rise of the Beasts set in a pre-9/11 world in New York City in 1994 and in Cuzco in Peru.

Far removed from the days of Victoria Secret model Rosie Huntington-Whiteley hanging helplessly off a glistening yet menacing Autobot in Transformers: Dark of the Moon back in 2011, Rise of The Beasts has a completely new vision with two new rising stars featuring Anthony Ramos (A Star is Born, In The Heights) as the hero Noah Diaz, a struggling young Latino man trying to find a job and look after his little brother Kris played by Dean Scott Vazques and Dominique Fishback (Judas and the Black Messiah) as museum researcher Elena Wallace.

Together Elena and Noah must team up with the Autobots as they have to prevent a new Galactic catastrophe as the evil Terrorcon Scourge wonderfully voiced by the Game of Thrones star Peter Dinklage seeks to unlock a mysterious artefact to allow the ruthless Unicron voiced by Colman Domingo to devastate the Earth. Besides all this post-apocalyptic threat taking place ironically set before 9/11, Transformers: Rise of the Beasts has a really cool 1990’s vibe especially the scenes set in New York complete with hip music and a slightly retro production design.

For all Transformers fans, the really thrilling part of these films is watching the cars transform into robots and vice versa, but unfortunately in this version there isn’t enough of that. The script while interesting does go slightly off the reservation, actually way off as the action moves to Cuzco in Peru near the site of the ancient ruins of Machu Picchu in South America.

What is lacking in storyline or characterization in this version is definitely made up for in dazzling special effects which will help Transformers: Rise of the Beasts maintain its popularity throughout the 2023 American summer block buster season.

Noah has a better storyline in the film than Elena, although Anthony Ramos and Dominique Fishback do exceptionally well in a storyline in which 95% of the dialogue is with CGI robots.

Transformers: Rise of the Beasts needed some more human intervention even some quirky characters to spice up a rather clunky storyline, nevertheless it is an entertaining film saved by superb visual effects which will be sure to attract audiences to this film.

Transformers: Rise of the Beasts gets a film rating of 6.5 out of 10 and see it for the catchy music and imaginative visual effects.

Be kind to cinemas and watch Transformers: Rise of the Beasts on a Big Screen now.

Avengers: Infinity War

Directors: Anthony and Joe Russo

Cast: Robert Downey Jr, Chris Evans, Chris Hemsworth, Chris Pratt, Mark Ruffalo, Scarlett Johansson, Don Cheadle, Benedict Cumberbatch, Tom Holland, Chadwick Boseman, Zoe Saldana, Tom Hiddleston, Idris Elba, Paul Bettany, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Danai Gurira, Peter Dinklage, Dave Bautista, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, Josh Brolin, Benicio del Toro, William Hurt, Letitia Wright, Pom Klementieff, Carrie Coon, Winston Duke

Following the phenomenal success of Thor: Ragnorak and Black Panther, Marvel has capitalized on its extended cinematic universe with the new Avengers: Infinity War featuring a plethora of superheroes from Spiderman to Ironman, from Captain America to The Hulk not to mention bringing in the Guardians of the Galaxy gang for additional support.

If Avengers: Infinity War feels a bit excessive, that’s because it probably is combining the Avengers franchise with that of the more quirky Guardians of the Galaxy. Some fantastic moments occur when Spiderman played by Tom Holland meets Peter Quill aka StarLord played by Chris Pratt or when Iron Man, played by Robert Downey Jr disagrees with the wizard Doctor Strange played by Benedict Cumberbatch. The snappy dialogue is sometimes lost amidst the greater quest to fight the evil universe destroyer Thanos played by Josh Brolin.

Thanos is equally conflicted about having to gather all the infinity stones including the one for Souls in which he has to make a choice between himself and his adopted daughter Gamora played by Zoe Saldana. In the meantime, his evil minions are wreaking havoc on earth in New York and in the magical technologically advanced African kingdom of Wakanda where Vision played by Paul Bettany along with Captain America  and Scarlett Witch played by Elizabeth Olsen seek the assistance of Black Panther played by Chadwick Boseman.

Audiences have to suspend their disbelief but judging by how packed the cinemas are for Avengers Infinity War, they are quite happy to do so. This film is pure sci-fi fantasy with little of the action taking place on earth. Most of the fight sequences occur on outer galactic planets like Titan.

Thor needs his hammer back and seeks the help of Eitri played by Peter Dinklage who forges a brilliant new weapon out of a powerful star, the celestial capability of which was last seen on the forgotten kingdom of Asgard.

Whilst directing brothers Anthony and Joe Russo compile an absolute Geekfest with Avengers: Infinity War with enough alien creatures and superheroes to stockpile Comicon for the next decade, it’s a clear sign that the Marvel Universe has ambitious plans to expand even further.

That said Avengers: Infinity War has a convoluted story line weighed down by too many subplots but if viewers see it as a precursor to a second film then they will not find the surprise ending so disruptive….

Avengers: Infinity War gets a film rating 7.5 out of 10 and is strictly for Marvel comic book fans who have followed all the films from the original Iron Man 10 years ago.

The visual effects are fantastic as will be the box office receipts. See it to believe it.

Three Billboards outside Ebbing, Missouri

Director: Martin McDonagh

Cast: Frances McDormand, Sam Rockwell, Woody Harrelson, Abbie Cornish, Peter Dinklage, Lucas Hedges, John Hawkes, Christopher Berry, Zeljko Ivanek, Sandy Martin, Amanda Warren

Oscar winner Frances McDormand (Fargo) gives another Oscar winning performance as the tough and angry Mildred Hayes in director Martin MCDonagh’s acerbic small town drama Three Billboards outside Ebbing, Missouri.

The In Bruges director paints a visceral picture of a small town populated with angry residents trapped by their own limited destinies as they battle to deal with grief, anger, death and divorce.

Featuring a phenomenally well placed cast, Three Billboards also contains stand out performances by Woody Harrelson as Chief Willoughby, Sam Rockwell as the rash and violent mama’s boy cop Dixon, who exudes pent-up aggression in his posture.

There are a host of smaller roles notably played by Peter Dinklage as James, Oscar nominee John Hawkes (Winter’s Bone) as Mildred’s abusive ex-husband Charlie who has run off with a nineteen year old and Caleb Landry Jones (American Made, Get Out) as the Ebbing advertising manager Red Welby who unknowingly rents out the Billboards.

At the centre of this brittle portrayal of small town America is Frances McDormand as Mildred who is still grieving the rape and murder of her daughter Angela, a case still unsolved by the Ebbing police department.

Their bureaucratic ineptitude prompts Mildred to hire out Three Billboards which cast blame on Chief Willoughby and his team including Dixon and Desk Sergeant played Zeljko Ivanek.

Mildred’s anger and her constant profanity to the town’s population causes her relationship with her young son, Robbie, superbly played by Oscar nominee Lucas Hedges (Manchester by the Sea) to deteriorate.

Without giving away an intricate plot, Mildred’s main battle comes up against Dixon, a tightly wound on point performance by Sam Rockwell who deservedly won the Best Supporting Actor Oscar.

Martin McDonagh’s profane script and lively characters should have earned him an Oscar for best original screenplay but more significantly he managed to cast just the right actors in this drama which exemplify all the prejudice, bitterness and anger of being trapped in small town America which has lost touch with current socio-political trends sweeping the major cities.

Three Billboards is a powerful indictment of complacency, a brutal commentary about the violence perpetrated against women everywhere, a lot of which goes unpunished especially in provincial settings like Ebbing, Missouri which are sealed off from the nerve centres of cosmopolitan cities by their paucity and lack of economic opportunities.

It’s a relevant film about vengeance, grief and guilt, sharpened by Frances McDormand’s superb performance as Mildred Hayes who takes the law into her own hand, challenging authority and disrupting the status quo by hiring Three Billboards to show up the law enforcement as being incompetent idiots.

Three Billboards is highly recommended viewing, which will surely be discussed in years to come as a nerve-wracking examination of gender and social dynamics in localized communities.

The Oscar winning Three Billboards outside Ebbing, Missouri gets a film rating of 9 out of 10.

X-Men: Days of Future Past

Director: Bryan Singer

Cast: Hugh Jackman, Jennifer Lawrence, Ian McKellan, Patrick Stewart, Halle Berry, Michael Fassbender, James McAvoy, Nicholas Hoult, Anna Paquin, Ellen Page, Shawn Ashmore, Peter Dinklage, Famke Janssen, James Marsden, Karine Vanasse, Evan Peters, Josh Helman

Which director could resist bringing such a fabulous a-list cast together in one film?

Naturally the original X-Men director Bryan Singer who takes this huge cinematic opportunity to reboot the X-Men franchise and include the original cast members in a mutant time travel fantasy which sees Wolverine, Storm, Raven and Magneto and Professor Xavier battling literally against time in a war to save the mutants from utter destruction at the hands of evil humans, represented by none other than Dr Bolivar Trask, wonderfully played by Peter Dinklage, whose star is clearly rising after the phenomenal success of the allegorical revenge fantasy series Game of Thrones.

Set between 1973 and presumably the present day of 2013, so a forty year time span, the original X-Men including Magneto and Professor Xavier played by Ian McKellan and Patrick Stewart send Wolverine aka Logan back forty years to confront a younger version of themselves and change a pivotal moment in history, the capture of the uniquely chameleon Raven played by Oscar winner Jennifer Lawrence from being captured by the duplicitious Trask. Wolverine with all the braun and charm of the original series gamely played by Hugh Jackman confronts a younger Xavier (a wonderful turn by James McAvoy) and convinces him to set Magneto free from a metal less prison in the heart of the Pentagon in Washington D. C.

In a spell bounding special effects sequence, Xavier, Beast and Wolverine with the able assistance of Quiksilver played with charm by Evan Peters free the unpredictable Erik Lehnsherr aka Magneto and together they go in search of Raven/Mystique as she infiltrates a Vietnamese peace signing ceremony in Paris in 1973 in a bid to assassinate the formidable weapons specialist Dr Bolivar Trask who is hellbent on obliterating all mutants with new Transformeresque type machines known as the Sentinels.

The rest of the action packed hugely spectacular X-Men Days of Future Past is a time travel mutant orgy in the same vein as Marvel’s film The Avengers was with a bunch of superheroes coming together to battle the evil Loki. The cast is just as spectacular and director Singer gives as much screen time as possible to the prolific actors as well as to the lesser cast members but its his lingering cinematic gaze on the gorgeous male cast including Nicholas Hoult (A Single Man) as Beast, Michael Fassbender (Shame) as Erik, James McAvoy (Atonement) as a younger Xavier that gives this superhero mutant fantasy a distinctly homoerotic quality seldom seen in other superhero films.

By their nature superheroes are slightly narcissistic (look at Man of Steel, Batman, Iron Man) but especially so in X-Men Days of Future Past. The female superheroes in this film pale in comparison to their attention grabbing male counterparts with director Singer even giving Wolverine a nude scene as he wakes up in a New York apartment overlooking Time Square in the swinging seventies.

Ultimately, X-Men Days of Future Past is a Hollywood vehicle to reboot the old X-Men franchise and breath fresh life into the cast of the younger selves seen in X-Men: First Class. The film is wonderfully retro in parts and adds to the glamour of recreating the 1970’s on screen with Fassbender and McAvoy looking particularly fetching as the younger Magneto and Xavier. Gone are all the dark overtones of the earlier X-Men films and in this invigorated version, all the mutants look glossy, stylized and supremely accessible. This is a Hollywood blockbuster not just for its multitude of stars but also for the riveting special effects, never mind the convoluted narrative. A must see film for all fans of the X-Men movies and those that follow such commercial gloss with vigour.