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The Art of Surveillance

A Most Wanted Man

A most_wanted_man

 Director: Anton Corbijn

Cast: Philip Seymour Hoffman, Rachel McAdams, Robin Wright, Willem Dafoe, Daniel Bruhl, Nina Hoss, Grigoriy Dobrygin, Rainer Bock

Dutch director of The American, Anton Corbijn skilfully brings to cinematic life the spymaster John le Carre’s novel A Most Wanted Man set in the German port city of Hamburg, the site in which the 9/11 terror attacks emanated from.

Oscar winner Phillip Seymour Hoffman (Capote) in one of his last onscreen performances before his untimely death in New York in 2014, plays German intelligence officer Gunther, an overweight heavy drinking, chain smoking yet patience man who engineers a web of intrigue and surveillance when a Chechen Muslim illegal immigrant arrives in Hamburg seeking asylum.

The immigrant is half Chechen and half Russian and his true reasons for arriving in Hamburg is to claim access to a private bank account held by his Russian father who stashed funds after several covert and illegal Russian/Chechen wars.

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The most wanted man, Issa is a Muslim convert, played by Russian actor Grigoriy Dobrygin, who seeks shelter with a Turkish mother and son. They in turn seek advice on his precarious existence with a human rights lawyer and refugee sympathizer Annabelle Richter played against type by Rachel McAdams.

Gunther with the help of his surveillance team including Daniel Bruhl (Rush) as Maximilian and German actress Nina Hoss as Irna Frey who manipulate Annabelle into setting up a play to gain the confidence of Issa whose sudden wealth is being held by a suave German banker Tommy Brue played by Willem Dafoe (Nymphomaniac).

The German surveillance team is interested in where the funds might go, namely to a prominent Muslim businessman Abdullah in Hamburg who is funneling cash to jihadist groups in the Middle East through a shipping company based in Cyprus.

A Most Wanted Man’s opening scene focuses on the murky swirling waters of the river Elbe running through the second largest port in Europe after Rotterdam, a fitting motif for the tricky surveillance and bureaucracy involved in the gathering of intelligence on suspected terrorists post 9/11. This is an intricate geopolitical affair, with allegiances and deception as part of the cold business of espionage in the tradition of Zero Dark Thirty and Tinker Tailor Soldier Spy.

Into the play comes the seemingly sympathetic CIA officer, Martha Sullivan played by Robin Wright, last seen in the excellent series House of Cards. As Gunther increasingly manipulates both Issa and Annabelle to his own advantage without wanting a full scale extradition, the tension and strain becomes almost unbearable.

This is a well plotted gritty thriller without the flashy car chases or violent fight sequences synonymous with The Bourne Trilogy. Director Corbijn opts for a more sedated, yet carefully paced spy narrative, slow moving in parts, rather emphasizing the mental and emotional strain on all those involved especially Gunther, with his unraveling coming to a head at the film’s rather poignant unexpected conclusion.

At just over two hours, A Most Wanted Man could have been edited in parts, but is nevertheless a fascinating study of the excruciating art of surveillance. Recommended for cinema goers who enjoy well-plotted intelligent spy thrillers without the glamour or excitement of a Bond film.

Death as the Narrator

The Book Thief

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Director: Brian Percival

Starring: Geoffrey Rush, Emily Watson, Sophie Nelisse, Kirsten Block, Nico Liersch, Rainer Bock, Ben Schnetzer

The cinematic adaptation of Markus Zusak’s bestselling novel The Book Thief by screenwriter Michael Petroni retains the central theme of Death as the Narrator, particularly appropriate as it follows the life of Liesel as she is adopted by a German family in a smaller village on the brink of World War II and the encroaching tide of Nazism which was to engulf Germany and lead it into War.

The BBC hit series Downton Abbey British director Brian Percival’s adaption of The Book Thief like the novel focuses on the story of Liesel Meminger beautifully played by Sophie Nelisse and her friendship with a local German boy Rudi Steiner wonderfully played by Nico Liersch and essentially the narrative is framed by a child’s vision of a brutal and cruel world in which books are being burned and oppression is rife.

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Percival sticks to framing the fortunes of Liesel and her adopted parents Hans and Rosa Hubermann superbly played by Geoffrey Rush (The King’s Speech) and Emily Watson (War Horse) and the young girls desire to become completely literate discovering words as a means to heal the loss of her brother and make sense of the anarchy and horror of approaching war which is about to disrupt their tranquil existence.

To complicate matters, the Hubermanns harbour a Jewish refugee Max played by Ben Schnetzer as part of a debt that Herr Hubermann had to a deceased German Jewish man who saved his life during the First World War, bringing the sense that War begets War. Liesel strikes up a friendship with the youth in the cellar, wonderfully sensitive performance who soon realizes that by remaining there he is putting the lives of the entire family at risk as the Nazi’s edge closer to the final solution, Hitler’s plan to exterminate all the Jews in the Nazi Reich, which included all German occupied territories and those countries like Poland conquered during the German invasion during World War II. In a reverse of the bombing of wartime London in Stephen Frears’s magnificent film Mrs Henderson Presents, The Book Thief shows the average German civilian population also being stuck in bunkers as the Allies bombed their towns and cities.

The Book Thief is not about taking sides or points of view whether German or Allied, but effectively illustrates the inevitability of death, especially as it narrates life more poignantly and aggressively in times of war and the tragic effect it has on children. Death in this case is a voice over throughout the film, narrated by Roger Allam, discussing quite elegantly the taking of souls as people die. Grim stuff indeed, but made so lyrical by the hauntingly beautiful musical score by John Williams, The Book Thief‘s only Oscar nomination for 2014.

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The film is lyrical, irrepressible, sad and brilliantly acted especially by the young stars Nelisse and Liersch as the adult actors (Rush and Watson) stand back and allow these thespian proteges to shine so beautifully in such a sombre story of repression, devastation and loss. Recommended viewing for cinema lovers that enjoyed films like Stephen Daldry’s Oscar winning film The Reader or Michael Haneke’s excellent Austrian foreign language film The White Ribbon. German film actors Kirsten Block (The Reader) and Rainer Bock also from War Horse round out the cast.

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