Posts Tagged ‘Richard Gere’

Dinner with the In-Laws

Maybe I Do

Director: Michael Jacobs

Cast: Richard Gere, Susan Sarandon, Diane Keaton, Luke Bracey, William H. Macy, Emma Roberts

Running Time: 1 hour 35 minutes

Film Rating: 6 out of 10

The tricky part about converting a theatrical play into a film, is whether the film adaptation will work and appeal to audiences. The acting has to be brilliant and the theatricality of the play has to be modified for a cinematic aesthetic.

Playwright turned screenwriter and director Michael Jacobs film Maybe I Do has a hugely talented cast including Oscar winners Diane Keaton (Annie Hall) and Susan Sarandon (Dead Man Walking) along with Richard Gere whom Keaton reteams with after the 1977 film Looking for Mr Goodbar along with Oscar Nominee William H. Macy (Fargo) and the young lovers of the play, Michelle and Alan played respectively by Emma Roberts (Billionaire Boys Club) and Luke Bracey (Elvis, Point Break, Hacksaw Ridge).

Maybe I Do focuses on the budding relationship of Michelle and Alan as they decide whether to move onto the next phase of their lives: marriage.

However as they discuss the big leap forward, they decide that their parents should meet each other. Unbeknownst to the young lovers, their parents particularly Alan’s mother Monica, a vampish Susan Sarandon and Michelle’s father Howard played by Gere are having an affair. Simultaneously, quite by accident’s Alan’s father Sam wonderfully played by William H. Macy unknowingly meets Michelle’s mother Grace played by Diane Keaton in a movie theatre.

Unfortunately for Michael Jacobs his script is not brilliant and in a film which is primarily based on dialogue between characters, the actors are left adrift in an environment which is contrived and unconvincing and the actors are playing parts which they are not emotionally invested it. This play is set in New York, it should have been so much better.

Besides a couple of great moments between Gere and Sarandon, the rest of Maybe I Do fails partially due to the bad title and also the plot which is both unconvincing and unsophisticated. The story needed some naughty siblings to spice it up.

Unlike such brilliant films as Mike Nicol’s Closer or more recently Florian Zeller’s The Father, Maybe I Do is definitely not in that league. This is a very light romantic comedy, with some serious moments that fall flat.

For those that enjoy light but unchallenging adult comedy which tightly fits into a 90 minute running time, then catch Maybe I Do in cinemas. Maybe I Do gets a film rating of 6 out of 10, it’s fun but could have been so much better considering the calibre of talent involved.

A Blissful and Marvellous Reunion

The Second Best Exotic Marigold Hotel

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Director: John Madden

Cast: Judi Dench, Maggie Smith, Dev Patel, Celia Imrie, Diana Hardcastle, Richard Gere, Ronald Pickup, David Strathairn, Penelope Wilton, Bill Nighy, Tamsin Greig

After the surprise success of the delightful 2012 film, The Best Exotic Marigold Hotel, it is no wonder that director John Madden decided to do a companion film and organize a more extravagant and blissful reunion of the cast of the first film with newcomers Richard Gere, no longer the Gigolo, and David Strathairn to make up the male parts for the Second Best Exotic Marigold Hotel set in Jaipur, Mumbai and San Diego.

Whilst the original film was a sort of bitter-sweet adventure, the second film is a celebration and continuation of everything so wonderful and colourful about the possibility of spending one’s Twilight years in the exotic location of Jaipur. This is Shady Pines with colour and vibrancy, wit and humour and proves that the older generation of actors can still pull off a charming and marvellous sequel infused with the energetic Sonny wonderfully played again by Dev Patel (Slumdog Millionaire) and his impending wedding to Sunaina played by Tina Desai.

In The Second Best Exotic Marigold Hotel, Sonny has big plans for expansion and hopes to acquire another rambling hotel in Jaipur to extend his collection of gorgeous establishments for the aged and semi-retired. The scenes between Patel and veteran actress Maggie Smith are crackling with wit and exuberance especially as they approach a major hotel chain based in San Diego for some much needed venture capital to expand their business enterprise.

Back in India, director John Madden expands his palette from the first film and each shot of The Second Best Marigold Hotel is a simulacrum of all the great films made about that subcontinent from David Lean’s A Passage to India and Mira Nair’s Monsoon Wedding making for a positively blissful and gorgeous cinematic reunion.

Subtly directed and beautifully acted, although the story is at times whimsical, each of the British actors from Celia Imrie and Diana Hardcastle to Ronald Pickup and Bill Nighy have more scope and depth in this companion piece which will surely delight all audiences who so enjoyed The Best Exotic Marigold Hotel.

Silver haired Richard Gere’s role as an enigmatic guest Guy Chambers and seducer of Sonny’s mom add to the romance of the Jaipur establishment. The structure of the film is centred around the marriage of Sonny and Sunaina from the lavish engagement party to the actual flamboyant and vibrant wedding. Intertwined with the portrait of young love, is the growing affection between Evelyn and Douglas played with the usual quirkiness by Bill Nighy.

The scenes between Dench and Smith are poignant and nuanced, both Oscar winning accomplished actresses as they give viewers a sense that their imminent cinematic retirement is drawing near, yet their stardom will last forever. Oscar winners Maggie Smith and Judi Dench have had amazing stage and screen careers and it is encouraging to see them still commanding the big screen in an age of the digital blockbuster.

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Whilst The Second Best Exotic Marigold Hotel is not as brilliant or as unique as the first film, it still stands on its own as a delightfully fine companion piece. Judging how packed the cinema was, there is a huge market out there for these gorgeous films aimed at retired viewers who are not always willing to sit through some of the Hollywood commercial cinema which makes up the bulk of the studio releases.

The Second Best Marigold Hotel is recommended viewing for those that enjoyed the first film, and similar movies like Enchanted April, Tea with Mussolini and Ladies in Lavender.

 

 

60th Golden Globe Awards

The 60th Golden Globe Awards

Took place on Sunday 19th January 2003 hosted by the Hollywood Foreign Press Association

Golden Globe Winners in The Film Categories:

The hours

Best Film Drama: The Hours

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Best Film Musical or Comedy: Chicago

about_schmidt

Best Actor Drama: Jack Nicholson – About Schmidt

Best Actress Drama: Nicole Kidman – The Hours

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Best Actor Musical or Comedy: Richard Gere – Chicago

Best Actress Musical or Comedy: Renee Zellweger – Chicago

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Best Director: Martin Scorsese – Gangs of New York

adaptation

Best Supporting Actor: Chris Cooper – Adaptation

Best Supporting Actress: Meryl Streep – Adaptation

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Best Foreign Language Film: Talk To Her (Spain)

Source: http://en.wikipedia.org/wiki/60th_Golden_Globe_Awards

Fall of the Patriarch

Arbitrage

arbitrage

Written and Directed by Nicolas Jarecki

Starring: Richard Gere, Susan Sarandon, Tim Roth, Brit Marling, Laetita Casta, Bruce Altman

Richard Gere and Susan Sarandon (Shall We Dance?) reunite in the corporate thriller Arbitrage written and directed by Nicolas Jarecki. Arbitrage is a financial term for trading in different international currencies simultaneously and taking advantage of the price difference in two or more different markets.

The central character of silver haired seducer Robert Miller superbly played by Richard Gere in a 2013 Golden Globe nominated performance, certainly does that as a duplicitous New York hedge fund manager. Not only does Miller have a lovely wife Ellen and two Ivy League educated children, but he also has a sultry and demanding French mistress, an emerging art gallery owner played by Laetitia Casta.

Arbitrage opens with Miller jetting into New York to celebrate his 60th Birthday and what appears like a perfectly successful life goes horribly wrong in the course of the crisply edited film as Miller’s life unravels after a tragic car accident in which he seeks assistance from the paroled son of a former Miller Capital employee, Jimmy Grant played by Nate Parker(The Secret Life of Bees) in what appears as a Bonfire of the Vanities scenario.

Miller is in the process of negotiating the sale of his hedge fund company, Miller Capital to a buyer to cover the cost of a Russian copper deal which went south, a fact that he is desperately trying to keep from his CFO (Chief Financial Officer), his headstrong daughter Brooke Miller, wonderfully played by Brit Marling. When Brooke discovers the multi-million dollar discrepancy she confronts her father and in a tense scene played out in Central Park, Miller tells his daughter that he is the patriarch and that he did what was best for his family. Brooke’s glowing estimation of her father as the corporate breadwinner is surely diminished.

If audiences are expecting the rich to pay for their sins, naturally this does not happen in Arbitrage as it brilliantly portrays a powerful affluent family who is devoid of a moral core, a ruthless patriarch who will do anything to retain his wealth as well as his social status while protecting his family.

In this respect Richard Gere is superb and in the penultimate scene of the film, the confrontation between husband and wife, Gere and Sarandon do not disappoint as the power couple whose infidelities and lies are covered up by shrewd corporate dealing and malignant marital complicity.

For at the end of the day, the Millers like any extremely wealthy family who are accustomed to trading with millions of dollars on the stock market will do anything to protect their privileged position, no matter the means to which they ascended the cut-throat culture of venture capitalism as embodied by Wall Street and New York’s power elite.

Look out for a great performance by Tim Roth (Pulp Fiction) as determined detective Michael Bryer who knows that Miller is responsible for culpable homicide but cannot get past the shady hedge fund manager’s brilliant cover up.

Arbitrage is an intelligent stylish financial thriller similar to Wall Street devoid of any moral core, which makes it all the more frightening considering the long term global repercussions of the 2008 financial crisis as experienced five years later.

Reinvention of Romance

Nights in Rodanthe

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Romance is reinvented in the 2008 screen adaptation of the successful American author Nicholas Sparks novel Nights in Rodanthe, set on an island off the Outer Banks of the spectacular coastline of North Carolina, starring Richard Gere and Diane Lane. These two accomplished actors were previously seen together in the brilliant film Unfaithful and are now back together demonstrating that mature love stories are an everlasting draw card for audiences. Nights in Rodanthe directed by George C. Wolfe is a beautifully shot film about the turmoil of human emotions that ordinary people suffer from loss, regret, love and the general difficulties of balancing a family with the demands of a stressful career in contemporary society.

Diane Lane plays Adrienne Willis a Carolingian housewife whose husband abandoned her months ago, leaving her to deal with two children whose life is changed forever when she goes to Rodanthe a small coastal community to look after a friend’s gorgeous Bed and Breakfast for a couple of days only to fall in love with the one guest who arrives to solve a crisis of conscience, Dr Paul Flanner, a doctor from the city of Raleigh who is seeking to make amends with a man who blames him for his wife’s death. Both characters have emotional troubles and are certainly at turning points in their lives, when they spend a couple of nights together slowly revealing each other secrets and the tragedies that they have left behind.

Charlotte, North Carolina,

Fall 2005

Admittedly I am at a slight advantage in reviewing this film, because I have had the privilege of meeting the author Nicholas Sparks in Charlotte, North Carolina in the fall of 2005 and also having read some of his other novels, most famously The Rescue and The Notebook, starring Ryan Gosling and Rachel McAdams the latter of which was also turned into an historical love story, all set in Sparks home state of North Carolina. All his novels were international bestsellers and as a writer he has found a niche market, well-written romance novels about ordinary characters living under extraordinary circumstances as they deal with themes of love, redemption, loss and eternity.

As a film, Nights in Rodanthe is placed firmly in the tradition of Love Story and will primarily appeal to the female viewer, but what elevates this film is the extraordinary performances by both Gere and Lane who give maturity and significance to their brief affair, made more poignant by love letters written between them after Gere’s character Dr Flanner goes to Ecuador to make amends with his only son. The art of letter-writing so virtually extinguished in this digital age, is cherished here as are the simple pleasures of reflective contemplation, soul-searching and the emotions that accompany those that have discovered true love later in life, beautifully evoked with spectacular scenery of a turbulent coastline and an astonishing setting.

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