Posts Tagged ‘Saïd Taghmaoui’

John Wick 3 – Parabellum

Director: Chad Stahelski

Cast: Keanu Reeves, Halle Berry, Ian McShane, Laurence Fishburne, Asia Kate Dillon, Lance Reddick, Anjelica Huston, Said Taghmaoui, Jerome Flynn, Robin Lord Taylor, Jason Mantzoukas

Director Chad Stahelski assembles an all-star cast for the action packed third installment of the John Wick franchise including Oscar winner Halle Berry (Monster’s Ball) as fellow assassin Sofia along with the fabulous Oscar winner Anjelica Huston (Prizzi’s Honour) as the Director. Naturally the superfit Keaun Reeves (Dangerous Liaisons, My Own Private Idaho, The Matrix) reprises his role as the uber cool assassin John Wick who is on the run after committing a sacrificial act by killing a member of the Assassin’s Guild on the grounds of the lavish Continental Hotel in New York City.

In John Wick 3, Parabellum a bounty is placed on Wick’s head and even the shady Russian mafia cannot assist him as the adjudicator comes for his head, featuring a supremely wicked performance by the androgynous actress Asia Kate Dillon who is so brilliant as the mathematical investment banker in the series Billions.

As the rain-soaked atmospheric and hyper-realistic action moves from New York City to Casablanca and then back again, John Wick and his ally Sofia manage to annihilate every assassin which comes for them. There are Ninjas on motorbikes, there is John Wick riding a horse down a Manhattan street. There are vicious dogs which attack a fellow Moroccan based assassin Berrada played by Game of Thrones star Jerome Flynn.

The coolest cast members by far are Ian McShane as the sophisticated unflappable manager of the Continental Winston and Laurence Fishburne who reprises his role as the Bowery King.

Audiences can expect triple the amount of action, unbelievable production design, outlandish stunts and non-stop hyper-realistic entertainment which just continually builds on what the previous two films started. Expect an unbelievably high body count.

John Wick 3 – Parabellum is not for everyone but will certainly satisfy the bloody palate of  insatiable action fans. Keanu Reeves delivers as the muscular non-stop assassin who doesn’t even shed his trademark black suit and tie in the middle of the Sahara as he continually battles the bizarre code of the High Council and the strange Assassin’s Guild where everyone is out for each other’s blood.

The sets are amazing, the action frenetic and audiences will either love or hate the hyper-realism but stylistically director Chad Stahelski out does himself to ensure that the third instalment of John Wick is a symphony of death and destruction which satisfies a broad range of international fans. Audiences should look out for a great cameo by French Moroccan star Said Taghmaoui (Wonder Woman, The Infiltrator) as The Elder.

John Wick 3 – Parabellum gets a film rating of 7.5 out of 10 and is strictly for hard core action fans otherwise anyone else watching might find the film laughable. 

Wonder Woman

Director: Patty Jenkins

Cast: Gal Gadot, Chris Pine, Robin Wright, Connie Nielsen, Danny Huston, David Thewlis, Said Taghmaoui, Ewen Bremner, Eugene Brave Rock, Elena Anaya

Monster director Patty Jenkins delivers a feminine superhero film with DC’s Wonder Woman featuring the beautiful Israeli actress Gal Gadot as Wonder Woman, Princess of the Amazons.

Gal Gadot first appeared as Wonder Woman in the male-orientated film Batman v Superman and she certainly was no femme fatale, proving a viable counterpoint to Ben Affleck’s Batman.

The first fifteen minutes of Woman Woman, there is no man in sight as the tribe of Amazonian female warriors live blissfully unaware of external strife on an island Themyscira.

As a headstrong young woman, Diana (Wonder Woman) is heavily watched by her protective mother Hippolyta played by Danish beauty Connie Nielsen (Gladiator) while being influenced to train as a Amazonian warrior by her aunt Antiope played by Robin Wright soon to be seen in Blade Runner 2049.

The idyllic exclusion of Themyscira is shattered when the young Diana sees a plane crash into the distant sea and jumps into the ocean saving the bewildered WWI pilot Steve Trevor wonderfully played with bashful humour by Chris Pine (Hell or High Water, Into the Woods).

In an ironic female gaze, director Jenkins turns the camera on a naked Steve as he emerges refreshed from a luxurious infinity pool under the lustful eye of Diana who asks pointedly “Do all men look like that?”

The action moves swiftly to the gritty battle lines of World War 1 as Britain and the allies are about to sign a shaky armistice with Germany. There Diana sees the brutality of man first hand and director Jenkins does not shy away from a valid point that men are the cause of all the wars and the subsequent destruction in the world.

At this point, the audience assumes that the villain of Wonder Woman is the evil German officer Ludendorff played by Danny Huston (Hitchcock, Wrath of the Titans) who is developing chemical weapons with the help of poison specialist Dr Maru played by Elena Anaya.

Diana and Steve form a band of mercenaries set on destroying Ludendorff made up of smooth talking Sameer played by French Moroccan star Said Taghmaoui, Scotsman Charlie played by Trainspotting’s Ewen Bremner and Red Indian chief played by Eugene Brave Rock.

Serving as an origins story and since Wonder Woman is immortal, this is a snapshot of bravery at time when the World was fighting the War to end all wars, circa 1918. What Jenkins manages to do so brilliantly is defy the conventional roles woman play in superhero and adventure films by making the heroine the woman that boldly saves the day, instead of just portraying her as a helpless damsel in distress, leaving the men bewildered, confused and looking like idiots.

As a superhero film, Wonder Woman delivers on all fronts, including lots of humour, copious amounts of action, sufficient visual effects and a surprising plot denouement to keep audiences engaged.

The strikingly gorgeous Gal Gadot holds her own in a big budget franchise film opposite a brilliant blue-eyed Chris Pine, while the period costumes by Lindy Hemming add to the effect of a superheroine stuck in the middle of an antiquated man-made war, which only leaves death and devastation in its wake.

Wonder Woman gets a rating of 8 out of 10. Soon audiences will see more of Wonder Woman as Diana, Princess of the Amazons will next be seen in the highly anticipated Justice League opposite Batman and newcomer Aquaman.

American Hustle

Director: David O. Russell

Cast: Christian Bale, Amy Adams, Bradley Cooper, Jennifer Lawrence, Jeremy Renner, Shea Wingham, Robert de Niro, Alessandro Nivola, Michael Pena

Acclaimed director of Silver Linings Playbook, David O. Russell delivers another cinematic masterpiece with his latest film American Hustle about a couple of con artists in New York in 1978 during the Disco era. Think fabulous Seventies costumes, broad Jersey accents, big hair, the brilliantly ensemble cast of American Hustle all deliver top notch acting along with some sassy flair and loads of self-deception.

Oscar Winner Christian Bale (The Fighter) is brilliant as  Irving Rosenfeld a two-bit con artist with a chain of dry cleaning businesses which also double as a front for selling fake art to unsuspecting New Yorkers who teams up with Sidney/Edith a sexy pole dancer turned grifter superbly played by Amy Adams (Doubt, The Fighter) at a Jersey pool party in January!

Together the ever glamorous Edith sporting a fake British accent and the smooth talking wily potbellied Irving unveil their small scams selling unsuspecting lines of credit to gamblers, pimps and two bit hustlers. However their duplicitous lives are crossed by unstable Richie diMarso energetically played by Bradley Cooper (Place beyond the Pines), complete with a perm and a pent-up attitude who is in fact an FBI agent out to catch bigger fish from corrupt politicians to American mobsters who control the Florida casinos in Florida are looking to reinvigorate Jersey’s den of iniquity Atlantic City with its newly acquired gambling licences.

The setting is New York, 1978 in the wake of the Watergate scandal, when the American public are distrustful of smooth taking politicians and economically hangover from a 1977 oil embargo and a costly Vietnam war. Director Russell captures the ambience of the late 1970’s Americana perfectly heavily influenced by the films of that period including The French Connection, American Gigolo and even the 007 film Live and Let Die. As the narrative unfolds a complication comes in the form of the no-nonsense confident chain smoking wife of Irving, Rosalyn Rosenfeld, a knockout performance by Jennifer Lawrence, last year’s Oscar winner for Silver Linings Playbook.

American Hustle follows a cleverly scripted and elaborate plot about these four drifters and cons who not only try to out wit the FBI, the mob and a shady Jersey politician Mayor Carmine Polito a well coiffed Jeremy Renner (The Hurt Locker, The Bourne Legacy) involving shifting money for fronting an imaginary investment into the revitalization of Atlantic City casinos. Oddly enough the con also involves funds from a mysterious Abu Dhabi Sheik, comically downplayed by Michael Pena who is in fact Mexican.

Amy Adams gives a tour de force performance as Sidney/Edith a vulnerable yet shrewd woman who can smooth talk any man out of his cash which is certainly Oscar worthy along with the rest of the brilliant ensemble cast making up regulars from David O. Russell’s two previous hit films Silver Linings Playbook and The Fighter.

Alessandro Nivola (Coco Avant Chanel), Robert de Niro (Casino) and Shea Wingham (Savages, Take Shelter) also make a welcome appearance. Any viewer who experienced or grew up in the sassy disco inspired 1970’s will appreciate every aspect of authenticity of this ambiance infused con drama featuring magnetic performances by the four leads along with a witty, comic and incisive script co written by Russell and Eric Warren Singer.

American Hustle is a sophisticated sexy adult drama dripping with menace and deception, complete with a dynamic plot in the lines of Stephen Frears excellent The Grifters and Sam Mendes American Beauty. It’s the ultimate homage film about that Seventies Con featuring the unrivalled power of intention and people’s limitless capacity for survival, love and betrayal.