Posts Tagged ‘Stephen Graham’
Decommissioning Area 51
Venom: The Last Dance
Director: Kelly Marcel
Cast: Tom Hardy, Juno Temple, Chiwetel Ejiofor, Rhys Ifans, Stephen Graham, Reid Scott, Andy Serkis
Running Time: 1 hour 49 minutes
Film Rating: 7 out of 10
Screenwriter turned director Kelly Marcel takes over the Venom franchise in the final instalment of this monster franchise, luckily getting Tom Hardy to reprise his role as San Francisco journalist Eddie Brock who literally has a monster on his back: the tap dancing, chocolate loving Venom.
Venom: The Last Dance loses the talents of Michelle Williams but the cast is gained by the addition of Emmy nominee Juno Temple (Fargo) as Dr Teddy Paine and Oscar nominee Chiwetel Ejiofor (12 Years a Slave) as army commander Strickland who is desperate to catch Brock along with his cheeky symbiosis, the monster Venom, while decommissioning Area 51.
Set mainly in Area 51 in Nevada, Brock after escaping a decapitation episode in Mexico flees back to America to travel to New York.
Venom: The Last Dance is modelled as a crazy road trip film with some freaky alien monsters that suddenly arrive and attack humans in Nevada.
A deadly force Knull played by Andy Serkis, creator of the symbiotes has awakened in the galaxy and needs Eddie’s symbiote’s codex to unleash hell and damnation on the decadent world of contemporary America. Soon Dr Paine and Strickland are after Eddie to catch him before these deadly monsters are unleashed.
Unlike the first two Venom films which had a distinct villain, there is no clear enemy in this film, except a vague malignant force in the universe from Venom’s home planet that wants the symbiote dead.
While the storyline is quite nostalgic and in parts quite silly, there are some delightful moments provided by BAFTA nominee and winner Rhy Ifans (Notting Hill, Not Only But Always) as the travelling hippie Martin who takes his crazy family on a road trip through Nevada in search of aliens and instead gets embroiled in a monster battle between Venom and Xenophage, a vicious head snapping creature from Venom’s home planet.
While Tom Hardy has the constant expression on his face of why did I sign up for a third movie, the rest of the cast are enthusiastic although first time director Kelly Marcel needs tips on upping the action to increase the film’s pace.
Venom The Last Dance is nostalgic, entertaining and filled with monsters and does manage to stand as a fitting end to the Venom trilogy. Audience stay until the closing credits are finished.
Humorous and horrific, Venom: The Last Dance gets a film rating of 7 out of 10 and is not the best of the films but it certainly packages the Venom storyline right up to Eddie’s intended destination. Recommended viewing for those that loved the first two films.
That Dark Cathedral
Venom: Let There Be Carnage
Director: Andy Serkis
Cast: Tom Hardy, Michelle Williams, Woody Harrelson, Naomie Harris, Scott Reid, Stephen Graham
Film Rating: 7 out of 10
Running Time: 97 minutes
Oscar nominee Tom Hardy (The Revenant) reprises his role as struggling San Francisco journalist Eddie Brock aka Venom in the sequel to the 2018 film Venom, now called Venom: Let There Be Carnage.
Directed with a sort of Gothic efficiency by fellow actor Andy Serkis, Venom: Let There Be Carnage is a fun-filled monster flick about Brock who is fighting with his dark alter ego Venom who continuously wants to eat anything in sight, while trying to maintain a semblance of a routine existence.
Venom is soon drawn into the world of insane serial killers when he is asked to interview Cletus Kassidy aka Carnage wonderfully played with a crazy attitude by Oscar nominee Woody Harrelson (The People versus Larry Flynt; Three Billboards outside Ebbing, Missouri) who is incarcerated in an insane asylum and longs to be reunited with his one true love, the equally devilish Frances Barron played by Oscar nominee Naomie Harris (Moonlight).
Soon Cletus Kassidy and Frances Barron break out of their respective institutions and are ready to infect chaos in the life of Eddie Brock including his gorgeous ex-girlfriend Anne Weying played by Oscar nominee Michelle Williams (Brokeback Mountain, Blue Valentine, My Week with Marilyn) and her new boyfriendm, the straight laced Dr Dan Lewis played by Reid Scott.
But Eddie firstly has to find Venom who escapes his body and goes on a gaudy Halloween jaunty only to discover that Brock’s body is the best place to host this symbiosis.
The four main actors made this film savagely enjoyable and director Andy Serkis fortunately did not make an overly cluttered production of this sequel and kept the running time to about 97 minutes while successfully linking Venom into the greater Sony/ Marvel Cinematic Universe as seen by the hilarious end scene in the closing credits. It’s definitely worth staying in your cinema seat for as the film ends.
Venom: Let There be Carnage does not pretend to be high-brow but it is loads of fun particularly for fans of the first film and Tom Hardy relishes in playing the role of Eddie Brock, a struggling journalist who has a hard time reconciling with his inner demon in this case the increasingly ravenous Venom.
Hardy’s body language throughout the film is amazing and so is Woody Harrelson and the final showdown in a dark Cathedral outside San Francisco is dripping with murky B-Grade Horror film references particularly the attempted marriage scene between Cletus Kassidy and Frances Barron.
Audiences should also look out for the clever animation sequence inserted in the middle of the film.
So relax and go watch Venom: Let There Be Carnage, it’s a fun-filled crazy superhero film which does not take itself or the entire caper scenario very seriously.
Efficiently directed by Andy Serkis, Venom: Let There be Carnage gets a film rating of 7 out of 10 and is not brilliant but a worthy sequel to the 2018 original.
Betrayal and Remorse
The Irishman
Director: Martin Scorsese
Cast: Robert de Niro, Al Pacino, Joe Pesci, Bobby Cannavale, Harvey Keitel, Anna Paquin, Stephen Graham, Ray Romano, Jack Huston, Jesse Plemons
Please note this film is currently only available on the Streaming Service Netflix and had a very limited theatrical release in cinemas.
When I heard that the latest Martin Scorsese film, The Irishman was only going to have a Netflix release I was deeply perplexed. Scorsese has always championed the art of cinema, of audiences watching films in a cinema. Especially his films. Scorsese is also passionate about film restoration both digitally and for preservation purposes.
Considering that The Irishman runs for 3 and a half hours, I can understand why Scorsese choose the world’s most famous streaming service to release his latest masterpiece. Most of Scorsese’s other films run for under 3 hours which is manageable in a cinematic format and palatable for audiences to sit through.
The Irishman is exceptionally long but it is worth the reward considering the talent that Scorsese procured to act in this exceptional film about the mafia, hitmen and Union boss Jimmy Hoffa. His long-time collaborator Oscar winner Robert De Niro (Raging Bull, The Godfather Part II) is sensational as Frank Sheeran who is basically in every frame of this digital masterpiece as is Oscar winner Al Pacino (Scent of a Woman) who is utterly captivating as the Union Teamster boss Jimmy Hoffa who mysteriously disappeared in Detroit in 1975.
Equally brilliant is Oscar winner Joe Pesci (Goodfellas) who came out of acting retirement to star as mafia heavyweight Russell Bufalino who answered to the Detroit and Chicago mafia.
Unfortunately, the part of Frank’s disapproving daughter Peggy Sheeran played by Oscar winner Anna Paquin (The Piano) is underwritten and not fully utilized especially in the crucial scenes between her and her father who is basically a hitman for the mob or as some people like to say “I Heard You Paint Houses”.
Al Pacino really steals the show as Jimmy Hoffa a larger than life character who refuses to buckle to pressure from the Mafia even when he allowed them to use the union’s immense pension money to fund the mob’s gambling operations in Las Vegas and Atlantic City in the 1960’s and early 1970’s.
The Irishman could have had 30 minutes shaved off the film and Scorsese could have released it in cinemas as I personally found the last section of this epic tale dragged considerably especially when trying to view it on a mobile device.
Superb performances by De Niro, Pesci and Pacino make The Irishman worth watching but viewers be sure to have three and a half hours spare. It’s a stunning film but could have been edited sufficiently to condense the exceptionally large canvas that Scorsese always tries to paint, except in this case it’s a streaming canvas which has made Netflix even wealthier.
The Irishman gets a film rating of 8.5 out of 10 and is recommended viewing purely for the phenomenal acting of such veteran stars as De Niro, Pesci and of course Pacino who is a revelation.
Let’s see how The Irishman fares during the 2020 Awards Season although if Al Pacino doesn’t win a Best Supporting Actor Oscar for his role, then that is a great cinematic injustice.
The Quest for Poseidon’s Trident
Pirates of the Caribbean: Salazar’s Revenge
Directors: Joachim Ronning and Espen Sandberg
Cast: Johnny Depp, Javier Bardem, Geoffrey Rush, Brenton Thwaites, Kaya Scodelario, Kevin McNally, David Wenham, Orlando Bloom, Keira Knightley, Stephen Graham
Viewers can be forgiven for thinking that they are on a spectacular Disney theme park ride, when watching the highly entertaining opening sequence of Pirates of the Caribbean: Salazar’s Revenge co-directed by Joachim Ronning and Espen Sandberg.
Pirates of the Caribbean: Salazar’s Revenge was released in South Africa, Europe and the UK under this title but is also known as Pirates of the Caribbean: Dead Men Tell No Tales in America possibly for trademark reasons.
This fifth installment of the hugely successful Pirates franchise which made stars out of Orlando Bloom and Keira Knightley, not to mention cementing Johnny Depp’s status as a massive box office drawcard, is maximum entertainment. Depp’s performance as the wayward pirate Captain Jack Sparrow was Oscar nominated back in 2003 for Pirates of the Caribbean: The Curse of the Black Pearl.
As the film opens we see Australian actor Brenton Thwaites (Maleficent, Gods of Egypt) as Henry Turner conversing miraculously underwater with his trapped father Will Turner played again by Orlando Bloom (Pirates of the Caribbean: At World’s End).
Henry makes a pact to find Poseidon’s Trident which will undo all the curses which have befallen pirates and sailors alike in the turbulent waters of the Caribbean, thus freeing his father from his watery confinement.
Under another such curse is Salazar, the archetypal villain wonderfully played with a Spanish accent by Oscar winner Javier Bardem (No Country for Old Men) who is a ghostly pirate trapped for eternity in an unholy state keen on exacting revenge on every pirate and sailor he encounters, more specifically Captain Jack Sparrow who he blames for tricking him into sailing into the Devil’s Triangle, cursing his Spanish crew forever.
After an attention grabbing opening sequence involving a chaotic bank robbery on the British controlled island of Saint Martin, Captain Sparrow reluctantly gathers his crew again including Henry Turner and newcomer Carina Smyth played by Kaya Scodelario as they escape the island and set sail in search of the elusive Poseidon’s trident. The bloodthirsty Salazar has made an unlikely pact with another of Sparrow’s enemies Hector Barbossa wonderfully played by Oscar winner Geoffrey Rush (Shine).
While Pirates of the Caribbean: Salazar’s Revenge is fantastic entertainment with alluring special effects, the plot and direction is occasionally ambivalent lacking a unity of vision in certain sequences.
Besides the swashbuckling, the cameo appearances and a relentlessly fast narrative which taps into a pervasive Pirates mythology which subscribes to the notion that they are outlaws, reckless and merciless, this version of Pirates of the Caribbean is worth seeing especially since it deftly introduces the franchise to a younger audience with the love affair between Carina and Henry, promising of more sequels to come.
Perhaps the action might seem implausible or downright fantastical, but Pirates delivers on its franchise promise and gets a rating of 7.5 out of 10.
Fans of the previous films, will enjoy this version especially the welcome re-appearance of its most notable anti-hero, the rum-sipping, wise-cracking and perverse Jack Sparrow played with suitable delinquency by Johnny Depp.