Posts Tagged ‘Timothy Spall’
Reinventing Sandra
Finding Your Feet
Director: Richard Loncraine
Cast: Imelda Staunton, Celia Imrie, Timothy Spall, Joanna Lumley, John Sessions, David Hayman, Phoebe Nicholls
Oscar nominee Imelda Staunton (Vera Drake) plays Sandra in the British comedy Finding your Feet directed by Richard III and Wimbledon director Richard Loncraine.
Sandra discovers during her husband’s retirement party that he has been having an affair for five years which sends her on a journey of self-discovery as she gradually shrugs off the snobbery of her former life and moves in with her hippie older sister Bif played by Celia Imrie (The Best Exotic Marigold Hotel, The Cure for Wellness).
Bif leads a completely unconventional life with the help of her friend Charlie played by British star Timothy Spall (Mr Turner) and soon the pair introduce the uptight Sandra to dance classes and a flash mob dance contest in Piccadilly Circus to create awareness for the aged.
With the able assistance of Bif’s hilarious friend Jackie wonderfully played by Absolutely Fabulous star Joanna Lumley, Sandra soon takes up dancing and discovers an entirely different world made all the more charming by the blossoming courtship with Charlie as they wonder down Oxford Street to see the Christmas Lights.
Finding your Feet is a truly delightful British comedy set mainly in London and also in Rome, which adds to the glamour of the film, held together by superb performances by Imelda Staunton and Celia Imrie who play sisters rediscovering their sibling relationship after years of estrangement.
Highly recommended for audiences that enjoyed such films as The Best Exotic Marigold Hotel, Tea with Mussolini and Four Weddings and a Funeral, Finding Your Feet proves that it’s never too late to reinvent yourself and discover romance again.
Finding your Feet gets a film rating of 7 out of 10 and is a charming British comedy with a sufficient dash of poignancy to satisfy the tastes of more mature audiences.
Time is on our Side
Alice Through the Looking Glass
Director: James Bobin
Cast: Mia Waskowska, Johnny Depp, Anne Hathaway, Helena Bonham Carter, Sacha Baron Cohen, Lindsay Duncan, Rhys Ifans, Stephen Fry, Timothy Spall, Michael Sheen, Richard Armitage, Andrew Scott, Alan Rickman
Contrary to popular belief the author of Alice Through the Looking Glass was not high on drugs although the latest film version by James Bobin seems to suggest otherwise. Victorian author Lewis Carroll was prone to doses of Laudanum but certainly not to hallucinations due to any mind altering drugs. Carroll whose real name was Charles Lutwidge Dawson did hang out with the Pre-Raphaelites and obviously possessed a vivid imagination.
Following the immense success of director Tim Burton’s Alice in Wonderland in 2010, Alice Through the Looking Glass fortunately reassembles the same cast with a much larger part for Johnny Depp as the Mad Hatter.
Additions to the new film, include British comedian Sacha Baron Cohen (Hugo, Borat, The Dictator) as Father Time and Rhys Ifans (Notting Hill) as the misplaced father of the Mad Hatter, Zanik Hightopp.
Mia Wasikowska reprises her role as Alice Kingsleigh and Lindsay Duncan (Birdman) stars as her mother Helen Kingsleigh.
Visually, Alice Though the Looking Glass is a real treat, a sublime and whimsical journey into a fantasy world in which Alice must travel through time and a looking glass and not only battle Father Time but the evil Red Queen of Hearts, wonderfully played again by Helena Bonham Carter.
This time the evil Queen seeks vengeance upon her sister Mirana, played with virginal innocence by Anne Hathaway, plunging Wonderland into chaos as the Queen of Hearts against the warnings of Father Time, confronts a past version of herself, a jealous little girl who was blamed for her sister’s naughty tricks of stealing tarts.
Whilst Alice Through The looking Glass will certainly appeal to a younger female audience, its themes are certainly of an adult nature – never regret the past, never try and take revenge on your family and most importantly always strive for what is your rightful inheritance. Mia Wasikowa is utterly believable as the headstrong Alice who in the prologue of the film is battling to save her late father’s ship from being taken away by greedy Victorian creditors.
Alice Through the Looking Glass, despite some big names in the cast is a brilliant ensemble piece, beautifully told and superbly directed by James Bobin under the guidance of Tim Burton.
Naturally Depp is completely whacky and delightful as the incorrigible mad hatter, but it’s really Sacha Baron Cohen who steals the show as the ubiquitous Father Time who proves that time is really on our side, despite the proverbial warning.
This rewarding sequel is fun, visually fantastic and highly recommended viewing, a whimsical journey through the looking glass into a parallel universe in which time paradoxically becomes an embodiment of both past regrets and future reconciliations.
2014 Cannes Film Festival
2014 Cannes Film Festival Winners
Winners of the five main prizes at the 2014 Cannes Film Festival were as follows: –
Palm d’Or: Winter Sleep directed by Nuri Bilge Ceylan
Best Director: Bennett Miller for Foxcatcher starring Channing Tatum, Steve Carell, Mark Ruffalo, Sienna Miller and Vanessa Redgrave
Best Actor: Timothy Spall for Mr Turner
Best Actress: Julianne Moore for Maps to the Stars
Best Screenplay: Andrey Zvyagintsev and Oleg Negin for Leviathan (film poster not yet released)
Source –
http://en.wikipedia.org/wiki/Cannes_Film_Festival
http://www.festival-cannes.com/en.html
Born Radicals
Ginger and Rosa
Director: Sally Potter
Cast: Annette Bening, Elle Fanning, Alice Englert, Christina Hendricks, Alessandro Nivola, Jodhi May, Timothy Spall, Oliver Platt
British director Sally Potter renown for such art house films as the brilliant Orlando starring Tilda Swinton and The Tango Lesson, comes up trumps with her latest film Ginger and Rosa, featuring the uber-cool cast of Elle Fanning as the vulnerable Ginger, Alice Englert as the seductive Rosa, along with a supporting cast of Christina Hendricks (Drive) Alessandro Nivola (Coco Avant Chanel) as Ginger’s father Roland along with Oliver Platt, Timothy Spall and the always brilliant Annette Bening (Being Julia, Bugsy, The Kids are Alright).
Ginger and Rosa follow the entwined story of two girls born in 1945 as Hiroshima was decimated by a Nuclear Bomb ending World War II and traces their radical progression into adulthood in London in 1962, characterized by a growing social disenchantment with the establishment. The fact that Ginger’s Mom Natalie an aspiring painter turned housewife played superbly by Hendricks and her pacifist and ultimately selfish father Roland played by Nivola are not exactly conventional, helps in Ginger realizing her taste for social activism drawing her to the CND. As both teenage girls experiment with sex, booze and drugs, Ginger turns more to the growing Campaign for Nuclear Disarmament (CND) which was fuelled by her awareness of the Cuban Missile Crisis of 1962.
Ginger whilst reading T.S. Eliot’s poem The Wasteland, soon finds herself got in a private crisis as her promiscuous friend Rosa puts their relationship in a delicate and complex situation. Rosa’s absence of a father figure spurs an inner sexual rebellion as her seldom seen working class mom Anouska played by Jodhi May last seen in the World War II drama Defiance, leaves Rosa feeling neglected and continually searching for love.
Sally Potter is clearly enchanted with Elle Fanning the younger sister of Hollywood actress Dakota Fanning and her performance in Ginger and Rosa is flawless conveying a wondrous vulnerability about the challenges of youth. Elle Fanning has become the darling of Art House cinema being cast in Sofia Coppola’s tale of a father and daughter’s relationship in a celebrity obsessed world in Somewhere and now Ginger and Rosa. Elle Fanning first came to attention in J.J.Abrams brilliant homage to Sci-Fi in the film Super 8 and has since caught the attention of cinema’s more influential female directors like Coppola and Potter.
Whilst the supporting cast in Ginger and Rosa are superb, especially Hendricks and Nivola as Ginger’s Bohemian parents and the rare glimpses of Annette Bening as a hardened radical feminist Bella who eventually coaxes the truth out of Ginger’s psychological and social dilemma, the film remains Elle Fanning’s with the cinematography capturing the intensity of activism versus vulnerability on the young Ginger as she negotiates a more complex environment both domestically and socially.
Ginger and Rosa is an intelligent exploration of betrayal, activism and social comprehension in a world which has become increasingly turbulent especially in the face of growing distrust of established social conventions governing family, relationships and role models in the light of a broader context of a society which is turning to radical activism as the main form of protest against Western governments using its nuclear power to obliterate cities and the pure carnage of war as illustrated in the post-World War I T. S. Eliot poem The Wasteland published in 1922.